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64 Artists Who Have Never Won A Grammy

The 57th Annual Grammy Awards will be held on February 8, 2015, at the Staples Center in Los Angeles, California. The show will be broadcast live by CBS at 5:00 p.m. PST. Rapper LL Cool J will host the show for the fourth consecutive time.

Instead of taking a look at the winners, let’s focus on artists who have never won a Grammy. Pretty good company.

(Eric B. &) Rakim
ABBA
Björk
Bob Marley
Boston
Buddy Holly
Busta Rhymes
Chuck Berry
Creedence Clearwater Revival
Curtis Mayfield
Deep Purple
Depeche Mode
Diana Ross
Dusty Springfield
Funkadelic
Guns n’ Roses
Iggy Pop
Jackson Browne
Janis Joplin
Jimi Hendrix
Journey
Justin Bieber
Katy Perry
Kid Rock
Kiss
Morrissey
Mos Def
Motley Crue
Nas
New Order
Notorious B.I.G.
Oasis
One Direction
Parliament
Patsy Cline
Patti Smith
PJ Harvey
PSY
Public Enemy
Queen
Queens of the Stone Age
Run D.M.C.
Rush
Sam Cooke
Sly & the Family Stone
Snoop Dogg
Talking Heads
Teddy Pendergrass
The Doors
The Everly Brothers
The Grateful Dead
The Kinks
The O’Jays
The Pretenders
The Ramones
The Sex Pistols
The Smiths
The Stooges
The Strokes
The Who
Tiesto
Toby Keith
Tupac Shakur
ZZ Top

Noll Billings of Blackjack Billy: “We played 250 shows before we broke ‘overnight’

Blackjack Billy is a Country Rock band composed of Rob Blackledge (vocals, guitar), Noll Billings (vocals), Jeff Coplan (electric guitar), and Brad Cummings (drums). Based in Nashville, they describe their music as “Redneck Rock.” Their debut single, The Booze Cruise, was independently released in March 2013 and Sirius XM Satellite Radio’s new country channel The Highway began playing it as a ‘Highway Find’. Combined with BjB’s heavy touring schedule The Booze Cruise took off and has sold more than 250K digital downloads, even reaching Platinum status in Canada. On top of their regular load of shows they are currently on their radio promo tour promoting their brand new single Get Some. Get Some is currently climbing the charts.

BjB played over 300 shows in 2013 and 2014 between festivals, clubs and fairs to well over 200K fans at some of the Summer’s biggest festivals including WE Fest (MN), Hodag (WI) , Taste Of Country Music Fest (CT), Sturgis Bike Week (SD), Toadlick (AL), Country Concert (OH) and some of the largest Canadian festivals including Cavendish, Calgary Stampede, Havelock Jamboree, and Big Valley Jamboree.

Eric Alper: SiriusXM really kickstarted your career, didn’t they? “The Blues Cruise” was played pretty early on The Highway channel.
Noll Billings: It was so early in our career and one of our big believers and supporters was John Marx over there in Nashville. Stormy and those guys, we came in and played him a song a he goes “I will play it today.” We were like, “Really?” And he said “Yeah!”
Eric: It’s like the 50s where an artist would cut something in the studio, get the vinyl right away and then walk down to the radio station and play it. Let’s get this on the air!
Noll: Ha! Just the fact that the freedom is there to do that is so nice to have that outlet still available in the music world. Because you know, it has changed a lot and you know with us and the Road Hammers and Doc Walker (two bands Blackjack Billy were on tour with at the time of this interview), we are all blue collar artists. We are tour-first artists and to have somebody like John who will show up at a show and go, “I’ll play that one tomorrow” and brings it in is real cool.

Eric: You’re from Missouri?
Noll: Arkansas border, Missouri, close to Memphis.
Eric: Rob is from Mississippi and Jeff Copeland, he’s the Canadian in the band.
Noll: Yeah, born in Montreal.
Eric: You guys are getting heat from Montreal because you’re not stopping there on the tour? You don’t want to upset them!
Noll: Ha! I know, man.

Eric: Take me back to those days and how you all got together. You were all songwriters in your own right and pretty successful.
Noll: Jeff knew Rob from Love and Theft. So Jeff had produced the first Love and Theft album which had the song “Runaway” on it, which was their first top ten. And Rob wrote that song with the Love and Theft guy. So they knew each other and Jeff was a huge fan of Rob’s, always was and wanted to do something with him. He didn’t really know what yet, he just liked his vibe and liked the way he sang and played. And when I met those guys, I just signed a deal at EMI and met Jeff and Jeff was just like, you gotta meet my buddy Rob, you guys gotta write some songs. And we didn’t really know what we were doing yet and what it was going to become and if it was going to become anything, and really we met Brad and we hooked up and were like we really have a band here. Lets go play some shows and the first night we played together we were looking at each other like, I’ll quit what I’m doing if you’ll quit what you’re doing and lets roll.
Eric: So, it’s that immediate? You knew right away?
Noll: Absolutely, yeah. And we all knew and we were all so excited about it, but at the time it was a little scary. Everybody had a job and a career making music which was the original dream, anyway. We want to play music forever. So, everybody had to put their pride and their safety zone away and say “alright, lets go.” And a lot of people doubted us at first. Rob had some people that loved his solo stuff and I had some people that liked my solo stuff. And Jeff had already made a great name for himself as a producer and people just said are you really going to quit producing that album for everybody and get in a little bus?
Eric: When that happens are you thinking, maybe I can fall back on all the rest of the music I have going on, or was is this band so true, and so real, that you were – this is it!
Noll: I was just praying that the other guys would be as committed as I was because once I played a couple songs with those guys, I just knew that. I just believed in it. I didn’t want to go back to playing any other kind of music. You know those guys, I’m just big fans of the guys in my band. I love their creativity and their talents and I don’t want to do anything else. So I was just hoping that they liked it as much as I did.

Eric: You guys are from all different parts of North America. Your music really has those kind of influences. Could you have come from a different place in America and have the band still sound like this? How deep do your influences run with what people bring into the band based on where you’re from?
Noll: There’s a little bit of the Cajun aspect. I knew my background and my influences, but having a group of guys who are involved in a the creative process, I didn’t know how it was going to work but everyone brought something great. Rob’s from Jackson and he’s a through and through blues/folk Taj Majal, Crosby, Stills – all that singer/songwriter stuff that I probably lacked in my arsenal, he just had that. It bleeds through whenever we’re writing and it bleeds through into the melodies. Jeff man, he’s a rocker. Jeff may have produced some great country stuff but I’m telling you – Jeff knows every Aerosmith or AC/DC song and he owns every Stones and Beatles records.
Eric: I love it when someone in a group says their influences are The Carter Family, Johnny Cash and then another member says, to them, it’s AC/DC and Aerosmith. That’s country music for you today.
Noll: Yeah, and Jeff was a hardcore rocker before he dove into country. For me, I did grow up on the classic country but the performers I fell in love with as a kid, when my mom was watching pull up ol’ Janis Joplin videos, Steven Tyler. I fell in love with the performance of that. Even Elvis, as great as the music was I just couldn’t stop watching that stuff. I was like, man if I ever get on stage, I’m going to go crazy. I want to have that much fun as it looks like she’s having.

Eric: When “Booze Cruise” starts to explode, even going gold in Canada on the way to sell 250,000 copies in North America, are you ready for that? It’s a cliche when artists say success doesn’t change them but when everything else around you is getting better, better shows, better food, more shows, more drives, bigger audiences and venues, are you comfortable and taking as it comes?
Noll: We were ready and I’ll tell you why because we had some good advice from some good people in Nashville. Doug Howard who ran Lyric Street for a long time, he signed the Rascal Flatts. Jeff and people he was working with at Ole and Open Road, he gave just good advice. We never chased radio and labels in Music Row first. We chased shows. We played 250 shows before we broke “overnight.” I think we were really ready for that. We just wanted to focus on the fans because that was the best way that you can make sure you have a job forever and play music forever. If you can bring it on stage, no one can ever take that from you. That’s your time up there, we focused on that first and we had done it a bunch before anyone really knew we were relevant at all. If there are any musicians out there, trust me, go play your butt off man before you tell everyone about your stuff.
Eric: So you can be on the road to the biggest band in the world.
Noll: There are people out there that really don’t care about the success or whatever, they just really like the creative process of the writing. Man, for me, it was always like – why would I want to play for 100 people when I can play for 1,000. Why would I want to play for 1,000 when I could play for a million? I want it. I want to play for the biggest crowds on the planet.

Arthur, The Stray Dog who joined a Swedish race team and refused to be left behind

Meet Arthur the stray dog who followed an extreme sports team during a grueling 430-mile race through the Amazon rainforest and refused to leave their side until the finish.

Don’t Think Selfies Are Replacing The Autograph? Watch Liam Payne of One Direction For Proof

Liam Payne of One Direction deftly participating in the practice that seems to have completely replaced signing autographs — selfies.

25 of the worst album covers to end your week

Just no. A lot of just no’s.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Via Vintage Everyday

The Best 12″ Cover Jackets Found This Month

Welcome to the 80s, where you might not want to pick up some fashion tips, but the music was pretty fun.

Alison Moyet – All Cried Out (The Remix) (UK 12″)
Alison Moyet – All Cried Out (The Remix) (UK 12″)

“All Cried Out” is a song by English singer-songwriter Alison Moyet. It was written by Moyet and producers Jolley & Swain for her debut studio album Alf (1984). Released as the album’s second single in the autumn of 1984, the track peaked within the top ten on both the Irish and the UK Singles Chart, also reaching the top twenty in Switzerland.

Olivia Newton-John – Heart Attack (12")
Olivia Newton-John – Heart Attack (12″)

“Heart Attack” was one of two new songs recorded for the 1982 (Double Platinum) greatest hits package titled Olivia’s Greatest Hits Vol. 2. In 1983, Alvin and the Chipmunks covered the song for their TV series episode “Angelic Alvin” (with new lyrics created for the episode).

Clivillés & Cole – Pride (In The Name Of Love) (US 12″)
Clivillés & Cole – Pride (In The Name Of Love) (US 12″)

In 1991, successful record producers and remixers Clivillés + Cole, released acover version of U2’s “Pride (In the Name of Love)”, but it was the B-side song “A Deeper Love”, featuring vocals by Deborah Cooper (a long time Clivillés and Cole vocalist) and Paul Pesco that proved to be a hit, peaking at No. 15 in the UK.

Melissa Manchester – Thief Of Hearts (Netherlands 12″)
Melissa Manchester – Thief Of Hearts (Netherlands 12″)

“Thief Of Hearts” is a 1984 single by American singer-songwriter and actress Melissa Manchester. Produced by Giorgio Moroder and Harold Faltermeyer it was the theme song for the film Thief Of Hearts starring Steven Bauer, appearing in the film and on it’s soundtrack. “Thief Of Hearts” debuted on the US Billboard Hot 100 on November 24, 1984 peaking at #88.

Europeans – The Animal Song (UK 12″)
Europeans – The Animal Song (UK 12″)

“The Animal Song” is a 1982 single by British new wave group Europeans. Despite backing from major label A&M Records the single failed to make any chart impact. “The Animal Song” was taken from the bands debut album Vocabulary released in September 1983.

Level 42 – Micro-Kid (UK 12″)
Level 42 – Micro-Kid (UK 12″)

“Micro-Kid” is a single released in 1983 by the British musical group Level 42 from their fourth studio album Standing in the Light. It reached #37 on the UK single charts.

Robbie Nevil – Back On Holiday (US 12″)
Robbie Nevil – Back On Holiday (US 12″)

“Back On Holiday” was the first single from American pop singer, songwriter, producer and guitarist Robbie Nevil’s second album “A Place Like This”. The single debuted on the U.S. Billboard Hot 100 on December 11, 1988 peaking at #34, the single also reached #52 on the Billboard R&B chart.

Platinum Blonde – Crying Over You (Radical Mix) (Canada 12″)
Platinum Blonde – Crying Over You (Radical Mix) (Canada 12″)

“Crying Over You” is a song by Canadian new wave group Platinum Blonde, released as the first single from their 1985 album Alien Shores. The single reached No. 1 on the Canadian record charts on Sept. 7, 1985. The song features a guitar solo by Alex Lifeson from Rush. The 12″ features remixes by American record producer, remixer Shep Pettibone.

USA For Africa – We Are The World (US 12″ Promo)
USA For Africa – We Are The World (US 12″ Promo)

“We Are the World” is a song and charity single originally recorded by the supergroup USA for Africa in 1985. It was written by Michael Jackson and Lionel Richie, and produced by Quincy Jones and Michael Omartian for the album We Are the World. With sales in excess of 20 million copies, it is one of the fewer than 30 all-time singles to have sold at least 10 million copies worldwide.

Orchestral Manoeuvres In The Dark – We Love You (US 12″)
Orchestral Manoeuvres In The Dark – We Love You (US 12″)

“We Love You” is a song by British band Orchestral Manoeuvres in the Dark released as the second single taken from their 1986 album, The Pacific Age on November 10, 1986.”We Love You” debuted on the U.S. Billboard Hot Dance Music/Club Play chart on February 7, 1987. The song spent seven weeks on the survey peaking at #16. Internationally “We Love You” charted in the U.K. reaching #54 and in Australia reaching #18.

20 years ago today, Shania Twain released “The Woman In Me”

The Woman in Me, released on February 7, 1995, is the second studio album released by Shania Twain and her first with the majority of the songs co-written by her. It went onto become her biggest-selling recording at the time of its release, selling 4 million copies by the end of the year, and was eventually certified 12× Platinum by the RIAA on December 1, 2000, representing 12 million shipments throughout the United States, and 20 million copies worldwide.

Here are 5 fun facts about this landmark release!

1. 8 of the 12 songs on the album were singles: “Whose Bed Have Your Boots Been Under?”, “Any Man of Mine”, “The Woman in Me (Needs the Man in You)”, “(If You’re Not in It for Love) I’m Outta Here!”, “You Win My Love”, “No One Needs to Know”, “Home Ain’t Where His Heart Is (Anymore)” and “God Bless the Child”. “Home Ain’t Where His Heart Is (Anymore)” became the first from The Woman in Me not to reach the top 20 of the country charts.

2. “Any Man of Mine” also proved to be a critical success, it was nominated for both Best Country Song and Best Female Country Vocal Performance at the 1996 Grammy Awards. It won Single of the Year at both the Canadian Country Music Awards and Country Music Radio Awards in 1995. It also won Country Single of the Year at the 1996 Jukebox Awards and Song of the Year at the 1996 RPM Big Country Music Awards.

3. The music video for “Whose Bed Have Your Boots Been Under?” was shot in Santa Ynez, California and directed by John Derek, also known for marrying glamorous starlets and for launching the career of his last wife, Bo Derek.

4. “(If You’re Not in It for Love) I’m Outta Here!” became Twain’s second number-one hit at country radio, and the first single to be promoted with three different mixes worldwide to cater to international genre demand.

5. The single sales from “God Bless the Child” were donated to Second Harvest/Kids Cafe in the US, and from Canada to Breakfast for Learning.

The Story of Stack-O-Lee

The historical “Stagger Lee” was Lee Shelton, an African-American pimp living in St. Louis, Missouri in the late 19th century. He was nicknamed “Stag Lee” or “Stack Lee”, with a variety of explanations being given for the moniker: he was given the nickname because he ‘went “stag”‘, meaning he was without friends; he took the nickname from a well-known riverboat captain called “Stack Lee”; or, according to John and Alan Lomax, he took the name from a riverboat owned by the Lee family of Memphis called the Stack Lee, which was known for its on-board prostitution. He was well known locally as one of the “Macks”, a group of pimps who demanded attention through their flashy clothing and appearance. In addition to these activities, he was the captain of a black “Four Hundred Club”, a social club with a dubious reputation.

On Christmas night in 1895, Shelton and his acquaintance William “Billy” Lyons were drinking in the Bill Curtis Saloon. Lyons was also a member of St. Louis’ underworld, and may have been a political and business rival to Shelton. Eventually, the two men got into a dispute, during which Lyons took Shelton’s Stetson hat. Subsequently, Shelton shot Lyons, recovered his hat, and left. Lyons died of his injuries, and Shelton was charged, tried and convicted of the murder in 1897. He was pardoned in 1909, but returned to prison in 1911 for assault and robbery, and died in incarceration in 1912.

The crime quickly entered into American folklore and became the subject of song as well as folktales and toasts. The song’s title comes from Shelton’s nickname, “Stag Lee” or “Stack Lee”. The name was quickly corrupted in the folk tradition; early versions were called “Stack-a-Lee” and “Stacker Lee”; “Stagolee” and “Stagger Lee” also became common. Other recorded variants include “Stackerlee”, “Stack O’Lee”, “Stackolee”, “Stackalee”, “Stagerlee”, and “Stagalee”

From The St. Louis Globe Democrat, December 26th, 1895:

“William Lyons, 25, a levee hand, was shot in the abdomen yesterday evening at 10 o’clock in the saloon of Bill Curtis, at Eleventh and Morgan Streets, by Lee Sheldon, a carriage driver. Lyons and Sheldon were friends and were talking together. Both parties, it seems, had been drinking and were feeling in exuberant spirits. The discussion drifted to politics, and an argument was started, the conclusion of which was that Lyons snatched Sheldon’s hat from his head. The latter indignantly demanded its return. Lyons refused, and Sheldon withdrew his revolver and shot Lyons in the abdomen. When his victim fell to the floor Sheldon took his hat from the hand of the wounded man and coolly walked away. He was subsequently arrested and locked up at the Chestnut Street Station. Lyons was taken to the Dispensary, where his wounds were pronounced serious. Lee Sheldon is also known as ‘Stag’ Lee”

Via CJSW and Wikipedia

Tupac Wanted To Drop Collaboraive Album With Outkast, Buckshot, Smif-n-Wessun, Scarface and E-40

From Okayplayer:

A handwritten letter that appears to be one of Tupac’s personal documents has been unearthed. In the note to a friend, which likely dates back to 1996, Pac mentions his plans to drop a posse record featuring the likes of Outkast, Buckshot, Smif-n-Wessun, Scarface and E-40. Referred to as ONE NATION, the album-that-never-was would have been a landmark achievement: a bridging of the East-West-South divides of 90s hip-hop and proof that artistic respect can trump overblown beef when cool, conscious minds prevail. Read the full letter below:

What do you think?

Tupac Shakur Letter Details Collaboration Plans With Outkast And More

Jack White Has Just Created The Greatest Tour Poster Of All Time

Jack White continues to be one of the most creative musicians working – and might be up there in the all-time greats. He has now released a “scratch-off” tour poster for Las Vegas that Matthew Jacobson and Shelby Rodeffer have designed, which comes with a specially designed coin to scratch and expose underlying images. If you’re lucky and scratch a winning combination, there are a few prizes involved.

If you scratch to reveal a redhead, blonde, and brunette you win the “Three Women Prize Pack” containing three limited edition records: a 7″ single by Tempest Storm, a 7″ single by Amy Walker, and an album by Olivia Jean.
If you scratch to reveal Neitszhe, Freud, and Horace you win the “Three Thinkers Collection,” containing the limited edition live LPs by Bill Burr, Neil Hamburger, and Reggie Watts.
Three matching Third Man men will win you a $300 gift card to spend online or in-store at Third Man Records.

No word if he’ll continue this promotion, but these posters are as good as anything created in music.