Keisza, Alvvays, Dear Rouge Among Ten SOCAN Songwriting Prize Finalists Announced

Jun 18, 2015

SOCAN today announced the finalists for its annual SOCAN Songwriting Prize, a competition that recognizes outstanding songs written by emerging English and French Canadian songwriters over the past year, as selected by a panel of esteemed music industry experts.

To mark the tenth anniversary of the award, permanent changes have been introduced: the number of finalists for each of the English and French prizes has been expanded from five to 10, and the cash prize has doubled to $10,000, making it the largest cash prize in the Canadian music industry for a single song.

The 10 English SOCAN Songwriting Prize finalists:
“Archie, Marry Me” – written by Alec O’Hanley and Molly Rankin; performed by Alvvays
“Old Knives” – written by James Anderson and Cold Specks; performed by Cold Specks; published by Kobalt and Cold Specks Music Ltd.
“I Heard I Had” – written by Andrew McTaggart, Danielle McTaggart; performed by Dear Rouge; published by dear Rouge
“In My Solitude” – written by Laura Bates,Tyler Belluz, Aaron Brooks, Lisa Conway, Karen Ng, Chris Sandes, Ira Zingraff; performed by Del Bel
“Hideaway” – written by Rami Afuni and Kiesza; performed by Keisza; published by Universal Music Publishing Group, Afuni Music (BMI), Music Of Liberal Arts Publishing (BMI), Songs Of Universal (BMI), EMI Blackwood Music Canada Ltd., Elephant Eye Publishing, and Stellar Songs Ltd.
“You Look Like Trouble (But I Guess I Do Too)” – written and performed by Lisa Leblanc; published by Third Side Music Inc.
“The Bells” – written by Lowell, Justin Broad and Paul Herman; performed by Lowell; published by BMG Rights, BMG Rights Management Ltd. (PRS), Peermusic, Submarine Music Ltd., Fintage, and Voxwatch Ltd. (PRS)
“It’s A Burn” – written and performed by Samantha Savage Smith
“Young Gunner” – written by Joel Chambers, Nevon Sinclair and Renee Wisdom; performed by Shi Wisdom
“Private Island” – written by Daniel Jacques and Allie Ho-Sang; performed by 2nd Son featuring Allie

From June 14 to July 1 2015, Canadian music fans can vote for their favourite song by either visiting www.socansongwritingprize.ca or through Twitter, by using the hashtag #mySSPvote and identifying the artist’s name in the tweet. Fans can vote once a day.

This year’s finalists were determined by an independent panel of 15 music-industry experts who were each asked to nominate two songs, from any genre, that they felt were the most artistic and creative songs written by emerging music creators over the past year. All of the songs were compiled, reviewed and shortlisted by these panelists to determine the 10 finalists. SOCAN has no role in the selection of nominees or winners.

Once public voting closes on July 1 and the votes are tabulated, the winner will be announced the week of July 6, 2015.
Along with $10,000 cash, the winning songwriter(s) will receive a Martin D-16GT acoustic guitar, a Yamaha PSR-S950 keyboard, a $500 Gift Card from Long & McQuade, a certificate for up to 20 hours of studio time with Timothy Abraham and certificate for up to six hours of vocal coaching with Amanda Mabro.

“This competition is about celebrating the art of songwriting and recognizing the abundance of emerging talent in Canada”, said Mike McCarty, chief membership & business development officer at SOCAN. “We hope being nominated helps these up-and-coming songwriters expand their fan base while providing more opportunities for them to grow as creators. Given the calibre of their creations this year, we anticipate they will continue to wow us for years to come.”

The 10 finalists for the 2015 Prix de la chanson SOCAN, the Francophone counterpart to the SOCAN Songwriting Prize:

“De pluie et de cendre” – written and performed by Guillaume Beauregard; published by Les Éditions de La Tribu
“Kryuchkova” – written by Alexandre Bernier Leclerc; performed by Bernhari; published by Avenue Éditorial
“Le nouveau vocabulaire” – written and performed by Antoine Corriveau; published by Coyote Records
“Publi Sac” – written by Louis-Nicolas Imbeau and Emmanuel Blouin Lajoie; performed by Eman X Vlooper; published by Disques 7e Ciel
“Piscine” – written by Fanny Grosjean and Étienne Dupuis Cloutier; performed by Fanny Bloom; published by Les Éditions Dare to Care
“Mardi Gras” – written by Alexandre Bilodeau, Jacques Alphonse Doucet and Pierre Kwenders; performed by Pierre Kwenders
“Arlon” – written by Salomé Leclerc and Philippe Brault; performed by Salomé Leclerc; published by Avenue Éditorial
“Neguac and back” – written by Julie Aubé and Katrine Noel; performed by Les Hay Babies; published by Hay Babies Music, Éditions Ladilafe
“Ficelle” – written by Julien Sagot and Antoine Binette Mercier; performed by Julien Sagot; published by Simone Records
“Jolie Anne” – written by Benoit Pinette; performed by Tire le Coyote; published by Les Éditions de La Tribu

For all of the latest updates, follow the SOCAN Songwriting Prize on Twitter at @SOCANmusic and via the #SOCANprize hashtag, as well as on Facebook at www.facebook.com/SOCANmusic.

This Might Be The Coolest Thing To Do AT NXNE

Jun 18, 2015

Ever wanted to take the NXNE Yonge-Dundas stage but never had the headlining, superstar status it inevitably requires? Good Enough LIVE KARAOKE is here to help your dreams come true.

If you think you’re ready to belt your heart out to the heart of Toronto, it’s time to make the difficult, life-changing decision: choosing your song. There are hundreds to choose from including tracks from Radiohead, 10CC, Alvvays, Pixies and The Smiths.

You can sign up here and go belt your heart out, you indie rocker, you.

Ricky Gervais, Jordan Peele, Fred Armisen, Don Cheadle, Will Forte and Thomas Middleditch on their dream comedy collaborators

Jun 17, 2015

Present company excluded, who are your dream comedy collaborators?

GERVAIS You can all still say me.

ARMISEN I would say Prince. (Laughter.) I’ve worked a little bit with Louis C.K. on SNL, but doing something with him on Portlandia would be fun. And maybe Woody Allen?

MIDDLEDITCH My top one — besides everyone at this table — would be Jim Carrey. But Jim Carrey in The Truman Show or Eternal Sunshine of the Spotless Mind. He can do everything. On the other side of the spectrum — Wes Anderson. After seeing [The Grand] Budapest [Hotel] so many times, I just want to know, how can I get into his dollhouse world?

PEELE Christopher Guest and Catherine O’Hara — that whole crew is legendary. If I could be in one of his movies, I’m done. I’m hanging up the gloves.

CHEADLE You actually have an audition next week.

GERVAIS Don’t do the acting!

ARMISEN You know who would be great whom I haven’t seen in a long time is Rick Moranis.

MIDDLEDITCH He’s retired. I think that’s the word.

FORTE John Cleese?

MIDDLEDITCH Can we pick nonliving people?

ARMISEN Alec Guinness. Dead. Remember him in Kind Hearts and Coronets?

GERVAIS He’s perked up now that dead people are in.

ARMISEN Also, Dracula.

GERVAIS He’s a fictional character, isn’t he?

ARMISEN No, I think he’s just dead.

GERVAIS He didn’t exist.

ARMISEN You’ve seen him with the fangs and everything.

PEELE That was Prince.

GERVAIS I like Bill Murray and Kristen Wiig.

PEELE You already worked with Kristen in a movie.

GERVAIS I know. Wait, does this roundtable count now? Have I officially “worked with” all of you now?

ARMISEN Yes, actually.

GERVAIS Also, Bill Murray for me. And Mickey Mouse.

ARMISEN He’s dead.

GERVAIS He’s not dead, he’s fictional. (Laughter.)

ARMISEN Wait — Steamboat Willie … that guy is still alive?

GERVAIS Steamboat Willie — hey, that’s what I called Fred in the toilet earlier, isn’t it? (In a high-pitched voice) “OK, who’s going to have a wee now? Into the train, into the station, wee, wee, wee, wee, wee!”

Via The Hollywood Reporter

Founding Genesis Member, Tony Banks, Reveals His “A Chord Too Far” Box Set Release

Jun 17, 2015

Esoteric Recordings has annouced the release of the first ever boxed set celebrating the solo work of Genesis founding member Tony Banks. A CHORD TOO FAR is a deluxe 4 CD set comprising 48 songs and pieces, all personally selected by Tony. Many tracks have been remixed exclusively for this collection and have been drawn from his seven solo albums; A CURIOUS FEELING, THE FUGITIVE, THE WICKED LADY (film score), SOUNDTRACKS , BANKSTATEMENT, STILL, STRICTLY INC. and his two orchestral albums SEVEN – A SUITE FOR ORCHESTRA and SIX PIECES FOR ORCHESTRA. A CHORD TOO FAR also includes four previously unreleased tracks, three of which are keyboard demos of his orchestral suites. The fourth is a piece originally written for the album STILL.

Inducted into the Rock and Roll Hall of Fame in 2010 as a member of Genesis, Tony is one of the most respected songwriters and keyboardists in the world. His career spans almost 50 years and has seen him sell in excess of 130 million albums . His body of work is as innovative as it is eclectic. Genesis’ avant-garde style made them one of progressive rock’s founding fathers in the 1970s, creating an experimental style of rock music never before seen. Tony Banks’ solo work has continued in the same vein. His rock albums have included collaborations with some of the world’s most respected musicians including singers Toyah Wilcox, Fish and Nick Kershaw, bassist Pino Pallodino, and drummers Steve Gadd and Vinnie Colaiuta , as well as long time Genesis collaborators Daryl Stuermer and Chester Thompson.

In addition, he has composed original scores for four films The Shout (1978), The Wicked Lady (1983), Starship (1985) and Quicksilver (1986) and most recently his orchestral albums, Seven: A Suite for Orchestra and Six Pieces for Orchestra, that were performed by the London Philharmonic Orchestra and City of Prague Philharmonic Orchestra respectively. A CHORD TOO FAR is a fine celebration of Tony Banks’ work outside of Genesis and will be available on August 14, 2015.

Track Listing

Disc 1:
Rebirth
At The Edge Of Night
Walls Of Sound
Lion Of Symmetry
The More I Hide It
Shortcut To Somewhere
The Waters Of Lethe
I Wanna Change The Score
Water Out Of Wine
Something To Live For
By You
Never Let Me Know
Thirty Three’s

Disc 2:
Charity Balls
An Island In The Darkness
The Border
Lucky Me
Another Murder Of A Day
Moving Under
Still It Takes Me By Surprise
Red Day On Blue Street
After The Lie
Redwing

Disc 3:
Queen Of Darkness
A Piece Of You
Big Man
Angel Face
This Is Love
I’ll Be Waiting
Back To Back
For A While
Throwback
You Call This Victory
And The Wheels Keep Turning
You
The Final Curtain

Disc 4:
Blade
Black Down
Siren
Earthlight
From The Undertow
Spring Tide (Demo – Previously Unreleased)
Neap Tide (Demo-Previously Unreleased)
City Of Gold (Demo-Previously Unreleased)
The Chase
Kit
Poppet (Previously Unreleased)
The Wicked Lady

Watch All 6 Star Wars Films At The Same Time, Because You Can

Jun 17, 2015

Why watch one Star Wars, when you can watch all six Star Wars films at the exact same time? Star Wars Wars Wars Wars Wars Wars.

https://youtu.be/oBQVvEMc-VQ

Even the Stanley Cup Goes Through Airport Security

Jun 17, 2015

You know, just in case it’s packing shampoo…

WayHome to Bring Ultimate Visual Experience with WayArt

Jun 17, 2015

Republic Live announced details on the WayHome Music and Arts on-site art installations, WayArt, earlier today. WayHome will be bringing some of the top Canadian-based gallery and well-known artists to make the WayArt experience like no other at any North American festival. Curated under the watchful eye of prominent Toronto-based painter Charles Bierk, WayArt will showcase a diverse range of large-scale installations that make use of Oro-Medonte’s exquisite natural environment, while providing festival attendees with experiences that will titillate and inspire.

“Working with some of the top Canadian artists on original installations was a huge priority for us as we looked to curate art installations for this festival, and having Charlie Bierk curate this for us really puts us in a unique position to set WayHome apart from other music and arts festivals,” said Shannon McNevan, Executive Director, Republic Live. “We want WayHome to be a platform for artists to expose their art to masses, outside of the gallery community and offer something extremely unique in the music and art festival setting.”

Taking a grassroots approach, Bierk’s curatorial direction places emphasis on local Canadian artists, who have been given the freedom to create works on scales not usually afforded to them in galleries. He also worked hard to include young up-and-comers.

“The artists that are participating in WayArt are some of Canada’s most celebrated, in addition to a mix of some great emerging talent we’ve identified,” said Charlie Bierk, WayArt curator. “Having first-time collaborations with Aaron Li-Hill and Trevor Wheatley, along with original pieces from Philippe Blanchard, and VSVSVS, it’s very exciting. People will be in awe when they see how artists like Nathan Whitford, Sean Martindale, The PA System, Bruno Billio and collaborative Julian Michael Majewski and Callum Schuster are going to use the natural setting of Burl’s Creek Event Grounds in their pieces. There will be lots of surprises for fans along the way with the pieces from the talented emerging artist Camille Jodin-Eng and OCAD U competition winners Blockheads. ”

Sculpture/installation artists Aaron Li-Hill and Trevor Wheatley will collaborate for the first time on a three-dimensional text-based installation. Using Li-Hill’s signature flow of wood, sourced from the original mill on the event grounds, and Wheatley’s interest in vernacular language and typography, the assemblage will playfully examine the relationship between nature and contemporary culture’s obsession with staying connected and will be one of the largest scaled WayArt pieces.

Toronto-based multimedia artist, Philippe Blanchard, will showcase a psychedelic installation that combines pattern, colour and lighting to create a trippy and rhythmic sense of movement. The project will be displayed in a 40-foot yurt encouraging fans to explore and move throughout the structure to encounter a true sensory experience.

Bridging the gap between nature and technology, Nathan Whitford will be adapting his highly acclaimed projection, 125 Steps, for WayHome. Using generated patterns, he will create a dazzling large-scale illumination set against the backdrop of the mature trees of Burl’s Creek Event Grounds once the sun has set daily.

Well-known multimedia collective VSVSVS, consisting of artists Anthony Cooper, James Gardner, Laura Simon, Miles Stemp, Ryan Clayton, Stephen McLeod and Wallis Chung, will play with the idea of community space by building an inviting, geometric platform that festival goers are encouraged to hang out on. The festival’s audio feeds will then make the platform vibrate, giving viewers a physical experience of the music.

Winners of the OCAD U x WayHome contest, team Blockhead, is a five-person female collective. Their piece’s originality and quirkiness is what stood out to judges, ultimately winning them the commission of $18,000 to create their vision and an additional $5,000 cash prize. Team Blockhead, made up of Ashley Mauerhofer, Kristen Ryan, Maeve Wallace, Sarah Eldershaw and Zeynep Sen, are creating a number of “Blockhead” large block-like dolls, each with an individual personality and bendable body parts that fans can directly interact with.

Additional artists in the WayArt projects include Sean Martindale, The PA System, Bruno Billio, collaborative Julian Michael Majewski and Callum Schuster, as well as emerging artist Camille Jodin-Eng.

Republic Live, in collaboration with AC Entertainment, co-founders of the Bonnaroo Music Festival, will be hosting WayHome Music and Arts at Burl’s Creek Event Grounds, just ten minutes north of Barrie, July 24^th – 26^th 2015. The festival will include headliners Neil Young + Promise of the Real, Sam Smith, Kendrick Lamar, Alt-J, Modest Mouse and Hozier with an additional 60 plus artists performing over the 3 days. The festival offers 4 stages, a variety of late-night spectacles and experiences, original art installations, fine international and local cuisine, an on-site farmers market, and more. WayHome Music and Arts will inspire fans to explore their own creativity while giving them a powerful, unforgettable, and eye opening experience using music and art as a catalyst. All full event ticket offerings include tent camping or parking and are on-sale exclusively at www.wayhome.com

There’s Now A Certification That Honours Artists “Making It” On The Road

Jun 17, 2015

The Canadian Independent Music Association (CIMA) is excited to announce the launch of a new music industry certification program called Road Gold, and is celebrating today by presenting it to three great Canadian artists and bands.

In honour of CIMA’s 40th year as the voice of the independent music industry in Canada, CIMA is pleased to continue charting new territory by launching the first certification in Canada that recognizes the arduous road of ‘making it’ as a touring band.

CIMA’s first Road Gold artists are truly Canada’s rising stars and through great artistry, dedication and hard work have carved out their niche by hitting the road and filling venues from coast to coast. CIMA is proud to announce that USS (Coalition Music), Big Wreck (SRO-Anthem) and Matt Andersen (True North) are the first recipients of this new Road Gold certification.

“CIMA is excited to be driving an innovative way to recognize the deep talented pool of Canada’s music community who’ve been able to grow their fan bases through successful touring,” says CIMA President Stuart Johnston. “These road warriors who are being awarded the inaugural Road Gold certification are a testament to our industry’s ability to hit the road and achieve high levels of success.”

CIMA’s Road Gold certification is an acknowledgement of the dedication and drive artists must have to achieve success, broaden their fan base and express their artistry through strong public performances. It will be awarded to those Canadian artists who have achieved a high level of success during their Canadian tour(s) over the course of any 12-month period by meeting a certain level of ticket sales on headlining or co-headlining shows. Eligibility criteria details can be found here.

“Sales of recorded music do not tell the whole picture of an artist’s achievements and stature in the marketplace. Establishing a standard measurement of an artist’s touring business provides another relevant and important metric for quantifying success,” says Six Shooter Records President and CIMA Chair Shauna de Cartier. “Road Gold also recognizes the dedication and organization required of an artist and their support team to fill venues with people across the country, fuelling local music scenes in markets large and small.”

Ralph James, CEO of The Agency Group, agrees. “Touring cross-Canada is no small undertaking, and beyond building a fan base, for an independent act to sell 25,000+ tickets over the course of one year speaks to the economic impact live music can have across the board.”

“In a world dominated by chart positions, likes, and followers – people often forget that the true measure of a performing artist is “How many people will go see them live?” says Jay Parsons of USS. “We are honoured to be one of the first recipients of such an important award. As Canadian musicians, we have one of the most unforgiving touring circuits in the world, and to be recognized by CIMA for our efforts is truly humbling. Without our fans constantly supporting us in a live setting, absolutely none of this would be possible. Thank you all so much.”

The Road Gold certification is awarded by CIMA through an online application process.

Charles Mingus Created A Cat Toilet Training Program…Wait…What?

Jun 17, 2015

By some distance, Charles Mingus, the innovative jazz musician, did one of the strangest thing I’ve found on the net. He created and wrote The Charles Mingus Cat Toilet Training Program, a simple little guide created for cat owners everywhere. This lost treasure lives up to the magic and creativity of Mingus’s performances. The trick to potty training your cat comes down to edging the litter box closer to the bathroom, gradually moving the box on the potty, and then cutting a hole in the center of the box. I wonder if it’ll work on kids? Nevermind, don’t tell me.

Charles Mingus Cat Toilet Training Program

1

First, you must train your cat to use a home-made cardboard litter box, if you have not already done so. (If your box does not have a one-piece bottom, add a cardboard that fits inside, so you have a false bottom that is smooth and strong. This way the box will not become soggy and fall out at the bottom. The grocery store will have extra flat cardboards which you can cut down to fit exactly inside your box.)

Be sure to use torn up newspaper, not kitty litter. Stop using kitty litter. (When the time comes you cannot put sand in a toilet.)

Once your cat is trained to use a cardboard box, start moving the box around the room, towards the bathroom. If the box is in a corner, move it a few feet from the corner, but not very noticeably. If you move it too far, he may go to the bathroom in the original corner. Do it gradually. You’ve got to get him thinking. Then he will gradually follow the box as you move it to the bathroom. (Important: if you already have it there, move it out of the bathroom, around, and then back. He has to learn to follow it. If it is too close to the toilet, to begin with, he will not follow it up onto the toilet seat when you move it there.) A cat will look for his box. He smells it.

2

Now, as you move the box, also start cutting the brim of the box down, so the sides get lower. Do this gradually.

Finally, you reach the bathroom and, eventually, the toilet itself. Then, one day, prepare to put the box on top of the toilet. At each corner of the box, cut a little slash. You can run string around the box, through these slashes, and tie the box down to the toilet so it will not fall off. Your cat will see it there and jump up to the box, which is now sitting on top of the toilet (with the sides cut down to only an inch or so.)

Don’t bug the cat now, don’t rush him, because you might throw him off. Just let him relax and go there for awhile-maybe a week or two. Meanwhile, put less and less newspaper inside the box.

3

One day, cut a small hole in the very center of his box, less than an apple-about the size of a plum-and leave some paper in the box around the hole. Right away he will start aiming for the hole and possibly even try to make it bigger. Leave the paper for awhile to absorb the waste. When he jumps up he will not be afraid of the hole because he expects it. At this point you will realize that you have won. The most difficult part is over.

From now on, it is just a matter of time. In fact, once when I was cleaning the box and had removed it from the toilet, my cat jumped up anyway and almost fell in. To avoid this, have a temporary flat cardboard ready with a little hole, and slide it under the toilet lid so he can use it while you are cleaning, in case he wants to come and go, and so he will not fall in and be scared off completely. You might add some newspaper up there too, while you are cleaning, in case your cat is not as smart as Nightlife was.

4

Now cut the box down completely until there is no brim left. Put the flat cardboard, which is left, under the lid of the toilet seat, and pray. Leave a little newspaper, still. He will rake it into the hole anyway, after he goes to the bathroom. Eventually, you can simply get rid of the cardboard altogether. You will see when he has got his balance properly.

Don’t be surprised if you hear the toilet flush in the middle of the night. A cat can learn how to do it, spurred on by his instinct to cover up. His main thing is to cover up. If he hits the flush knob accidentally and sees that it cleans the bowl inside, he may remember and do it intentionally.

Also, be sure to turn the toilet paper roll around so that it won’t roll down easily if the cat paws it. The cat is apt to roll it into the toilet, again with the intention of covering up- the way he would if there were still kitty litter.

It took me about three or four weeks to toilet train my cat, Nightlife. Most of the time is spent moving the box very gradually to the bathroom. Do it very slowly and don’t confuse him. And, remember, once the box is on the toilet, leave it a week or even two. The main thing to remember is not to rush or confuse him.

Good luck. Charles Mingus

Two New 33 1/3s Books Out In September – Beat Happening And The Black Album

Jun 17, 2015

In September, the 33 1/3 series will be publishing two brand new books Bryan C. Parker’s book on Beat Happening and David Masciotra’s book on Metallica (The Black Album)! September is so far away, but console yourselves with a look at these two beautiful covers. What will it be in the ultimate battle of K Records v. Elektra?

Just kidding. You’re all obviously reading both.

This is the album that sent a shockwave of empowerment through the nation’s cultural underground. In 1985, Olympia, Washington band Beat Happening released their eponymous debut of lo-fi pop songs on K Records and challenged every conception held about music. At the center of the group was the enigmatic Calvin Johnson and his revolutionary vision of artistic creation. His foresight and industriousness allowed him to recruit to the K Records roster other free-spirited artists like Beck, Modest Mouse, and Built to Spill long before they gained widespread acclaim.

This book, structured as an alphabet book, breaks down the fundamental components that defined Beat Happening’s self-titled album. Organized in a light-hearted yet incisive format, each of the book’s chapters details a particular facet of the record-band members, historic shows, recording sessions, songs, and ideologies-parts reflecting the album as a whole. These alphabetic ingredients constitute a recipe book for feeding your creative spirit.
Here is the story of a band that popularized do-it-yourself projects and home recording with four-track tape machines decades before the digital revolution would extend an open hand to garage bands everywhere. This is the story of musical pioneers. This is Beat Happening.

In 1991, Metallica released their fifth studio album that would become known and beloved around the world as “The Black Album.” Since its release, it has sold 30 million copies, and become a towering monument in the pantheon of rock’s greatest records. With this book, readers will get unprecedented insight into the story behind an iconic album from one of the world’s most iconic bands. With direct and personal access to all members of Metallica and Bob Rock, the producer of The Black Album, David Masciotra is able to relay the results of his conversations with James Hetfield, Lars Ulrich, Kirk Hammett, Jason Newsted, and Rock.

Masciotra takes readers into the recording studio, giving them Metallica’s account of how their most successful and famous record was born and learned to walk into every radio station and stadium stage around the world. Masciotra not only talks to the band about the making of the album, but also the stories that inspired the songs. Readers will not only learn about “The Black Album,” but they will gain greater knowledge and familiarity with the men who created it.
This is a must read for any Metallica fan, and a compelling read for anyone interested in provocative musical criticism and journalism. With direct access to the band, Masciotra offers a fascinating and inspiring account of the creation of one of music’s best and best selling albums.