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Making memorable experiences at 5 Seconds of Summer with Amex Invites

Commenting on his time with The Rolling Stones in 1986, drummer Charlie Watts humorously said that, in his estimation, he’d “worked five years and had 20 years of hanging around”. It’s a sentiment that I share when having the privilege to go to a concert with my 12-year-old daughter, Hannah. While I haven’t been on-stage as much as The Rolling Stones (quite frankly, who has?), I’ve definitely spent a lot of time with Hannah waiting for the concert or show to begin and hang out afterwards. I stopped counting after a few dozen shows I’ve been lucky enough to bring her along, but recently, it’s her that is taking me to her favourite bands.

Last week, thanks to American Express Canada, we had the soaring pleasure to see 5 Seconds of Summer at Toronto’s Molson Canadian Amphitheatre and have a daddy-daughter night out. Not only was it a thought-provoking experience for me, but seeing how Amex has gone from a credit card to providing Cardmember perks such as Front Of The Line Advanced Presales, the Amex Lounge and Amex Front Of The Line Reserved Tickets, only demonstrates the power of music as a marketing platform, as sponsorship spending in the music category continues to soar to new heights. And the fan wins, every single time.

Amex unlocks memorable moments for half a million Canadians every year. In 2015, Amex will help over 400,000 fans rock out to their favourite band. It was our turn – the Alpers – to unlock – our concert experience. I talked to a number of other parents who brought their kids, and that took advantage of Amex perks like staying in the Amex Lounge or who used their Amex Card for Front Of The Line Reserved Tickets to get up-close to the stage. These parents found out 5 Seconds Of Summer was coming to the Molson Amphitheatre even before their kids knew because they had signed up for the Front Of The Line Entertainment e-updates. With American Express Invites, Amex is expanding the model to bring Cardmembers an ongoing flow of access to entertainment and lifestyle experiences – often with added value elements that make them both very appealing and also accessible only through American Express.

When it comes to access, no other brand comes close to providing the memorable experiences that American Express does, and that means we knew first when the major touring acts play in our area, or get in early to watch an up-and-coming artist play a small theatre, before they start to play stadiums.. Another superb reason to have an Amex Card is known as soon as you enter onto the Molson Canadian Amphitheatre grounds, where a large banner tells Amex Cardmembers they can skip the general line, and go right to the dedicated Amex line for faster entrance to the venue. This doesn’t seem like much, until you have the opportunity to see over 10,000 teenagers celebrating by singing their favourite 5 Second Of Summer song over and over again. Not just the one song, mind you, but different groups of teens singing their own choruses punching through the night. So, while I’m happy to have singing around me, we got to skip most of the impromptu choir, thanks to Amex.

What was politely noted by the parents is the loyalty they have for Amex, since the card company has been doing this for over 25 years through Front Of The Line by providing their Cardmembers with experiences like Delights, its partnerships with LiveNation, Mirvish, Massey Hall, and Molson Canadian Amphitheatre, to name a few. My fervour is the same, as what Amex does so well is really know what I want to see, and their access to some of the most in-demand events is second to none. You don’t have to question Amex’s ability to show that as a credit card company they can indeed be human and offer memorable experiences.

What followed us arriving into the venue was a scene I love – 17,000 screaming teens, the party atmosphere I thrive for every artist I work with to one day have. Walking up to our seats – first row, by the way – we leapfrogged the usual hurdle of waiting for hours in-between sets, and into a short countdown on the screen with an emotional audience already almost unable to contain their emotions. From the start of the opening three songs, End Up Here (as in my thought, “How The Heck Did We End Up With These Awesome Tickets?”), Out Of My Limit (like, “This Volume Of Screams Is Out Of My Limit For Normal Hearing, Just Kidding, I Can Take It,”) and Voodoo Doll (I have nothing funny to add about this song), it’s easy to see why 5SOS are finding themselves in surroundings like these, night after night. Here was Hannah, so comfortable in this stadium, it’s almost impossible now not to think of her as my daughter, but as a fun concert buddy. She’s singing loudly, having an unexpected glee, going for broke with her happiness of seeing the band so close.

By the time the band ended their set with She’s Kinda Hot and She Looks So Perfect, every single girl in the crowd knew 5SOS wrote the song just for them. Because, in a way, they did, the sly ones. Hannah and I have been to enough shows to know our experience was better than we had a right to expect, but that’s really what Amex does. They offer an experience you’ll never forget. As 5SOS closed off the night with The Romantics’ cover of What I Like About You, I almost sang it as a heartfelt thank-you to Amex.

Looking for your own memorable experience? Explore www.AmexInvites.ca to learn more about some of the hottest upcoming events.

Rival Sons Get Opening Slot For Black Sabbath‘s ‘The End‘ Farewell Tour

Rival Sons have landed the coveted opening slot on Black Sabbath‘s ‘The End‘ farewell tour. The group will be out supporting the band across multiple legs of the tour and their guitarist Scott Holiday said of landing the gigs:

“Every now and again the universe just speaks to ya…and planets align…This is definitely one of those cool situations for us. A while back we played an award show… The Osbourne family happened to be in the audience. Luckily the attending -which included the upper crust of classic rock and some of the world’s most famous- really enjoyed our little 3 song set…especially Ozzy, Sharon and the kids. Standing ovation and all.

We chatted and hung with the Osbournes after the show, which was just incredible on its own…but something much greater has transpired. We couldn’t be more honored and excited to announce we’ll be supporting the legendary Black Sabbath on their upcoming world tour(s)!! This will take us to most of those places we haven’t been yet and back through the many places we have made so many friends and fans. Here we go folks… Black Sabbath and Rival Sons coming to your town…city…country soon!”

Steve Earle Denounce Confederate Flag in New Song ‘Mississippi, It’s Time’

Singer-songwriter Steve Earle has partnered with the Southern Poverty Law Center to take a stand against the Confederate battle flag and is urging Mississippi to remove the emblem from its state flag with the release of his new song, “Mississippi It’s Time.”

The Who perform a killer version of ‘Baba O’Riley’ live in Hyde Park, London

One of the greatest rock bands of all time, The Who celebrate 50 years of classic songs live in London’s Hyde Park. The show-stopping performance features all of their greatest hits and proves The Who are still one of the best live bands playing today.

Recorded in front of a sell-out crowd of 65,000 fans, Roger Daltrey and Pete Townshend deliver a definitive set list of all the greatest hits as The Who take their audience on an ʻAmazing Journeyʼ through their entire career from classic albums such as Who’s Next, Tommy, Quadrophenia, My Generation and Live At Leeds up to the present day.

Featuring ‘My Generation’, ‘Pinball Wizard’, ‘Baba O’Riley’, ‘Who Are You’ and many more, plus exclusive interviews with Roger Daltrey, Pete Townshend, Robert Plant, Iggy Pop and others. ‘The Who Live in Hyde Park’ is an electrifying cinematic event not to be missed.

Find out more about watching ‘The Who in Hyde Park’ at your local cinema on October 8th here.

BMI Reports Record-Breaking Revenues of Over $1 Billion With Digital Revenue Up 65%

BMI today announced record-breaking revenue and royalty distributions for its fiscal year ended June 30. BMI generated total revenues of $1.013 billion, the highest in the company’s history and the most public performance revenue generated for songwriters, composers and publishers by any music rights organization in the world. In addition, BMI distributed and administered $877 million to its affiliated songwriters, composers and music publishers, a nearly 4.5% increase over last year and the company’s largest distribution ever.

BMI operates on a non-profit-making basis and returns approximately 87% of all revenue to the musical creators and copyright owners it represents.

“These are phenomenal results for BMI and underscore the value we bring to our community of songwriters, composers and publishers,” said Mike O’Neill, President and CEO, BMI. “They’re even more impressive when you consider the negative impact to our international revenues brought on by the strengthening dollar,” he added. “We will continue to work hard on behalf of the more than 700,000 affiliates we have the privilege to represent, not only to make sure they can continue to earn a living doing what they love, but also through our ongoing efforts with Congress and the U.S. Department of Justice to rewrite the rules so they make sense for today’s digital world.”

BMI’s digital revenue exceeded $100 million, the first U.S. PRO to achieve this important milestone. Digital revenue increased 65% over last year, which was the largest category increase for the company. Revenue sources included Amazon, Apple, Netflix, Pandora, Spotify and YouTube, among many others.

Revenue from all media licensing, including radio, television and cable and satellite entertainment, also saw record levels at $484 million, with cable and satellite entertainment accounting for the largest portion of BMI’s domestic revenue for the second consecutive year. Additionally, general licensing revenue, including license fees from bars, hotels, fitness facilities and restaurants, along with other income, achieved a record high $137 million. General licensing added more than 14,000 new businesses to its already vast portfolio.

International revenues came in at a strong $292 million, despite significant economic challenges overseas. While down 5% in USD from last year, the company overcame a $28 million negative impact to international revenues caused by lower foreign exchange rates due to the strengthening dollar.

BMI processed nearly 600 billion performances, more than 500 billion of which were digital, a 25% increase from last year. More than 1.2 million unique musical works were identified across the various digital services.

BMI’s historic revenue performance comes in the same year the company prevailed in a groundbreaking rate-setting case against Pandora. After a nearly two-year legal battle over the value of the BMI repertoire to the streaming music giant, the court agreed that BMI’s proposed rate of 2.5% of Pandora’s gross revenue was the more appropriate reflection of the value of BMI’s music. Importantly, the decision established that publisher marketplace agreements can be taken into account as benchmarks when determining rates, an important step forward in valuing music today.

R.E.M.’s Michael Stipe REALLY doesn’t want politicians using their songs for their campaigns.

R.E.M.’s Michael Stipe doesn’t want politicians *cough Donald Trump cough* using their songs for their campaigns. And in case one would be ambitious in thinking it would be ok, Stipe wrote a terse note on Twitter.

On Facebook, however, the band released an official statement reminding fans that the band trying to block their music from being played at political rallies, something much bigger is at stake:

While we do not authorize or condone the use of our music at this political event, and do ask that these candidates cease and desist from doing so, let us remember that there are things of greater importance at stake here. The media and the American voter should focus on the bigger picture, and not allow grandstanding politicians to distract us from the pressing issues of the day and of the current Presidential campaign.

Jack White’s Third Man Records and Light In The Attic Release A VERY Cute Kids’ Record Player with Music!

Light In The Attic & Jack White’s Third Man Records are joining forces to show impressionable, young minds the virtues of good music and vinyl records with our exclusive children’s compilation, This Record Belongs To______ available November 6th on LP, CD & digitally accompanied by Third Man Record’s new portable light-weight children’s turntable with built in speakers and a USB port for converting vinyl records to digital. Parents everywhere rejoice!

What if your favorite children’s book were not only a timeless story but came with a soundtrack of tunes that kids and grown-ups alike would love? Hold onto your boots… it’s here! This Record Belongs To______ is the antidote to your standard kids compilations. You won’t find boy bands, princesses, or purple dinosaurs here. Instead the record consists of two halves–an upbeat side for daytime dancin’ and a mellow side for bedtime lullabies. Among the many gems featured include songs from Carole King, Woody Guthrie, Donovan, Harry Nilsson, Jerry Garcia, Nina Simone, Kermit The Frog and more.

Inspired by the classic Little Golden Books Series and Sesame Street’s In Harmony albums, This Record Belongs To ______ stems from a love of music, reading, and a passion for teaching future generations the interactive experience of holding an album in your hands, putting needle to groove, and immersing yourself in the pages of a record’s sleeve as the music plays. The compilation was compiled and sequenced by DJ and friend, Zach Cowie, who is as dear to our hearts as this collection of songs (previously passed around as a gift between friends) and is the soundtrack for many LITA & TMR offspring. These kiddos now all have undeniably excellent taste in tunes.

The record is accompanied by an original, full-color storybook illustrated by acclaimed artist, Jess Rotter, which tells the tale of five forest pals who find a mysterious object–a round, flat disc that they proceed to investigate. The animal friends finally solve the mystery and learn how to play a record and let their bodies move to the groove (within the grooves).

How can you fully introduce your children to the magic of vinyl records without letting them interact with the record player a bit themselves? Third Man Records realizes your high end turntable might not be kid-friendly, so they are co-releasing a portable, suitcase record player just for the kids. The new Third Man Records children’s turntable made by Jensen is compact and portable, featuring images of Manny, the Third Man mascot. The three-speed turntable with built-in speakers has a USB port for converting vinyl records to digital, an automatic return tone arm, and is as lightweight as a portable turntable can be.

Akon on SiriusXM – hear my interview with him

Akon’s shimmering, soulful voice has propelled countless hits across genres from pop to hip hop and dance. With over 35 million albums sold worldwide, five Grammy Award Nominations, 45 Billboard Hot 100 Songs, and to many numerous music industry awards under his belt to mention , he’s simply unstoppable. As soon as you hear Akon’s voice you know it’s him, he is iconic.

And being a founding member (and namesake) of the Akon Lighting Africa project is a major part of this discussion on SiriusXM. It’s Akon’s vision to drive development throughout Africa and to make it the world’s major investment hub in the 21st Century.

Populations in off-grid locations are the first to suffer from the lack of energy. The priority is therefore to electrify very isolated towns and villages, far from the capital cities. Thanks to the range of solutions distributed by Akon Lighting Africa, they can benefit from affordable, clean and endless energy.

You can hear Akon on my show – @ThatEricAlper – all weekend long on Canada Talks 167:

Saturday, September 12th at 12 pm and 4 pm EST
Sunday, September 13th at 6 am and 11 am EST
Monday, September 14th at 3 am EST

I never post my SiriusXM on Soundcloud, ya gotta pay for satellite radio, ya know. But this one was so special. I did an in-depth talk with global superstar Akon, and wanted to spread the word about Akon Lighting Africa, and his leadership to bring electricity to millions households in Africa with solar energy. It felt right to release this segment, and I hope you check it out:

Video: The Story of NWA’s ‘F**k Tha Police’

Noisey presents a new documentary exploring the story behind seminal rap track ‘F**k Tha Police’ by NWA.

They talk to Ice Cube and Yella from the group about the circumstances that led to the making of the song, as well as police officers from the Compton gang unit at the time and lifelong Compton citizens who felt the impact of the song in their neighbourhoods.

Jimmy Fallon And Justin Timberlake Do It Again With History of Rap Part 6

Jimmy Fallon and Justin Timberlake perform a medley of hip hop classics.

https://youtu.be/1omPNEVOIaM

List of songs below:
History of Rap 6 Song List
R. Kelly & Jay Z – “Fiesta”
LL Cool J – “Rock the Bells”
Whodini – “Friends”
Slick Rick & Doug E. Fresh – “La Di Da Di”
Public Enemy – “Fight the Power”
NWA – “Straight Outta Compton”
Salt-N-Pepa – “Let’s Talk About Sex”
MC Hammer – “U Can’t Touch This”
DJ Jazzy Jeff & The Fresh Prince – “Summertime”
Wu-Tang Clan – “C.R.E.A.M.”
Notorious B.I.G. (feat. Puff Daddy & Mase) – “Mo Money Mo Problems”
Snow – “Informer”
Nelly – “Country Grammar”
Bone Thugs-n-Harmony – “Crossroads”
R. Kelly – “Ignition (Remix)”
Chris Brown – Look at Me Now (feat. Lil Wayne & Busta Rhymes)
Kendrick Lamar – “Bitch Don’t Kill My Vibe”
Drake – “Know Yourself”
Big Sean – “I Don’t F*** With You”
Jay Z & Kanye West – “Otis”
Fetty Wap – “My Way”
Ace Hood (feat. Future Rick Ross) – “Bugatti”
Beastie Boys – “Fight For Your Right”