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Ringo Starr Announces Fall 2017 Tour Dates

Ringo Starr has announced new tour dates with his longest running All Starr Band. The All Starrs include Todd Rundgren, Gregg Rolie, Steve Lukather, Richard Page, Warren Ham and Gregg Bissonette. This line-up first came together in 2012 and have been touring together since.

“The dream is still unfolding,” affirmed Ringo. “I love to play, and I love to play with this band. I can’t say that enough, and we’re on the road again.”

Starr was most recently in the studio with his old bandmate Paul McCartney to record a song reportedly for Starr’s next album. His last solo album, Postcards From Paradise, was released in 2015.

The tour kicks off with eight shows at Planet Hollywood Resort & Casino in Las Vegas. From there they head south with stops in Texas, Oklahoma and then east with stops in Florida, Georgia and Virginia, making their way north to New Jersey and New York. A full list of tour dates is below, with a few more to be added soon:

October 13-14, 17, 20, 21, 24, 27, 28  – Planet Hollywood Resort & Casino, Las Vegas
October 30 – Abraham Chavez Theatre, El Paso, TX
October 31 – Moody Theater, Austin TX
November 2 –  Smart Sugarland Civic Center, Sugarland, TX
November 4 –  Global Events Center at Winstar, Thackerville, OK
November 7, 8 – Parker Playhouse, Ft Lauderdale, FL
November 11 – Fox Theater, Atlanta, GA
November 12 – ODU Pavilion, Norfolk, VA
November 14 – Mayo Performing Arts Center, Morristown, NJ
November 15 – Beacon Theater, New York City, NY
November 16 – New Jersey Performing Arts Center, Newark, NJ
 
Tickets can be purchased here.

Michael Jackson‘s “Beat It” As Performed On Beer Bottles

The Bottle Boys perform an impressive cover of Michael Jackson‘s hit song, “Beat It,” on beer bottles.

Les soeurs Boulay Do Kate & Anna McGarrigle To Launch 2017 SiriusXM Polaris Cover Sessions

The Polaris Music Prize, presented by CBC Music and produced by Blue Ant Media, has revealed its newest SiriusXM Polaris Cover Session featuring Les soeurs Boulay reinterpreting “Complainte pour Ste-Catherine” from Kate & Anna McGarrigle’s 1976 self-titled album.

Originally written by Anna McGarrigle and poet/songwriter Philippe Tatartcheff, Stéphanie and Mélanie Boulay recorded the song at Montréal’s Studio PM in February 2017.

“It was really a challenge because it’s a particular sound. We were worried about doing the same thing. If we were to do our own version, we didn’t know how to go about it. It took us a lot of time to find our way to do the song. In the end, we’re really happy with the result,” said Mélanie Boulay of the recording.

Les sœurs Boulay’s is the first of three cover sessions planned for 2017 that will feature past Polaris nominees adapting songs from the “hall of fame” albums that have received Slaight Family Polaris Heritage Prize designation. The sisters made the Polaris Music Prize Long List in 2013 for their album Le poids des confettis. Kate & Anna McGarrigle’s self-titled album earned its Heritage Prize last year in the 1976-85 jury vote category. The two remaining cover sessions will be announced in the coming weeks. All three of these cover sessions will be compiled onto a collectible 10” vinyl record that will be given free to purchasers of 2017 Polaris nominated albums at participating record retail stores in the fall.

Other songs in the cover sessions series, which are also supported by SOCAN and Precision Record Pressing, include Zaki Ibrahim performing Leonard Cohen’s “Show Me The Place,” Whitehorse performing The New Pornographers’ “Bones Of An Idol,” Sarah Harmer performing Caribou’s “Odessa,” Great Lake Swimmers performing Sarah Harmer’s “I’m A Mountain,” Arkells performing Owen Pallett’s “I Am Not Afraid” and Joel Plaskett performing Feist’s “Bittersweet Melodies.”

Sia Sings About Songs On Sesame Street

S is for Song! Sia joins some of your furry friends from Sesame Street to sing about how much they love songs! Songs can make you feel so good you just want to sing it out loud!

Feist to Pay Tribute to Legendary Singer-Songwriter Leonard Cohen at THE 2017 JUNO AWARDS, April 2

CTV and The Canadian Academy of Recording Arts and Sciences (CARAS) announced details today for a special tribute performance in honour of legendary songwriter, musician, and poet Leonard Cohen as part of Sunday’s broadcast of THE 2017 JUNO AWARDS. Multi-JUNO Award and Polaris Music Prize winner Feist is set to take the stage to perform a moving arrangement of one of Cohen’s classic songs honouring the esteemed late musician. Co-hosted by iconic rocker Bryan Adams and megastar comedian Russell Peters, Canada’s most exciting night in music airs live in 4K from the Canadian Tire Centre in Ottawa on CTV and CTV GO on Sunday, April 2 at 6:30 p.m. ET (visit CTV.ca to confirm local broadcast times).

This year’s lineup of presenters were also announced today, including: electronic duo Bob Moses; music pioneer and 2017 Allan Waters Humanitarian Award recipient Buffy Sainte-Marie; singer-songwriter and JUNO Award nominee Chantal Kreviazuk; singer, songwriter, and producer Coleman Hell; singer-songwriter Delaney Jane; rapper Jazz Cartier; platinum-selling country artist Jess Moskaluke; Blue Rodeo’s Jim Cuddy; comedian and Much Digital Studios Creator Jus Reign; Marianas Trench frontman Josh Ramsay; ETALK reporter Liz Trinnear; the Minister of Canadian Heritage, the Honourable Mélanie Joly; Nathan Dales and Michelle Mylett from CraveTV’s LETTERKENNY, rocker Sam Roberts; and Toronto rap artist Tasha the Amazon.

With a musical career that spanned nearly five decades, Cohen has been hailed by critics and fellow musicians alike as one of the most iconic artists of the 20th century. A poet in his early career, the native Montréaler released his first of 14 studio albums, Songs of Leonard Cohen, in 1967 at the age of 33. His signature gravelly baritone, married with the succinctness of his sage, bohemian language, quickly identified him as a master lyricist.

Widely admired, his new and old masterpieces include timeless and enigmatic hits such as “Suzanne”, “Bird on the Wire”, “Everybody Knows”, “First We Take Manhattan”, “Closing Time”, and “Hallelujah”.

More than 2,000 recordings of Leonard Cohen’s songs have been made by artists that range from Elton John, U2, Jeff Buckley, to Aretha Franklin. And from Bob Dylan to Justin Timberlake, more than 200 artists have sung or recorded the now iconic “Hallelujah” since Cohen’s original recording in 1984, including breathtaking performances by k.d. lang at THE 2005 JUNO AWARDS in Winnipeg, and the Opening Ceremonies of the Vancouver 2010 Winter Olympics Games.

A Companion of the Order of Canada, Cohen was inducted into the Canadian Music Hall of Fame, the Canadian Songwriters Hall of Fame, the U.S. Songwriters Hall of Fame, the Rock and Roll Hall of Fame, and the Folk Music Walk of Fame. In addition to his six JUNO Awards, and numerous other honours across his prolific career, Cohen was also awarded the Glenn Gould Prize, the Principe de Asturias Prize, a PEN New England/Lyrics Award, as well as a Lifetime Achievement Award at The Grammys. His final studio album, You Want It Darker, was released in October, before his death the following month. With more than 27 million albums sold worldwide and 12 published books, Cohen’s stunning body of original work remains an inspirational legacy to generations of artists and fans around the world.

Performers taking the stage at THE 2017 JUNO AWARDS on CTV include Arkells, A Tribe Called Red, Alessia Cara, Billy Talent, Dallas Smith, July Talk, Ruth B, Sarah McLachlan, Shawn Mendes, and The Strumbellas.

Canadian Music Week Announces Nominees and Performers for the Canadian Radio Music Awards

CMW is proud to announce the nominees and performers for the 20th Annual Canadian Radio Music Awards (CRMA) on Wednesday, April 19, 2017 at the Sheraton Centre Toronto Hotel. The Strumbellas, Alessia Cara, Ruth B, and Justin Bieber lead in nominations.

The Canadian Radio Music Awards will spotlight first-time charting artists on the airwaves.The CRMA ceremony will feature performances by Bleeker, James Barker Band, Jonathan Roy, Modern Space, Ruth B, and The Washboard Union.

The CRMA Nominees include artists who have hit the Canadian charts for the first time and who have achieved top airplay in different formats based on radio “spins,” as recorded by Nielsen Broadcast Data Systems (BDS) in 2016. Votes cast by program directors, music directors, and on-air personalities determine the winners.

This year’s CRMA awards categories include: Hot AC, Mainstream AC, Mainstream Rock, Modern Rock, Contemporary Hit Radio, Dance/Urban/Rhythmic, and Country as well as the SOCAN Song of the Year and Fans’ Choice. The full list of nominations can be seen below. Radio listeners from across the country can vote online for the Fans’ Choice Award at www.cmw.net.

The late Gary Russell will be inducted into the Allan Waters Broadcast Hall of Fame at the Canadian Radio Music Awards (CRMAs). Gary was a well-respected radio broadcaster who began his career on air before his work in programming and management. Gary held positions at radio stations from Ottawa to Vancouver over his 40 year career, and in 2008 was inducted into the Canadian Association of Broadcasters’ Hall of Fame. Gary’s family will be in attendance at the Canadian Radio Music Awards in honour of his dedication to radio in Canada.

Canadian Radio Music Award NOMINEES 2017

BEST NEW GROUP OR SOLO ARTIST: HOT AC
JONATHAN ROY – DANIELLA DENMARK
LUCKY ROSE – THE WAY YOU WANT ME
MICHELLE TREACY – ARMAGEDDON
RUTH B – LOST BOY
THE STRUMBELLAS – SPIRITS

BEST NEW GROUP OR SOLO ARTIST: MAINSTREAM AC
ALESSIA CARA – HERE
JONATHAN ROY – DANIELLA DENMARK
RUTH B – LOST BOY
THE NEW ELECTRIC – LIFE’S WHAT YOU MAKE IT
THE STRUMBELLAS – SPIRITS

BEST NEW GROUP OR SOLO ARTIST: CHR
ALX VELIZ – DANCING KIZOMBA
BIT FUNK – OFF THE GROUND
RUTH B – LOST BOY
SONREAL – CAN I GET A WITNESS
THE STRUMBELLAS – SPIRITS

BEST NEW GROUP OR SOLO ARTIST: DANCE/URBAN/RHYTHMIC
NEON DREAMS – MARCHING BANDS
PARTYNEXTDOOR – NOT NICE
SARAH MARK – TUN UP
SHAUN FRANK – LET YOU GET AWAY
TORY LANE – SAY IT

BEST NEW GROUP OR SOLO ARTIST: MAINSTREAM ROCK
BLEEKER – HIGHWAY
MODERN SPACE – PEN TO PAPER
SAY YES – ONCE FORWARD TWICE BACK
THE DAMN TRUTH – HEART IS COLD
THE STRUMBELLAS – SPIRITS

BEST NEW GROUP OR SOLO ARTIST: MODERN ROCK
BOB MOSES – TEARING ME UP
MICHAEL BERNARD FITZGERALD – I WANNA MAKE IT WITH YOU
MODERN SPACE – PEN TO PAPER
THE DARCYS – MIRACLE
THE STRUMBELLAS – SPIRITS

BEST NEW GROUP OR SOLO ARTIST: COUNTRY
AARON GOODVIN – WOMAN IN LOVE
DAN DAVIDSON – FOUND
JAMES BARKER BAND – LAWN CHAIR LAZY
MEGHAN PATRICK – BOW CHICKA WOW WOW
THE WASHBOARD UNION – MAYBE IT’S THE MOONSHINE

SOCAN SONG OF THE YEAR
LOVE YOURSELF – JUSTIN BIEBER
2 HEADS – COLEMAN HELL
SORRY – JUSTIN BIEBER
TREAT YOU BETTER – SHAWN MENDES
WILD THINGS – ALESSIA CARA

FANS’ CHOICE
ALESSIA CARA
COLEMAN HELL
HEDLEY
JUSTIN BIEBER
SHAWN MENDES

Adam Ant Returns To The US For “ANTHEMS – The Singles Tour”

After playing to over 50,000 fans at sold out shows throughout North America and the UK, Adam returns to North America with his ANTHEMS – The Singles Tour with special guest L7 at the Greek Theatre in Los Angeles

VIP presale tickets for ANTHEMS Ð The Singles tour are available on March 21 at 10 am (local time) and tickets will be on sale to the general public on March 24 at 10 am local time. In addition, watch for special presale opportunities through Spotify on March 23 from 10 am to 10 pm (Local) – Password: ANTHEMS.

Tour dates below:
Wednesday, September 6 – Fort Lauderdale, FL, Parker Playhouse (Broward Center PAC)
Friday, September 8 – Clearwater, FL, Capitol Theatre
Saturday, September 9 – Orlando, FL, The Beacham Theatre
Sunday, September 10 – Jacksonville, FL, Florida Theatre Performing Arts Center
Wednesday, September 13 – New York, NY, Beacon Theatre
Friday, September 15 – Detroit, MI, Sound Board @MotorCity Casino Hotel
Saturday, September 16 – Cleveland, OH, House of Blues
Sunday, September 17 – Pittsburgh, PA, Palace Theatre
Tuesday, September 19 – Baltimore, MD, Baltimore Sound Stage
Wednesday, September 20 – Richmond, VA, The National
Friday, September 22 – Charlotte, NC, Fillmore
Saturday, September 23 – Atlanta, GA, Variety Playhouse
Sunday, September 24 – Nashville, TN, War Memorial Auditorium
Tuesday, September 26 – Denver, CO, Paramount Theatre
Thursday, September 29 – San Francisco, CA, The Masonic
Saturday, September 30 – Los Angeles, CA, Greek Theatre

Inside Drake’s Record-Breaking Debut Week for “More Life”

Drake scores his seventh No. 1 on the Billboard 200 albums chart and sets a new streaming record, as his More Life set bows atop the tally dated April 8.

The effort, which was released on March 18, earned 505,000 equivalent album units in the week ending March 23, according to Nielsen Music. That’s the biggest week for any album since Drake’s own Views launched with 1.04 million units on the list dated May 21, 2016.

Of More Life’s starting sum, a record 257,000 units were driven by streaming equivalent album units, equating to 384.8 million streams of songs from the 22-track album during the tracking frame (each unit equals 1,500 streams of songs from the album). More Life’s streaming sum beats the previous record holder of Drake’s Views, which launched with 163,000 streaming equivalent units (245.1 million song streams).

More Life is Drake’s seventh consecutive album to debut at No. 1. Only his debut EP, So Far Gone, has missed the top slot, as it debuted and peaked at No. 6 back in 2009. Drake’s seven No. 1s ties him with Kanye West and Eminem for the second-most No. 1s among hip-hop acts, trailing only Jay Z, with 13 leaders.

Via

Michael Stipe on Creativity: “Be challenged by your friends and the people whose opinions you trust the most”

Music was always like a beautiful fog around me. I’m very susceptible to music. Anyone who has been out to dinner with me, been out in public with me, will tell you how distracting music can be for me. It blocks out all other input. In a way, the band blocked out all this input for me for a long time. It made it very hard for me to be able to focus on other things, like reading books.

In the band, it’s a democratic compromise. Everyone arrives at a place that is hopefully bigger than all of the separate parts. You find yourself working towards a common goal and try very hard to get there together. That doesn’t always work and sometimes you fail and you fail horrifically. I was just always really proud of the fact that we did everything we did and that we owned everything that we did. The highlights and the triumphs as well as the fall-on-your-face-publicly-in-a-very-big-way kind of moments. And there were plenty of those. Or the compromises that were made for, you know, position—whether on charts or for some kind of cultural position, all that stuff. To work outside of that is pretty freeing… and also terrifying. The guys in my band had my back and I had theirs. I was very protected. Working on my own I realize I’m not so protected.

Well, I find that I need to bounce ideas off of people. I need to have people around constantly to ask, “Is this good, or is this shit?” ‘Cause a lot of it is shit. And you have to kind of move through that. In terms of the kind of mediums that I work in now, I’m really comfortable with video and I’m really comfortable with film and photography. Making visual art comes very naturally to me, so it’s not difficult or complex in terms of imagining what I want. I know what I want. I sometimes just need people to help me with lighting or with the mechanical aspect of taking a picture or creating a video. But I know what I wanna see and I know how I wanna feel when I see it, so that’s what I’m always working towards.

It’s so important, no matter what you are doing or making, to be challenged by your friends and the people whose opinions you trust the most. People who aren’t going to tell you something’s good if it’s not and vice versa. It’s also healthy to realize what you’re good at and what you aren’t and to be honest about that. The things that I know that I’m really bad at: I know I’m a terrible painter, and I know I can’t stand my own drawing. I can’t stand my speaking voice. I can’t stand my signature. That’s all the stuff I can’t stand. So then I’m left with video and film, and my singing voice which I love, mostly. It’s limited, but it’s got something.

Via