SiriusXM NHL Network Radio Returns With Extensive Live Coverage of the 2024-25 NHL Season

Oct 11, 2024

SiriusXM Canada, the country’s leading audio entertainment company and the Official Satellite Radio Partner of the NHL, today announced extensive coverage plans for the 2024-25 NHL season, through to the 2025 Stanley Cup Final. SiriusXM NHL Network Radio (ch. 91) will bring listeners across North America the most insightful expert analysis, behind-the-scenes special programming, exclusive interviews, and live-play-play of every game starting Friday, October 4.

Entering its 20^th season of the most in-depth and entertaining hockey coverage available, SiriusXM NHL Network Radio is welcoming a dynamic roster of former players to bring their knowledge and perspective daily, including Mike Johnson, Anthony Stewart, Martin Biron, Andrew Raycroft, Mike Rupp, Frankie Corrado, Jason Strudwick, and Carter Hutton.

The regular lineup of listener favourites will return for expert opinion, analysis and season previews for all 32 NHL teams, including Gord Stellick, Scott Laughlin, Steve Kouleas, Boomer Gordon, Mick Kern and Linda Cohn. New insider Don Granato, former Buffalo Sabres Head Coach, joins Brian Burke, Elliotte Friedman, Bruce Boudreau, Craig Button, and Dave Pagnotta who will return each week for full coverage of all the action across the ice.

The 42^nd season begins with back-to-back games between the Buffalo Sabres and the New Jersey Devils in Prague, Czech Republic as part of the 2024 NHL Global Series presented by Fastenal on Friday, October 4 and Saturday, October 5. The puck drops in North America on Tuesday, October 8 with a triple header of action featuring the St. Louis Blues vs. the Seattle Kraken at 4:30pm ET, followed by the Florida Panthers raising their Stanley Cup banner against the Boston Bruins at 7pm ET, and finally the Utah Hockey Club begins a new era vs. the Chicago Blackhawks 10pm ET.

SiriusXM NHL Network Radio is the only 24/7 audio channel dedicated to the NHL, available to subscribers across North America on SiriusXM radios (channel 91) and on the SiriusXM app (SiriusXM NHL Network Radio). For more SiriusXM NHL Network Radio™ programming, visit: SiriusXM.ca/SiriusXM-NHL-Network-Radio.

Fans can also search in the SiriusXM app for additional content including podcasts, player interviews, and more. The SiriusXM app offers 32 NHL team channels, each dedicated to carrying the official radio broadcast for each team. All 32 team channels are also available in vehicles equipped with SiriusXM’s 360L radios. French-language broadcasts for all Montreal Canadians games will be available via Attitude Franco (ch.163).

For a schedule of NHL games on SiriusXM go to SiriusXM.ca/NHL. Keep up with SiriusXM NHL Network Radio™ on X, and Facebook.

Watch Billy Joel On The Midnight Special In 1975 Just Before He Got REALLY Popular

Oct 11, 2024

In October 1975, Billy Joel found himself in a transitional phase. He had made his mark with his 1973 album Piano Man and its now-classic title track, but the momentum he and Columbia Records hoped to maintain with Streetlife Serenade didn’t quite take off. Released in November 1974, Streetlife Serenade included the notable track “The Entertainer,” yet it peaked at just #35 on the Billboard albums chart, while its single stalled at #34 on the Hot 100.

At 26 years old, Joel was in a period of recalibration. He was still months away from releasing his 1976 album Turnstiles—which, while respected, flew somewhat under the radar—and a full two years from his major breakthrough with The Stranger.

On October 10, 1975, Joel took the stage at The Midnight Special in Burbank, California, to remind audiences of his talent. Rather than previewing new material, he turned to Piano Man and performed “Travelin’ Prayer” and “The Ballad of Billy the Kid,” singles that had helped shape his early identity as a singer-songwriter. It was a moment that highlighted his musical chops, as he continued to navigate the ups and downs of his burgeoning career.

Cher Announces Book Tour for “The Memoir”

Oct 11, 2024

Cher has always been more than just a superstar—she’s an icon who has paved her own way in the entertainment industry for over seven decades. Now, in her highly anticipated memoir Cher: The Memoir, she shares her life story like never before. The memoir promises to be an intimate, candid journey into her experiences as a daughter, sister, wife, lover, mother, and, of course, the superstar who has captivated generations.

In this two-part memoir, Cher recounts her remarkable life, from her early days growing up in a chaotic household with dreams of stardom, to her explosive rise to fame alongside Sonny Bono, and the ups and downs of their relationship. With trademark honesty and humor, Cher lays bare her journey, touching on everything from her struggles with dyslexia to the complexities of her personal and professional life.

This memoir isn’t just about the glitz and glamour; it’s about the woman behind the persona, the fighter, the activist, and the trailblazer who has defied the odds. And as if that weren’t enough, Cher: The Memoir is only the beginning—Part One takes readers through her childhood and early fame, with more to come in Part Two.

If you’re as excited as we are about this release, you won’t want to miss a chance to see Cher in person. This fall, Cher is hitting the road for a limited book tour, and tickets are sure to go fast. Here’s where you can catch her:

Cher’s Book Tour Dates:

New York, NY
November 20th at 8PM
The Temple Emanu-El Streicker Cultural Center
Bookseller: Barnes & Noble
Purchase Tickets

Englewood, NJ
November 22nd at 7PM
Bergen Performing Arts Center
Bookseller: Bookends Bookstore
Purchase Tickets

London, England
November 25th at 7:30PM
FANE at The Lyceum Theatre
Bookseller: Waterstones
Purchase Tickets

Beverly Hills, CA
December 2nd at 8PM
Live Talks Los Angeles at the Saban Theatre
Bookseller: Barnes & Noble
Purchase Tickets

San Francisco, CA
December 4th at 7:30PM
Golden Gate Theatre
Bookseller: Book Passage
Purchase Tickets

Whether you’re a lifelong Cher fan or just curious about the woman behind the legend, Cher: The Memoir is bound to be a compelling read, and this tour offers a once-in-a-lifetime opportunity to hear from Cher herself. Get your tickets, grab your copy of the memoir, and prepare to be inspired by one of the most iconic figures in entertainment history.

The Last Dinner Party Release ‘Prelude to Ecstasy: Acoustics and Covers’

Oct 11, 2024

The Last Dinner Party are pleased to share Prelude To Ecstasy: Acoustics and Covers – a deluxe edition of their Mercury Prize-shortlisted debut which includes reimagined versions of the band’s own songs alongside unique covers of their favourite tracks from other artists.

Prelude To Ecstasy: Acoustics and Covers arrives with an on the road video for ‘Portrait of a Dead Girl’; made with footage from the band’s recent inaugural trip to bassist Georgia’s home country of Australia.

This new collection was first teased towards the end of summer with The Last Dinner Party’s cover of Sparks’ 1974 single ‘This Town Ain’t Big Enough For Both Of Us’.

To sum up the impact The Last Dinner Party have had, or simply to try and summarise the highlights of their last twelve months would inevitably be doing the band an injustice. With sell out tours across the globe, chart-bothering singles, a fastest-selling number one album by a debuting band for years, a Rising Star BRIT Award, BBC Sound of 2024 winners, reams of acclaim and now an inclusion on the Mercury Prize – Albums of the Year shortlist: you’d be hard pushed to liken it to any new artist introducing themselves within the last decade, perhaps further beyond. The wildest of rides.

But amongst all the deafening noise stand five smart young musicians trying to ignore what they cannot control and instead leave a permanent impression out on the stages they’d always dreamed of performing on. A mesmerising, captivating live act, The Last Dinner Party started this journey honing their craft on the basement stages of London’s grassroots venues and have been telling their story to bigger capacity rooms across the UK, Europe and the US ever since.

Having commenced the summer with a spree of stellar festival appearances including Radio 1 Big Weekend, Primavera Sound, TRNSMT and a scene-stealing return to Glastonbury, The Last Dinner Party have wrapped their debut run of Australia shows and an appearance at Japan’s Fuji Rock Festival, with the band now amid a collection of sold out dates on both sides of the Atlantic: culminating in 3 nights at London’s Eventim Apollo.

Britain’s “most likely to” have emphatically become Britain’s most in-demand, and Britain’s most exciting.

Prelude To Ecstasy: Acoustics and Covers tracklisting:

LP 1:
Side A
Prelude to Ecstasy
Burn Alive
Ceaser On A TV Screen
The Feminine Urge
On Your Side
Beautiful Boy

Side B
Gjuha
Sinner
My Lady of Mercy
Portrait of A Dead Girl
Nothing Matter
Mirror

LP 2:
Side C
Ceaser On A TV Screen (Acoustic)
Sinner (Acoustic)
My Lady of Mercy (Acoustic)
Nothing Matters (Live)
Mirror (Live)

Side D
This Town Ain’t Big Enough For Both Of Us (Cover)
Up North (Cover)
Wicked Game (Cover)
Army Dreamers (Cover

The Last Dinner Party Live:

11th October – O2 Victoria Warehouse, Manchester SOLD OUT
12th October – Mountford Hall, Liverpool SOLD OUT
14th October – Corn Exchange, Cambridge SOLD OUT
16th October – Eventim Apollo, London SOLD OUT
17th October – Eventim Apollo, London SOLD OUT
19th October – Eventim Apollo, London SOLD OUT

28th October – L’Olympia, Paris SOLD OUT
29th October – Cirque Royal, Brussels SOLD OUT
31st October – Paradiso, Amsterdam SOLD OUT
2nd November – E-Werk, Cologne SOLD OUT
3rd November – TivoliVredenburg, Ultrecht SOLD OUT
5th November – L’Épicerie Moderne, Lyon SOLD OUT
6th November – Tonhalle, Munich SOLD OUT
7th November – Uber Eats Music Hall, Berlin
9th November – Inside Seaside Festival, Gdansk
10th November – Sasazu, Prague
12th November – Museums Quartier – Halle E, Vienna SOLD OUT
13th November – X-TRA, Zurich
14th November – Barezzi Festival @ Teatro Regio, Parma
16th November – Rockhal Club, Luxembourg SOLD OUT
17th November – 013 Poppodium, Tilburg SOLD OUT

What is Dynamic Pricing and How It’s Shaping the Concert Industry

Oct 11, 2024

Dynamic pricing is a flexible pricing strategy where the cost of a product or service changes based on real-time demand. It’s most commonly associated with industries like airline tickets, ride-sharing apps, and hotel bookings, but it has increasingly found its way into live events such as concerts and sports. This approach allows companies to maximize revenue by adjusting prices in response to fluctuating market demand, enabling fans to pay prices that better reflect real-time value.

At its core, dynamic pricing uses algorithms that assess factors like current demand, ticket availability, and external market conditions. For example, if a popular artist announces a tour, and tickets start selling fast, the dynamic pricing system may automatically increase prices to reflect the growing demand. Conversely, if demand decreases, the system can lower prices to incentivize purchases.

This pricing model is already being used across a variety of industries. You might see Uber fares surge during a busy night, or hotel prices spike when there’s a big event in town, or airline tickets become more expensive closer to the flight, or fruits and vegetable prices rise and fall and rise again within a week. Similarly, with concert tickets, prices can rise or fall based on how fast tickets are selling, or even depending on factors like the day of the week or proximity to the event.

One of the most significant areas dynamic pricing has impacted recently is in the music industry—specifically, concert ticket sales. In early 2022, Bruce Springsteen’s ticket prices surged to as high as $5,000 for prime seats due to dynamic pricing. Oasis in 2024 had their tickets reach $10,000 per ticket. Ticketmaster, which uses dynamic pricing, defended the system by explaining that the pricing reflects demand and provides an opportunity for fans to secure seats at market-driven prices.

Similarly, Taylor Swift’s Eras Tour experienced dynamic pricing during its initial ticket sales. Swift’s team faced scrutiny as fans reported rising ticket prices, but the demand for her shows was astronomical, with many fans willing to pay premium prices for limited seats. Ticketmaster implemented dynamic pricing to capitalize on the soaring demand, although the move was met with mixed reactions.

On the other end of the spectrum, if a concert is not selling well, dynamic pricing can work in favor of fans. For example, tickets to less popular events might drop in price closer to the event date to encourage more sales. This can benefit fans looking for last-minute deals, as they may find lower prices if demand is weaker than anticipated.

Dynamic pricing is often a misunderstood concept, especially when fans see prices rise dramatically. However, for artists and promoters, it offers a way to capture the true market value of tickets, rather than allowing secondary markets (like scalpers) to profit from reselling tickets at inflated prices. With dynamic pricing, that additional revenue goes directly to the artists and their teams, rather than third-party resellers – who, by the way, have done absolutely nothing to invest in an artists’ career except to profit off it.

It’s also a fair approach in that it allows for greater flexibility. Fans who are willing to pay more to secure the best seats early on have that option, while others might choose to wait and see if prices adjust later. It’s a system designed to reflect how much fans are truly willing to pay, making the process more market-driven.

While dynamic pricing can lead to sticker shock, it ultimately levels the playing field. Before dynamic pricing, scalpers would scoop up tickets and resell them at massive markups, with none of that profit going back to the artists. With dynamic pricing, the revenue from these higher prices is redirected to the artists and event organizers, helping them to better support their teams, crews, and future tours.

Additionally, when prices drop, it rewards fans who may have been priced out initially, giving them an opportunity to attend the event at a lower cost. For example, some shows by artists like The Weeknd or Ed Sheeran have seen price reductions closer to the concert dates for remaining seats, allowing more fans to access the event without paying inflated prices.

In 2023, Bruce Springsteen and Taylor Swift continued to make headlines for dynamic pricing, but they aren’t the only ones utilizing this model. The Rolling Stones and Elton John have also employed dynamic pricing for their concerts. Even major sports events like the Super Bowl have seen ticket prices fluctuate using this method, ensuring that demand is met in real-time.

Ed Sheeran, for example, has been vocal about wanting to keep tickets affordable for fans but still uses dynamic pricing to ensure his shows reflect demand. His approach includes a mix of strategies, such as blocking certain tickets from being resold and employing dynamic pricing to capture the true value of his seats.

Ultimately, dynamic pricing is becoming a more widespread tool in the live events industry because it reflects the reality of demand in real-time. While the initial shock of higher prices might sting, the fairness comes in the flexibility it provides for both fans and artists. Fans willing to pay a premium can get their tickets early, and those who wait might benefit from lower prices, all while ensuring the artist receives the value for their performance.

As the industry evolves, dynamic pricing is likely here to stay, shaping the way we buy tickets and experience live entertainment.

The Enduring Popularity of Three Days Grace

Oct 11, 2024

When it comes to the modern rock scene, few bands have stood the test of time like Three Days Grace. With their raw, emotive sound and powerful lyrics that explore themes of pain, addiction, and personal struggle, they’ve struck a chord with listeners since the early 2000s. Their unique blend of post-grunge and alternative metal has made them a staple in the world of rock, and despite lineup changes and the ever-evolving music landscape, Three Days Grace remains as popular as ever.

Formed in 1997 in Ontario, Canada, Three Days Grace quickly gained a reputation for their intense live shows and relatable lyrics. Their self-titled debut album, released in 2003, produced massive hits like “I Hate Everything About You” and “Just Like You,” which dominated rock radio and catapulted the band to international fame. These anthems of angst and frustration resonated deeply with a generation dealing with the pressures of adolescence, and the band became a go-to for listeners seeking cathartic release.

The band’s ability to channel raw emotions into songs that are both heavy and accessible played a significant role in their early success. With their follow-up albums One-X (2006) and Life Starts Now (2009), Three Days Grace solidified their place in the pantheon of rock greats, delivering chart-topping singles like “Animal I Have Become,” “Pain,” and “The Good Life.”

One of the key reasons behind Three Days Grace’s enduring popularity is their ability to address universal emotions in a way that feels personal. Whether it’s through the turmoil expressed in “Never Too Late” or the anger and rebellion of “Riot,” the band connects with listeners by speaking directly to their struggles and frustrations. Their lyrics often touch on issues of mental health, addiction, and the human condition—subjects that have only become more relevant as societal awareness around these topics grows.

This emotional depth, combined with their aggressive sound, has allowed the band to maintain a loyal fanbase even as trends in music come and go. Their songs provide a soundtrack for anyone who feels misunderstood, alone, or overwhelmed, giving them a way to process these emotions.

Adapting to Change: Lineup Shifts and New Directions

A significant moment in the band’s history came in 2013 when longtime frontman Adam Gontier left the group due to personal health reasons. For many bands, a change in such a vital position could spell disaster, but Three Days Grace showed resilience. Matt Walst, formerly of My Darkest Days and the brother of bassist Brad Walst, stepped in as lead vocalist.

While the shift in vocals altered the band’s sound slightly, their core elements remained intact. Albums like Human (2015) and Outsider (2018) proved that the band still had plenty of fuel left in the tank, with hits like “I Am Machine” and “The Mountain” demonstrating their ability to evolve without alienating their fanbase. Walst’s grittier voice brought a fresh energy to the band, allowing them to continue exploring the themes of resilience, rebellion, and survival that have always been central to their identity.

In today’s digital music landscape, where streaming dominates and new genres constantly emerge, Three Days Grace has managed to stay relevant. Their presence on platforms like Spotify and YouTube has kept them connected with both longtime fans and new listeners. In fact, their track “I Hate Everything About You” has racked up over 500 million streams on Spotify, a testament to its timeless appeal.

Additionally, their live performances continue to draw massive crowds. Known for their high-energy shows and anthemic choruses that get the audience singing along, Three Days Grace remains a must-see act for rock fans. Their ability to deliver both in the studio and on stage keeps fans coming back for more, regardless of how the music industry changes.

Three Days Grace’s staying power is a testament to their ability to evolve while staying true to the emotional core of their music. With each album, they manage to explore new sonic territories without losing the raw intensity that first won over their fans. Their next chapter is sure to continue this legacy, as they show no signs of slowing down. After more than a decade away from the band he helped make legendary, Gontier has officially rejoined the band, making fans around the world ecstatic.

In a world where musical tastes change rapidly and new artists emerge every day, Three Days Grace’s continued success proves that rock music—and its ability to speak to the human experience—still has a vital place. For those who have followed the band since the beginning, and for those just discovering them, Three Days Grace remains a band that delivers on its promise: to provide a voice for the broken, the angry, and the resilient.

Clearing the Path: Regulatory Challenges in Asset Tokenisation

Oct 11, 2024

By Mitch Rice

In an exclusive interview with crypto.news, Bing Wang, Head of Legal at BasedVC, discussed the complications of tokenising real-world assets (RWAs) like real estate, art and commodities. Despite the sector’s potential, expected to reach $24 trillion by 2027, the path to widespread adoption is plagued with regulatory difficulties. These issues stem from the market’s global structure, where varying legislation on securities, digital assets, and property rights hamper compliance efforts for issuers and investors. Wang’s findings underscore the vital importance of solid tactics for successfully navigating these legal complexities.

The Current Regulatory Landscape

The worldwide asset tokenisation market is divided into segments by many regulations that differ dramatically between jurisdictions. These regulations broadly address securities, digital assets, and property rights. For example, in certain countries, tokenised assets are recognised as securities, requiring strict financial regulation adherence. Still, others may view them solely as digital assets or personal property.

Web3 Experts at coininsider.com contend that this fragmentation raises significant barriers to entry for new platforms while complicating the investment process for global investors. Navigating this patchwork of rules needs extensive legal knowledge and a thorough awareness of the international financial landscape for firms and investors seeking to reap the benefits of blockchain technology for asset tokenisation.

Needed Regulatory Reforms

Several regulatory measures are required to let RWA tokenisation become more widely adopted. To begin, a standard definition of tokens must be established to identify whether they are securities, commodities, or a unique class of digital assets. This clarification would assist in developing standard regulations and reducing the compliance cost on platforms and investors. Second, clear standards on the registration and licencing criteria for tokenisation platforms are required to standardise operations and ensure legal compliance across borders.

Furthermore, establishing regulatory sandboxes would allow new technology and business models to be evaluated without immediate full-scale regulatory consequences. This could lead to the quicker and safer integration of innovations into the financial system. These reforms are critical not just for the expansion of the tokenisation market but also for the overall Web3 ecosystem, as they would create a more stable and predictable base for all parties.

Strategies for Global Compliance

Tokenisation services that operate globally must comply with various international standards. The first step is to thoroughly examine the securities laws in the jurisdictions where they operate to grasp the subtleties of registration, licencing, and disclosure obligations.

Afterwards, platforms can modify their products to satisfy these unique regulatory requirements, selecting appropriate means for public or private placements and implementing relevant marketing strategies. Using blockchain technology, brilliant contracts, can automate compliance duties, lowering the need for manual processes and minimising human error.

Continuously educating investors and team members about new international securities regulations assures continuing compliance and contributes to preserving a competitive advantage. These tactics are crucial for fostering confidence and stability in Web3, where legal and regulatory uncertainty provides considerable problems.

Impact of U.S. Regulations on the Global Market and Web3 Ecosystem

The U.S. Securities and Exchange Commission (SEC)’s regulatory approach, known as “regulation by enforcement,” throws a long shadow over the worldwide competitiveness of the tokenised real-world asset (RWA) market and the broader Web3 ecosystem. This strategy comprises unexpected governmental acts without prior clear standards, which has had a chilling impact on innovation and investment, notably in the blockchain and crypto sectors. Such volatility can prevent startups and existing enterprises from starting or expanding innovative Web3 services in the United States, potentially leading them to relocate to more crypto-friendly jurisdictions such as South Korea or the UAE.

This trend jeopardises the United States’ position as a financial and technology leader and impacts the worldwide Web3 market, fragmenting the landscape and perhaps establishing “regulatory havens” that could weaken overall governance standards. The SEC must adopt a more proactive and open regulatory framework that gives clear rules and encourages the development of innovative technologies rather than suffocating them with post-hoc regulation. A more balanced approach will improve global market stability, foster responsible innovation, and favourably impact the evolving Web3 infrastructure, ensuring it stays a solid and integrated element of the future financial ecosystem.

Bing Wang’s insights from BasedVC highlight the critical need for more precise, more cohesive laws in the asset tokenisation area. As the industry approaches potentially exponential expansion, establishing a robust regulatory framework is essential to ensuring that this new market thrives without unnecessary impediments. The time has come for parties ranging from legal experts to investors and regulatory organisations to tokenisation platforms to take action. Collaboration among these groups will be critical in creating a regulatory environment that protects consumers and investors while encouraging innovation and growth within the Web3 ecosystem. This collaborative endeavour will help unlock the full potential of tokenised real-world assets, paving the way for a more equitable and efficient global financial system.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Bullet for My Valentine and Trivium Announce Co-Headlining 2025 North America Tour

Oct 10, 2024

Today, heavy metal pioneers Bullet for My Valentine and Trivium announced their 2025 co-headlining “The Poisoned Ascendancy Tour” featuring special guests August Burns Red across all dates, Sylosis, and Bleed From Within on select dates – see routing below.

The tour is in celebration of both bands prolific albums – Bullet for My Valentine’s ‘The Poison’ and Trivium’s ‘Ascendancy’, which turn 20 years old in 2025. Each will be performed in their entirety on this tour.

“We are super excited to announce we are coming back to the USA in 2025 with our friends Trivium, to bring you the ‘Poisoned Ascendancy Tour’. We’re going to be celebrating 20 years of our debut album ‘The Poison’ and Trivium’s ‘Ascendancy’. It’s the metal tour of 2025, so don’t miss out.” – Bullet for My Valentine

“This is a celebration for the old fans that were there at 9 am at Ozzfest to catch a couple songs from a band in Iron Maiden shirts. It’s for the new fans that have been listening to the deep cuts but never caught them on a recent tour. And lastly, it’s for both BFMV and us to take a moment to reflect on how amazing these 20 years have been, how fast they’ve gone, and how important these albums are for the both of our bands. Having August Burns Red, Bleed From Within, and Sylosis joining us only makes this more special. We can’t wait to play Ascendancy for you!” –Trivium

Produced by Live Nation, the 26-city tour kicks off on March 30 at PNE Forum in Vancouver, BC making stops across North America in Las Vegas, Chicago, New York and more before wrapping up in Raleigh, NC at Red Hat Amphitheater on May 18.

TICKETS: Tickets will be available starting with artist presales beginning Tuesday, September 17. Additional presales will run throughout the week ahead of the general on sale beginning Friday, September 20 at local time at LiveNation.com

Limited VIP packages are available from both artists including a meet & greet. For more info on VIP packages please visit: onemoretimevip.com

Bullet For My Valentine has been a mainstay, not just in the metal community, but within British music as a whole since their inception. From experiencing early success with Fever & Scream Aim Fire to continuing to encapsulate audiences with Gravity & 2021’s self-titled album, the band has consistently gone from strength to strength, amassing over 3.5 million album sales to date whilst playing sold-out shows across the globe. It’s the band’s first album, however; 2005’s The Poison, that propelled them to unimaginable heights. That year saw the Welsh metallers graduate from supporting Funeral For A Friend on their UK run in the summer, to ending the year headlining the very same venues just months later. Dropping in October 2005, “The Poison” hit number 21 in the UK album charts, becoming a late contender in end of year polls, placing at number seven on KERRANG!’s “Albums Of The Year” list, and since achieving gold status. Therefore in 2025, Bullet will be celebrating 20 years of The Poison by partnering with fellow heavy metal contemporaries Trivium and bringing The Poisoned Ascendancy Tour to life, where both acts will perform their iconic debut albums, playing them in full for the last time to audiences worldwide.

Trivium’s critically acclaimed tenth album In The Court Of The Dragon arrived in 2021. The band and album were praised by and featured in mainstream outlets like The New York Times, NPR, Forbes, Billboard, TechCrunch, and Kotaku, as well as Guitar World, Revolver, Alternative Press, and more. They released the now-canonical album Ascendancy in 2005. It was recognized as KERRANG!’s “Album of the Year,” achieved a gold certification in the UK, and eclipsed sales of 500,000 worldwide. Metal Hammer placed it in the Top 15 of “The 100 Greatest Metal Albums of the 21st Century.” It ignited a string of six consecutive Top 25 debuts on the Billboard Top 200 and five straight Top 3 debuts on the Top Hard Rock Albums Chart, culminating on 2017’s benchmark The Sin And The Sentence. That album elevated the group’s total stream tally past a quarter-of-a-billion. Additionally, “Betrayer” received a GRAMMY® Award nomination in the category of “Best Metal Performance.” Unanimous acclaim followed from Decibel, Loudwire, Ultimate Guitar, MetalSucks, and Metal Hammer, who dubbed them, “quite simply one of the best bands in modern metal.” 2020 brought What The Dead Men Say. The album was produced by Trivium and Josh Wilbur and debuted at #35 on the Billboard Top 200; at #2 on the Top Current Albums Chart, and at #3 on both the Hard Rock Albums Chart and Top Rock Albums Chart. They have performed alongside Metallica, Black Sabbath, Iron Maiden, and many others and graced the main stages of Download, Bloodstock, KNOTFEST, and beyond.

THE POISONED ASCENDANCY 2025 TOUR DATES:
Sun March 30 – Vancouver, BC – PNE Forum#&
Tue Apr 1 – Seattle, WA – Paramount Theatre#&
Thu Apr 03 – San Francisco, CA – The Masonic#&
Fri Apr 04 – Wheatland, CA – Hard Rock Hotel and Casino Sacramento – Hard Rock Live#&
Sat Apr 05 – Reno, NV – Grand Sierra Resort*#&
Tue Apr 08 – Denver, CO – Fillmore Auditorium#&
Thu Apr 10 – Las Vegas, NV – Pearl Concert Theater at Palms Casino Resort#&
Fri Apr 11 – Inglewood, CA – YouTube Theatre#
Sat Apr 12 – Phoenix, AZ – Arizona Financial Theatre#&
Tue Apr 15 – Dallas, TX – Gilley’s – South Side Ballroom#&
Wed Apr 16 – San Antonio, TX – Boeing Center at Tech Port#&
Thu Apr 17 – Houston, TX – Bayou Music Center#&
Sat Apr 19 – St. Louis, MO – The Factory#^
Sun Apr 20 – Omaha, NE – Steelhouse Omaha#^
Tues Apr 22 – Ashwaubenon, WI – EPIC Event Center*#^
Wed Apr 23 – Grand Rapids, MI – GLC Live at 20 Monroe#^
Fri Apr 25 – Prior Lake, MN – Mystic Lake Casino Hotel- Showroom*#
Sat Apr 26 – Chicago, IL – Byline Bank Aragon Ballroom#^
Sun Apr 27 – Detroit, MI – The Fillmore Detroit#^
Tues Apr 29 – Pittsburgh, PA – Stage AE*#^
Wed Apr 30 – Philadelphia, PA – The Fillmore Philadelphia#^
Fri May 02 – Boston, MA – MGM Music Hall at Fenway#^
Sat May 03 – Laval, QC – Place Bell#^
Sun May 04 – Toronto, ON – Great Canadian Resort Theatre#^
Tue May 06 – Washington, D.C. – The Anthem#^
Wed May 07 – New York, NY – The Rooftop at Pier 17#^
Fri May 09 – Bethlehem, PA – Wind Creek Bethlehem – Wind Creek Event Center#^
Sun May 11 – Nashville, TN – The Pinnacle*#^
Tues May 13 – Corbin, KY – Corbin Arena*#^
Wed May 14 – Atlanta, GA – Coca-Cola Roxy Theatre#^
Sat May 17 – Charlotte, NC – Skyla Credit Union Amphitheatre#^
Sun May 18 – Raleigh, NC – Red Hat Amphitheater#^
*Not A Live Nation Date
# August Burns Red
& Sylosis
^ Bleed From Within

Thomas Rhett Announces His 2025 Return to the Road with ‘Better in Boots’ Tour

Oct 10, 2024

Multi-Platinum entertainer Thomas Rhett announces today that he’ll be hitting the road in 2025 with his BETTER IN BOOTS TOUR, Fueled By Marathon. Produced by Live Nation, Thomas Rhett will bring his “bombastic, good time energy” (Esquire) to 30 cities next summer across North America with direct support from Tucker Wetmore as well as special guests The Castellows or Dasha. Tickets for the majority of the tour go on sale this Fri., Sept. 20 at 10:00A local time at ThomasRhett.com, with the remaining shows going on sale in the coming weeks; Thomas Rhett’s Home Team Premium members will have first access to presale tickets beginning at 10am local time on Tuesday. Citi is the official card of the BETTER IN BOOTS TOUR. Citi cardmembers will have access to presale tickets beginning Tuesday at noon local time until Thursday at 10pm local time through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.

The BETTER IN BOOTS TOUR announcement comes on the heels of the release of Thomas Rhett’s acclaimed seventh studio album, ABOUT A WOMAN. A “feel-good celebration of love” (Grammy.com), the 14-song collection showcases the hitmaker’s signature style while exploring new genre boundaries. Blending a foundation of organic country with retro ’80s sounds and pulsating beats, fans can expect to hear the album’s new songs, coined “his best work yet” (Country Living), on the road next summer.

Pairing his laid-back perspective with a vocal drenched in casual country soul, Thomas Rhett has spent just over 10 years gathering 22 Number Ones, 16 billion streams and armfuls of awards–eight ACM Awards including 2020 “Entertainer of the Year,” two CMA Awards, five GRAMMY® Awards nominations, plus trophies from the CMT Music Awards, Billboard Awards and iHeartRadio Awards, in addition to being recognized with five CMA Triple Play awards for penning three No. One songs within a 12-month period, he’s never remained static. With both songwriting prowess and charisma, his career has been fueled by equal parts energy and emotion, to continually keep fans on their toes. It’s Thomas Rhett’s live show where he connects first-hand with fans in arenas and amphitheaters all around the world and recently announced a mini-residency in December at the BleauLive Theater inside Fontainebleau Las Vegas. He has also launched a tequila brand, Dos Primos, now offering Blanco, Reposado, and Añejo variants. For more information and a full list of upcoming tour dates, visit ThomasRhett.com.

BETTER IN BOOTS TOUR 2025 Dates:
6/5 – Rogers, AR – Walmart AMP *
6/6 – Southaven, MS – Bank Plus Amphitheater at Snowden Grove *
6/7 – St. Louis, MO – Hollywood Casino Amphitheatre *
6/12 – Saratoga Springs, NY – Broadview Stage at SPAC +*
6/13 – Pittsburgh, PA – The Pavilion at Star Lake
6/14 – Indianapolis, IN – Ruoff Music Center *
6/26 – Charleston, SC – Credit One Stadium *
6/27 – Birmingham, AL – Venue TBA +*
6/28 – Orange Beach, AL – The Wharf Amphitheater *
7/10 – Holmdel, NJ – PNC Bank Arts Center ^
7/11 – Philadelphia, PA – Freedom Mortgage Pavilion ^
7/12 – Wantagh, NY – Northwell at Jones Beach Theater ^
7/17 – Toronto, ON – Budweiser Stage +*
7/31 – Raleigh, NC – Coastal Credit Union Music Park ^
8/1 – Charlotte, NC – PNC Music Pavilion ^
8/2 – Alpharetta, GA – Ameris Bank Amphitheatre ^
8/7 – Buffalo, NY – Darien Lake Amphitheater ^
8/8 – Detroit, MI – Pine Knob Music Theatre ^
8/9 – East Troy, WI – Alpine Valley Music Theatre ^
8/15 – Cincinnati, OH – Riverbend Music Center *
8/21 – Syracuse, NY – Empower Federal Credit Union Amphitheater at Lakeview *
8/22 – Bristow, VA – Jiffy Lube Live *
8/23 – Virginia Beach, VA – Veterans United Home Loans Amphitheater at Virginia Beach +*
9/4 – West Palm Beach, FL – iTHINK Financial Amphitheatre *
9/5 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre *
9/6 – Savannah, GA – Enmarket Arena *
9/18 – Spokane, WA – Spokane Arena *
9/19 – Boise, ID – Ford Idaho Center Amphitheater *
9/20 – Salt Lake City, UT – Utah First Credit Union Amphitheatre *
9/26 – Ridgefield, WA – RV Inn Style Resorts Amphitheater *
+ Check Local Listing for On-Sale Date
* Additional Support from The Castellows
^ Additional Support from Dasha

Dua Lipa Announces 2025 Global Tour Dates on ‘Radical Optimism Tour’

Oct 10, 2024

Today, 3x GRAMMY and 7x BRIT Award-winning global pop powerhouse Dua Lipa announced a global 2025 run on her Radical Optimism Tour with over 40 new dates across Australia, New Zealand, North America, Europe, and the UK next year. Additionally, South America shows will be announced at a later date.

The tour announcement follows Dua’s highly anticipated debut on the Pyramid Stage as the Friday night headliner at the 2024 Glastonbury Festival earlier this summer. The BBC praised her performance, saying, “Dua hit every mark with the precision of someone who had been preparing for this moment for years.” Following her electric Glastonbury set, she immediately sold out two consecutive nights at London’s iconic Wembley Stadium set for June 2025. Dua has reached a new pinnacle in her career, with fan demand at an all-time high.

The Radical Optimism Tour will kick off this fall with previously announced shows in Asia, including stops in Singapore, Jakarta, Tokyo, Kuala Lumpur and more before wrapping up on Thursday, December 5 in Seoul, Korea at Gocheok Sky Dome. The 2025 dates begin Thursday, March 20 in Melbourne, Australia at Rod Laver Arena, and include performances in Sydney, Auckland, Madrid, Hamburg, Paris, Amsterdam, London, Dublin, Toronto, Chicago, New York, Miami, Los Angeles, and many more before concluding in Seattle on Thursday, October 16 at Climate Pledge Arena. Prior to the tour kickoff in Asia, Dua will headline Austin City Limits in Austin, TX on October 5 and October 12.

Fans can sign up now for the artist presale at dualipa.com. The general onsale begins Friday, September 20 at dualipa.com. Artist presale and general onsale dates + times vary by market, please see below for more info.

AUSTRALIA + NEW ZEALAND TICKETS: American Express is providing access to Amex Presale Tickets™, available for Card Members to purchase before the general public beginning Wednesday, September 18 at 11am local time (while supplies last) – this is one of the many entertainment benefits American Express Card Members can access across the arts, theater, sports and music through Amex Experiences™. Terms apply.

The artist presale begins Thursday, September 19 at 12pm local time at dualipa.com. The general onsale begins Friday, September 20 at 1pm local time at dualipa.com.

EUROPE TICKETS: American Express is providing access to Amex Presale Tickets™ for shows in Spain, France, Germany, Netherlands and Belgium, and Card Members can purchase tickets before the general public beginning Tuesday, September 17 at 10am local time (France and Germany) and at 12pm local time (Spain, Belgium, and the Netherlands) (while supplies last) – this is one of the many entertainment benefits American Express Card Members can access across the arts, theater, sports and music through Amex Experiences™. Terms apply.

For shows in Germany, a Telekom presale will begin Wednesday, September 18 at 10am local time at dualipa.com. The artist presale begins Wednesday, September 18 at 10am local time in the Czech Republic, Germany, Italy, and France and at 12pm local time in the Netherlands, Spain and Belgium. The general onsale begins Friday, September 20 at 10am local time in the Czech Republic, Germany, Italy, and France and at 12pm local time in Spain, Netherlands and Belgium. All tickets available at dualipa.com.

UK/IRELAND TICKETS: Tickets will be available starting with the O2 Priority Presale on Wednesday, September 18 at 10am local time at dualipa.com. The general onsale begins Friday, September 20 at 10am local time at dualipa.com.

NORTH AMERICA TICKETS: American Express is providing access to Amex Presale Tickets™, available for Card Members to purchase before the general public beginning Wednesday, September 18 at 9am local time (while supplies last) – this is one of the many entertainment benefits American Express Card Members can access across the arts, theater, sports and music through Amex Experiences™. Terms apply.

The artist presale begins Thursday, September 19 at 10am local time, sign up now HERE. The general onsale begins Friday, September 20 at 10am local time at LiveNation.com.

The global tour supports Dua’s third studio album, Radical Optimism, which was released May 3, 2024 via Warner Records. The album went straight to No. 1 in 11 countries, including the UK where it became the biggest album debut from a UK artist in 2024 and garnered the highest week one sales from a UK female artist since 2021. In the US, the album debuted at No. 1 on Billboard’s Top Album Sales chart and No. 2 on the Billboard 200 chart, marking Dua’s biggest sales week yet. It was named a Critic’s Pick by The New York Times, who hailed it as “an album of nonstop ear candy,” along with Variety, who declared it is “a joyous blast of pop savvy.” Additionally, The New Yorker praised, “the instrumentation is a gleaming and impenetrable expanse, and the main attraction is Lipa,” and Vogue raved it is “a summery, self-assured slice of pop brilliance…[and] catchy as hell.”

DUA LIPA – RADICAL OPTIMISM TOUR 2024 DATES – PREVIOUSLY ANNOUNCED:
Tue Nov 5 – Singapore – Singapore Indoor Stadium
Wed Nov 6 – Singapore – Singapore Indoor Stadium
Sat Nov 9 – Jakarta, Indonesia – Indonesia Arena
Wed Nov 13 – Manila, Philippines – Philippine Arena
Sat Nov 16 – Tokyo, Japan – Saitama Super Arena
Sun Nov 17 – Tokyo, Japan – Saitama Super Arena
Wed Nov 20 – Taipei, Taiwan – Taoyuan Baseball Stadium
Sat Nov 23 – Kuala Lumpur, Malaysia – Axiata Arena
Sun Nov 24 – Kuala Lumpur, Malaysia – Axiata Arena
Wed Nov 27 – Bangkok, Thailand – Impact Arena
Wed Dec 4 – Seoul, South Korea – Gocheok Sky Dome
Thu Dec 5 – Seoul, South Korea – Gocheok Sky Dome

DUA LIPA – RADICAL OPTIMISM TOUR 2025 DATES – JUST ADDED:
Thu Mar 20 – Melbourne, Australia – Rod Laver Arena
Wed Mar 26 – Sydney, Australia – Qudos Bank Arena
Wed Apr 2 – Auckland, New Zealand – Spark Arena
Sun May 11 – Madrid, Spain – WiZink Center
Mon May 12 – Madrid, Spain – WiZink Center
Thu May 15 – Lyon, France – LDLC Arena
Fri May 16 – Lyon, France – LDLC Arena
Mon May 19 – Hamburg, Germany – Barclays Arena
Tue May 20 – Hamburg, Germany – Barclays Arena
Fri May 23 – Paris, France – La Défense Arena
Tue May 27 – Prague, CZ – O2 Arena
Wed May 28 – Prague, CZ – O2 Arena
Sat May 31 – Munich, Germany – Olympiahalle
Sun Jun 1 – Munich, Germany – Olympiahalle
Tue Jun 3 – Amsterdam, Netherlands – Ziggo Dome
Wed Jun 4 – Amsterdam, Netherlands – Ziggo Dome
Sat Jun 7 – Milan, Italy – Hippodrome San Siro (Ippodromo SNAI)
Wed Jun 11 – Antwerp, Belgium – Sportpaleis
Fri Jun 13 – Antwerp, Belgium – Sportpaleis
Fri Jun 20 – London, UK – Wembley Stadium – PREVIOUSLY ANNOUNCED
Sat Jun 21 – London, UK – Wembley Stadium – PREVIOUSLY ANNOUNCED
Tue Jun 24 – Liverpool, UK – Anfield Stadium
Fri Jun 27 – Dublin, Ireland – Aviva Stadium
Mon Sep 1 – Toronto, ON – Scotiabank Arena
Tue Sep 2 – Toronto, ON – Scotiabank Arena
Fri Sep 5 – Chicago, IL – United Center
Sat Sep 6 – Chicago, IL – United Center
Tue Sep 9 – Boston, MA – TD Garden
Wed Sep 10 – Boston, MA – TD Garden
Sat Sep 13 – Atlanta, GA – State Farm Arena
Sun Sep 14 – Atlanta, GA – State Farm Arena
Wed Sep 17 – New York, NY – Madison Square Garden
Thu Sep 18 – New York, NY – Madison Square Garden
Fri Sep 26 – Miami, FL – Kaseya Center
Sat Sep 27 – Miami, FL – Kaseya Center
Tue Sep 30 – Dallas, TX – American Airlines Center
Wed Oct 1 – Dallas, TX – American Airlines Center
Sat Oct 4 – Los Angeles, CA – Kia Forum
Sun Oct 5 – Los Angeles, CA – Kia Forum
Sat Oct 11 – San Francisco, CA – Chase Center
Sun Oct 12 – San Francisco, CA – Chase Center
Wed Oct 15 – Seattle, WA – Climate Pledge Arena
Thu Oct 16 – Seattle, WA – Climate Pledge Arena