“A lot of people get famous now very quickly, and then they seem to have a turnover where they weren’t famous for that long, but someone else steps in to fill the slot. They’re sort of disposably famous I suppose. But I can’t keep up with who’s famous anymore … I know in my time, in my generation, if you had come, if they tried to offer my generation music by someone that had won a game show, it would have been hysterical. You would have been laughed out of the room. I mean we were suspicious of people that had hit records. I mean it was that different of a time.”
Music videos service Vevo is losing its boss, with president and chief executive Rio Caraeff confirming this week that he’ll leave the company at the end of 2014.
But the press release announcing his departure includes an interesting statistic which, to me, is even more facinating – Vevo has paid more than $500m to music rightsholders since 2010.
“Earlier this year, the Vevo ownership group underscored its commitment to the joint venture by pledging continued support for Vevo and its growth initiatives, citing the company’s strategic importance. Delivering nearly 100 billion streams across its distribution platform annually, Vevo has generated hundreds of millions of dollars in revenue, growing its business at a rate of over 50% year-over-year since 2010. It also has invested more than half a billion dollars in music video programming through royalties paid to rights owners, artists and songwriters. Over the last five years, 365 music videos from more the 125 artists have generated over 100 million views each. In addition, Vevo has built strong relationships with sponsors and brand marketers, working closely with over 1,100 global advertisers representing 50% of the world’s top 100 marketers who spend across Vevo to reach the largest audience of passionate music fans.”
Crackle’s original music series, “Playing It Forward,” is a special documentary-style music series produced by Team Downey, an entertainment company founded by Robert Downey Jr. and Susan Downey, as well as veteran music producer/composer Tony Berg and Kevin Lake. The “Playing It Forward” music movement showcases surprise street performances by some of the world’s biggest artists in unplanned, unexpected environments across the country benefiting music education and charities of the artists’ choice.
Imagine Dragons, heading to an unannounced show on the Vegas strip, are trying to figure out the exact nature of their approaching gig. “I think we’re just busking,” guitarist Wayne Sermon says.
“Are we putting out a guitar case, actually, for money?” frontman Dan Reynolds asks.
“We’re not gonna busk,” responds Sermon, barely helping. “Well, we’re gonna busk – but not the money part of the busk.”
Once you get over the shock of, you know, hearing Teller actually speak, since part of his bit is never to speak, watch closely as you might miss a great lesson. In this clip, from a documentary Penn and Teller’s Magic & Mystery Tour, you get to hear Teller explain why a seemingly simple and unimpressive cup-and-ball trick is pretty genius. “The nicest thing you can do for a fellow magician, use his knowledge to fool the heck out of him.” Teller isn’t a fool. He gave his respect for a fellow illusionist, and earning his respect in the process.
A new theme park in Orlando, Florida, called Skyplex is scheduled to break ground in 2015 and open in 2017. The signature thrill ride will be the tallest roller coaster in the world, the Skyscraper, that will plunge from more than 500 feet above ground. It’s not open yet, of course, but now you can ‘ride’ in from the very comfort of your own computer. Or you can be like me, and just post this video and not even click on it, as I’m too much of a coward.
Nope.
Nope.
Nope.
Nope.
Nope.
From his humble roots in the unlikely town of Butte, MT, Evel Knievel rode his motorcycle and guts to an unparalleled level of worldwide glory and fame, much of which he still carries with him today: King of the Daredevils, The Last of the Gladiators, The Godfather of Extreme Sports, Guinness Book of Records holder for the most bones broken, an unwavering optimist, a doer, a go-getter, self-promoter extraordinaire, media genius, an enigmatic folk hero — an American legend. Knievel’s nationally televised motorcycle jumps, including his 1974 attempt to jump Snake River Canyon at Twin Falls, Idaho, represent four of the twenty most-watched, including the number 1 spot, ABC’s Wide World of Sports events in history. His achievements and failures, including his record 35 broken bones, earned him several entries in the Guinness Book of World Records.
Ideal Toy Company released Evel Knievel merchandise from 1972 through 1977, ultimately selling more than $125 million worth of Knievel toys including action figures and accessories, the Stunt Cycle the Scamble Van, a Dragster, a Stunt Car, a Chopper Motorcycle, a Trail Bike, the Strato-Cycle and the Evel Knievel The Stunt World. Ideal also released additional figures including a female counterpart, Derry Daring and his son, Robbie Knievel.
It’s hard to watch John Cusack’s portrayal of a record shop owner in “High Fidelity” without feeling at least a little uncomfortable because some parts are so real. The otherwise breezy romantic-comedy is quite a sweet film about loneliness, records and how much we all wish John Cusack characters are in our lives so we can all hang out with him. Or maybe it’s just me.
In this deleted scene, DJ Rob Gordon arrives at the home of a woman (Beverly D’Angelo) whose estranged husband has an amazing collection of singles. And then go watch the full movie tonight.
hile the whole world is talking about Spotify, Pandora, iTunes and other digital music services, a long-forgotten medium has come back from near-extinction: the LP. In 2013, 6.1 million vinyl albums were sold in the United States, up from less than a million in 2005 and 2006. The same trend can be observed in the UK and in Germany, where LP sales have climbed to the highest levels since the early 1990s. Global vinyl sales amounted to $218 million in the past year and it’s all but certain that the vinyl comeback will continue in 2014.
There are several possible reasons for the sudden resurgence of the LP. Music aficionados have always valued the warm, organic sound of vinyl recordings but it may actually be the rise of digital music that contributed most to the uptick in vinyl sales: as great as services such as Spotify are in making music accessible, they also commoditized music to a certain degree and took away the pleasure of owning a physical album. To those who still prefer to own a tangible product, an LP may just add a little more value than a CD does (CD sales have been crushed lately). Plus, as many labels ship vinyl records with download codes, buyers get the best of both worlds when they purchase a vinyl album – they get the convenience of an MP3 download alongside the physical and acoustic pleasures of an LP.
It should probably be noted that vinyl sales still account for a small fraction of overall music revenues, but it’s nice to see that there’s still some life left in a medium that has been around for so many decades.
After teasing the news over the weekend, sound maestros ’68 have debuted another brand new music video today for the song “Track 5,” exclusively via Alternative Press Magazine.
Few bands can tout the kind of touring history ’68 can over the course of their year long tenure. Adding to that, the band just announced an all new set of tour dates supporting STICK TO YOUR GUNS.
02/13 – Sacramento, CA at Ace of Spades
02/14 – Salt Lake City, UT at In the Venue
02/15 – Denver, CO at Marquis Theatre
02/17 – Chicago, IL at The Bottom Lounge
02/18 – Detroit, MI at Magic Stick
02/19 – Toronto, ON at Mod Club
02/20 – Montreal, QC at Paradox Theatre
02/21 – Worcester, MA at The Palladium
02/22 – New York, NY at Gramercy Theatre
02/23 – Albany, NY at Bogie’s
02/24 – Philadelphia, PA at TLA
02/25 – Greensboro, NC at Cone Denim Center
02/26 – Atlanta, GA at The Masquerade
02/27 – Tampa, FL at The Orpheum
02/28 – Jacksonville, FL at Underbelly
03/02 – San Antonio, TX at Korova
03/03 – Houston, TX at Walter’s
03/04 – Dallas, TX at The Door
03/05 – Albuquerque, NM at Launchpad
03/06 – Phoenix, AZ at Nile Theatre
03/08 – San Diego, CA at Soma
’68 debuted at #1 on the Billboard New Artist Chart with the release of In Humor and Sadness last month selling more than 3,000 copies in its first week of release. Puregrain Audio offers, “If you’ve ever wondered what it would be like if The Black Keys and Every Time I Die made a love child in the washroom of a Wax Fang concert, ’68 is your answer.” in their 8/10 review. Alternative Press states “What’s ironic about Humor is that despite Scogin’s infatuation with 21st century rock ’n’ roots music, the album is closer in style, decibels and straight-up attitude to Nirvana’s legendary Bleach.”
1. Track One
2. Track Two
3. Track Three
4. Track Four
5. Track Five
6. Track Six
7. Track Seven
8. Track Eight
9. Track Nine
10. Track Ten
DiS: Has the recent announcement about Beady Eye splitting up accelerated the reunion?
Mark Gardener: I can’t really answer any questions about Beady Eye but I can say that these shows have been in the planning for quite some time. It certainly made life easier for Andy Bell because he was looking at continuing whatever Beady Eye were going to be doing. But at the same time, Beady Eye being together or not had no bearing on us doing this.
DiS: So it was always going to happen regardless?
Mark Gardener: Yes. It was always going to happen. When The Stone Roses got back together I remember thinking maybe we should do it. For a good few years after we split in 1996 I thought that was it for Ride. I pretty much disbanded my entire live rig. I sold a couple of guitars to Andy actually. At that point I was solely concentrating on studio work such as production and mixing. I also love doing soundtrack work which I’ve gone on to do. But at the same time I’ve also missed that feeling of playing live. I’ve missed the guys. We’ve got on great for years. It feels like completely the right time to do this now. We’re really buzzing about it. We want to do it but I also think a lot of people have demanded it in a way too. We are aware of that. Especially in this day and age with social media and stuff. I think you’d have to be living in a hole to not be aware of it! I really like the fact I’ll never have to answer that question again because I have known for years. I also like the fact loads of people that were too young to see us first time round will get a chance to see us properly. I didn’t really think about that before and I do now. Also, loads of people who are older but may have missed out will get that chance. We’re not coming back to play new material although I can’t imagine us getting together and new material not happening. It’s just a natural process that when we get in a room that will probably happen. We know what people want to hear and we’ll be giving it our all. We’ve all grown as people. I understand a lot more about sound because I’ve been in the studio for all this time and Andy’s been on the cutting edge of massive shows for over a decade, so we can bring that kind of knowledge to make these performances louder and even better than it was back in the day. That’s another necessity for it to happen and us to feel good about it. We’ve got to feel it’s going to go up another notch. We’re all in good shape. In a lot of ways I feel in much better shape now than I did in my twenties. For various reasons I have to say. There are escape reasons I was using then because it was pretty full-on existence wise. The Creation Records era and all the partying that went with it is quite well documented. I’ve come to realise you can’t buy that kind of relaxation zone. Getting stoned out of your mind isn’t so great really.
