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The Tea Party: “We had to do a lot of soul-searching, but now the bond between the three of us is stronger.”

The arrival of the venerable Canadian exotic rock trio’s highly anticipated new studio album, The Ocean At The End, marks the official end of the 10-year vacuum of fresh The Tea Party original material. “The Black Sea,” a stellar track from the 11-song-deep effort and the electrifying tandem of Jeff Martin (vocals, guitars, producer, songwriter); Stuart Chatwood (bass, keyboards) and Jeff Burrows (drums, percussion), completes the band’s cycle of resurrection, some of the first new music we’ve heard from them since 2004’s Seven Circles and the first project since the double-disc Live From Australia: The Reformation Tour 2012.

“The three of us probably never thought we’d be sitting here right now,” admits Martin, whose booming baritone, emotionally candid and mystical songwriting and string-bending guitar prowess has served as the creative catalyst for eight platinum and gold studio albums, one EP, one greatest hits collection, a live disc and over 2 million in global album sales.

“It’s a testament to the strength of the music that we’ve created in the past and a testament to the friendship that exists between the three of us. We had to do a lot of soul-searching, but now the bond between the three of us is stronger.”

It’s what Jeff Burrows calls, simply, “a rebirth.”

Eric: This is a band I could safely say would have never come back again. What happened?
Jeff Martin: It’s deep, it’s complicated but if you want to distill it down to a simple answer, we just missed each other too much.
Eric: I love that answer. If you still want to do it, then you should have every reason to do it.
Jeff: I can speak for myself, I kind of loss the passion for it towards the end. The Tea Party, in the best of our days, we always had this firewall. The firewall was our management Steve Hoffman. Keeping the industry and the record company away from us so we could just be who we needed to be. To make the record, once it’s done, here you go. No other cooks in the kitchen. Too many got in towards the end. Steve got sick and had to fight for his life and he couldn’t fight for us anymore. There was just too much pressure. It wasn’t the band anymore. So I had to go away, just figure myself out and find that passion for making music again. I tried many things, which I’m proud of, but as time went on one thing became clearer and clearer to me. That nothing could compare to being with my two best friends again and making that magic. So when the phone call came, back in 2010 I was game.

Eric: Who called?
Jeff: It was management that called. Our agent had been telling us we’d been getting offers every year for the band to reform.
Eric: How did that make you feel? Did you care at that point in the beginning when those calls were coming through?
Jeff: The serendipity of that phone call was I was ready to care again. Here we are. Obviously when we got back together there were some hurdles that we needed to pass. The music was always there, even the first rehearsal when we got back together. It was pure magic. The Tea Party is much more than that, it’s a trust. A friendship that goes back longer than most. So we had to get that back again, and once we did and we did it in spades. It’s stronger than ever. That’s when the new music started to come.
Eric: When you look back at when you were each doing your own projects, did you are about what the audience had to say about you doing a solo album, and not work through any problems with the band? Were there signpoints in your life that you felt you had to continue your own road?
Jeff: I’m pretty certain there would have been trepidation. How do you really – just as an individual, how do you stand up to that? The legacy of what the band is and will be. I agree with you, it’s more or less, for my personal journey anyway, it was just signposts as you said and moments – different collectives that came together, different people but it was moving me back to the band again. Moving me back to having that passion again, for the band. There’s just a lot i had to go through personally to get back there so that I could come back to Jeff and Stewart and be the captain of the ship again.

Eric: Did everyone fall easily back into their respective roles for the band?
Stuart Chapman: I think the roles evolved. We were happy – Jeff mentioned having to prove himself to us, we were happy – I don’t want to say give him another shot, but we were happy for him to regain control of the band with regard to production in the studio. It worked out great. Jeff had mentioned before, how Jeff and myself had recorded so many things in the interim that we brought a lot more to the table and took a lot of pressure off him. To produce, sing, play guitar, overdub to do all these things he was taking on, it’s a lot of pressure.
Eric: How many of the new songs were created after the band got together? Were there any you had on the solo back burner?
Jeff: Only two songs really come to mind. “Submission” and “The Water’s On Fire.” I had those as demos. I made those as demos when I knew the band was getting back together. The rest of the record was just the three of us, just like the old days in Windsor. Writing in a room, jamming being a great hard rock band. No bells, no whistles, no toys. Just plug the guitar in, let’s rock.
Eric: Sadly missed since you’ve been gone, but now you’re back. How cool is it that you get to be in a band now, again with your friends at your age?
Jeff: What do you mean, my age? [laughs]
Eric: 29. The same age as I am.
Jeff: Riiiiight.

An Astronaut’s Guide to Optimism Starring Canadian Astronaut Chris Hadfield

Our world is not as bad a place as we often feel it to be. It is easy to look to the future and lament how far there is left to go, but sometimes it is helpful to stop and reflect on just how far we’ve come.

Jim Henson’s Muppets perform on The Ed Sullivan Show for the first time in 1966

The popularity of garage rock starts here. Garage rock and Muppet history was made on September 18, 1966 as this date marked the first television appearance on CBS-TV’s The Ed Sullivan Show of Jim Henson’s Muppets. For this first appearance, Henson chose a 1966 garage rock song called “Rock It To Me” by a teen band called The Bruthers.

http://youtu.be/nH9k6nDZLcM

Canadian Arts/Media Job Posts For March 3, 2015

The National Ballet of Canada, one of the world’s top international ballet companies, enthusiastically embraces new initiatives in digital media to increase audience engagement and ticket sales. The company is looking for a highly motivated self starter to join the communications team to help expand and improve its web, video and electronic communications. The position of Web and Digital Media Coordinator requires a creative team-player with strong web and video skills who thrives working in a fast-paced, deadline-driven environment.

CP24 in Toronto is looking for an experienced leader who thrives in a live breaking news environment. The Senior Producer of News will oversee the journalistic operation of Toronto’s 24 hour news channel.

The Mountaineer is looking for an energetic community-minded reporter/photographer with a passion for writing accurate and engaging stories to join their news team.

Feisty, independent weekly newspaper in Wakefield seeks reporter with similar personality. They have a full-time opening for a motivated writer / photographer with a nose for news.

CTV National News has an opening for a News Writer to contribute to CTV National News and other CTV properties by writing scripts for on-camera, voice over and intros to reports.

The Mount Forest Confederate seeks an outgoing, dedicated, general assignment reporter/photographer. This individual will be responsible for news coverage, sports, photography, and special projects on a full-time (37.5 hour/week) basis. Responsibilities also include news slotting and overseeing/contributing to page layout each week.

Founded in 1992 by George C. Randolph Jr., the Randolph Academy for the Performing Arts is a not-for-profit educational institution providing world-class performing arts training to young artists. They’re looking for an Office Manager is responsible for overseeing the efficiency of day-to-day operations.

Harbourfront Centre is a Canadian charity operating the 10 prime acres of Toronto’s central waterfront as a free and open public site, and currently an employment opportunity exists in their Integrated Communications Department for a full time Marketing Manager.

Theatre Passe Muraille is known for developing innovative and daring Canadian theatre, and they’re looking for an Associate Producer – Artist, Audience and Community Engagement.

TIFF, a vibrant not-for-profit arts organization, is accepting applications for the contract position of Accreditation Coordinator.

R’CAP (Rosseau Culture and Arts Project) is a multi-disciplinary, non-profit arts and culture organization based in the Village of Rosseau, District of Parry Sound. They have an opening for an Assistant Arts Administrator/Programmer/Producer.

As the fifth largest ballet company in Canada, Ballet Jörgen Canada (BJC) was founded in 1987 by Bengt Jörgen and Susan Bodie, who were inspired by a vision to make ballet an accessible and familiar experience to Canadian audiences and communities. They are currently looking for a Grant Writer.

TIFF, a vibrant not-for-profit arts organization, is accepting is accepting applications for the contract position of Facilities Services Assistant.

House & Home Media is Canada’s leading home design brand offering custom content through print and digital magazines, websites, television shows and consumer events. They are looking for a Junior Designer to support our lively, dynamic team in their downtown Toronto office.

Corus Radio has an exciting opportunity for a Street Team Member in their Winnipeg location. Reporting to the Promotions Director, the successful candidate will be responsible for executing various station promotions within the community.

Barrie & Collingwood Radio have an exciting opportunity for Chief Engineer. Reporting to the General Manager, the successful candidate will be responsible for first line hardware and software maintenance, building maintenance and on-air maintenance for the Barrie and Collingwood locations.

925 Fresh Radio has an exciting opportunity and are searching for the best and most unique talent to be part of their amazing team in Edmonton.

Rogers is looking for a News Reporter to generate news and current affairs ideas. that inform and engage the viewer, presenting and reflecting Montreal’s and Quebec’s cultural and political diversity.

570 News radio in Kitchener is looking for an experienced broadcaster to fulfill the duty of a Saturday to Wednesday Full Time News Anchor/Reporter position that has come open.

BuzzBuzzHome News is busy staking out its territory in the new media landscape… so busy, in fact, that they need a talented intern to help us deliver real estate news to millions of screens across North America.

The St. Paul Journal has an immediate opening in its newsroom for a sports/news reporter.

Norfolk News is seeking a reporter to cover municipal council and general assignment news. The successful candidate will also occasionally write entertainment and life stories for their weekly newspaper and daily news website.

The Caledon Enterprise, an award-winning community newspaper, is looking for a hard-working full-time Reporter to work in their busy newsroom. This position requires strong writing ability, news judgment, and proficiency in Adobe’s InDesign and Photoshop. As well as the ability to obtain sources and leads for news stories, report news accurately and present ideas for special features both in print and on-line.

Coast FM Radio has an opening for a News Reporter/Anchor and Weekend Announcer.

The Global Television News Department has an immediate full-time opportunity for an Anchor, located in Toronto.

Radio-Canada is looking for a The News Editor Presenter for French Radio in Vancouver on a continuing and ongoing basis writes, lines up, and presents a blend of local, regional, national, and international news.

There is an immediate opening for a Sports Anchor-Reporter at CHEK in Victoria. They are seeking a skilled broadcaster and storyteller whose passion is local sports to join their team.

The Greatest Story About A Musician I’ve Ever Heard, As Told By Brian Eno

The April 25, 2011 issue of the New Yorker contained a fascinating article about David Eagleman, the celebrated neuroscientist and director of the Laboratory for Perception and Action at Baylor College of Medicine in Houston. A number of professional drummers, invited by Brian Eno and from some of the biggest bands in the world, allowed Eagleman to observe them. They were outfitted with EEG units on their heads in special workstations for the data collection. The tests were conducted on a laptop. A software program asked the drummers to do four things: Keep a steady beat; compare the length of two tones; synchronize a beat to an image and compare different rhythms to one another.

“I was working with Larry Mullen, Jr., on one of the U2 albums,” Eno told me. “ ‘All That You Don’t Leave Behind,’ or whatever it’s called.” Mullen was playing drums over a recording of the band and a click track—a computer-generated beat that was meant to keep all the overdubbed parts in synch. In this case, however, Mullen thought that the click track was slightly off: it was a fraction of a beat behind the rest of the band. “I said, ‘No, that can’t be so, Larry,’ ” Eno recalled. “ ‘We’ve all worked to that track, so it must be right.’ But he said, ‘Sorry, I just can’t play to it.’ ”

Eno eventually adjusted the click to Mullen’s satisfaction, but he was just humoring him. It was only later, after the drummer had left, that Eno checked the original track again and realized that Mullen was right: the click was off by six milliseconds. “The thing is,” Eno told me, “when we were adjusting it I once had it two milliseconds to the wrong side of the beat, and he said, ‘No, you’ve got to come back a bit.’ Which I think is absolutely staggering.”

Via Dangerous Minds

Early Videos Of John Belushi at Second City in 1972

After starting his own comedy troupe, The West Compass Trio, with Tino Insana and Steve Beshekas, in 1971 John Belushi was asked to join the cast of The Second City. At Second City, he met and began working with Harold Ramis.

In the below sketch “Funeral,” John Belushi plays the humiliated son of a father who died a less-than-respectable death alongside ensemble performers Joe Flaherty, Harold Ramis, Jim Fisher, Judy Morgan, and Eugenie Ross-Leming as his grieving friends and family.

http://youtu.be/3vMrhu5-3Xo

Here’s a Second City clip featuring Belushi showing off his Truman Capote impersonation that he would later bring to his run on SNL.

http://youtu.be/kGC7v0PNCLI

Vince Vaughn and Co-stars Pose for Stock Photos You Can Use for Free

I don’t really know much about the new Vince Vaughn movie Unfinished Business, which comes out Friday, except the promtoional blub reads “What began as a routine business trip goes off the rails in every imaginable—and unimaginable—way, including unplanned stops at a massive sex fetish event and a global economic summit.” Sounds good so far, right? But if it’s anything like this pre-buzz campaign, it’s a winner. Twentieth Century Fox has teamed up with iStock by Getty Images to create a set of stock photos featuring Vaughn along with co-stars Tom Wilkinson, Dave Franco and others.

Via AdWeek

On International Ear Care Day, Watch A Girl Hear Music For The First Time

On International Ear Care Day, watch this video to know how important your hearing is. After activating her cochlear implant, this girl is able not only to hear music properly for the first time, but to make it.

Godspeed You! Black Emperor’s Curated Sled Island Music and Arts Festival Announces First Wave of Artists

Sled Island Music and Arts Festival, happening from June 24-28, 2015 in Calgary, Alberta is excited to announce its first wave of 2015 artists. The ninth annual festival sets itself apart from the pack by presenting a thoughtfully-chosen selection of intimate musical performances in more than 30 venues. Today, organizers are proud to announce a sample of the more than 250 bands that will descend on the festival this June.

Each year, Sled Island invites a guest curator to help to set the direction and tone of the festival through specialized programming choices and with their presence at the event. This year, the festival is thrilled to have Godspeed You! Black Emperor in that role. The band, which recently announced a new LP to be released this spring, will bring their stunning orchestral post-rock to the city’s beautiful Central United Church for two nights. It’s the first time Godspeed You! Black Emperor will play Calgary.

They’ll be joined by New York legends Television, a band known for profoundly changing the vocabulary of punk and post-punk music, as well as Drive Like Jehu, newly-reunited San Diego-based post-hardcore legends who will be playing a very rare show. Also playing are dizzying noise rock icons Lightning Bolt and the collaborative experimental electric guitar duo of Kim Gordon and Bill Nace Body/Head. In partnership with the National Music Centre (NMC), Daniel Lanois, the famed record producer, guitarist and songwriter, will be completing an artist residency at NMC before delivering an intimate performance at the Republik. NMC will be giving Lanois special access to its instrument and music technology collection as they prepare to move into their new facility, opening Spring 2016.

Other bands to join this spectacular collection of artists will be infectious power pop trio Ex Hex, charismatic and fun neo-garage rockers King Tuff, pioneers of American doom metal Pentagram, and Southern California fuzzed-out stoner rock progenitors Fu Manchu.

In what will be a massive night for one of 2015’s hottest bands, Viet Cong will play a special hometown show. Also confirmed is beautifully loud, heavy, noisy punk rockers Pissed Jeans, Ninja Tune’s Norwegian experimental jazz phenoms Jaga Jazzist, celebrated Detroit-based soulful hip hop artist and producer Black Milk, and digital folk artists Hundred Waters.

Additional artists announced include Son Lux, Lydia Ainsworth, The Coathangers, Iceage and Oxbow.

As part of Godspeed You! Black Emperor’s guest curation (which includes the selection of Body/Head), they have also invited The Ex, Matana Roberts, Fred & Toody, Carla Bozulich, Avec Le Soleil Sortant De Sa Bouche, Big Brave and David Dondero to join.

Canadian Music Week Announces Additional Programming Including Joey Bada$$, Mick Jenkins, JMSN, Swervedriver, Lucki Eck$

Canadian Music Week has announced the second round of 2015 festival headliners, including Joey Bada$$, Swervedriver, Lucki Eck$, The Psychedelic Furs, Mick Jenkins, Death Cab for Cutie, Leon Bridges, JMSN and more (see below). The new additions join the already stacked line-up featuring Noel Gallagher’s High Flying Birds, The Jesus and Mary Chain: 30th Anniverary of Psychocandy, Faith No More , GoldLink, FIDLAR, King Tuff and more. For full line up go here:

From March 3rd-10th, fans who buy one wristband, can get a second wristband free! Simply visit here and enter the special promotional code CMWBOGO. CMW will showcase over 800 bands in 60 different venues across the city.

ADDITIONAL HEADLINERS INCLUDE:
Brave Shores
Coasts
Death Cab for Cutie
Jazz Cartier
JMSN
Joey Bada$$
Leon Bridges
Lucki Eck$
METZ
Mick Jenkins
Monster Truck
Rich Aucoin
SABA
Scott Helman
Single Mothers
Smallpools
Swervedriver
The Death Set
The Flatliners
theNEWDEAL
The Psychedelic Furs
To see full list of artists performing at CMW please visit: http://cmw.net/music/