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Heavy Rockers NAMELESS FRIENDS Pop The Ego Balloon On “Classic Protagonist (Live)”

Being an S.O.B. never goes out of style. Just ask London, Ontario’s Nameless Friends, who have dropped a hot new live version of their “terrible person” rave-up, “Classic Protagonist”—largely due to popular demand.

First aired on the band’s 2018 debut EP, Mezzanine, the song is a gleeful teardown of virtue-signaling celebrities, toxic narcissists, and anybody else with a serious case of main-character syndrome. “Classic Protagonist (Live)” was recorded on stage during Nameless Friends’ 2023 Canadian tour, where it inspired regular sing-alongs among commiserating audiences:

Tell me that I’m classic, baby
Tell history I’m great
Beg for my best behaviour
Ooh, then wait
I could lose myself in your pretty face
If we weren’t shooting for the money today
Like oh, I’m the classic protagonist, baby
Love me anyway

The cathartic value of that clear-eyed character study is sent sky-high by the pull of the music, which combines punked-up energy with the performing sophistication of prog. But you’d expect nothing less in the way of alchemy from a group whose first LP was a live album of Queen covers. (They recorded it in front of a sold-out crowd at Toronto’s Horseshoe Tavern.) Other influences on Nameless Friends’ heavy, glittery rock include PUP (for the adrenaline) and Rage Against the Machine (for the political activism).

“We’re trying to make music about the justice we want to see in the world, that’s also really bloody fun to listen to,” the band says. To that end, their 2023 album, Blasphemy, took aim at everything from the religious persecution of the 2SLGBTQIA+ community (on the defiant “Demons”) to the patriarchal suppression of reproductive and menstrual rights (“7 Years of Blood”). It was a rousing nine-song battle cry made all the more alluring by some slickly provocative videos. Sexy gay baptism, anyone?

The urgency of their musical mission makes total sense when you consider the demographic makeup of the band: Nameless Friends has female, queer and immigrant members, members of colour, and members with chronic illnesses and neurodivergence. Beyond those broad profiles, though, they’re content to remain relatively anonymous. None of the musicians goes by their real name and are instead identified by number. The core ensemble is made up of Number One (lead vocals and rhythm guitar), Number Three (lead guitar), Number Five (bass), and Number Seven (drums). Additional touring members include Number Two (bass), Number Four (drums), and Number Six (keyboard). It’s a sort of Bansky-meets-Ghost situation, except this crew don’t have any compunction whatsoever about showing their real faces on stage.

Those faces will be on full view throughout a quartet of upcoming shows in the band’s native Canada. For a hint of what to expect, check out the video for “Classic Protagonist (Live),” which assembles footage from the group’s winter 2024 tour of the Maritimes and Newfoundland into a frenzied collage of flipping hair, omnipresent glitter and moshing so furious that the camera struggles to stay aloft amidst the bedlam.

Dillon Ryan And The Dream Romantic Release “I Could Have” From New ‘In Polaroid’ Album

Never underestimate the cathartic power of a little negative thinking. After all, it got a lot of us through the ’80s. And now it’s making a winning comeback thanks to Moncton, NB, melancholia merchant Dillon Ryan and his band, The Dream Romantic, who’ve taken a refreshingly old school-stance against toxic positivity on their just-released third album, In Polaroid.

An immensely satisfying eight-song callback to the Goth/New Wave glory days of Echo and the Bunnymen, The Smiths and especially The Cure, the record hits every genre touchstone your black little heart could desire: clanging, chiming guitars; a relentlessly thwacking snare drum; and long, held keyboard notes that sit just below the threshold of human hearing. And of course, a lyrical and spiritual thrust that reassure us not to wallow in how bad things are now. Because there’s always the chance they’ll get worse.

First single “I Could Have” is an immediately indelible attention-grabber—hear it on a Friday, and you’ll really be in love—trading in triumphant major chords and a soaring vocal that ring tailor-made for the emotional climax of a John Hughes movie. It’s triumphant, that is, until you get to the lyrics—which is where the therapeutic defeatism comes in. The song chronicles the aftermath of an ill-fated youthful romance with all the earnest wistfulness of a journal entry filled out while tearfully scanning the clearance rack at Hot Topic:

And I feel our love
Is dying like a tidal wave
And I know you feel it’s true…
He could have
He could have loved you more
I should have
I should have known you more

“We’ve always been a group that proudly embraces our influences,” says singer-songwriter-guitarist Ryan. “I think most of the great bands of all time did that. But it isn’t limited to that.”

Indeed. Like the photo format its title references, In Polaroid is simultaneously retro and a picture that’s developing right before our eyes. For that, Ryan gives ample credit to Halifax-based co-producer John Mullane, whom he’s admired since Mullane’s days in the band In-Flight Safety. Mullane not only co-produced and mixed the record but co-wrote half of it, and his keyboards, guitar and bass are sprinkled throughout the album as well. The two have worked together since the summer of 2016, when Mullane quickly attained the status of a mentor: “He really taught me some valuable lessons on songwriting and production that I’ve used as gospel pretty much ever since,” Ryan says.

For the most part, though, the album amounts to a sonic coming-out party for the live lineup of The Dream Romantic: Julie Doucette on keyboards and vocals, David Gregory on bass and Alec Victor on drums.

“In a weird way, this is my debut album with the full band, but at the same time it feels almost like our ‘Greatest Hits’ or ‘The Best of,’” Ryan says. “We’ve road-tested these songs for such a long time, and they’ve evolved and morphed over time. People who have followed the band over the past several years have developed a relationship and love for a lot of these songs just from hearing them live so many times.”

With over 700 shows under their belt, that’s a lot of love. Standout gigs have included appearances at major festivals in eastern Canada and multiple showcases at the East Coast Music Awards Festival and Conference. Along the way, the group has been nominated for four Music New Brunswick awards, winning the Fans’ Choice Award in 2017.

And now, with A Polaroid being shaken vigorously to life, expect the juggernaut of live activity to only accelerate and the accolades to continue to roll in. Why, it’s enough to bring a smile to any gloom-glammer’s face. Just don’t spread it around.

M.D. Dunn Wins IPPY Award for “You Get Bigger as You Go: Bruce Cockburn’s Influence and Evolution” Book

Fermata Press is proud to announce that its first title, You Get Bigger as You Go: Bruce Cockburn’s Influence and Evolution by M.D. Dunn, with photography by Daniel Keebler, has been awarded the 2024 Bronze Medal for Best Book in Performing Arts from the Independent Publisher Book Awards (The IPPYs). Established in 1996, The IPPYs are the longest-running award for independent publishers with thousands of titles from 2,400 English-language publishers worldwide considered each year.

You Get Bigger as You Go: Bruce Cockburn’s Influence and Evolution has been an Amazon bestseller in multiple categories since its publication.

The book has been featured in The Globe and Mail, Literary Review of Canada, Cashbox Canada, on CTV News, CBC Radio, WPR, and many podcasts and radio programs.

You Get Bigger as You Go: Bruce Cockburn’s Influence and Evolution is a beginner’s guide to and celebration of the music and cultural presence of the Canadian songwriter, guitarist, and activist Bruce Cockburn. It is also an eclectic and humorous look at the ways music can transform the individual and society. Written over seven years, the book features original interviews with Bruce Cockburn, his manager Bernie Finkelstein, and many musicians and producers who have worked with Mr. Cockburn over his five-decade career.

Fermata Press and M.D. Dunn are grateful to the selection committee and to the many readers worldwide who have embraced the book. Special thanks to editor Allister Thompson and designer Laura Boyle for their invaluable contributions.

The Mashup You NEED To Hear: Alanis Morissette and Joan Jett’s “Hate Myself For Loving You Oughta Know”

Alanis Morissette and Joan Jett are two of the most iconic and empowering women in music, each with a legacy of unforgettable hits and a fierce, unapologetic presence. The excitement has only grown as they hit the road together, and DJ Cummerbund has elevated this epic collaboration with a masterful mashup of “I Hate Myself for Loving You” and “You Oughta Know.”

How Do You Repair Willie Nelson’s Beloved “Trigger” Guitar? Very Carefully And Like This

Willie Nelson’s guitar, “Trigger,” is in for guitar repair at Erlewine Guitars in Austin, Texas. Mark Erlewine shares a closeup look at the famous hole in the top. Mark’s been Trigger’s caretaker for ages, and he gives us the inside scoop on Trigger’s history.

Winners Announced for 2024 Canadian Sync Awards

The Guild of Music Supervisors, Canada (GMSC) and Canadian Music Week (CMW) are proud to reveal the winners for the 2024 Canadian Sync Awards which took place on Monday, June 3, 2024, at the Westin Harbour Castle in Toronto.

The Canadian Sync Awards celebrates the craft of music supervision in filmed media in Canada with the presentation of 18 awards. Everton Lewis, Jr. of Wracket Music came out on top with four awards.

THE 2024 CANADIAN SYNC AWARDS WINNERS:

The Huey Award
Alexandra Rimmington

The GMSC Impact Award
Patrick Watson

Best Sync – Soundtrack, Feature Film or Documentary Film
Thanksgiving
Music Supervisor: Everton Lewis, Jr.

Best Sync – Soundtrack, Episodic Series (Drama)
Heartland (Season 17)
Music Supervisor: Andrea Higgins

Best Sync – Soundtrack, Episodic Series (Comedy)
Bria Mack Gets A Life (Season 1)
Music Supervisors: Everton Lewis, Jr., Cody Partridge

Best Sync – Scene, Feature Film or Documentary Film
Sympathy For The Devil
“I Love The Night Life (Disco Round)” by Alicia Bridges
Music Supervisor: Cody Partridge

Best Sync – Scene, Episodic Series
Robyn Hood (Ep. 101)
“Crying” by Begonia
Music Supervisors: Heather Gardner, Telan Wong, Gavin Alexander

Best Sync – Commercial / Advertisement
iPhone 14 – Action Mode
“Get Out My Way” by Tedashii
Music Supervisor: Everton Lewis, Jr.

Best Sync – Sports Program / Sports Promo
2023 IIHF World Jrs. – Canada vs Germany
“Take A Chance On Me” by ABBA
Music Supervisor: Cody Partridge

Best Sync – Soundtrack, TV Movie
A Scottish Love Scheme
Music Supervisor: Heather Gardner

Best Sync – Soundtrack, Short Film or Short Form Episodic Series
The Tweetations Revue
Music Supervisor: Everton Lewis, Jr.

Best Sync – Interactive (Video Game / App / VR)
Dead By Daylight
“Fear Of The Dark” by Iron Maiden
Music Supervisor: Jean-Frédéric Vachon

Sync Artist or Songwriter of the Year
TALK

Best Sync Team – Sync Agency
The Greater Goods Co.

Best Sync Team – Indie Record Label
Arts & Crafts Productions Inc.

Best Sync Team – Major Record Label
Universal Music Canada

Best Sync Team – Indie Music Publisher
Third Side Music

Best Sync Team – Major Music Publisher
Universal Music Publishing Group Canada

Hartbeat and SiriusXM Premiere New Pop Culture Show “OFF TOPIC WITH YAMANEIKA” with Comedian Yamaneika Saunders

In collaboration with SiriusXM, Hartbeat, the global, multi-platform entertainment company founded by Kevin Hart, has launched “Off Topic with Yamaneika” – a new weekly, pop culture show hosted by award-winning TV writer, stand-up comedian, and actress Yamaneika Saunders (LIFE & BETH, THE DEGENERAGES). Fans can tune into “Off Topic” three days each week to hear Yamaneika’s bold and hilarious takes on pop culture, trending topics, and more… That is, until she goes off topic, then there’s no telling what you’ll hear.

Yamaneika was previously featured in Season 2 of Hartbeat’s stand-up series, “Comedy in Color.”

Beginning today, June 4th, Off Topic with Yamaneika will air new episodes exclusively for SiriusXM subscribers on Kevin Hart’s Laugh Out Loud Radio every Tuesday, Wednesday and Thursday at 3:00 PM ET / 12:00 PM PT.

Yamaneika Saunders is a standup comedian, actor, and WGA award-winning writer. Born and raised in Maryland, Yamaneika has tackled the comedy scene by combining her high-energy improvisational observations and stories with a unique and bold perspective on life. Yamaneika has appeared on HBO’s Last Week Tonight with John Oliver & Crashing, truTV’s Comedy Knockout, Showtime’s Flatbush Misdemeanors, Hulu’s Life & Beth, Laff Mobb’s Laff Tracks, Comedy Central’s Broad City, The Nightly Show with Larry Wilmore, and This is Not Happening. Yamaneika has featured on TV Land’s The Jim Gaffigan Show, A&E’s The Black and White, NBC’s Last Comic Standing, and as a recurring correspondent on The Tonight Show with Jimmy Fallon.

Yamaneika’s writing credits include Inside Amy Schumer, which won a WGA award for Comedy/Variety Sketch Series this year; and HBO’s That Damn Michael Che. Her voiceover work can be heard on Inside Amy Schumer, Adult Swim’s Teenage Euthanasia, and as a series regular on the Adult Swim animated pilot Hot Carl & Durp. She is often recognized for her work as a panelist on The Meredith Vieira Show, a lead role on Oxygen’s Funny Girls, and Comedy Central’s In Security.

Yam has captivated audiences across the country with her dynamic stage presence for over a decade and performed stand up at the Just For Laughs festival in Montreal, released a half-hour on Comedy Central, and filmed a special as part of the comedy showcase The Degenerates for Netflix. She has starred on Comedy Central’s This Week at the Comedy Cellar, VH1’s Talk 30 to Me, and Bravo’s Kandi Koated Nights. You can currently catch her performing standup nationwide and see her on the upcoming second season of Life & Beth.

Paula Abdul Announces “Straight Up! To Canada” Tour With Taylor Dayne and Tiffany

Global icon Paula Abdul has announced a 2024 Canadian tour this Fall – joined by very special guests Taylor Dayne and Tiffany. The tour kicks off September 25th in Victoria, BC, and will visit over 20 markets across the country before ending in Sydney, NS on October 26th, and includes a stop at GFL Memorial Gardens in Sault Ste Marie on October 16th.

A music superstar, dancer, renowned choreographer, and TV personality – this event is one not to be missed. Tickets for all dates go on sale Friday, June 7th at 10am local.
With 60 million records sold, Abdul has earned numerous awards and recognitions including 17 MTV Video Music Awards nominations with 5 wins, 2 GRAMMY Awards, 3 AMAs, 2 Emmy Awards, two People’s Choice Awards, and five Juno Awards.

Paula began as a Laker girl at 18, becoming the head choreographer for the renowned squad. Many superstars sought her expertise — Janet Jackson, Michael Jackson, Dolly Parton, to name a few. She also choreographed numerous films and TV shows including “Coming to America,” Jerry Maguire,” and “The Doors.”

Her first studio album, Forever Your Girl, sold over 7 million copies in the U.S. alone and, with 4 singles topping the charts, “Forever Your Girl”, “Cold Hearted”, “Opposites Attract”, and of course, “Straight Up,” she set a record for the most #1 Billboard charted singles from a debut album.

After several national tours, Paula enjoyed her Paula Abdul: Forever Your Girl Las Vegas residency in 2019. She has received the Ellis Island Medal of Honor in 2019, the Harry Chapin Memorial Humanitarian Award, and a star on the Hollywood Walk of Fame. Paula is an active philanthropist on behalf of many charities including Wigs & Wishes, Children’s Hospital LA, No Kid Hungry, American Humane Association, and Dancers Against Cancer, to name a few.

Paula Abdul – Straight Up! To Canada Tour – 2024 dates

Sep 25 – Save On Foods Memorial Centre – Victoria, BC
Sep 27 – Abbotsford Centre – Abbotsford, BC
Sep 28 – South Okanagan Events Centre – Penticton, BC
Sep 29 – Sandman Centre – Kamloops, BC
Oct 1 – Ovintiv Events Centre – Dawson Creek, BC
Oct 2 – CN Centre – Prince George, BC
Oct 4 – Edmonton EXPO Centre Arena – Edmonton, AB
Oct 5 – Enmax Centre – Lethbridge, AB
Oct 6 – Grey Eagle Event Centre – Calgary, AB
Oct 8 – Brandt Centre – Regina, SK
Oct 9 – Sasktel Centre – Saskatoon, SK
Oct 10 – Canada Life Centre – Winnipeg, MB
Oct 15 – Community Auditorium – Thunder Bay, ON
Oct 16 – GFL Memorial Gardens – Sault Ste Marie, ON
Oct 18 – Sudbury Arena – Sudbury, ON
Oct 19 – Budweiser Gardens – London, ON
Oct 21 – TD Place – Ottawa, ON
Oct 22 – Slush Puppie Place – Kingston, ON
Oct 24 – TD Station – Saint John, NB
Oct 25 – Rath Eastlink Community Centre – Truro, NS
Oct 26 – Centre 200 – Sydney, NS

National Music Centre to Host Building-Wide Canada Day Bash with Free Admission on July 1

The National Music Centre (NMC) is excited to announce that it will be offering free admission to Studio Bell on Canada Day, July 1, thanks to the generous support of ATB Financial. July 1 also marks the 8th anniversary since Studio Bell’s opening in 2016, and NMC has once again planned a building-wide bash at Studio Bell and the King Eddy to celebrate the milestone.

From 10:00 am to 5:00 pm, visitors of all ages can enjoy a day filled with new exhibitions to explore, live performances, and hands-on activities. Studio Bell, home of the National Music Centre, is a cultural landmark dedicated to celebrating and preserving Canada’s music story. NMC’s unique collection, interactive installations, and stunning architecture make it a must-visit destination for music lovers and culture and history enthusiasts alike.

Of the recently unveiled exhibitions, highlights include Milestone: Maestro Fresh Wes, dedicated to the “Godfather of Canadian hip-hop,” the Speak Up! exhibition that honours Indigenous trailblazers, and all four of the Canadian music hall of fame galleries have been updated with new content and storytelling about some of Canada’s most beloved musicians.

“We are thrilled to open our doors to the public for free on Canada Day, thanks to ATB Financial’s incredible support,” said Andrew Mosker, President and CEO of the National Music Centre. “This is a wonderful opportunity for Canadian and international visitors to experience the joy and inspiration that music brings, and to celebrate our 8th year anniversary in a meaningful way.”

Canada Day activities include:

  • Presentation of Rock the Nation, the popular live tribute show of Canada’s top hits
  • Performance by jazz trombonist Audrey Ochoa
  • Kimball Theatre Organ performances
  • Hands-on jam-alongs and pop-up demonstrations of unique NMC Collection items

Before ending the day, visitors are encouraged to stop by the historic King Eddy, located just steps away. As part of NMC’s Canada Day celebrations and the 8th anniversary of Studio Bell’s opening, the King Eddy will host free family-friendly live performances on the main floor and rooftop. This iconic venue, known for its rich musical history and vibrant atmosphere, is the perfect way to cap off Canada Day. Music fans can soak up the sun and some sweet sounds from country singer-songwriter Steve Jevne, and country artist Brettyn Rose on the rooftop, from 2:00 pm to 7:00 pm. Or head downstairs to the main floor for performances by folk-rockers The Frontiers, alt-country group The Goddamsels and more, from 11:00 am ‘til close.

Check studiobell.ca/whats-on closer to July 1 for the entire day’s schedule at Studio Bell and the King Eddy. NMC supporters can also take advantage of a special Canada Day promotion. NMC Memberships will be available for 50% off for one day only on July 1. Memberships can be purchased online at studiobell.ca/become-a-member and in-person at Studio Bell.

 

Yusuf / Cat Stevens’ Classic 1973 Album, Foreigner, Remastered And Set For Reissue On Vinyl For The First Time

Since 2020, Yusuf / Cat Stevens’ iconic 1970s albums have steadily been lovingly remastered and reissued in celebration of their enduring popularity more than a half century later. Now, following acclaimed multi-format reissues for Mona Bone Jakon, Tea for the Tillerman, Teaser and the Firecat, Harold and Maude, and most recently Catch Bull At Four, the legendary singer-songwriter’s classic 1973 album, Foreigner, will be released in a variety of newly remastered formats on July 26 via A&M/UMe/Universal Music Canada.

Foreigner showed enormous artistic ambition and courage with Cat boldly stepping away from his signature acoustic sound in order to freely explore the heat and love of the soul and R&B genres. Recorded in the heart of Jamaica, his fearlessness was rewarded with the album reaching No. 3 on both the U.S. and U.K. album charts. The album will be available on vinyl for the first time since its original release, on both 180-gram black vinyl and limited edition 180-gram blue vinyl, with a replica 12” lyric card insert. The blue vinyl pressing can be purchased exclusively at CatStevens.com, uDiscover Music and Sound of Vinyl. Foreigner will also return to CD for the first time since its reissue in 2000, complete with a 16-page booklet. The new remaster will also be available for streaming in both standard and stunning hi-resolution audio. The initial production run of the vinyl and CD versions will feature the super rare color front cover, originally released only on the original A&M pressings in 1973. Pre-order Foreigner here.

Yusuf / Cat Stevens offers, “We’re all foreigners. Say to an American or a European, that he’s a foreigner and he’ll say, ‘No, you’re the foreigner!’ But we’re all foreigners here, in a wider sense. We’re all looking for freedom and accommodation within humanity.”

In addition to Foreigner being re-released, Yusuf / Cat Stevens’ timeless trilogy, 1970’s Mona Bone Jakon and Tea for the Tillerman and 1971’s Teaser and the Firecat are being pressed on limited edition 180-gram color vinyl, with each LP receiving a unique color variant: Mona Bone Jakon on Sky Blue, Tea for the Tillerman on Mint Green and Teaser and the Firecat on Neon Orange. The albums will each boast the remastered 2020 audio and be released on July 5.

Mona Bone Jakon established Cat Stevens as his generation’s premier acoustic troubadour with such songs as the deeply romantic “Lady D’Arbanville,” the spiritually uplifting “I Think I See The Light,” the tongue-in-cheek “Pop Star” and the heart-rending “Trouble.” Tea for the Tillerman followed Mona Bone Jakon just seven months later that same year, confirming the sensational rebirth of Cat as a spiritual seeker capable of drawing from a seemingly bottomless well of imaginative inspiration. Here, his new-found gentle and folk-oriented style was artfully weaved with urgent, morally demanding questions beneath bewitching melodies. This soul-searching masterpiece, with some of his best known songs like “Where Do The Children Play?,” “Hard Headed Woman,” “Wild World,” and “Father and Son,” felt simultaneously like a deliberate reaction to what Cat saw in the world as well as his own struggle for answers, and would continue to resonate through countless generations to come.

Released the following year, Teaser and the Firecat propelled Cat into superstardom, spawning some of his most unforgettable hits including “Moonshadow,” “Peace Train” and “Morning Has Broken,” songs by a youthful spiritual seeker, wise beyond his years that would lay the pretext for a poignant new wave of soulful troubadours and poets. Later, “The Wind” would see Teaser and the Firecat celebrated anew, rising to prominence following the song’s use in Wes Anderson’s much lauded film “Rushmore” as well as the Oscar-winning Cameron Crowe film, “Almost Famous.” Through his spellbinding gift for songwriting and his introspective vision, Stevens delivered a universal sense of hope and peace in Teaser and the Firecat that still resonates profoundly to this day.

Pre-order Mona Bone Jakon, Tea for the Tillerman and Teaser and the Firecat color vinyl here.

Foreigner, released in 1973, was Cat Stevens’ fifth LP with Island Records/A&M and represents the adventurous, risk-taking streak in his character. In addition to the radical shift away from his more familiar acoustic sound in favour of a smoother, more luxurious American sound, the album is also entirely self-produced – the first time Cat had worked fully independently in this way. He chose to record predominantly in Jamaica and recruited an all-star band from the R&B world including drummer Bernard Purdie, guitarist Phil Upchurch and the Tower of Power horn section in order to help realize his soulful vision. As a result, Foreigner is simply one of the most creative of all Cat’s albums: the entire first side consists of the 18-minute opus, “Foreigner Suite,” which transports the listener on an epic journey of compelling grooves and deeply layered lyrical meaning, and the album’s second side includes the Top 40 hit, “The Hurt,” which exemplifies the authenticity of Cat’s relationship with soul music. Foreigner is essential listening for anyone who truly wishes to understand the range and courage that underpins Cat Stevens’ artistry.

Cat Stevens’ music helped define the melodious ‘70s and in 2024 his timeless songs continue to be intertwined with the fabric of popular culture as they have magnified and developed a life of their own through their ever-expanding use in film, TV, and numerous reinterpretations by other artists. In 2023, his songs remained ubiquitous with high-profile usages: “The Wind” soundtracks a poignant scene in the Oscar-nominated film, “The Holdovers,” while “Father and Son” was used in the emotionally-charged series finale of “Ted Lasso.”

FOREIGNER TRACKLISTING

Vinyl
Side A
1. Foreigner Suite

Side B
2. The Hurt
3. How Many Times
4. Later
5. 100 I Dream

CD / Digital
1. Foreigner Suite
2. The Hurt
3. How Many Times
4. Later
5. 100 I Dream