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The Ultimate Marvel Marathon – Watch all 11 Marvel movies in one epic day at Cineplex

On April 29th, 2015, you can take The Ultimate Marvel Marathon challenge at select Cineplex theatres to see all the Marvel Studios feature films released chronologically starting with IRON MAN; THE INCREDIBLE HULK, IRON MAN 2; THOR: CAPTAIN AMERICA: THE FIRST AVENGER; MARVEL’S THE AVENGERS; IRON MAN 3; THOR: THE DARK WORLD; CAPTAIN AMERICA: THE WINTER SOLDIER; GUARDIANS OF THE GALAXY and the opportunity of being one of the first to see: AVENGERS: AGE OF ULTRON – When Tony Stark jumpstarts a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes, including Iron Man, Captain America, Thor, The Incredible Hulk, Black Widow and Hawkeye, are put to the ultimate test as they battle to save the planet from destruction at the hands of the villainous Ultron.

See all 11 movies, and you’ll get an exclusive collectible Avengers medallion, too. Click here to buy your tickets.

‘Guitars Over Guns’ Uses Music To Keep At-Risk Kids In School

Guitars Over Guns Organization (“GOGO”) was founded in 2008 by Dr. Chad Bernstein, an accomplished professional trombonist and educator in Miami, and his father, Bob Bernstein, a successful financial professional in Chicago. The inspiration derived from their joint desire to formalize the ad-hoc mentoring that many members of Suénalo, a popular Miami band of which Chad was a member, had been providing in their community for years. After several years studying philanthropic start-ups, the first program was born with an intense desire to provide kids from the most under-served neighborhoods opportunities to play music, especially music they love . . . opportunities that Chad and all the mentors had in their lives but saw fading from school curriculums and budgets.

Through an initial partnership with Communities in Schools (CIS) of Miami, GOGO began mentoring students of North Miami middle school. The program grew over the next three years, increasing in popularity among the students and gaining traction in the school and community through performances. GOGO opened a second program in 2012-13 at Miami Edison Middle School.

Guitars Over Guns' Chad Bernstein with young musicians at the NBC 6 South Florida studios.
Guitars Over Guns’ Chad Bernstein with young musicians at the NBC 6 South Florida studios.

GOGO’s other major partners include the University of Miami’s Frost MusicReach program, which provides college music students to provide supplemental music education and mentoring for their students. And others are noticing the fine work – In 2014, the GOGO program was among a small handful of featured not-for-profits in the McDermott, Will & Emory 2014 Annual Report on Social Responsibility, a global publication.

Since launching in 2008, GOGO has now mentored over 240 students. Measuring impact has always been their key driver. In the last two years alone we have served 126 students, of whom 92% improved their GPA, 94% improved decision making skills (ACOPE pre and post assessment), 97% improved attendance as measured by school records, and 99% of previously suspended youth did not get suspended after program participation.

More meaningful to these young musicians is the fact that they have written and produced their own music and videos, been accepted into performing arts schools and higher music education opportunities, and performed on the radio, CBS, and NBC. GOGO students have also performed side-by-side with their mentors and at such renowned venues as the Filmore and Jackie Gleason Theaters on Miami Beach, the University of Miami, and major Miami festivals including the Miami International Book Fair, Art Basel, and the Grassroots Festival. GOGO students have had the opportunity to work with prominent artists such as Omar Tavarez (drummer for Pitbull), Sharon Aguilar (guitarist for CeeLo Green), and Rhea (singer for Pharrell). And finally, every GOGO student gets the opportunity to be professionally recorded – eternal proof that they overcame their fears, became accountable to themselves and their peers, and built a bridge to their future.

THIS is cool: Jambé – the Ultimate Electronic Instrument

As you can tell by looking at Jambé, it was inspired by a drum. It is shaped and sized like a drum, and is built with all natural wood and metal materials. It even fits regular drum stands. Jambé feels comfortable in your hands or on your lap, and you can play it with regular drumsticks or with your hands, just like any traditional drum.

The Jambé playing surface is covered with a special combination of materials and sensors that read every nuance, from the full impact of a drumstick to the light tapping of a finger. Jambé transforms those gestures into expressive dynamic sounds. There are ten sensor zones which can be programmed as different sounds or effects, giving you a rich sound palette.

Jambé connects to an Apple iOS device, which provides an outstanding user interface. You can easily expand and upgrade your instrument with a few taps on the screen. Jambé comes with a wide variety of sounds, and our In-App store will carry additional sounds and kits, which will open up new playing possibilities.

It’s curently in Kickstarter mode, and you can check it out here:

Your first look at AMERICAN EPIC, Produced by T Bone Burnett, Robert Redford and Jack White

PBS and the BBC Arena today announced AMERICAN EPIC, the extraordinary story of the trailblazing era when country-wide, the music of ordinary Americans was recorded for the very first time.

The three-part historical documentary and feature-length film, showcasing contemporary artists in recording sessions, will air in the U.S. and U.K. this fall.

Executive Produced by T Bone Burnett, Robert Redford and Jack White, AMERICAN EPIC takes us on a journey across time to the birth of modern music, when the musical strands of a diverse nation first combined, sparking a cultural renaissance that forever transformed the future of music and the world.

In addition to the broadcast, AMERICAN EPIC will include companion music releases.  Columbia Records will release contemporary performances from The American Epic Series.  Sony Music’s Legacy Recordings will release a companion series of archival recordings, featuring groundbreaking audio restoration of 1920s and 1930s recordings by Lo-Max Films, Nick Bergh and Peter Henderson. Third Man Records will release a deluxe box of vinyl records.

Two British filmmakers, Bernard MacMahon and Allison McGourty, have pieced together this extraordinary story set in the late 1920s when record company talent scouts toured America with a recording machine and for the first time captured the raw expression of an emerging culture. It democratized music and gave a voice to the poorest in the nation.

The filmmakers follow the recording machine’s trail across the United States to rediscover the families whose recordings would lead to the development of blues, country, gospel, Hawaiian, Cajun and folk music – without which there would be no rock, pop, R&B or hip hop today. Over three episodes the remarkable lives of these seminal musicians are revealed through previously unseen film footage, unpublished photographs, and exclusive interviews with some of the last living witnesses to that era, when the musical strands of a diverse nation first emerged, sparking a cultural revolution whose reverberations are felt to this day.

For THE AMERICAN EPIC SESSIONS the filmmakers have re-assembled the recording machine that allowed America to first hear itself.  They have replicated the atmosphere of America’s seminal 1920s field recordings down to the smallest detail, with top American artists recording straight to wax, using all the original microphones, amplifiers, and other equipment from that era. This is the first time that any performer has been able to use this machinery for over 80 years.  Led by producers Jack White and T Bone Burnett, today’s legends are given a once-in-a-lifetime chance to relive the experience of the founding mothers and fathers, their idols, and remake the music that changed America and changed the world.

THE AMERICAN EPIC SESSIONS features performances by Alabama Shakes, The Americans, The Avett Brothers, Beck, Frank Fairfield, Ana Gabriel, Rhiannon Giddens, Merle Haggard, Bobby Ingano, Elton John, Auntie Geri Kuhia, Pokey LaFarge, Bettye LaVette, Los Lobos, Lost Bayou Ramblers, Taj Mahal, Steve Martin & Edie Brickell, Fred Martin and The Levite Camp, Ashley Monroe, Nas, Willie Nelson, Charlie Kaleo Oyama, Blind Boy Paxton, Raphael Saadiq, and Jack White.

Director Bernard MacMahon explained, “AMERICAN EPIC is the story of one of the great moments in American history – when the voices of working people, minorities, and rural people throughout the country were first heard, and how the discovery of these artists forever changed the sound of American popular music and introduced new genres such as R&B, rock and country. It celebrates American technological innovation, diversity and freedom of speech.”

Producer and co-creator Allison McGourty said, “We traveled the length and breadth of America, from Cleveland, Ohio to the Gulf of Mexico, and from New York to Hawaii, in our quest to discover the identities and stories of America’s earliest recorded musicians.  We captured testimonials from the last living witnesses and direct descendants of America’s musical pioneers. This is the last time their story can be told before everyone who was there is gone.”

“This is America’s greatest untold story,” said Robert Redford, an Executive Producer.  “It’s an account of the cultural revolution that ultimately united a nation.”

“These musicians we profile are the real American heroes,” said T Bone Burnett, an Executive Producer. “They set out from the darkness with nothing but a guitar on their backs, put out their thumbs and conquered the world.”

“In AMERICAN EPIC we can examine how important the fact is that when phonograph records were invented, for the first time ever, women, minorities, poor rural men and even children were given the opportunity to say whatever they wanted in song, for the whole world to hear, shockingly without much censorship,” said Jack White, an Executive Producer.  “What they were allowed to say on phonograph recordings, they were not allowed to speak in public or in person. That is an astounding thought.”

Duke Erikson, producer and co-creator, said, “The more we found out about these recordings, the more we realized how little was known about how they were recorded.  We became obsessed with figuring it out, with actually finding the machine that was used to record this amazing music.”

Beth Hoppe, Chief Programming Executive and General Manager, General Audience Programming, PBS, said, “We wanted to share this uniquely American story with our audience because of its exploration and celebration of original forms of music and early technologies. PBS has broadcast concerts and documentaries about a diverse variety of music genres over the years, and AMERICAN EPIC captures the foundation of American music history through the lens of some incredible untold stories.”

Anthony Wall, Executive Producer for the BBC ARENA said, “When Bernard and Allison took me through their ideas and research, I didn’t hesitate to say yes. Arena has always been committed to this music but AMERICAN EPIC is the most comprehensive account of how and why it came to be recorded in the first place that I’ve encountered. The combination of the multi-ethnic context and acutely researched individual stories make it irresistible. The accompanying SESSIONS film is a delight. It’s a joy to see the respect and excitement so many of today’s best musicians bring to the discipline of recording in the same way as their heroes of decades ago.”

Stephen Segaller, Executive in Charge, WNET, said, “It’s not often that you’re pitched a project that is entirely fresh, immediately visual, and seems likely to change your whole understanding of cultural history. AMERICAN EPIC is that project – a documentary series that gives us an amazing narrative of cultural enterprise and creative energy, touching on deep American history – and a recording sessions vérité film that keeps on outdoing itself as artist after artist revels in the old-time music and brings it to new levels.”

Alan Yentob, Creative Director, BBC, said, “What a great adventure this is and what a brilliant cast of musicians and storytellers past and present to bring this untold history back to life. AMERICAN EPIC has captured the imagination of everyone involved in the making of it and I believe it is destined to do the same for millions of viewers all over the world.”

Adam Block, President of Sony Music’s Legacy Recordings, said, “Simply put, Legacy exists in no small part to preserve and perpetuate our country’s musical heritage. For us, AMERICAN EPIC is a celebration of the men and women who established the foundation of virtually everything that we as an industry do today.  It is one of the most remarkable cultural, technological and of course musical journeys of all time.”

Mark Williams, EVP of A&R for Columbia Records, said, “Listening to the incredible artists that contributed to these sessions, we see a direct link with the musicians of the past. As if time hasn’t existed and the same spirit, truth and soul of the earlier performers are as much part of the present as it is the past.  This record isn’t a tribute record as much as it is a continuation of the same story and messages that have been passed along to great artist of today.”
John Tefteller, founder of Blues Images and consultant to Lo-Max Films, said, “The new sound transfer techniques by Lo-Max has taken everything to a new level above and beyond anything anyone has ever heard before. 1920s early 1930s blues records have never sounded so good. It sounds like you are in the room with the performers. People are going to be knocked out when they hear how these records sound now.”

Robert Santelli, Executive Director of the Grammy Museum, said, “The Grammy Museum is excited to create education and public programs that will complement such an extraordinary series and story.  Our goal is to engage young people in the history of American music so that they become more informed listeners and better understand the legacy that supports much of contemporary music. AMERICAN EPICwill allow us to do just that.”

Jan Younghusband, Head of Music TV Commissioning for BBC Music says:  “We are thrilled to present this outstanding series on BBC television and to promote it across our BBC Music platforms.  BBC Music is a new initiative committed to bringing the best in music to our audiences.  It is great that this project is coming through the world’s two leading public broadcasters, the BBC and PBS, working together.”

Animated Video: How they filmed that bridge stunt in Indiana Jones And The Temple Of Doom

Oscar-winning Special Effects Supervisor George Gibbs (‘Indiana Jones and the Temple of Doom’, ‘Indiana Jones and the Last Crusade’, ‘Alien’) recounts the story of how they blew up the bridge in ‘Indiana Jones and the Temple of Doom.’

2015 SIRIUSXM Indie Awards Nominees Announced

Canadian Music Week is proud to announce the nominees for the 2015 SiriusXM Indies – 15th Annual Independent Music Awards. ALVVAYS, Caribou, Mac DeMarco and Death From Above 1979 are among the nominated artists being honoured across 26 categories on Saturday May 9th, 2015 at the Grand Ballroom in the Sheraton Centre (123 Queen St. West, Toronto). Full list of nominees is below.

Celebrating another year of top independent talent – both Canadian and International – the award show will feature special performances from nominated artists, including The Glorious Sons, Alvvays, Broncho, and Miracles. Multi-platinum selling rock act Billy Talent will be headlining the SiriusXM Indies with an exclusive concert performance.

Hosted by SiriusXM Canada’s Jeff Leake, the 2015 SiriusXM Indies will be broadcast live for SiriusXM subscribers in Canada and the U.S. on “Iceberg” (Sirius 161) and “The Verge” (XM 173). English and French winners of the Emerging Artist of the Year categories will each receive a $5,000 bursary from SiriusXM Canada.

Both public and industry votes decide the winners. Fans can vote online for their favourites as of today at http://indies.ca.

Tickets for the show are now available to purchase online at http://indies.ca, Ticketweb, Rotate This and Soundscapes.

ALBUM OF THE YEAR
Alvvays – Alvvays (Royal Mountain Records)
Death From Above 1979 – The Physical World (Last Gang Records)
Mac DeMarco – Salad Day’s (Captured Tracks)
Owen Pallet – In Conflict (Secret City Records)
The New Pornographers – Brill Bruisers (Last Gang Records)

SINGLE OF THE YEAR
[SEBELL] – Till the Sun Burns Out ¬(Show & Tell: Music)
Chromeo – Jealous (I Ain’t With It) (Last Gang Records)
Death From Above 1979 – Trainwreck 1979 (Last Gang Records)
MAGIC! – Rude (Latium)
USS (Ubiquitous Synergy Seeker) – Yin Yang (Coalition Music)

GROUP OR DUO OF THE YEAR
Alvvays (Royal Mountain Records)
Death From Above 1979 (Last Gang Records)
The Glorious Sons (Black Box)
The New Pornographers (Last Gang Records)
Tokyo Police Club (Dine Alone Records)

ARTIST OF THE YEAR
Caribou (City Slang/Merge)
Mac DeMarco (Captured Tracks)
Owen Pallett (Secret City Records)
Tanya Tagaq (Six Shooter Records)
The Weeknd (XO)

FEMALE ARTIST OF THE YEAR
Jenn Grant (Outside)
Lisa LeBlanc (Bonsound)
Lowell (Arts & Crafts Productions)
Steph Cameron (Pheromone Recordings)
Tanya Tagaq (Six Shooter Records)

MALE ARTIST OF THE YEAR
Chad VanGaalen (Flemish Eye)
Jay Malinowski & The Deadcoast (Pirates Blend Records)
Kevin Drew (Arts & Crafts Productions)
Owen Pallet (Secret City Records)
Rich Aucoin (Bonsound)

SONGWRITER OF THE YEAR
July Talk (Sleepless Records)
The New Pornographers (Last Gang Records)
The Weeknd (XO)
Whitehorse (Six Shooter Records)
You+Me (Dine Alone Records)

ALTERNATIVE ARTIST OR GROUP OF THE YEAR
Alvvays (Royal Mountain Records)
Bahamas (Barchords/Brushfire Records)
Dan Mangan + Blacksmith (Arts & Crafts Productions)
Timber Timbre (Arts & Crafts Productions)
You+Me (Dine Alone Records)

COUNTRY ARTIST OR GROUP OF THE YEAR
Dallas Smith (604 Records Inc)
Jess Moskaluke (MDM Recordings)
Kira Isabella (Legend North)
The Road Hammers (Open Road Recordings)
Tim Hicks (Open Road Recordings)

DANCE ARTIST OR GROUP OF THE YEAR
Adventure Club (Adventure Club/BMG Rights Management)
Chromeo (Last Gang Records)
Glenn Morrison (Robbins Entertainment)
Mia Martina (CP Music Group)
TR/ST (Arts & Crafts Productions)

ELECTRONIC ARTIST OR GROUP OF THE YEAR
Art Department (Ultra Music Canada)
Caribou (City Slang /Merge)
Operators (Last Gang Records)
Plastikman (Mute)
Zeds Dead (Ultra Music)

FOLK/ROOTS ARTIST OR GROUP OF THE YEAR
Blackie and The Rodeo Kings (File Under: Music)
Del Barber (True North)
Oh Susanna (Sonic Unyon)
The Bar Brothers (Secret City)
The Bros. Landreth (Maple Music Recordings)

FRANCOPHONE ARTIST OR GROUP OF THE YEAR
Alexandre Désilets (Indica Records)
David Giguère (Audiogram)
Jimmy Hunt (Dare To Care)
Phillippe B (Bonsound)
Radio Radio (Bonsound)

JAZZ ARTIST OR GROUP OF THE YEAR
BadBadNotGood (Arts & Crafts Productions)
Diana Panton (eOne Music Canada)
Elizabeth Shepherd (Linus Entertainment)
Myriad3 (Alma)
The Souljazz Orchestra (Strut Records)

METAL ARTIST OR GROUP OF THE YEAR
Archspire (Season of Mist)
Culted (Relapse)
Devin Townsend Project (Inside Out Music/eOne)
Protest the Hero (Protest the Hero)
Thantifaxath (Dark Descent)

POP ARTIST OR GROUP OF THE YEAR
[SEBELL] (Show & Tell: Music)
Allie X (Sleepless Records)
MAGIC! (Latium)
Trevor Guthrie (EB Inc.)
Virginia to Vegas (Wax Records)

PUNK/HARDCORE ARTIST OR GROUP OF THE YEAR
Comeback Kid (Distort Ent./Fontana North)
Fucked Up (Arts & Crafts Productions)
Single Mothers (Dine Alone Records)
The OBGMs (The OBGMs)
White Lung (Domino)

RAP/HIP-HOP ARTIST OR GROUP OF THE YEAR
Cam Smith (Robin Steele Records)
Jazz Cartier (Safe & Sound)
Naturally Born Strangers (Legends League)
Saukrates (Culvert Music)
Tre Mission (Last Gang Records)

ROCK ARTIST OF THE YEAR
Big Wreck (Big Wreck)
Current Swell (Blue Heron Music)
Death From Above 1979 (Last Gang Records)
The Glorious Sons (Black Box)
The Trews (Bumstead Productions)

SOUL/R&B ARTIST OR GROUP OF THE YEAR
Daniel Caesar (Independent)
JRDN (Kuya Productions)
Melanie Durrant (Melanie Durrant)
PartyNextDoor (OVO Sound)
Slakah the Beatchild (BBE Records)

INTERNATIONAL GROUP OR DUO OF THE YEAR
Broncho (Dine Alone Records)
Cloud Nothings (Carpark/Mom+Pop)
Future Islands (4AD)
Run The Jewels (Mass Appeal)
Spoon (Headz Under)

INTERNATIONAL ARTIST OF THE YEAR
Aphex Twin (Warp)
Flying Lotus (Warp)
Hozier (Rubyworks)
Sharon Van Etten (Jagjaguwar)
St. Vincent (Loma Vista)

INTERNATIONAL ALBUM OF THE YEAR
Against Me! – Transgender Dysphoria Blues (Total Treble)
FKA Twigs – LP1 (XL)
Run The Jewels – Run The Jewels 2 (Mass Appeal)
St. Vincent – St. Vincent (Loma Vista)
The War on Drugs – Lost in the Dream (Secretly Canadian)

INTERNATIONAL SINGLE OF THE YEAR
Future Islands – Seasons (Waiting On You) (4AD)
Hozier – Take Me To Church (Rubyworks)
Jason Aldean – Burnin’ it Down (Broken Bow Records)
Mr. Probz – Waves (Robin Shulz Remix) (Ultra Music Canada)
The War on Drugs – Red Eyes (Secretly Canadian)

SIRIUSXM EMERGING ARTIST OF THE YEAR (ENGLISH)
Alvvays (Royal Mountain Records)
BESTiE (Independent)
Close Talker (Nevado Records)
Cousins (Hand Drawn Dracula)
Gay Nineties (Love Letter Recordings/Fontana North)
JPNSGRLS (Light Organ Records)
Royal Tusk (Hidden Pony)
The Barr Brothers (Secret City)
The Dying Arts (Independent)
The Mohrs (Light Organ Records)

SIRIUSXM EMERGING ARTIST OF THE YEAR (FRENCH)
Caravane (Ste-4 Musique)
Fontarabie (Dare To Care)
Genevieve Racette (Independent)
Guillaume Beauregard (La Tribu)
La Bronze (Kartel Musik)
Lubik (117 Records)
Miracles (Music Mansion)
Mordicus (L-A be)
Noe Talbot (Slam Disques)
Phillippe Brach (Independent)

Video Preview of Heavy Metal Art Book “…And Justice For Art” Released

According to Morbid Angel’s legendary bassist/vocalist, David Vincent, the book …And Justice For Art: Stories About Heavy Metal Album Covers is set to become “a historical document about the importance of Metal album covers.” This volume is a one-of-a-kind collection of stories that recount for the first time, all the particulars behind the making of artworks as iconic as SLAYER‘s “Reign In Blood”, MORBID ANGEL‘s “Blessed Are The Sick”, METALLICA‘s “…And Justice For All”, MOTORHEAD’s “Orgasmatron”, DEATH‘s “Symbolic”,  ANTHRAX’s “Among The Living”, CARCASS‘  “Heartwork”, TESTAMENT‘s “Dark Roots Of Earth”, OPETH‘s “Heritage”, AT THE GATES’ “Slaughter Of The Soul,” VAN HALEN’s “1984” and many others.

Watch a detailed video preview of the book here:

The book is officially available on April 15. Amazingly, the pre-sales for the first edition sold out in less than 10 days. Because of this, author Ramon ‘Oscuro’ Martos (who writes for MetalUnderground.com, This Is Metal Magazine, and PureGrainAudio.com, etc.) and co-publisher, Dark Canvas, decided to launch a second edition of 300 additional copies that are now available for pre-order via Big Cartel at:  http://andjusticeforart.bigcartel.com/product/and-justice-for-art-stories-about-heavy-metal-album-covers

Martos spent more than three years researching and interviewing more than 100 established and underground Metal bands for the book as well as renowned visual artists like Travis Smith, Eliran Kantor, Paul Raymond Gregory, Arik Roper, and Joe Petagno, among others.

The book’s foreword was written by Morbid Angel’s David Vincent. It features more than 400 graphics (some of them never seen before) and 264 glossy, color pages. It was printed thanks to a successful Indiegogo crowd-funding campaign that Martos launched last year raising 236% of its original goal. And Justice For Art is also scheduled to be one of the main attractions of the Rock & Metal Gallery at the UK’s famous Bloodstock Open Air in August 2015.

Several personalities of the Metal scene have already given praises to the book. For example, Cattle Decapitation’s vocalist, Travis Ryan, affirmed that this volume is “exactly what the music world needs to remind us all just how important album covers have been to all of us that grew up surrounding ourselves with physical media.” Obituary’s drummer, Donald Tardy, declared: “I think this book will help to keep alive all these artworks.” In addition, While Heaven Wepts’s guitarist, Tom Phillips, commented that “And Justice For Art delves far deeper into the behind-the-scenes stories than any other art books that I’m aware of. I have no doubt it will become an important document for musicologists in years to come.”

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For more details visit www.andjusticeforart.com. You can also visit the book’s official Facebook community

The International Marketplace at CMW: Register Now For Meetings With Australia and New Zealand!

The International Marketplace at Canadian Music Week is the meeting place for international and Canadian delegates looking to do business with each other. The scheduled activities include: B2B pre-arranged meetings, networking, and the Border Breakers Export Development Panel.

In advance of CMW’s Spotlight on Australia and Focus on New Zealand for 2015, they’ve issued a call out for delegates interested in scheduling meeting with the delegates from Australia and/or New Zealand.

B2B Meetings with Australia:
May 7, 2015 from 2:00pm – 4:00pm
Check out the details and submit a meeting request form by clicking here.
Deadline: Friday, April 24 at 6:00pm

B2B Meetings with New Zealand:
May 7, 2015 from 4:30pm – 5:30pm
Check out the details and submit a meeting request form by clicking here.
Deadline: Friday April 24 at 6:00pm. 

Sesame Street’s Game of Thrones Parody – Game of Chairs

The Game of Chairs will determine who will be king or queen of Jesteros. Four players will march around three chairs while music plays until one remains. Who will take the crown in this game of musical chairs? Robb, Cersie, Joffrey, Daeneyrus or….?

Jason McCoy returns as host for The Country Music Association of Ontario Awards

The Country Music Association of Ontario (CMAO), presented by Slaight Music, is thrilled to announce Jason McCoy of the Road Hammers is returning as host of the CMAO awards. Confirmed performers for the award show include Jason Blaine, Leah Daniels, Tim Hicks, the Russell DeCarle Trio and Deric Ruttan. The Western Swing Authority also return to the awards as the event’s house band. The award show will be held Monday, May 25, 2015 at the Flato Markham Theatre. Tickets are on sale for $59.95. For more ticket information visit www.ticketbreak.com.

“It’s an honour to be back hosting the celebration of Ontario’s homegrown talent, simply thebrightest and best of the Canadian Country scene!” McCoy says.

As a 25-year veteran of the entertainment industry, and two time CCMA Male Vocalist of the Year, McCoy is the king of reinvention. Growing up in the small town of Minesing, Ontario, McCoy admired the well-rounded artistry of classic entertainers from Roger Miller and Johnny Cash to Merle Haggard and Glen Campbell. Armed with a guitar and a dream, McCoy set out at the age of 19 to follow his own path to stardom. As a solo artist, he’s racked up multiple CCMA and CMA awards along with a Gold album.

As creator and front man of the highest selling band in Canadian Country Music history, The Road Hammers, McCoy took on the Country Rock genre and guided the band to unprecedented success throughout Canada and the United States, picking up a Platinum album, CCMA Group of the Year award, and a JUNO Award along the way.

The CMAO was formed in 2007 by Rob MacArthur, founding patron Linda Wright and a number of interested and enthusiastic individuals who thought it was time to have a voice for country music in Ontario. The Association brings together the talent and the industry professionals. Its mandate is to foster and support the growth and development of Ontario’s country music and its industry, provincially, nationally and internationally. The CMAO has now hosted two annual Awards Shows with the assistance of presenting sponsor Slaight Music. These sold-out events featured performances from Ontario’s top talent including  Jason McCoy, Deric Ruttan, Jason Blaine, Tim Hicks, Tebey, Autumn Hill, Small Town Pistols, Michelle Wright, Marshall Dane and many more. The CMAO is also proud to have presented last month its first educational conference, the highly successful two-day Road to Independence, with the financial contribution of the OMDC and presenting sponsor CMT.

 Pembroke native Jason Blaine has been at the top of the Canadian country music charts on both radio and CMT Canada with more than a dozen TOP 10 singles including the 2012 CCMA Single of the Year “They Don’t Make Em Like That Anymore”. Currently in the studio recording his sixth full length album, Blaine’s current single “Country Side is the #1 Canadian song at Country Radio nationally. www.jasonblaine.ca

Leah Daniels is a girl with purpose. This past year, she released two singles, received her second CCMA Award Nomination and broke over a million views on YouTube. Daniels’ debut album is scheduled for release in mid 2015. “Go Back”, the debut single, recently achieved “Top-Twenty Hit Status” at country radio and at CMT video across Canada … a sign Daniels is on her way.

Two time JUNO Award nominee and 2014 CCMA Award winner for Rising Star, Tim Hicks has cemented his status as one of the biggest breakout Canadian country music acts seen this decade. Hicks boasts five Top 10 singles, nearly 3 million YouTube hits, two JUNO Award nominations, and a third gold-certified single fueled by the party anthem “Stronger Beer”. In 2013, Hicks became the highest selling digital Canadian Country Artist of the Year for his debut album Throw Down, as well as the Most Played Debut Artist overall at Country radio. Hicks sophomore album 5:01 debuted at #1 on the SoundScan Country Album sales chart last August (2014), making this his first #1 country album and paving the way for an undeniably huge year in 2015 www.timhicksmusic.com

It’s fair to say the Nashville-based, Bracebridge, Ontario born singer/songwriter, Deric Ruttan has a fair bit to celebrate these days. Ruttan’s songs have been recorded by Tim McGraw, Eric Church, Dierks Bentley, Darius Rucker, Gary Allan and dozens of others, and he’s been recognized repeatedly by the Canadian music industry with a variety of SOCAN (10)  and CCMA Awards (2), and a JUNO nomination for Best Country Record for 2010’s Sunshine.  He is the reigning CCMA Songwriter Of The Year.

Then there’s the success of Ruttan’s latest album Take The Week Off and his current single “Don’t It Feel Good,” which generated both Grammy and ACM nominations in the Songwriter of the Year categories, and won him and his co-writers a CCMA and a CMAO in 2014 for Songwriter(s) Of The Year. The lead single, the album’s title track, previously won a 2014 CMAO for Single Of The Year and one of the album’s tracks, co-write “Mine Would Be You,” became a runaway #1 hit for Country superstar Blake Shelton. www.dericruttan.net

The Western Swing Authority is a unique collaboration of some of Canada’s top studio and touring musicians who share a common love for authentic Western Swing. They are a group of seasoned professionals whose individual bios include multiple Canadian Country Music Awards, Juno nominations, with resumes that span from Gordon Lightfoot, to Michelle Wright to George Canyon, to Kellylee Evans. Their self-titled, debut album arrived to critical acclaim and brought their music to people all around the world. www.thewesternswingauthority.com