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Video: Stream The Full Faith No More Concert From Detroit

Faith No More teamed up with Live Nation and Yahoo! to live-stream the band’s May 8 concert from The Fillmore in Detroit, Michigan. This is one of 365 concerts to stream over a 12-month period on the Live Nation channel on Yahoo! Screen. Look for original lead singer Chuck Mosley during the encore, too.

If you missed it, here’s the complete show:

https://youtu.be/QW5mX9bgp18

Setlist:
Motherfucker
From Out of Nowhere
Caffeine
Evidence
Epic
Sunny Side Up
Surprise! You’re Dead!
Midlife Crisis (With ‘Rich Girl’ by Hall & Oates interlude)
Everything’s Ruined
The Gentle Art of Making Enemies
Easy (Commodores cover)
Spirit
King for a Day
Ashes to Ashes
Superhero

Encore:
Sol Invictus
This Guy’s in Love With You (Burt Bacharach cover)
Mark Bowen (with Chuck Mosley)

Encore 2:
From the Dead

Richard Pryor’s Saturday Morning Kids’ Show, Pryor’s Place, Was Pretty Great

I can safely say that no matter how many publicist a troubled rock star or pop idol employs to attempt to change their image, here’s one that will always be the one to bear – On June 9, 1980, during the making of the film Bustin’ Loose, Pryor set himself on fire after freebasing cocaine and drinking 151-proof rum. While on fire, he ran down Parthenia Street from his Los Angeles, California, home, until being subdued by police. Pryor was married seven times to five different women. He magnificently swore almost every 4th word in concert. Richard Pryor had a kids’ show. Pryor’s Place was a sort of an tougher, but still child-friendly version of Sesame Street. The now rarely-seen program was produced by Sid and Marty Krofft and had theme music by Ray Parker Jr., who was also in the opening credits.

“(Whoa-oh-oh) Let’s get on over to Pryor’s Place (Whoa-oh-oh) We’re gonna party, so don’t be late. We’ve got friends who live in the street The craziest people you’ll ever meet on Pryor’s Place! (Whoa-oh-OOOH) Pryor’s Place!”

https://youtu.be/N-hKox1uxPY

Toronto Mayor John Tory Accepts International Festival City of the Year Award at Canadian Music Week

Following John Tory’s opening remarks at this week’s Global Forum: International Networking Breakfast, Canadian Music Week President Neill Dixon presented the Toronto Mayor with the inaugural International Festival City of the Year award.

“I am pleased to be here today to present an inaugural award that is created as a way for the global festival industry to recognize positive local environments for festivals and events worldwide,” said Dixon in his presentation. “Through this special award, Canadian Music Week is pleased to recognize Toronto for its consorted efforts to provide an environment that allows for successful and environmentally conducive events.”

Upon accepting the award, Tory offered congratulations to Canadian Music Week for their long history and continuous efforts to raise the profile of Canadian music. “Toronto might be the single most diverse city in the world,” he offered. “Music is the universal language; what better way to bring all of those people together.”

A panel discussion on the state of the creative class, hosted by Globe and Mail columnist Kate Taylor, followed the presentation.

Canadian Music Week is Canada’s leading annual entertainment event dedicated to the expression and growth of the country’s music, media and entertainment industries. Combining three information-intensive conferences; a trade exposition; a film festival; a comedy festival; four awards shows and the nation’s largest new music festival, CMW spans a ten-day period from May 1 to May 10, 2015 at the Sheraton Centre Toronto Hotel and over 60 downtown Toronto venues, attracting participants from across the globe. For more information, visit here.

Big Machine’s Scott Borchetta on the fear of failure

“We have a mantra at the Big Machine Label Group: Start with crazy and work backward,” Scott Borchetta said. “It all started early on in the development of the label. We started off with 13 people and I called it Big Machine because we were anything but a Big Machine. it was the most disruptive middle-finger that I could give to Nashville to just declare us a Big Machine because we were anything but. We were thinking, ‘What’s the craziest thing we can do?’ And when you invite crazy into the room, crazy becomes the reality. We came up with all these crazy ideas that Taylor Swift could be the biggest artist in the world and it came true, and that we could have five labels and become the biggest independent record company in the world and it came true.”

With all of Big Machine’s well-known successes (Swift, Tim McGraw, the Band Perry, Florida Georgia Line) the label chief executive spoke candidly about how the fear of failure helps motivate him. “We almost lost everything with in the first six months,” Borchetta said. “It was that perseverance that finally broke through and we never looked back from that moment. There was literally a few days where I had signed artists, I had executives on payroll, the whole thing, and i was going to lose all of it. It was like get up, get to warrior. I tell all of my crew that. It might be a tough day, but get to warrior.”

Via Billboard

Concord Continues Acquisition Spree with Fearless Records, Wind-Up Deals

Concord Bicycle Music continues its acquisition spree by buying in separate deals Fearless Records and the rest of Wind-up Records, giving the company more than $140 million in annual revenue. Terms of the deals with the two rock labels were not disclosed.

The deals adds about 150 albums from Fearless and about 25-30 albums from Wind-up to the company’s portfolio that already consisted of about 10,000 albums and a music publishing catalog with 60,000 songs. In addition, the Fearless acquisition also includes Fearless Records’ Fearmore Music Publishing, which includes the evergreen copyright “Hey There Delilah,” along with the company’s highly successful in-house merchandise operation.

Last month, Concord acquired the Vanguard and Sugar Hill record catalogs.

Via Billboard

Get Ready to Rock. Get Ready to Roll. Get Ready For Meryl Streep.

Get Ready to Rock. Get Ready to Roll. Get Ready for Ricki. Watch and share the brand new trailer for Ricki And the Flash which rolls into theaters on August 7th. Jonathan Demme (Something Wild, Rachel Getting Married) directs, and it’s written by Diablo Cody. Meryl Streep is starring as a rocker in a band called The Flash. Let me repeat that. Meryl Streep is starring as a rocker in a band called The Flash. Awesome.
Awee

Almost half of you spend half a concert or longer on your cell phones

Tiny screens—and some not so tiny—have made their way into just about every corner of our lives, and live events are no exception. Like a band that’s blowing up the charts, smartphones are popping up at nearly every venue and live event out there.

It’s clear that mobile is permeating fans’ event-going experience before they even enter a venue or walk through the gates of a festival: Today, 35 percent of tickets sold by Ticketfly are purchased on mobile devices – a 40 percent increase from 2013 to 2014 – and 45 percent of Ticketfly’s traffic comes from smartphones.

But what happens once fans come through the doors? And how would event-goers use their phones if they could? Ticketfly commissioned Harris Poll to field a survey online among U.S. adults who have a smartphone and attend live events to determine how – and how much – they are using their phones during live events, and shed some light on what they will be doing in the future. Here’s what we found:

 

TOP FINDINGS

    • Thirty-one percent of 18-34 year olds are using their phones during half of an event or longer.
    • Forty percent of female smartphone owners 18-34 that attend live events say they use their phones to take pictures at events, compared to only 24 percent of males their age.
    • Females in the 18-34 age range are also more likely than their male counterparts to share their experiences via social media apps during the event (35 percent vs. 22 percent, respectively).
    • Seventy percent of smartphone owners age 18-34 who attend live events are interested in using their phone as their ticket to enter an event.
    • Two thirds (66 percent) of smartphone owners age 18-34 who attend live events are interested in using their phone to pay for food, beverages and merchandise.

Via Ticketfly

The “Footloose” warehouse scene without music is pretty great

Kevin Bacon delivers one of the most memorable dance scenes in movie history in the classic film Footloose. But take out the music and noise, you’re left with confusion, hunger and brilliance.

THIS is how you can be creative with a music video, animated with pins and thread

I just finished doing a panel at Canadian Music Week on how labels and music streaming sites can work better together, and the panelists kept coming back to the same idea – you need to be creative with your playlists and promotions. Easier said than done, I know. But watch this to perhaps get a spark. The Made Shop created this music video for the song “Change Is Everything” by Son Lux. It’s an impressive work of stop-motion animation, and really good song, too.