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David Bowie’s Debut Self-Titled To Be Reissued On Vinyl With Rare “Space Oddity”

On 26th July David Bowie’s groundbreaking debut album is set for a vibrant revival on Deram with a reissue on both CD and coloured vinyl, boasting exclusive tracklists.

Presented with the single B-sides the very first time on vinyl, including a rare version of Space Oddity, his breakthrough hit.

Originally released on 1st June 1966 David Bowie was an artist on the cusp of genius, in the height of Swinging London.

Critics of the time commented; with the NME praising Bowie’s fresh sound as “all very refreshing” and hailing him as “a very promising talent.” Melody Maker lauds the album as “a singularly rewarding collection” with “excellent” production, while expressing surprise that Bowie hadn’t yet made a bigger impact on the pop scene. Meanwhile, Disc & Music Echo raves about the album, describing it as “a remarkable, creative debut album by a 19-year-old Londoner” and declaring Bowie as “a new talent that deserves attention.”

With such illuminating reviews, this release promises to reignite Bowie’s early legacy and introduce his visionary artistry to a new generation of listeners.

This re-issue features the original stereo album, produced by Mike Vernon, with a further fourteen tracks, including the first fruits of Bowie’s long relationship with producer Tony Visconti; ‘Let Me Sleep Beside You’, ‘Karma Man’ ‘In The Heat Of The Morning’ and ‘London Bye Ta-Ta’, the last making its vinyl debut in this collection.

Looking back on his debut album many years later with characteristic self-deprecation, Bowie mused: “Lyrically I guess it was striving to be something – the short story teller. Musically it’s quite bizarre. I don’t know where I was at. It seemed to have its roots all over the place, in rock and vaudeville and music hall and I don’t know what. I didn’t know if I was Max Miller or Elvis Presley.”

These early recordings reveal an earnest young artist at the dawn of his career, working hard on material in which he passionately believed. David Bowie poured his young heart into this music – and it shows.

To pre-order David Bowie go here.

Double Vinyl variants:
D2C released on cream and green swirl colour vinyl features exclusive track: Space Oddity (Love You Till Tuesday Version).
Indie store version released on green swirl colour vinyl features exclusive track: The Laughing Gnome – Vocal Take 1 / Mix 1
Standard album released on double green colour vinyl features exclusive track: Sell Me A Coat – Remix – Mono

D2C variant

Exclusive Track: Space Oddity (Love You Till Tuesday Version)

Tracklist
A-Side:
Uncle Arthur
Sell Me A Coat
Rubber Band
Love You Till Tuesday
There Is A Happy Land
We Are Hungry Men
When I Live My Dream

B-Side:
Little Bombardier
Silly Boy Blue
Come And Buy My Toys
Join The Gang
She’s Got Medals
Maids Of Bond Street
Please Mr. Gravedigger

C-Side:
Rubber Band Single version
The London Boys Mono
The Laughing Gnome Stereo Mix
The Gospel According To Tony Day Single version Stereo Mix
Love You Till Tuesday Single version
Did You Ever Have A Dream Single version Stereo Mix
When I Live My Dream Single version – Mono

D Side:
Let Me Sleep Beside You Stereo Mix
Karma Man Stereo Mix
In The Heat Of The Morning Stereo Mix
London Bye Ta-Ta
When I’m Five Love You Till Tuesday Soundtrack
Ching-A-Ling Full length Stereo Mix
Space Oddity Love You Till Tuesday Full Length Version

Standard Vinyl Version:

Exclusive Track: Sell Me A Coat Remix – Mono

Tracklist:
A-Side:
Uncle Arthur
Sell Me A Coat
Rubber Band
Love You Till Tuesday
There Is A Happy Land
We Are Hungry Men
When I Live My Dream

B-Side:
Little Bombardier
Silly Boy Blue
Come And Buy My Toys
Join The Gang
She’s Got Medals
Maids Of Bond Street
Please Mr. Gravedigger

C-Side:
Rubber Band Single version
The London Boys Mono
The Laughing Gnome 2010 Stereo Mix
The Gospel According To Tony Day Single version Stereo Mix
Love You Till Tuesday Single version
Did You Ever Have A Dream Single version Stereo Mix
When I Live My Dream Single version – Mono

D Side:
Let Me Sleep Beside You Stereo Mix
Karma Man Stereo Mix
In The Heat Of The Morning Stereo Mix
London Bye Ta-Ta
When I’m Five Love You Till Tuesday Soundtrack
Ching-A-Ling Full length Stereo Mix
Sell Me A Coat Remix – Mono

Indie Store version

Exclusive Track: The Laughing Gnome Vocal Take 1 / Mix 1

A-Side:
Uncle Arthur
Sell Me A Coat
Rubber Band
Love You Till Tuesday
There Is A Happy Land
We Are Hungry Men
When I Live My Dream

B-Side:
Little Bombardier
Silly Boy Blue
Come And Buy My Toys
Join The Gang
She’s Got Medals
Maids Of Bond Street
Please Mr. Gravedigger

C-Side:
Rubber Band Single version
The London Boys Mono
The Laughing Gnome 2010 Stereo Mix
The Gospel According To Tony Day Single version Stereo Mix
Love You Till Tuesday Single version
Did You Ever Have A Dream Single version Stereo Mix
When I Live My Dream Single version – Mono

D Side:
Let Me Sleep Beside You Stereo Mix
Karma Man Stereo Mix
In The Heat Of The Morning Stereo Mix
London Bye Ta-Ta
When I’m Five Love You Till Tuesday Soundtrack
Ching-A-Ling Full length Stereo Mix
The Laughing Gnome Vocal Take 1 / Mix 1

Double CD
CD 1 :
Uncle Arthur
Sell Me A Coat
Rubber Band
Love You Till Tuesday
There Is A Happy Land
We Are Hungry Men
When I Live My Dream
Little Bombardier
Silly Boy Blue
Come And Buy My Toys
Join The Gang
She’s Got Medals
Maids Of Bond Street
Please Mr. Gravedigger

CD 2 :
Rubber Band Single version
The London Boys Mono
The Laughing Gnome 2010 Stereo Mix
The Gospel According To Tony Day Single version Stereo Mix
Love You Till Tuesday Single version
Did You Ever Have A Dream Single version Stereo Mix
When I Live My Dream Single version – Mono
Let Me Sleep Beside You Stereo Mix
Karma Man Stereo Mix
In The Heat Of The Morning Stereo Mix
London Bye Ta-Ta
When I’m Five Love You Till Tuesday Soundtrack
Ching-A-Ling Full length Stereo Mix
The Laughing Gnome Vocal Take 1 / Mix 1
Sell Me A Coat Remix – Mono
Space Oddity Love You Till Tuesday Full Length Version

Little Big Town Continue 25th Anniversary Celebration With Greatest Hits Album Out August 9

Multi-platinum GRAMMY® Award-winning four-piece Little Big Town – comprised of Karen Fairchild, Kimberly Schlapman, Phillip Sweet, and Jimi Westbrook – proudly announce the release of their first-ever career-spanning Greatest Hits album out August 9, 2024 via Capitol Records Nashville. The album collects over two decades of chart-busting country smashes on one definitive body of work, ranging from the GRAMMY Award-winning “Pontoon”, “Boondocks” and “Better Man” to massively influential anthems such as “Girl Crush.” It traces the quartet’s unbelievable journey from humble beginnings to country royalty. For the uninitiated, it’s also the best way to get to know the band.

“As we embark on the next 25 years of Little Big Town, we wanted to reflect back on our catalogue and really honor the songs that have had the greatest impact throughout this incredible journey,” said Little Big Town. “This Greatest Hits album was carefully curated by all four of us and is a love letter to our fans who have been there for every reason.”

Simultaneously, the band continue to give diehard fans something unique, inviting marquee superstars to duet on a handful of fan favorites for the first time. In this spirit, a few close friends have joined them to celebrate 25 years on Greatest Hits. Today, they herald the album’s arrival with a new version of their 2011 hit, “Shut Up Train” featuring Kelsea Ballerini – available to stream now.

“Kelsea is a dear friend of ours and has been telling us for years that “Shut Up Train” is one of her favorite album cuts. When we asked her to add her voice to the song, we were blown away by the nuances she added. She made this song all the more special,” gushed Little Big Town.

Plus, they linked up with Miranda Lambert for a new collaborative version of the platinum 2010 staple “Little White Church.” Lambert infuses the track with fresh fire, continuing a tradition of collaboration with Little Big Town dating back to 2014’s “Smokin’ and Drinkin’.” It’s yet another gem from Greatest Hits.

The band initially set the stage for Greatest Hits by releasing Phil Collins’ cover “Take Me Home” featuring Sugarland – listen HERE. The two powerhouse groups notably delivered a stunning performance of the song at the 2024 CMT Music Awards. Inciting critical applause, People hailed it as “a CMT Awards reunion more than a decade in the making,” and Rolling Stone applauded how “all six vocalists – had a solo moment.” Not to mention, the soaring collaboration has already amassed over 1 million total streams and counting.

And in other news, not only will the band and Sugarland be canvasing North American on the Take Me Home Tour this fall, see dates below, but NBC just announced that Little Big Town will be hosting what promises to be an unforgettable holiday special entitled, Little Big Town’s Christmas at The Opry”. The special will be a festive 2-hour musical extravaganza from Nashville’s iconic Grand OIe Opry, featuring performances from the band alongside lots of exciting special guests.

GRAMMY, ACM, CMA, AMA, and Emmy Award-winning group, Little Big Town – consisting of members Karen Fairchild, Phillip Sweet, Kimberly Schlapman, and Jimi Westbrook – first entered the music scene 25 years ago with hit songs “Boondocks,” “Bring It On Home,” “Good As Gone” and the GRAMMY-nominated “Little White Church.” The band’s breakthrough albums Tornado and PainKillerproduced multiple No. 1 singles, including “Pontoon,” “Tornado,” and “Day Drinking,” as well as the history-making, best-selling country single of the year (2015) “Girl Crush.” 2017’s The Breaker debuted at #1 on the Billboard Country Charts to critical acclaim. The album features their GRAMMY-winning, multi-week #1 single, “Better Man,” as well as the 2019 GRAMMY-nominated, “When Someone Stops Loving You.” The band’s self-produced ninth studio album, Nightfall, was released January 2020 and hit the top of the Billboard Country Charts. The record included critically acclaimed and GRAMMY-nominated songs “The Daughters,” “Over Drinking” and “Wine, Beer, Whiskey” – the latter of which has reached almost 400 million global streams. In September 2022, they released their tenth studio album, Mr. Sun, which debuted as the Top Country Album released by a Group in 2022. Little Big Town has earned more than 45 award show nominations and has taken home over 20 awards, including multiple GRAMMY, AMA, People’s Choice, CMA, and ACM Awards, in addition to an Emmy award.

Greatest Hits

Side A

Boondocks
I’m With the Band
Little White Church (feat. Miranda Lambert)
Better Man
Pontoon
Bring It On Home
Side B

Shut Up Train (feat. Kelsea Ballerini)
Sober
Tornado
Wine, Beer, Whiskey
Girl Crush
Take Me Home (feat. Sugarland)

Tour Dates
October 24 – Bon Secours Wellness Arena – Greenville, SC
October 25 – PNC Arena – Raleigh, NC
October 26 – Nationwide Arena – Columbus, OH
October 31 – TD Garden – Boston, MA
November 1 – PPG Paints Arena – Pittsburgh, PA
November 2 – KeyBank Center – Buffalo, NY
November 7 – Target Center – Minneapolis, MN
November 8 – Fiserv Forum – Milwaukee, WI
November 9 – Van Andel Arena – Grand Rapids, MI
November 14 – T-Mobile Center – Kansas City, MO
November 15 – Denny Sanford PREMIER Center – Sioux Falls, SD
November 16 – Vibrant Arena at The MARK – Moline, IL
November 21 – Moody Center – Austin, TX
November 22 – Dickies Arena – Fort Worth, TX
November 23 – BOK Center – Tulsa, OK
December 11 – Mississippi Coast Coliseum – Biloxi, MS
December 12 – Gas South Arena – Duluth, GA
December 13 – Bridgestone Arena – Nashville, TN

ABOUT LITTLE BIG TOWN

‘Stevie Van Zandt: Disciple’ Official Trailer Is Out

Stevie Van Zandt: Disciple, an HBO Original Documentary, premieres June 22 on Max.

Canadian Music Week Announces Winners For The 23rd Annual Jim Beam INDIES

Canadian Music Week is pleased to announce the winners for the 23rd Anniversary Jim Beam INDIE Awards which took place June 6, 2024 at Danforth Music Hall in Toronto. The Beaches, and City and Colour lead with three wins each.

Hosted by Jamar McNeil of CHUM FM, the Jim Beam® INDIE Awards featured incredible performances by Myles Erlick, the winner of the 2024 Jim Beam National Talent Search, Tim Hicks, winner of Country Artist/Group or Duo of the Year, and Finger Eleven, 2024 INDIE Awards Hall of Fame Inductees.

The show also included a special presentation of the 2024 CMW Allan Slaight Humanitarian Spirit Award to legendary musician Tom Wilson, followed by a performance.

The 2024 Jim Beam INDIES Winners are:

Album of the Year 
Karan Aujla “Making Memories”

Artist of the Year – presented by SiriusXM
City and Colour

Country Artist/Group or Duo of the Year
Tim Hicks

Electronic/Dance Artist/Group or Duo of the Year
Loud Luxury

Francophone Artist/Group or Duo of the Year
Jean-Michel Blais

Group or Duo of the Year
The Beaches

Hip Hop/Rap Artist of the Year – presented by SiriusXM
Shubh

Indigenous Artist/Group or Duo of the Year – presented by SiriusXM
Elisapie

Pop Artist/Group or Duo of the Year
Charlotte Cardin

R&B Artist/Group or Duo of the Year
Charlotte Day Wilson

Rock Artist/Group or Duo of the Year
The Beaches

Roots/Folk Artist of the Year
City and Colour

Song of the Year 
The Beaches “Blame Brett”
Elizabeth Boland, Gustavo Coriandoli, Leandra Earl, Eliza Clara, Jordan Miller

Video of the Year
Karan Aujla “Admirin’ You”

Independent Label of the Year
Dine Alone Records

Producer of the Year
Ikky

Publisher of the Year – Presented by CMRRA
Anthem Entertainment

Jim Beam Fan Choice Award
City and Colour

Dolly Parton’s New Musical ‘Hello, I’m Dolly’ To Hit Broadway in 2026

Dolly Parton announced from the stage of the CMA Fest in Nashville that she will partner with ATG Productions to bring a new musical inspired by her life and trailblazing career, titled Hello, I’m Dolly, to Broadway in 2026.

“Hello, I’m Dolly, and I lived my whole life to see this show on stage,” Dolly said. “I’ve written many original songs for the show and included all your favorites in it as well. You’ll laugh, you’ll cry, you’ll clap, you’ll stomp, it truly is a Grand Ol’ Opera. Pun and fun intended. Don’t miss it!”

Produced by Dolly, Adam Speers for ATG Productions, and Danny Nozell for CTK Enterprises, the new musical borrows its title from the name of Dolly’s first studio album released in 1967. Hello, I’m Dolly will feature a score by Dolly that will include some of her biggest hits as well as new songs she has written especially for the musical, and a book by Dolly and Maria S. Schlatter. Additional members of the creative team and casting will be announced at a later date.

“I first had the pleasure of working with Dolly Parton in 2019 when she trusted us to develop a new version of her musical 9 to 5 for London’s West End,” Adam Speers said. “I had always heard she wanted to do a musical based on her life, so when she asked if I would be interested in producing it, I was bowled over. As the world knows, Dolly is a magical blend of talent, hard work, intelligence, charm, wit, and a gigantically big heart. I’m thrilled we’re going to bring her inspiring story to Broadway.”

Pete Townshend 14-CD Box Set ‘Live In Concert 1985-2001’ Out July 26

UMR is proud to announce PETE TOWNSHEND LIVE > IN CONCERT 1985-2001 an expanded 14-CD box set and digital set featuring seven long-out-of-print live albums by Pete Townshend.

Newly remastered by Jon Astley at Close To The Edge, the set gathers together for the first time all of the live solo recordings that were only available via Pete Townshend’s website, Eel Pie. All of the albums have been out of print for two decades.

The box set features expanded deluxe packaging in a CD-size hard slip case and tray with new art by longtime Townshend collaborator Richard Evans, including updated gatefold CD wallets, and a 28-page booklet with sleeve notes by Who and Townshend archivist Matt Kent, a new exclusive foreword by Pete Townshend, plus rare photos and memorabilia.

The live shows included in the box set are Pete Townshend’s Deep End live at Brixton Academy in London recorded on the 1st and 2nd November 1985 and featuring David Gilmour of Pink Floyd on guitar, a live full rendition of Pete’s album Psychoderelict and more recorded at the Brooklyn Academy of Music in New York, 7th August 1993 during Pete’s only full solo tour, an intimate show from The Fillmore in San Francisco on 30th April 1996 around the time of his first solo compilation album CoolWalkingSmoothTalkingStraightSmokingFireStoking, Pete returned to his old stomping ground for the first time in 30 years for a live show at the Shepherd’s Bush Empire, 9th November 1998; there are also two nights at London’s Sadler’s Wells Theatre, usually home to ballet and modern dance, presenting music from Life House. It was the only time a full Life House show has been attempted and the only time some of those songs were ever performed, and finally, two shows from the La Jolla Playhouse in La Jolla, California (where the Tommy musical first ran) on the 22nd and 23rd of June 2001.

The shows included in this boxset were all previously released online through Pete’s company, Eel Pie; there was only one run of each CD, and they all quickly became collector’s items. While Townshend has often performed short solo sets for charitable causes for, amongst others, Amnesty International, The Prince’s Trust and The Who’s own Double O charity which helps victims of domestic abuse and those suffering from addiction, full solo shows have been few and far between. When Pete has put on an entire solo show, the set lists have been picked from his own output, including specific Who songs, and cover versions of artists who have influenced him over the years.

Speaking of performing solo or performing with a band that wasn’t The Who, Pete Townshend said “I always have too much to do, too much responsibility, and not enough time. I have to live enough life to provide me with inspiration and context for my songs, I have to then spend enough time in my home studio finessing songs so they feel worthy of my band (The Who), then I have to re-record them with that band, then speak eloquently about them to the media, justifying my creative divergences, then I must tour endlessly behind the new music, continuing to celebrate the old stuff as well, and then start all over again. The idea that I would do all that for The Who and then do it for myself as well is simply plain insane. And yet for a while I tried. It didn’t go well. One career is enough.”

As Who and Townshend archivist Matt Kent puts it, “When Pete Townshend plays a solo show it isn’t just a concert, it is an EVENT. These CDs represent just how good these events are.”

PETE TOWNSHEND
LIVE > IN CONCERT 1985-2001

DISC ONE: Brixton Academy, London, 1 & 2 November 1985
Mary Anne With The Shaky Hand
Won’t Get Fooled Again
A Little Is Enough
Secondhand Love
That’s Alright Mama
Behind Blue Eyes
The Shout
Harlem Shuffle
Barefootin’
After The Fire
Love On The Air
Midnight Lover
Blue Light
I Put A Spell On You
I’m One

DISC TWO: Brixton Academy, London, 1 & 2 November 1985
Driftin’
Magic Bus
Save It For Later
Eyesight To The Blind
Walkin’
Stop Hurting People
The Sea Refuses No River
Boogie Stop Shuffle
Face The Face
Pinball Wizard
Give Blood
Night Train

DISC THREE: Brooklyn Academy of Music, Brooklyn, NYC, 7 August 1993
Intro
English Boy
Meher Baba M3
Let’s Get Pretentious
Meher Baba M4 [Signal Box]
Early Morning Dreams
I Want That Thing
Intro : Outlive The Dinosaur
Outlive The Dinosaur
Gridlife
Flame [Demo]
Now And Then
I Am Afraid
Gridlife 2
Don’t Try To Make Me Real
Intro : Predictable
Predictable
Flame
Meher Baba M5 [Vivaldi]
Fake It
Intro : Now And Then [Reprise]
Now And Then [Reprise]
Baba O’Riley [Demo]
English Boy [Reprise]

DISC FOUR: Brooklyn Academy of Music, Brooklyn, NYC, 7 August 1993
Pinball Wizard / See Me Feel Me / Listening To You
Let My Love Open The Door
Rough Boys
Behind Blue Eyes
The Kids Are Alright
Keep Me Turning
Eminence Front
A Little Is Enough
You Better You Bet
Face The Face
Won’t Get Fooled Again / Let’s See Action
Magic Bus

DISC FIVE: The Fillmore, San Francisco, 30 April 1996
Let My Love Open The Door
English Boy
Drowned
The Shout
I Put A Spell On You
Cut My Hair
Sheraton Gibson
I’m One
Heart To Hang Onto
Parvardigar
A Legal Matter

DISC SIX: The Fillmore, San Francisco, 30 April 1996
A Friend Is A Friend
I Am An Animal
All Shall Be Well
Slit Skirts
Eyesight To The Blind
Driftin’ Blues
Now And Then
Rough Boys
I’m A Boy
Magic Bus

DISC SEVEN: Shepherds Bush Empire, London, 9 November 1998
On The Road Again
A Little Is Enough
Pinball Wizard
Drowned
Anyway, Anyhow, Anywhere
You Better You Bet
Behind Blue Eyes
Baby Don’t You Do It
English Boy
Three Steps To Heaven
Mary Anne With The Shaky Hand
Sheraton Gibson
Substitute
I Am An Animal
North Country Girl

DISC EIGHT: Shepherds Bush Empire, London, 9 November 1998
(She’s A) Sensation
A Friend Is A Friend
Now And Then
Let My Love Open The Door
Who Are You
The Kids Are Alright
Acid Queen
Won’t Get Fooled Again
Magic Bus
I’m One

DISC NINE: Sadler’s Wells, London, 25 & 26 February 2000
One Note
Purcell (Quick Movement)
Teenage Wasteland
TIme Is Passing
Love Ain’t For Keeping
Goin’ Mobile
Greyhound Girl
Tragedy
Mary
I Don’t Even Know Myself
Bargain
Gettin’ In Tune
Pure And Easy
Baba O’Riley – Orchestral

DISC TEN: Sadler’s Wells, London, 25 & 26 February 2000
Baba O’Riley
Hinterland Rag
Behind Blue Eyes
Let’s See Action
Sister Disco
Relay
Who Are You
Join Together
Won’t Get Fooled Again
Tragedy Explained
The Song Is Over
Can You Help The One You Really Love?

DISC ELEVEN: La Jolla Playhouse, 22 June 2001
Pinball Wizard
Let My Love Open The Door
Heart To Hang Onto
Cut My Hair
Slit Skirts
Drowned
Greyhound Girl
Tattoo
The Sea Refuses No River

DISC TWELVE: La Jolla Playhouse 22, June 2001
Saint James Infirmary
Eminence Front
Won’t Get Fooled Again
Behind Blue Eyes
Won’t Get Fooled Again (Electric)

DISC THIRTEEN: La Jolla Playhouse, 23 June 2001
Pinball Wizard
Let My Love Open The Door
Heart To Hang Onto
Cut My Hair
Slit Skirts
Drowned
Greyhound Girl
Tattoo
Collings
Eminence Front

DISC FOURTEEN: La Jolla Playhouse, 23 June 2001
Sheraton Gibson
Won’t Get Fooled Again
I’m One
Behind Blue Eyes
Driftin’ Blues
Eyesight To The Blind
Won’t Get Fooled Again (Electric)

Camden Docu-Series Featuring Dua Lipa, Noel Gallagher, Chris Martin And More Debuts On Disney+ On May 29

Disney+ has revealed the trailer for its documentary series Camden, which will premiere on Disney+ exclusively on May 29th, featuring some of the world’s biggest pop acts, including series Executive Producer Dua Lipa.

With access to the stars whose lives were changed forever by this small part of London, the series will reveal the extraordinary untold stories of how the lives and careers of many of today’s most iconic music acts were shaped by Camden.

The series will feature contributions from the likes of Dua Lipa, Noel Gallagher, Chris Martin, Little Simz, Nile Rodgers, Boy George, Yungblud. Also confirmed to feature in the series are Pete Doherty and Carl Barat of The Libertines, Mark Ronson, Questlove, Black Eyed Peas, Soul II Soul’s Jazzie B, Chuck D and Sister Bliss from Faithless.

The Original series is produced by Lightbox, the production company founded by Academy-Award-winning producer Simon Chinn and Emmy-winning producer Jonathan Chinn in association with Day One Pictures, the production company co-founded by Amy Winehouse’s original manager Nick Shymansky and Radical22. Asif Kapadia is Series Director. Episode directors are Toby Trackman, Yemi Bamiro and Sarah Lambert. Series Producer is Gaby Aung. Executive Producers are Simon Chinn, Jonathan Chinn and Suzanne Lavery for Lightbox, Nick Shymansky, Jasper Waller-Bridge and Ben Friedman for Day One Pictures and Dua Lipa and Dukagjin Lipa for Radical22.

Here Are The Winners Announced for Canadian Live Music Industry Awards

Canadian Music Week (CMW), in partnership with the Canadian Live Music Association (CLMA), are pleased to announce the winners for the Canadian Live Music Industry Awards (CLMI Awards), presented by Showpass and powered by Aloompa. Hosted by prolific Canadian rapper Haviah Mighty, the Canadian Live Music Industry Awards took place on June 4, 2024 at the Westin Harbour Castle in Toronto.

The 8th annual Canadian Live Music Industry Awards included Music Industry Hall of Fame inductions for multi-platinum, JUNO Award-winning Canadian artist deadmau5, and one of Canada’s most respected and successful artist managers Jake Gold of The Management Trust.

Marsha Vlasic, Vice Chair, Music Division, Independent Artist Group (IAG), was the recipient of the second annual International Agent of the Year, and the Inaugural Most Powerful Women in Live Music Award from Women in Music Canada.

The Industry Impact Award sponsored by Jampack was presented to Mark Monahan, Executive Director of Ottawa Blues Fest, which is celebrating its 30th Anniversary in 2024.

The Awards included performances by host Haviah Mighty, contemporary blues guitarist Christone “Kingfish” Ingram, and dark pop siren ari hicks, plus a special tribute by The Pursuit of Happiness, in honour of the previously announced 2024 Music Industry Hall of Fame Inductee Jake Gold.

The Canadian Live Music Industry Awards celebrated the ingenuity, perseverance, and excellence demonstrated by live music companies, individuals, and organizations over the past year.

 

The 2024 CLMI Awards Winners are:

Music City of the Year
City of London

Best Teamwork in a Major Club
History Toronto

Best Teamwork in a Medium Club
Opera House

Best Teamwork in a Small Club
Rum Runners

Best Teamwork in a Small Arena
Coca-Cola Coliseum

Best Teamwork in a Large Arena
Centre Bell

Best Teamwork in a Soft Seat Theatre/Performing Arts Centre
Studio Bell, home of the National Music Centre

Small Festival of the Year
Hillside Festival

Medium Festival of the Year
Rock the Park

Major Festival of the Year
Shambhala Music Festival

Green Operations Festival of the Year
Winnipeg Folk Festival

New Touring Artist of the Year
TALK

BrandxMusic Program of the Year
Concert Week powered by RBCxMusic

Road Warrior of the Year
Casey Carvalho

Your Future Boss
Chelsea O’Neill

Agent of the Year, Sponsored by Live Nation
Tao-Ming Lau

Manager of the Year, Sponsored by Scotiabank Arena
Laurie Lee Boutet

Production Manager of the Year
Robbie Zgaljic

Concert/Club Talent Buyer of the Year
Farhad Ghousy

Festival Buyer of the Year
Adam Oppenheim

A/V Production Company of the Year
Solotech Audio Visual Solutions

Community Impact
Inside LIVE!

My Next Read: “From Here to the Great Unknown: A Memoir” by Lisa Marie Presley and Riley Keough

Born to an American myth and raised in the wilds of Graceland, Lisa Marie Presley tells her whole story for the first time in this raw, riveting, one-of-a-kind memoir faithfully completed by her daughter, Riley Keough.

In 2022, Lisa Marie Presley asked her daughter to help finally finish her long-gestating memoir.

A month later, Lisa Marie was dead, and the world would never know her story in her own words, never know the passionate, joyful, caring, and complicated woman that Riley loved and grieved.

Riley got the tapes that her mother had recorded for the book, laid in her bed, and listened as Lisa Marie told story after story about smashing golf carts together in the yards of Graceland, about the unconditional love she felt from her father, about being upstairs, just the two of them. About getting dragged screaming out of the bathroom as she ran towards his body on the floor. About living in Los Angeles with her mother, getting sent to school after school, always kicked out, always in trouble. About her singular, lifelong relationship with Danny Keough, about being married to Michael Jackson, what they shared in common. About motherhood. About deep addiction. About ever-present grief. Riley knew she had to fulfill her mother’s wish to reveal these memories, incandescent and painful, to the world.

To make her mother known.

This extraordinary book is composed of both Lisa Marie’s and Riley’s voice, a mother and daughter communicating across the transom of death as they try to heal each other. Profoundly moving and deeply revealing, From Here to the Great Unknown is a book like no other—the last words of the only child of a true legend.

blur: Live at Wembley Stadium Officially Gets Released July 26th

Photo Credit: Phoebe Fox

A year on from a momentous weekend of music and joy at Wembley Stadium, blur today announced a new live album titled Live at Wembley Stadium, set for release on July 26th 2024 via Parlophone/Warner.

Live at Wembley Stadium is a collection of songs captured across two unforgettable nights last summer – the biggest shows of the band’s 30+ year career to date – which saw Damon Albarn, Graham Coxon, Alex James and Dave Rowntree perform to over 150,000 fans at Wembley Stadium, blur’s first time ever to play the iconic London venue.

Song highlights include “The Narcissist” and “St. Charles Square” from their latest #1 album, the acclaimed The Ballad of Darren, as well as “There’s No Other Way,” “Popscene,” “Beetlebum,” “Trimm Trabb,” “Villa Rosie,” “Coffee & TV,” “Under the Westway,” “Out of Time,” “To the End,” “Parklife,” “Song 2,” “This is a Low,” “Girls & Boys,” “Tender,” and “The Universal.”
A new feature length concert film – also titled blur: Live at Wembley Stadium – is set for a UK and Ireland cinema release on September 6th this year. Ticket and cinema details to be announced soon.

Live at Wembley Stadium – the album – will be available in the following formats:
· Triple black vinyl – the Sunday show
· Triple teal colored vinyl – D2C exclusive – the Sunday show
· Double black vinyl – ‘highlights’ across both shows
· Double picture disc vinyl – Blood Records exclusive – ‘highlights’ across both shows
· Double CD – the Sunday show
· Double Cassette – D2C exclusive – the Sunday show
· Digital – the Sunday show, plus 4 bonus tracks recorded live at the UK warm up shows, May 2023

The feature-length documentary blur: To The End will be in cinemas across the UK and Ireland from July 19th. The film depicts the most recent chapter in the band’s story, captured during the period in which they made a surprise – and emotional – return with their first record in 8 years, The Ballad of Darren. blur: To The End is an intimate moment in time with this most enduring of English bands, who have been at the heart of British cultural life and influence for over three decades.

Both blur: To The End and blur: Live at Wembley Stadium are directed by Toby L and produced by Josh Connolly, via production house Up The Game and will be released by Altitude.

Details of international cinema releases coming soon. For a list of UK and Ireland cinemas and to book tickets, visit blur.co.uk.