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Dustin Lynch and Scotty McCreery Announce ‘Two For The Road’ Tour for Fall 2025

Raising a toast to some of the biggest Country smashes of the past decade, Dustin Lynch and Scotty McCreery are joining forces for their co-headlining Two For The Road Tour, announcing a dozen special shows in the fall.

Tickets for the DUSTIN LYNCH AND SCOTTY MCCREERY: TWO FOR THE ROAD TOUR are available via an exclusive fan presale (including VIP Packages) beginning on Wednesday (4/30) at 10 a.m. local time, and continuing through Thursday (5/1) at 10 p.m. local time. The tour’s public on-sale begins Friday (5/2) at 10 a.m. local time. To purchase tickets, visit Lynch and McCreery’s websites.

The TWO FOR THE ROAD TOUR kicks off November 6 in Saginaw, MI, and will feature 12 hit-heavy stops across the U.S. Stretching from Portland, ME, to Tupelo, MS, the run is scheduled to wrap December 6 in Duluth, MN, with two of Country’s most electrifying talents supported by Walker Montgomery and Sons of Habit (who will appear on select dates).

CO-HEADLINING DATES OF DUSTIN LYNCH AND SCOTTY MCCREERY: TWO FOR THE ROAD TOUR:

NOVEMBER
6 | Saginaw, MI – Dow Event Center*
7 | Bloomington, IL – Grossinger Motors Arena*
8 | Rochester, MN – Mayo Civic Center*
13 | Portland, ME – Cross Insurance Arena*
14 | Reading, PA – Santander Arena*
15 | Canton, OH – Canton Memorial Civic Center*
20 | Knoxville, TN – Knoxville Civic Coliseum+
21 | Tupelo, MS – Cadence Bank Arena+
22 | Corbin, KY – The Corbin Arena+

DECEMBER
4 | Ralston, NE – Liberty First Credit Union Arena+
5 | Fargo, ND – SCHEELS Arena+
6 | Duluth, MN – AMSOIL Arena+

* Walker Montgomery
+ Sons of Habit

Gretchen Wilson Joins CBS Music Competition THE ROAD as Tour Manager and Mentor

GRAMMY Award winner and accomplished country music artist Gretchen Wilson joins THE ROAD in the special role of “tour manager” for the music competition show that will be launching this fall on CBS.

As “tour manager,” Wilson will provide support and guidance to the emerging musicians while they make their way across America, ensuring the tour’s success while sharing her own expertise and experiences on the road as a touring artist.

Wilson also takes to the stage to deliver a performance of her own as part of the show. “Stepping into the role of ‘tour manager’ for THE ROAD has allowed me to take everything I’ve learned over all of my years of touring and pour it right back into these emerging musicians. Helping them sharpen their talents to capture the attention of these crowds across America, and guiding them through the real and raw grind of life on the road, has been a highlight of my career,” says Wilson. “Working with Keith Urban, Blake Shelton, Taylor Sheridan and the rest of the team and our incredible crew was absolutely amazing. It was an honor to be a part of this team and I can’t wait for the world to watch!”

THE ROAD is set to premiere in fall 2025 on CBS and streaming on Paramount+.

HAIM Announce ‘I quit’ Tour in Support of New Album, Hitting North America and UK This Fall

4x GRAMMY-nominated Southern California rock trio HAIM announced they will embark on the “I quit tour” this Fall, with dates starting in North America in early September. The tour, in support of the band’s upcoming fourth studio album I quit – out June 20th (Columbia Records) – will see the sisters play 23 cities in North America and 7 cities across the UK. North America dates kick off in Philadelphia, PA at TD Pavilion at the Mann on September 4th and end October 11th in Santa Barbara, CA at Santa Barbara Bowl. HAIM will begin the UK leg of “I quit tour” on October 24th in Nottingham at Motorpoint Arena and wrap up on October 31st in Glasgow at OVO Hydro.

Anticipation for HAIM’s upcoming album I quit has been growing rapidly as the band have just released their new single and video “Down to be wrong.” Rolling Stone called the track “a slow-burning rocker of supreme self-preservation in the wake of heartbreak – one that quietly simmers in the verses, and builds to a cathartic release of reflections,” while Paste describes it as “anthemic pop resilience” and The Independent raves “Haim are glorious on ‘Down to Be Wrong'”. This comes on the heels of releasing lead single “Relationships” and album track “Everybody’s trying to figure me out.” Upon the release of “Everybody’s trying to figure me out,” Consequence declared, “HAIM kick off single girl summer,” while Uproxx said the track, “unravels a people pleasing panic attack,” and Clash declared it, “leads into HAIM’s new era…tune in now.”

The “I quit tour” marks a return to headlining iconic venues like Madison Square Garden in NYC and London’s The O2 which the band played on their acclaimed 2022 “One More Haim Tour.” Yesterday HAIM delivered an incredible performance at Jazz Fest in New Orleans just after playing two surprise, sold-out shows for fans at The Bellwether in LA. HAIM are scheduled to perform at Primavera Sound Festival in Barcelona, Spain on June 6th and in Portugal on June 14th. Renowned for their electric and energetic live performances, HAIM have toured the world playing headlining shows and festival stages including Glastonbury, Coachella, Bonnaroo, Lollapalooza and more.

HAIM 2025 Tour Dates:

06/27 Margate, UK – Scenic Stage Arena
09/04 Philadelphia, PA – TD Pavilion at the Mann
09/05 Boston, MA – The Stage at Suffolk Downs
09/06 Toronto, ON – Scotiabank Arena
09/08 New York, NY – Madison Square Garden
09/09 New Haven, CT – Westville Music Bowl
09/10 Columbia, MD – Merriweather Post Pavilion
09/12 Chicago, IL – United Center
09/13 Milwaukee, WI – The Rave / Eagles Club
09/14 Minneapolis, MN – Armory
09/17 Portland, OR – McMenamins Edgefield Amphitheater
09/18 Seattle, WA – WAMU Theater
09/20 Vancouver, BC – Doug Mitchell Thunderbird Sports Arena
09/23 Phoenix, AZ – Mesa Amphitheatre
09/25 Dallas, TX – The Bomb Factory
09/26 Austin, TX – Moody Center ATX
09/28 Houston, TX – White Oak Music Hall Lawn
09/30 Nashville, TN – The Pinnacle
10/03 Denver, CO – Fiddler’s Green Amphitheatre
10/04 Magna, UT – The Great Saltair
10/07 San Francisco, CA – Bill Graham Civic Auditorium
10/09 Inglewood, CA – Kia Forum
10/10 San Diego, CA – The Rady Shell at Jacobs Park
10/11 Santa Barbara, CA – Santa Barbara Bowl
10/24 Nottingham, UK – Motorpoint Arena
10/25 Cardiff, UK – Utilita Arena
10/26 Brighton, UK – Brighton Centre
10/28 London, UK – O2 Arena
10/30 Manchester, UK – Co-op Live
10/31 Glasgow, Scotland – OVO Hydro

Paul Rodgers Joins Coachella Valley Students for Special “Rock & Roll Fantasy” Recording With Adopt the Arts

Elementary school music students from the Coachella Valley experienced a once-in-a-lifetime opportunity as renowned vocalist and songwriter Paul Rodgers of Bad Company joined members of The Changels (“Angels of Change”) honor choir for a special recording session as part of Adopt the Arts Foundation’s ongoing commitment to providing meaningful music education in underserved communities.

Members of the Changels recorded a special rendition of the Bad Company hit written by Rodgers, “Rock & Roll Fantasy,” who will be inducted into the Rock & Roll Hall of Fame this year. Rodgers joined them to sing on the track, which is co-produced by Matt Sorum and Bruce Witkin, both accomplished musicians who performed together in the Hollywood Vampires supergroup. Witkin brings extensive production credentials spanning from 1995 to present day and Sorum is responsible for the overall collaboration and plays drums on the track.

Out of more than 75 students participating in Adopt the Arts’ Coachella Valley honor choir, a select group was given the opportunity to audition for the recording session at Good Noise studio, giving them a hands-on professional recording experience while working alongside one of rock music’s most celebrated voices.

“Music has the power to transform lives – I’ve experienced it myself and seen it countless times throughout my career,” said Paul Rodgers. “Working with these young, talented and very engaged singers is an opportunity to pass along not just technical knowledge, but the passion, joy and spirit that comes from musical expression.”

This collaboration is part of a larger initiative by Adopt the Arts to provide students with real-world music industry experiences beyond classroom instruction. The program includes mentoring sessions with professional musicians, recording opportunities, and performances throughout Southern California.

“We’re not just teaching these kids about music – we’re showing them how music can open doors and create community,” said Matt Sorum, Founder of Adopt the Arts and Rock & Roll Hall of Fame inductee. “Having Paul Rodgers join us is incredible. These are formative experiences that build confidence and skills these kids will carry with them throughout their lives.”

The Changels, a diverse group of elementary students from Adopt the Arts’ partner schools in the Palm Springs Unified School District, are recording songs focused on themes of unity and hope.

The session was filmed as part of an ongoing documentary project following The Changels’ musical journey, showcasing the impact of music education during children’s formative years.

“What’s different about Adopt the Arts is their long-term commitment to these students,” said Dr. Tony Signoret, Superintendent of Palm Springs Unified School District. “This isn’t a one-time celebrity appearance – it’s part of a comprehensive approach to music education that’s making a real difference in our schools and community.”

Since its inception in 2012, Adopt the Arts has fully funded the music program at Rosewood STEM Magnet Elementary in Los Angeles. In August 2024, the Foundation expanded to serve four elementary schools in the Coachella Valley—Agua Caliente, Bubbling Wells, Della S. Lindley, and Vista Del Monte—with plans to reach two more schools this year. This session reflects the organization’s core mission: to empower students in underserved communities through access to high-quality music education and real-world creative experiences.

 

CMAOntario Festival & Awards Returns to Hamilton With 2025 Lineup Led by Sacha, Andrew Hyatt, and More

The Country Music Association of Ontario (CMAOntario) is proud to announce the first wave of performers for the CMAOntario Festival & Awards Weekend presented by Cowbell Brewing Co. taking place from May 30-June 1, 2025 in Hamilton. In addition to the 13th Annual CMAOntario Awards Show, CMAOntario Festival & Awards Weekend will include Songs & Stories: Songwriters in the Round, Bonfire, two open stages, and the R2i TuneUp Conference. Tickets are on sale now.

On Saturday, May 31 the CMAOntario Festival & Awards Weekend will present the Bonfire concert at The Music Hall featuring Ontario’s hottest new music by rising stars and CMAOntario nominees with evening concert performances by Sacha, Alexa Goldie, Carson Janik, Dayna Reid, and Drew Taylor.

Jason McCoy of The Road Hammers and Pure Country Radio will host the 13th Annual CMAOntario Awards Show, presented by Cowbell Brewing Co., taking place Sunday, June 1, 2025 at The Music Hall. McCoy has hosted the CMAOntario Awards Show every year since 2014, stewarding the ship of history making award presentations and performances by Ontario’s country music industry with a brand of unbridled enthusiasm and humour only he could provide.

The CMAOntario Awards Show will include exciting performances by: Andrew Hyatt nominated for four CMAOntario Awards this year; Sacha, nominated for three CMAOntario Awards; Nate Haller, Robyn Ottolini, and Mackenzie Leigh Meyer, who are nominated for two CMAOntario Awards each; Amanda & James, first time nominees for Group or Duo of the Year; Alexa Goldie, nominated for Breakthrough Artist of the Year; Mitch Jean, first time nominee for Francophone Artist or Group of the Year;  and the CMAOntario house band, The Western Swing Authority, who are up for two CMAOntario Awards this year.

Music fans can cast their vote for the CMAOntario Fans’ Choice Award, sponsored by Tourism Hamilton, until May 9 at cmaontario.ca/fans-choice/. The 2025 nominees are Josh Ross, Owen Riegling, Sacha, Steven Lee Olsen, Tebey, and The Reklaws.

Additional programming for the CMAOntario Festival & Awards Weekend will be revealed soon!

2025 CMAOntario Festival and Awards
presented by Cowbell Brewing Co.
May 30-June 1, 2025 in Hamilton
The Music Hall, 24 Main Street West
The Textile Building, 10 George Street

Open Stages
Friday, May 30 at The Textile Building
Saturday, May 31 at The Music Hall

Bonfire
Saturday, May 31 at 7pm
The Music Hall
Tickets are $15

CMAOntario Awards Show
Sunday, June 1 at 7pm
The Music Hall
Tickets starting at $40

Tickets available at cmaontario2025.eventbrite.ca

Global Citizen and CME Launch MEDI to Harness Music’s Power Against Global Poverty

Today at the Global Citizen NOW summit in New York, the Center for Music Ecosystems and Global Citizen announced the launch of the Music Economy Development Initiative (MEDI), an initiative to use the power of music to fight extreme poverty and promote responsible and healthy economic development. It will do so by providing data and economic research on emerging economies.

CME Executive Director Shain Shapiro, PhD, said, “719 million people around the world live in extreme poverty, with deeply harmful consequences for their health and life expectancy, as well as their access to education and basic services, among other things. Every tool at our disposal must be deployed to address this dreadful reality. One such tool, which can literally be found everywhere and effectively combats the scourge of extreme poverty, is music. The power of music is manifold: it can inspire humanity and unite us. It can console us and heal us. And music can drive economic growth and create jobs. It can spur responsible economic development to help communities in crisis”.

“But this economic development doesn’t happen on its own,” Shapiro continued, “It requires the proper infrastructure and legal framework and investment of resources and work-hours to build it. MEDI aims to address this and amplify the power that music can have by providing data, evidence, and research, guiding the development of the systems and policies that can help spur successful and responsible economic development with the proper engagement of the music community and its partners.”

MEDI will conduct and make public research and data through the MEDI portal, outlining both the current state of the music ecosystem and its economic potential, initially in 22 countries. It will use the data to develop evidence and recommendations, enabling partnerships to expand music’s economic potential in Africa and around the world. These include Move Afrika, local collaboration, comprehensive market assessments, the development of multilateral and private-sector partnerships, and support for national copyright and infrastructure reform, among other initiatives.

The development of MEDI began at Global Citizen NOW 2024, where a vision was shared for how music can help end poverty and drive economic growth. The inaugural Music Policy Assembly followed on February 24 at the J. Randall Center for Yorùbá Culture in Lagos, which hosted the launch of MEDI’s first position paper, We Need Tracks Before We Have Trains, co-authored by CME’s Shain Shapiro and music economist Will Page.

Moving forward, MEDI will expand the portal to map more countries and quantify the economic potential of recorded music worldwide. It will also launch two pilot studies, one with the Ministry of Culture and Francophonie of Côte d’Ivoire and another with the Federal Ministry of Art, Culture, Tourism, and the Creative Economy of Nigeria, co-financed by the IFC.

Alongside CME and Global Citizen, MEDI’s partners include Universal Music Group (or UMG, the world’s leading music-based entertainment company) and the International Finance Corporation (or IFC, a member of the World Bank Group, and the largest global development institution focused on the private sector in emerging markets).

Paul McCartney’s WINGS: The Story of a Band on the Run Set for November 2025 Release

Wings was more than a band—it was a second act that soared. In WINGS: The Story of a Band on the Run, Paul McCartney opens the archives and the memories, revisiting a time of risk, reinvention, and incredible songs. It’s not just about what came after The Beatles—it’s about what came alive when Paul decided to fly again.

One of music’s greatest adventures told by a cast of incredible characters who were there, including: Paul McCartney, Linda McCartney, Denny Laine, Mary McCartney, Stella McCartney, John Lennon, George Harrison, Ringo Starr, George Martin, Sean Ono Lennon, Chrissie Hynde, Dustin Hoffman, Twiggy and all the members of Wings—Denny Seiwell, Henry McCullough, Jimmy McCulloch, Geoff Britton, Joe English, Steve Holley and Laurence Juber.

This remarkable cast tells the story of a band who made history—selling over 22 million albums worldwide, spawning singles including #1 hits “My Love,” “Band on the Run,” “Listen to What the Man Said,” “Silly Love Songs,” “Let ‘Em In,” and “With a Little Luck,” and an Oscar nomination for “Live and Let Die” (the first James Bond theme to receive that nod). A band who pushed the boundaries in both the studio and in live performances, from their first university tour through to pioneering large scale concerts, long before stadiums and arenas were commonly used for rock shows.

The book includes a foreword written by Paul McCartney and is compiled from over 42 hours of brand-new interviews, plus historical interviews, and newly discovered, previously unheard interviews from Paul’s personal archive. WINGS: The Story of a Band on the Run features over 150 photographs capturing Wings throughout the years—many previously unseen—and shot by an array of photographers including Linda McCartney, Mike McCartney, Clive Arrowsmith, Henry Diltz, Robert Ellis and Paul himself. The book also includes memorabilia, including some of Paul’s diary page entries from the time and handwritten lyrics.

WINGS: The Story of a Band on the Run is an international story that moves through space as well as time, including adventures in Scotland, New York, Los Angeles, New Orleans, Nashville, Lagos, Japan, the Virgin Islands, Morocco, Montserrat and other memorable places, against the backdrop of political and social timelines of the 1970s.

National Music Centre to Launch New Exhibition Honouring Canadian Hitmakers Dan Hill, Ginette Reno, Glass Tiger, and Loreena McKennitt

National Music Centre (NMC), in partnership with the Canadian Academy of Recording Arts and Sciences (CARAS), will unveil a new exhibition at Studio Bell on May 7, celebrating the latest Canadian Music Hall of Fame inductees.

This year’s honourees include multi-talented music legend Dan Hill, iconic Québec chanteuse Ginette Reno, pop-rock superstars Glass Tiger, and renowned Celtic fusion singer-songwriter Loreena McKennitt. The exhibition opens in advance of the live Canadian Music Hall of Fame Induction Ceremony, taking place on May 15 at Studio Bell, home of the National Music Centre. Tickets for the event are sold out.

Grammy and JUNO Award-winning Canadian songwriter Dan Hill is best known for his timeless classic “Sometimes When We Touch.” Covered by countless artists – including Dolly Parton, who called it her “favorite song of all time” – the iconic ballad helped earn Hill an induction into the Canadian Songwriters Hall of Fame in 2021.

Over her 65-year career, Quebec icon Ginette Reno has recorded 42 albums, all achieving Gold or Platinum status, performed over 2,000 songs, and starred on the silver and small screens. Celebrated by Canadian, Quebec, and French governments, her enduring legacy is defined by authenticity, warmth, and artistry that transcends generations and borders.

Glass Tiger burst onto the scene with 14 Top 40 hits in five years, including the iconic “Don’t Forget Me (When I’m Gone)” and “Someday.” Grammy-nominated and five-time JUNO winners, they’ve sold five million albums and performed alongside legends like Tina Turner, Bryan Adams, and Cheap Trick.

Loreena McKennitt is a globally acclaimed artist whose genre-blending “eclectic Celtic” sound has sold over 14 million albums. With a vast discography and critical acclaim in over 40 countries, her music has earned Gold, Platinum, and Multi-Platinum certification across four continents.

The exhibit will showcase photos, storytelling, and memorabilia from the four inductees. Highlights include a synthesizer and stage outfits from Glass Tiger, along with handwritten lyrics for “My Town,” signed by Rod Stewart. Also featured are a Montreal Canadiens jersey worn by Ginette Reno during multiple national anthem performances, along with Loreena McKennitt’s harp and the ornate mask worn in her “The Mummers’ Dance” music video.

Visitors can also get hands-on with two learn-to-play interactives, allowing fans to get lessons directly from this year’s inductees – acoustic guitar with Dan Hill and synthesizer with Sam Reid of Glass Tiger.

“The Canadian Music Hall of Fame exists to honour the artists whose music has shaped our cultural identity, and this year’s inductees are nothing short of legendary,” said Andrew Mosker, President and CEO of the National Music Centre. “Dan Hill, Ginette Reno, Glass Tiger, and Loreena McKennitt have made a lasting mark on Canada’s musical heritage. We’re proud to celebrate their stories and songs through this new exhibition at Studio Bell.”

“Each of these inductees has helped define what it means to be a Canadian artist on the world stage,” said Allan Reid, President & CEO, CARAS/The JUNO Awards. “We’re honoured to recognize the extraordinary contributions of these artists, whose careers have spanned decades and transcended genres, languages, and borders. CARAS is proud to partner with the National Music Centre to bring their powerful musical legacies to life through this new exhibition. We’re especially excited to celebrate them in person during the Canadian Music Hall of Fame Induction Ceremony in Calgary on May 15.”

The Canadian Music Hall of Fame: Class of 2025 exhibition is accessible with paid admission to Studio Bell and will run from May 7, 2025 until February 2026.

25 of the Best Live Albums Ever Recorded

There’s something about a live album that a studio can’t capture — the sweat, the improv, the crowd screaming a lyric louder than the singer. These albums documented their best performance and bottled lightning.

1. Johnny Cash – At Folsom Prison
The Man in Black didn’t just sing for the inmates — he sang with them. Gritty, raw, and electrifying, it’s the sound of redemption echoing off prison walls.

2. Nirvana – MTV Unplugged in New York
An acoustic set that became a memorial. Kurt Cobain turned covers and rarities into haunting final words. You can almost hear the ghosts between chords.

3. Genesis – Three Sides Live
Prog meets pop with Phil Collins at the helm. It’s part precision, part party, and proof that Genesis knew exactly how to bring their studio wizardry to the stage — and then set it free.

4. James Brown – Live at the Apollo (1963)
Tight, sweaty, explosive. James Brown and his Famous Flames didn’t just perform — they performed in all caps. This album redefined what live energy could sound like.

5. Bruce Springsteen & the E Street Band – Live 1975–85
It’s three decades of Boss greatness in one epic collection. From Jersey dive bars to stadiums, this set proves why Springsteen is the working-class hero of rock.

6. Beyoncé – Homecoming: The Live Album
A cultural reset. Beyoncé’s Coachella performance was part concert, part history lesson, part divine intervention. Recorded proof that you can break the internet with a marching band.

7. The Who – Live at Leeds
Raw, loud, and gloriously imperfect — like a punk band that just happened to have written Tommy. If your speakers survive this album, you’re doing it right.

8. Aretha Franklin – Amazing Grace
Recorded in a church, backed by a gospel choir, this album is a spiritual experience whether or not you believe in anything. Except for Aretha. You will believe in Aretha.

9. Led Zeppelin – How the West Was Won
Clocking in at over 150 minutes, this is Zeppelin unchained. The solos are long, the swagger is thick, and Plant’s vocals hit like thunder.

10. The Allman Brothers Band – At Fillmore East
Southern rock jammed to cosmic levels. Duane Allman’s guitar work is otherworldly. You can smell the cigarette smoke and hear the whiskey in the amps.

11. Bob Dylan – The Bootleg Series Vol. 5: Live 1975 – The Rolling Thunder Revue
Dylan reinvents his classics again, surrounded by an all-star circus of musicians. The result? Lightning in a bottle — and a feathered hat.

12. The Rolling Stones – Get Yer Ya-Ya’s Out!
The Stones were young, dangerous, and absolutely on fire. This is what rock ‘n’ roll sounded like before insurance policies and corporate sponsors.

13. Talking Heads – Stop Making Sense
David Byrne in a big suit. Enough said. But also: this is art-rock that moves. No other live album makes you want to dance and take a film theory class.

14. Queen – Live at Wembley ‘86
Freddie Mercury + 70,000 fans = the definition of stadium rock. His voice is flawless, the band is tight, and the energy is straight-up electric.

15. Peter Frampton – Frampton Comes Alive!
No one expected the guy from Humble Pie to release one of the best-selling live albums ever. But the talkbox solo in “Do You Feel Like We Do” made history.

16. Eric Clapton – Unplugged
Clapton trades electric for acoustic and tears our hearts out with “Tears in Heaven.” Smooth, intimate, and Grammy-approved.

17. Cheap Trick – At Budokan
Proof that Japan knew something the rest of the world didn’t — until this album exploded. “I Want You to Want Me” has never sounded more alive.

18. Sam Cooke – Live at the Harlem Square Club, 1963
It took decades to release this because it was “too raw” for Sam’s image. Thank goodness we got it anyway — it’s Sam at his most unfiltered and thrilling.

**19. Metallica – S&M
Thrash meets symphony. Metallica with the San Francisco Symphony shouldn’t work… but it absolutely does. Headbang with a bow tie.

20. Simon & Garfunkel – The Concert in Central Park
500,000 fans. One of the most legendary duos. A set list of lullabies and anthems for every lonely soul and quiet thinker in the world.

21. Prince – One Nite Alone… Live!
Prince doing what Prince does best: everything. Funk, jazz, rock, soul — he plays like the stage is his playground and the crowd is in on the secret.

22. Joni Mitchell – Miles of Aisles
Recorded during her 1974 tour, Joni’s introspective voice and poetic lyrics land even deeper when sung live. Soulful, stripped-back, and stunning.

23. Otis Redding – Live in Europe
Otis. A mic. A crowd ready to feel. This is how you learn what soul means — it’s not a genre, it’s Otis.

24. Pearl Jam – Live on Two Legs
Before streaming every show was the norm, this was your best shot at capturing Pearl Jam’s live magic. Gritty, urgent, and full of Eddie Vedder’s fire.

25. The Clash – From Here to Eternity: Live
A punk hurricane caught on tape. This album captures The Clash before the suits, before the breakup — just raw politics, sweat, and guitars.

20 Great Songs for Mother’s Day That Say ‘I Love You, Mom’ Better Than a Card

Whether you’re celebrating a mom, a stepmom, a chosen mom, or someone who was your whole world growing up — these songs are your soundtrack for Mother’s Day. Some will make you cry. Some will make you dance. All of them say, “Thanks, Mom.”

1. Boyz II Men – “A Song for Mama”
The harmonies, the lyrics, the strings — this is the mother of all Mother’s Day songs. If “You’re the queen of my heart” doesn’t make her cry, play it again.

2. Taylor Swift – “The Best Day”
Taylor wrote this as a love letter to her mom, and it’s full of childhood memories and teenage gratitude. You can hear the home videos in her voice.

3. Spice Girls – “Mama”
From teen rebellion to full-circle appreciation, this one hits every stage of growing up. Bonus points if you and your mom still know the harmony.

4. Carrie Underwood – “Mama’s Song”
A country ballad for the moment you grow up and move on — but not without thanking the woman who raised you. Tissue box required.

5. Tupac – “Dear Mama”
One of the rawest, realest tributes in hip-hop history. Tupac’s love for his mother — flaws and all — shows just how deep that bond runs.

6. Beyoncé – “Ring Off”
A powerful anthem about watching your mom reclaim her strength. It’s not a lullaby — it’s a crown.

7. The Shirelles – “Mama Said”
Sometimes Mama did say there’d be days like this. This early girl-group hit is both wise and groovy — just like her.

8. Mac Miller – “I’ll Be There”
Mac’s tender shoutout to his mom is tucked into this soulful rap. A sweet reminder that grown sons still need their moms.

9. Dolly Parton – “Coat of Many Colors”
Dolly’s masterpiece about her mama’s love stitched into a handmade coat. Poverty never sounded so rich with heart.

10. The Intruders – “I’ll Always Love My Mama”
A soul classic that turns every Mother’s Day into a dance party. Funky, fun, and full of affection.

11. Lukas Graham – “Mama Said”
This modern twist on a childhood pep talk will hit home for anyone who was told to stay kind, dream big, and brush their teeth.

12. Céline Dion – “Because You Loved Me”
Not technically about a mom, but come on — who else believed in you when no one else did? Céline is the Mother’s Day playlist.

13. Kacey Musgraves – “Mother”
A piano-and-voice gut punch written mid-tour homesickness. Short, stunning, and deeply relatable.

14. Brandi Carlile – “The Mother”
An unflinching look at the mess and magic of motherhood. It’s not just sweet — it’s true.

15. Meghan Trainor – “Mom”
A poppy, playful bop that includes an actual phone call with Meghan’s mom. It’s like a sonic Mother’s Day brunch.

16. The Temptations – “Oh Mother of Mine”
A soulful early Temptations cut that wears its heart on its sleeve. For the old-school moms who know every Motown record.

17. Trace Adkins – “Then They Do”
Country storytelling at its best: kids grow up, and moms miss the noise. Bittersweet, beautiful, and real.

18. Christina Aguilera – “Oh Mother”
A powerful song of gratitude for a mother’s strength in difficult times. Christina sings it like a tribute and a promise.

19. Josh Groban – “You Raise Me Up”
Yes, it’s dramatic. Yes, it’s emotional. Yes, it will 100% make your mom cry in the best way.

20. The Backstreet Boys – “The Perfect Fan”
Written by Brian Littrell for his mom, this one is all boy-band heart with a chorus built for hugs.