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Tori Amos On Ageism: “There isn’t a role in the music business where you play the grandma”

Have you encountered the ageism that’s doled out to a lot of older female musicians?

When an actress is over 60, the public will accept that she’s a grand dame. But when you’re still singing and writing songs, there isn’t a role in the music business where you play the grandma. We don’t go to see Tom Petty or Bruce Springsteen to see a granddad singing granddad songs or to revisit only his past. Noel Gallagher, Paul Weller, the Chili Peppers – they aren’t far from me in age, but these guys are still putting out work that’s considered relevant, but there’s an attitude that the women have had their day, so they should give room to the younger ones. But that doesn’t apply to men. It was Tash, my daughter, who came to me and said: “Mom, you go out there and play alone and you kick ass. But some of those [younger female artists] are stealing your moves and it matters to me. You go and remind the children, because they think these twentysomething girls came up with this crap.” And she said: “Go out there!”

There seems to be a vilification of older women – Madonna took a lot of flak when she fell at the Brits.

Let me ask you: was there a lot of meanness about her?

There were a lot of unpleasant comments on Twitter.

Madonna is an entertainer. There are very few people who could’ve gotten up off that floor. It wasn’t because of her that she fell, but it was because of her that the performance carried on. Some of the vilification comes from women as much as men. She’s making choices and she’s able to do things physically that a lot of people 25 years younger can’t; she got up and refused to allow that to shame her. I think people want her to be shamed into a role that they find acceptable for her age. It makes me sad that we can’t embrace Madonna and say, Wow, this is an artist who’s expressing herself in a certain way.

Via The Guardian

SiriusXM Canada to broadcast from Pemberton Music Festival

SiriusXM Canada, the country’s leading audio entertainment company, today announced it will return to British Columbia’s hottest summer event, Pemberton Music Festival, to bring subscribers and fans access to the best Canadian and international music talent from July 16 – 19 in Pemberton, B.C. Interviews, special performances and more can be heard throughout the weekend on Iceberg (Sirius channel 161) and The Verge (XM channel 173).

This year’s lineup includes major acts such as The Black Keys, Weezer, Broken Social Scene, J. Cole, Sam Roberts Band, Tiësto, Jane’s Addiction, Kendrick Lamar, and many more. In addition, some of the biggest Canadian talent on the scene right now will play the Whistler Stage Presented by SiriusXM, including Chromeo, JPNSGRILS, Dakota Pearl, and more.

Behind the scenes, SiriusXM will offer subscribers and festival-goers exclusive access to the SiriusXM Backstage Stage, featuring artist interviews and intimate, stripped-down performances throughout the weekend. Sam Roberts Band, July Talk and Dan Mangan + Backsmith will all perform in support of the Music Heals Charitable Foundation, which helps raise awareness of the healing powers of music and fundraises for music therapy and related services across Canada. Festival attendees can tweet using #SXMBackstage for their chance to win access to performances. SiriusXM subscribers also got the chance to win tickets to the festival, including an Ultimate Fan Experience with private tours, stage access and more.

“This is our second year at Pemberton Music Festival and we can’t wait to get back into the mountains and be a part of this amazing event,” said Jeff Leake, Director, Music Programming, SiriusXM Canada. “We get to hang out with some of our favourite artists and bring listeners across North America access to some great highlights from the festival.”

Those satellite radio subscribers who add SiriusXM Internet Radio access to their subscription can also catchPemberton programming throughout the weekend, including exclusive broadcasts of the SiriusXM Backstage Stageperformances on the SiriusXM Internet Radio App and online.

SiriusXM is a proud sponsor of Pemberton Music Festival and has a legacy of supporting and furthering the best emerging Canadian music. Through Canadian indie music channels Iceberg (Sirius 161) and The Verge (XM 173), francophone channels Attitude Franco (Sirius 164) Influence Franco (XM 174), plus many more, SiriusXM continues to offer a leading platform for Canadian artists.

For more information, visit www.siriusxm.ca/pembertonfestival

For more information about Music Heals, visit www.musicheals.ca

For more information about Pemberton Music Festival, visit www.pembertonmusicfestival.com

That Time Buffy Saint-Marie Explained Breastfeeding On Sesame Street

2015 Polaris Prize nominee and great human being, Buffy Sainte-Marie was a regular cast member on Sesame Street for five years beginning in 1975. She was one of the only Aboriginal people on television at that time, so she was pushing boundires at that time. But it wasn’t the only time. Check out this clip of Sainte-Marie explaining to Big Bird how she feeds her son Cody.

BADBADNOTGOOD, Alvvays, Drake, Buffy Saint-Marie Among 2015 Polaris Prize Short List

The 2015 Polaris Music Prize Short List was announced this morning at The Carlu in Toronto.  The event was live on TFO’s BRBR and Periscope. Over 150 members of the media and music industry were in attendance.

It was also announced that singer/songwriter Fred Penner will be the host of this year’s Gala event, taking place on September 21st at The Carlu. “I am honoured to be the host for this year’s prize.  I have been part of the Canadian music scene for over four decades. As I perform at festivals from coast to coast I am continually impressed with the incredible range of talent we have in this country. I particularly love that Polaris celebrates this musical diversity. The level of prestige involved with this organization is admirable and I am delighted to be associated with it,” said Penner. Fred Penner is a member of the Order of Manitoba and Order of Canada.

2015 Polaris Music Prize Short List:

Alvvays – Alvvays
BADBADNOTGOOD & Ghostface Killah – Sour Soul
Braids – Deep In The Iris
Caribou – Our Love
Jennifer Castle – Pink City
Drake – If You’re Reading This It’s Too Late
Tobias Jesso Jr. – Goon
The New Pornographers – Brill Bruisers
Buffy Sainte-Marie – Power In The Blood
Viet Cong – Viet Cong

Listen to all the Polaris Music Prize nominees of the 2015 Short List playlist below.

The eligibility period for the 2015 Polaris Music Prize runs from June 1, 2014 to May 31, 2015. An independent jury of 196 music journalists, broadcasters and music bloggers from across Canada determines the Long List and Short List. Eleven people are selected from the larger jury pool to serve on the Grand Jury. They will convene the night of the gala to select the Polaris Music Prize winner.

The Polaris Music Prize will award $50,000 to the artist who creates the Canadian Album of the Year. Courtesy of Slaight Music, each of the nine other short listed artists will receive $3,000. Judged solely on artistic merit, without consideration of genre or record sales, the prize’s past winners have included Tanya Tagaq (2014), Godspeed You! Black Emperor (2013), Feist (2012), Arcade Fire (2011), Karkwa (2010), Fucked Up (2009), Caribou (2008), Patrick Watson (2007), and Final Fantasy / Owen Pallett (2006).

 

David Gilmour Announces “Rattle That Lock” Album And North American Tour

David Gilmour has announced that his new solo album Rattle That Lock will be released worldwide on Friday, September 18, 2015 on Columbia Records.  The album will be available for preorder and the first single, also titled “Rattle That Lock” will be released on Friday, July 17, 2016.

Additionally David Gilmour’s first North American dates in ten years were announced today.  The “David Gilmour Live 2016” concert  appearances will take place in March & April with stops in Los Angeles, Toronto, Chicago and New York. Ticket buyers will be among the first to receive the new album, as every ticket purchased online will include a Rattle That Lock CD.

The “Live 2016” appearances will be David Gilmour’s first live concert dates since the “On An Island” tour in 2006, and will follow his UK and European tour this September/October. All tickets for the North American Tour dates go on sale Friday, July 17, 2015 (exact times listed below).

March 24, 2016 – Hollywood Bowl, Los Angeles – on sale 12pm (PST)

http://www.ticketmaster.com/event/0B004EE9EA7F4F7C

March, 31 2016 – Air Canada Center, Toronto – on sale 10am (EST)

http://www.ticketmaster.ca/event/10004EEADDA29010

April 8, 2016 – United Center, Chicago – on sale 12pm (CST)

http://www.ticketmaster.com/event/04004EEAA319243C

April 11, 2016 – Madison Square Garden, New York – on sale 10am (EST)

http://www.ticketmaster.com/event/3B004EEA22A81FCF

Tickets can be purchased at Ticketmaster.com, at all Ticketmaster outlets, or by phone.

Rattle That Lock is David Gilmour’s fourth solo album and follows his 2006 #1 in the UK record On An Island.   The primary lyricist for the new album is Gilmour’s long-term writing partner, Polly Samson, and it is co-produced by

David Gilmour and Roxy Music’s Phil Manzanera.  Rattle That Lock’s striking cover has been art directed by Dave Stansbie from The Creative Corporation under the creative directorship of Aubrey Powell from Hipgnosis.

RATTLE THAT LOCK tracklisting:

1) 5 A.M (Gilmour)

2) Rattle That Lock (Gilmour/Samson/Boumendil)

3) Faces Of Stones (Gilmour)

4) A Boat Lies Waiting (Gilmour/Samson)

5) Dancing Right In Front Of Me (Gilmour)

6) In Any Tongue (Gilmour/Samson)

7) Beauty (Gilmour)

8) The Girl In The Yellow Dress (Gilmour/Samson)

9) Today (Gilmour/Samson)

10) And Then…..(Gilmour)

The title track, Rattle That Lock”, will be heard for the first time on BBC Radio 2 in the UK on Friday, July 17 and will be available immediately to download and stream worldwide. The song begins with the four notes, created by Michaël Boumendil, which precede announcements at French SNCF railway stations which Gilmour recorded on his iPhone at Aix-en-Prevence station.  Samson’s lyrics are inspired by Book II of John Milton’s Paradise Lost, which is also featured in her recent acclaimed novel, The Kindness.  The single also features The Liberty Choir and singers Mica Paris and Louise Marshall.

 

Here’s Kurt Cobain and Courtney Love Mock Sassy Reader’s Angry Letter

If you’re an artist, one way to handle criticsm or shade, as the kids like to call it, is to simly ingore them, and don’t feel the trolls. Or, if you’re Courtney Love and Kurt Cobain in 1992, you can make a video mocking the letter-writer in response to their Sassy Magazine cover story. Yes, that’s Kurt standing in a dress, lipstick, and fake mustache, mouthing along and acting out the words.

Here’s the couple in response to someone not liking their iconic Sassy cover.

https://youtu.be/uRagA5bl1to

A$AP ROCKY Gets It Right When Talking About These Kids Today And Their A.D.D.

“It’s 2015, so our attention span is so short. Most of us kids got A.D.D. these days. You get on the Internet and so-and-so dropped a new video, and then next week it doesn’t matter, because so-and-so has another video. That’s the world we live in right now… So you gotta adapt to it, make some visuals, go out there, make some creative s***.”
– A$AP ROCKY

I SAID…STUDY CLAIMS TAYLOR SWIFT’S ‘1989’ IS LOUDER THAN AC/DC’S ‘BACK IN BLACK’

According to a new study conducted by a mastering engineer, Taylor Swift’s 1989 is officially a louder album than AC/DC’s Back In Black.

The enlightening study, comparing the volume of a variety of popupar albums, was carried out by Ian Shepherd who is the founder of Dynamic Range Day. According to Shepherd’s research, Swift’s ‘1989’ clocked in at a DR6 rating, which makes it a hell of a lot louder than both ‘Back In Black’ (DR12) and Metallica’s ‘The Black Album’ (DR11).

The loudest albums in the study were identified as Metallica’s ‘Death Magnetic’, which reached a DR3 level, and Skrillex’s ‘Recess’, which charted at DR4.

Check out Shepherd’s full findings here.

Via Gigwise

Revolutions On Air: The Golden Era of New York Radio 1980 – 1988

New York City Radio during the 1980s featured the most dynamic and influential soundtrack the city has ever heard. Revolutions On Air is the story of mix show legends and studio wizards like Shep Pettibone, Tony Humphries, The Latin Rascals, Marley Marl, and Kool DJ Red Alert – innovators whose “anything goes” attitude pushed the emerging hip-hop, electro, freestyle, and house music scenes and kept radio listeners citywide hooked to their tape decks in order to record these now-classic mixes.

https://youtu.be/VeoA9Z2iQl8

That Time Johnny Cash Did Commercials For Canada Trust ATM Machines

The Man In Black wants to make sure you’re in the black with Canada Trust’s ATM Machines, in this TV commercial from the 1980s.