When Echo & the Bunnymen released Porcupine on February 4, 1983, the album arrived as a reflection of a band pushing through internal tension, artistic reinvention, and record label doubts. Despite its troubled creation, Porcupine became a pivotal moment for the band, peaking at No. 2 on the UK Albums Chart and solidifying their reputation as post-punk pioneers. With its iconic cover shot in Iceland and standout singles like “The Cutter” and “The Back of Love,” the album earned gold certification in the UK. Yet, beneath the snow-covered surface lies a treasure trove of little-known stories.
1. The Album Was Rejected Before It Was a Masterpiece
The original version of Porcupine was outright rejected by the band’s label, WEA, for being “too uncommercial.” This initial iteration, devoid of its now-celebrated string arrangements, was deemed too raw and dark. Only after the band rerecorded sections and added Shankar’s haunting string contributions did the label give it the green light. Shankar’s work on tracks like “The Cutter” brought a cinematic layer that ultimately defined the album’s sound.
2. Its Working Title Was The Happy Loss
Before it became Porcupine, the album bore the enigmatic working title The Happy Loss. While the final name reflects the prickly interpersonal dynamics within the band and the record’s introspective themes, the original title hinted at a mix of melancholy and optimism that characterized much of Echo & the Bunnymen’s ethos during this era.
3. Iceland Almost Didn’t Happen
The album’s now-iconic cover and promotional visuals were shot in Iceland, but that decision came at the last minute. Originally planned for Scotland, the lack of snow forced the production team to pivot. In Iceland, the band braved subzero temperatures and treacherous conditions near Gullfoss waterfall. According to Ian McCulloch, one misstep could have sent them plummeting hundreds of feet. The stark, icy landscape perfectly captured the album’s ethereal yet brooding vibe.
4. “The Cutter” Was Inspired by Cat Stevens
During the recording of “The Cutter,” guitarist Will Sergeant suggested that Shankar incorporate the melody from Cat Stevens’ 1967 hit “Matthew and Son.” This subtle nod to the past, combined with Shankar’s distinct string flourishes, created one of the band’s most enduring tracks. It climbed to No. 8 on the UK Singles Chart, becoming their first Top 10 hit.
5. The Band Nearly Imploded During Recording
The creation of Porcupine was fraught with tension among the band members. Bassist Les Pattinson grew weary of the music industry, drummer Pete de Freitas diverted his energy to producing other artists, and guitarist Will Sergeant worked on his solo project. Meanwhile, lead singer Ian McCulloch felt immense pressure to prove the band’s worth. Producer Ian Broudie (later of Lightning Seeds fame) managed to corral these disparate energies, steering the band through what could have been their breaking point.
From its turbulent inception to its icy visuals, every layer of Porcupine tells a story of struggle, reinvention, and triumph. It’s no wonder the album resonates as one of Echo & the Bunnymen’s crowning achievements. W
