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Massey Hall Celebrates the Launch of Phase 1 of Seven-Year Revitalization

The Corporation of Massey Hall and Roy Thomson Hall today celebrated Phase 1 of its seven-year Massey Hall Revitalization project. The revitalization, which will be completed in two distinct phases, will have a total projected cost of $135 million.

In an event that highlighted the unified and leading support of all orders of government, the Corporation also acknowledged individual donors who, led by the Corporation’s Board of Governors and past Chairs, have contributed more than $1M in funding towards Phase 1. Both RBC and TD Bank Group announced funding commitments of $1M in support of the Massey Hall Revitalization Project, with RBC directing $250,000 towards the Corporation’s respected initiatives in artist development. Also announced were commitments in funding support from both American Express Foundation and Edwards Charitable Foundation.

Phase 1 funding began with an $8M commitment from the Government of Canada. “Massey Hall is a landmark that has attracted some of the biggest names in performing arts to Toronto for more than 120 years,” said Joe Oliver, Minister of Finance and Minister Responsible for the GTA. “Our Government is proud to be supporting this revitalization project, because it will maintain and modernize this iconic building, contribute to the cultural and social fabric of the city and generate economic growth, job creation and increased tourism throughout the GTA.”

Of the historic project, the Honourable Gary Goodyear, Minister of State for the Federal Economic Development Agency for Southern Ontario commented, “the revitalization of Massey Hall will not only benefit the arts and culture industry, it will also increase tourism by attracting visitors from all over the world. Our Government is committed to creating vibrant Canadian communities and supporting cultural venues, like Massey Hall, in their pursuits to become desirable destinations for international audiences.”

The Province of Ontario also provided $8M toward Phase 1. “Over its 120-year history, Massey Hall has become a symbol of the live music experience here in Ontario,” said Michael Coteau, Minister of Tourism, Culture and Sport. “This revitalization will ensure that Massey Hall can continue to offer worldclass performances, draw visitors from around the globe and remain centre stage in a thriving live music scene. Our government is proud to support this project, which aligns with our goal of strengthening Ontario’s position as a global leader for live music.”

“Massey Hall is an iconic building at the very heart of our city,” says Mayor John Tory. “Like many Torontonians, I have spent countless evenings enjoying concerts there with friends and family. I’m thrilled that all three governments, along with the private sector, have come on board to revitalize this historic landmark that means so much to our city and, in particular, to Toronto music lovers.”

At the celebration, the Corporation gratefully acknowledged the key role played by Ward 27 Toronto Centre-Rosedale Councillor Kristyn Wong-Tam, and thanked City of Toronto staff for their support and cooperation. “Councillor Wong-Tam has played an essential role in guiding us through the city’s Section 37 process and has shown unwavering support of our revitalization efforts,” said Charles Cutts, President and CEO, Corporation of Massey Hall and Roy Thomson Hall.

Phase 1 will cost $32M and began with the demolition of the Albert Building that was adjacent to the south wall of Massey Hall. It includes the construction of a two-story basement that will serve as the foundation for an addition to the hall and will accommodate a modernized back of house, a first-ever loading dock at Massey Hall, backstage and artist space, as well as technical and production facilities. Phase 1 also includes $9M towards the planning of Phase 2.

Phase 2 construction, set to begin in 2019, will result in both the exterior and interior restoration of the building and a revitalized Massey Hall that will include much needed space for enhanced and accessible artist and patron amenities. The revitalization will ensure that the hall continues to contribute to the lives of Canadians through arts, employment, and cultural celebration. It will add to the economic vitality of downtown Toronto, supporting tourism and businesses. The announcement also marks a commitment by the Corporation to continue to invest in artist development, education, and audiences, while embracing technology as a tool for enriching ways in which Massey Hall is experienced by generations to come.

“In a city so rich with talent and a live music community that is a voice for entertainment around the world, Massey Hall is committed to being a home for developing new talent,” says Charles Cutts, “Massey Hall has hosted countless memorable experiences over the years. This revitalization will ensure it continues to do so while we also contribute to the cultural landscape of Canada that, for 120 years, has given so much to Massey Hall in return.”

This unique revitalization opportunity is made possible by the transfer of a 4,804 square foot piece of land along the south wall of the Hall made available by Toronto-based MOD Developments Inc. and Tricon Capital Group Inc., who are participating in the development of the Massey Tower, a 60-storey condo tower currently under construction at 197 Yonge Street.

Under Section 37 of the City’s development by-laws, the land has been conveyed to the Corporation, providing the space necessary to expand the existing footprint of Massey Hall. Throughout the three years allotted for the construction of the Yonge Street tower, Massey Hall will provide the required access to the site from Victoria Street behind Massey Hall. Upon the completion of the Yonge Street development, (which is expected in 2018) Massey Hall will proceed with Phase 2 of the revitalization with a projected completion date of 2021.

The Corporation and its Building and Technical Design Committee are underway with the planning process for Phase 2 and will determine the capital cost budget after further study. To accommodate construction, there will be a time period in Phase 2 when Massey Hall will close for 18 to 24 months. This will be determined during the planning for Phase 2 and will be announced well in advance of 2019 when it is anticipated that this will take place. Massey Hall will continue to host concerts and events as usual until that time.

Dog: “More Cowbell!”

Guess what, I got a fever and the only prescription is more cowbell.

A Golden Retriever/Border Collie mix puppy named Maple adds more cowbell as her owner Trench plays an acoustic version of the 1976 Blue Öyster Cult song “(Don’t Fear) The Reaper“.

Paul Stanley’s Long-Lost Folgers Commercial

Here is the never-aired Folgers commercial featuring Paul Stanley that ultra conservative parent company, Proctor and Gamble shelved out of concern regarding being associated with KISS.

“This is your wake up call / Time to reach and go for it all / Folgers stirs inside of me and I know what I can be,” Stanley sings, coffee mug in hand. “Limit is the sky / Hey world, watch me fly / The best part of waking up is Folgers in your cup.”

Stanley actually talked about the nixed Folgers ad in an interview. “Life is strange. I got a call asking if I was interested in singing a Folgers commercial. And like many other things, I thought “Why not?” Stanley said (via KISSanity). “I wasn’t at all concerned with who thinks it is okay or not okay, cool, not cool, rock & roll or not. I had a blast doing it and like I said, isn’t that what this is all about?”

Bert and Ernie on their 50-year friendship

They’re two of the most famous friends in television history. For almost 50 years, Bert and Ernie have lived together on “Sesame Street,” teaching children about numbers and letters, singing songs and going on adventures. But what originally brought the two together? On “Oprah: Where Are They Now?”, Bert and Ernie talk about what makes their friendship work:

Bert: “How did we meet? I think it was over tea.”

Ernie: “No, buddy Bert. It was ‘Y.'”

Bert: “No, no, it was tea.”

Ernie: “No, it was ‘Y.’ We met over the letter ‘Y,’ Bert. Remember? That’s why there was the yak there, and the yarn. And the yo-yo!”

“I’d say the key to a lasting friendship is always respecting each other, listening to each other, and caring what the other person thinks and feels,” Ernie says.

Bruce Springsteen’s Isolated Vocals For “Born To Run”

Bruce Springsteen’s “Born to Run” is one of the greatest rock songs ever recorded. Upon its release, music critic Robert Christgau took note of its wall of sound influence and called it “the fulfillment of everything ‘Be My Baby’ was about and lots more.”

The first recording of the song was made by Allan Clarke of the British group The Hollies, although its release was delayed, only appearing after Springsteen’s own now-famous version.

Listen for how out Bruce breathes during the breaks, however small, between the lines. Bruce doesn’t even double track his vocal until the end at 4:02.

https://youtu.be/ReOx-XyznBU

If You Can’t Sleep, This Video Is For You

This is not to say that bookkeeping is boring. Why, I know a few bookkeepers myself, who are awfully nice, even though sometimes they take an uncommon step of writing long-winded emails to explain their suitably working relationship with said client and the most recent tax laws. These are very kind, and often smart individuals with their happy occasions, as watching this extremely dull and boring video about bookkeeping will show you.

Drake, Lil Wayne Have Historic Moment On Billboard Hot 100

As If You’re Reading This It’s Too Late blasts onto the Billboard 200 at No. 1, five songs from the set enter the Hot 100, led by this track at No. 49. He now has 80 Hot 100 entries, the sixth-best total in the chart’s history. And, with Lil Wayne guesting on Drake’s “Used To,” a debut at No. 91, Weezy ups his count to 125 career visits.

Here’s an updated look at the acts to make the most appearances dating to the Hot 100’s 1958 launch:

207, Glee cast
125, Lil Wayne
108, Elvis Presley (whose career predated the Hot 100 by more than two years)
91, James Brown
83, Jay Z
80, Drake

Via Billboard

Bruce Springsteen’s Manager Barbara Carr On The Best Advice She’s Ever Received

What’s the best advice you’ve ever gotten?

Here’s a kind of funny one, because I can’t think of the best career advice. Earl McGrath was a friend of [Atlantic cofounder] Ahmet Ertegun‘s, and he was a little bit of an art dealer. He would say things like, “Why are you buying a new couch when you could buy a painting? That couch is fine.” His apartment was kinda like that — it had these incredible contemporary paintings everywhere and hardly any furniture.

So, not that I’ve bought extremely expensive art, but I have always bought art, and I’m sitting in my kitchen and there are four great paintings in here. So maybe the best advice I’ve gotten is, “Buy art.”

Via Billboard

Billy Corgan on Music Media and Reviews

Is your relationship with Marilyn Mansion the kind of friendship where you’d call each other up when things seemed to be going badly for the other one. Say, during the aftermath of Columbine …

I’m sorry, but to me that’s a silly question.

Why?

Because it presupposes that those situations needed attending to. I think those things, and some of the things I’ve been through, they’re false narratives. They’re not real narratives. He’s brilliant in that he can intuitively identify those false narratives and rather than run from them he goes straight at them. We need people like that.

Do you think you’ve suffered from false narratives throughout your career?

I think that’s obvious. I’m laughing because I thought for sure I would get really strong reviews for our new album [Monuments to an Elegy], based on all the feedback I was getting. But I’m getting the same reviews I got back in the day, these kind of middling, muddling reviews that just won’t fucking say: “This is a fucking brilliant album from a brilliant artist.” It’s always got to have a qualifier to it. So my point is this: I made, according to most people, two classic albums in my life. But go back and read those reviews – I got the same type of reviews then as I’m getting now! People assume we got great reviews back then – we got shit reviews. So it’s weird because this is like: “Here I go again.” I strike on to something fresh, fans are going fucking nuts, everyone’s excited, and we’ve got to have some fucking guy going: “Oh I don’t know how to feel about this.”

You feel like the reviews are pre-written?

Yes. I think these are false narratives. The old guard sets up gatekeepers who decide who is in and who is out. The joke for me is that I’ve been on the fucking outside for 25 years and yet here I am. My whole point is – at what point do I get invited inside?

Do you even want to be invited inside?

I do.

I don’t understand why you’re bothered by what critics think if fans are liking the record.

It’s bad for business. If you’re Martin Scorsese and you’ve got a new picture coming out, you want good reviews, because then more people see your film. So if you make a good album then you deserve a fair review of your work, especially after being in the culture for 25 fucking years. But I realise now I’m not going to get my due from that culture.

Via The Guardian

Joan Jett Gives A Damn ’bout Her Bad Reputation

“Aggressive, tough and defiant may describe me, but that leaves the impression I’m mean and I’m not. People expect me to have fangs.” – Joan Jett

31 Joan Jett