- Kendrick Lamar was the first solo rapper to headline the Super Bowl halftime show.
- His performance was centered around a video game motif, symbolizing his journey through the American dream.
- The performance featured four main stages, each shaped like a PlayStation controller button.
- The monochromatic concrete aesthetic was meant to keep the focus on the storytelling.
- The show featured political and cultural messages about race, incarceration, and the Black American experience.
- Apple Music and Roc Nation sponsored the halftime show.
- The performance was held at the Caesars Superdome in New Orleans.
- Lamar’s show was one of the biggest halftime production footprints in Super Bowl history.
- The entire stage and set had to be assembled in 7.5 minutes and removed within 6 minutes.
- All Access and Tribe Inc. were responsible for the show’s design and production.
- The centerpiece of the performance was a Buick GNX, tied to his album of the same name.
- The GNX used was bought from a dealership in Riverside, California.
- The car was gutted and modified to act as a “clown car” that opened to reveal dancers.
- The stage and set design had to fit through a single tunnel in the stadium, limiting options.
- 50+ carts weighing between 1,500-3,500 pounds were used for staging and equipment.
- Custom-built streetlights were included in the set, some holding dancers.
- The field was protected using specially designed “turf tires” for all stage carts.
- LED lighting and projection effects enhanced the video game theme.
- The halftime show featured choreographed marching formations, mimicking military precision.
- Lamar’s team, including pgLang and creative director Mike Carson, prioritized minimalism and storytelling.
- The show opened with Samuel L. Jackson dressed as Uncle Sam introducing Lamar.
- Jackson’s character mocked Lamar for being “too loud, too reckless, too ghetto,” highlighting stereotypes.
- Lamar performed “Squabble Up,” “Humble.,” “DNA.,” “Euphoria,” “Peekaboo,” and more.
- He included Grammy-winning songs “Not Like Us” and “All the Stars” (with SZA).
- SZA made a surprise appearance for “Luther” and “All the Stars.”
- Serena Williams joined Lamar on stage and was seen crip-walking.
- The set resembled a prison yard, symbolizing mass incarceration.
- At one point, Lamar referenced “40 acres and a mule,” a call to Black reparations.
- A dancer formation created a broken American flag, symbolizing division.
- Lamar removed the word “pedophiles” from “Not Like Us” but kept the song’s diss elements.
- The show included a reference to Gil Scott-Heron’s “The Revolution Will Not Be Televised.”
- The concept of an “Uncle Tom” figure was portrayed through Jackson’s character.
- The prison yard set criticized the racial disparities in mass incarceration.
- Lamar’s wardrobe—a pgLang jacket with “Gloria”—was a nod to his mother.
- The choreography included imagery of slavery and the foundation of America on Black labor.
- The use of red, white, and blue costumes was a critique of patriotism vs. oppression.
- Jackson’s repeated interruptions symbolized societal expectations for Black artists to conform.
- Lamar referenced Drake’s lawsuits against Universal Music Group in “Not Like Us.”
- “TV Off” was a closing statement about media manipulation and control.
- The GNX was difficult to find due to Lamar’s album boosting its value.
- One potential seller didn’t have the legal title to the car.
- The final GNX used had to be dismantled, making it permanently non-street legal.
- The production team had to rehearse around delays caused by Los Angeles wildfires.
- The single entrance to the stadium made logistics especially difficult.
- The show followed a tight schedule, with only months to design, build, and rehearse.
- The synthetic turf at the Superdome allowed for easier field protection than in previous years.
- Lamar’s Super Bowl announcement came on September 8, giving him limited prep time.
- Some rehearsals were postponed due to unforeseen issues.
- The show gained over 11 million views online within hours of airing.
- Lamar’s performance cemented his place in Super Bowl and hip-hop history, proving rap’s dominance on a global stage.