Tetrarch Set to Conquer Europe with Summer 2025 Tour and New Album ‘The Ugly Side Of Me’

Apr 29, 2025

With tireless perseverance and distinct talent, the ascent of modern metal/hard rock stars Tetrarch has been palpable since the release of their first album, Freak (2017), followed by their Napalm Records debut, the highly-acclaimed Unstable (2021).

After four years of intensely focused growth and lead guitarist Diamond Rowe’s emergence as iconic brand Jackson Guitars’ first female signature artist, the band will release their trailblazing third album, The Ugly Side Of Me, via Napalm Records on May, 9th.

Since their last album was released in the middle of the pandemic, the band has unfortunately never been seen live in Europe – but that will finally change this summer! In addition to a few festival appearances, the band will be playing a series of headline dates. If you don’t want to miss out on this spectacle, you should make sure you get your tickets asap.

The Ugly Side Of Me tracklisting:

“Anything Like Myself ”
“Never Again (Parasite)”
“Live Not Fantasize”
“Erase”
“The Only Thing I’ve Got”
“Best Of Luck”
“Crawl”
“Cold”
“Headspace”
“The Ugly Side Of Me”

Tetrarch European Tour Summer ’25:
16.06. Leipzig, Germany – Moritzbastei
17.06. Berlin, Germany – Privatclub
18.06. Hannover, Germany – Café Clocksee
19.06. Ratingen, Germany – Manege
20.06. Copenhagen, Denmark – Copenhell
22.06. Utrecht, Netherlands – De Helling
24.06. Ghent, Belgium – Vierde Zaal
25.06. Birmingham, UK – The Flapper
26.06. London, UK – Camden Assembly
28.06. Viviero, Spain – Resurrection Fest
29.06. Geneva, Switzerland – Undertown
02.07. Dunaujvoros, Hungary – Rockmaraton
03.07. Vienna, Austria – Flex
05.07. Velke Mezirich, Czech Republik – Fajt Fest

Whiskey Myers Announces 2025 Tour, New Album ‘Whomp Whack Thunder’

Apr 29, 2025

Following a high-octane performance in front of an at-capacity Stagecoach crowd this past weekend – including a debut of their brand new single, “Time Bomb” – Whiskey Myers announces new dates for their What We Were Born To Do Tour spanning the country throughout 2025. Presales begin tomorrow, April 29, at 10 a.m. local time for Whiskey Myers app users with tickets on sale to the general public this Friday, May 2 at 10 a.m. local time.

The news follows last week’s announcement of Whomp Whack Thunder, the band’s highly anticipated seventh studio album set to release Sept. 26 via their own Wiggy Thump Records. Channeling the spirit of classic rock through a modern Southern lens – roaring guitars, thunderous drums and lyrics that cut deep.

Celebrated by POLLSTAR as “an outlier of alt-country with more thrust, Southern cousin of The Black Keys or spiritual grandchild of Waylon and Willie’s outlaw country,” the genre-defying band will be joined by Bayker Blankenship, Kashus Culpepper, Wade Bowen, Landon Smith, Charles Wesley Godwin, Dexter & The Moonrocks and Colton Bowlin across the slate of new dates – including a special weekend of shows spanning their September album release week.

In addition to the What We Were Born To Do Tour kicking off June 6, Whiskey Myers will also co-headline 15 dates of the Live in 25 Tour with Tedeschi Trucks Band later this year. The six-piece will also headline their own personally curated festivals; the seventh annual Wiggy Thump Festival on May 10 in their hometown of Palestine, Texas and the inaugural Moon Crush “Whiskey Moon” music vacation taking over Miramar Beach, Fla. Nov. 7-9.

Upcoming Whiskey Myers Tour Dates:
What We Were Born To Do Tour
* denotes newly added dates
June 6 – Des Moines, Iowa – Lauridsen Amphitheater at Water Works Park
June 7 – La Vista, Neb. – The Astro
June 8 – Rapid City, S.D. – The Monument – Summit Arena
June 10 – Bonner, Mont. – KettleHouse Amphitheater
June 12 – Fargo, N.D. – Scheels Arena
June 13 – Prior Lake, Minn. – Mystic Lake Casino Hotel – Mystic Amphitheater
June 14 – Gary, Ind. – Hard Rock Casino Northern Indiana
June 15 – Interlochen, Mich. – Interlochen Center for the Arts – Kresge Auditorium
June 17 – Toledo, Ohio – Toledo Zoo & Aquarium – Amphitheater
June 18 – Huntington, W.V. – Mountain Health Arena
June 20 – Kansas City, Mo. – Starlight Theater
June 23 – Pittsburgh, Pa. – Stage AE
June 25 – Johnson City, Tenn. – Freedom Hall Civic Center
June 26 – Evansville, Ind. – Ford Center
July 17 – Macon, Ga. – Atrium Health Amphitheater
July 18 – Birmingham, Ala. – Coca-Cola Amphitheater
July 19 – Nashville, Tenn. – Ascend Amphitheater
July 20 – Salem, Va. – Salem Civic Center
July 22 – Manteo, N.C. – Roanoke Island Festival Park
July 24 – Charlotte, N.C. – Skyla Credit Union Amphitheatre
July 25 – Virginia Beach, Va. – Virginia Beach Dome
July 26 – Richmond, Va. – Allianz Amphitheater at Riverfront
July 27 – Cherokee, N.C. – Harrah’s Cherokee Casino Resort
Aug. 16 – Highland, Calif. – Yaamava’ Theater*
Sept. 18 – Jonesboro, Ark. – First National Bank Arena*
Sept. 19 – Alexandria, La. – Laborde Earles Coliseum*
Sept. 20 – Brandon, Miss. – Brandon Amphitheater*
Sept. 25 – Austin, Texas – Moody Amphitheater at Waterloo Greenway*
Sept. 26 – Oklahoma City, Okla. – Paycom Center*
Sept. 27 – The Woodlands, Texas. – The Cynthia Woods Mitchell Pavilion*
Oct. 9 – Chattanooga, Tenn. – Soldiers and Sailors Memorial Auditorium*
Oct. 10 – Greensboro, N.C. – White Oak Amphitheatre at Greensboro Coliseum Complex*

Live in 25 Tour with Tedeschi Trucks Band:
Aug. 7 – Bend, Ore. – Hayden Homes Amphitheater
Aug. 8 – Bend, Ore. – Hayden Homes Amphitheater
Aug. 9 – Quincy, Wash. – The Gorge Amphitheatre
Aug. 12 – Berkeley, Calif. – The Greek Theatre at UC Berkeley
Aug. 13 – Los Angeles, Calif. – The Greek Theatre
Aug. 15 – Stateline, Nev. – Lake Tahoe Outdoor Arena at Harveys
Aug. 18 – Phoenix, Ariz. – Arizona Financial Theatre
Aug. 19 – Albuquerque, N.M. – Isleta Amphitheater
Aug. 23 – Noblesville, Ind. – Ruoff Music Center
Aug. 24 – St. Louis, Mo. – Hollywood Casino Amphitheatre
Aug. 26 – Cincinnati, Ohio – Riverbend Music Center
Aug. 28 – Syracuse, N.Y. – Empower Federal Credit Union Amphitheater at Lakeview
Aug. 29 – Vienna, Va. – Wolf Trap
Aug. 30 – Vienna, Va. – Wolf Trap
Sept. 1 – Gilford, N.H. – BankNH Pavilion

Additional Dates:
May 10 – Palestine, Texas – Wiggy Thump
June 5 – Clinton, Iowa – Tailgate N’ Tallboys
June 21 – Milwaukee, Wisc. – Summerfest
June 27 – South Greenfield, Mo. – Baker-Spain Stampede
Oct. 11 – North Charleston. S.C. – Riverfront Revival Music Festival
Nov. 7-9 – Miramar Beach, Fla. – Moon Crush “Whiskey Moon”

Cameron Whitcomb Unleashes Alt-Leaning New Single “Bad Apple”

Apr 29, 2025

Acclaimed singer-songwriter Cameron Whitcomb has dropped his new single, “Bad Apple,” along with the official live performance visual. Produced by frequent collaborator Jack Riley (Knox, Grace VanderWaal) and co-written by Whitcomb, Riley, Nolan Sipe, and Cal Shapiro – who wrote Alex Warren’s hit song “Ordinary” – the track sees Cameron pushing his intensely personal sound towards an alternative direction, employing the age-old bad apple metaphor to grapple with the idea of how things can be so good, yet so bad at the same time.

“Bad Apple” follows Whitcomb’s emotionally vivid “Options” and larger-than-life anthem “Hundred Mile High,” the latter of which has proven among his biggest hits thus far, earning first-week streams in excess of 1.6M along with a flurry of critical applause from MTV, Entertainment Tonight, UPROXX, Ones To Watch, and ELLE, which named it among “The Best New Songs We Heard In January,” writing, “The return of modern folk was written in the stars… Cameron Whitcomb enters the conversation with ‘Hundred Mile High.’ The banjos pump the song forward, beckoning listeners on a cross-country road trip.”

Currently boasting over 7M monthly listeners on Spotify, more than 3M fans across social platforms, and over 300 250M worldwide streams and counting, Whitcomb is well into what is shaping up as a landmark 2025, a remarkably productive year that kicked off with the release of “Medusa (Acoustic),” a new stripped-down rendition of his captivating fan favorite, “Medusa”

Dipper Unleashes Acoustic Anthem “Back to the Devil”

Apr 29, 2025

Kicking off another chapter, rising country singer-songwriter Dipper returns with a new single entitled “Back to the Devil” out now. It marks his first release of 2025 and heralds the arrival of a lot more music to come this year.

On the track, lightly plucked acoustic guitar complements Dipper’s rich delivery on the verses as he introduces a girl who’s bound to be nothing but trouble. Magnetically drawn to her nonetheless, he makes a confession on the chantable chorus, “My mama thinks she’s no good for her son, but oh, back to the devil I go.” His storytelling, swagger, and spirit shine through on this unshakable and undeniable anthem.

Dipper says, “I am excited about getting this one out. It’s been a while since my last release and after teasing it on social’s this one seems like a song a lot of people like. It’s coming out raw acoustic (just me and a guitar) which is something I haven’t done yet.”

The last time we heard from Dipper was the Boy Can Dream EP in 2024.

Growing up in College Station, TX, Dipper-born Mason Gonzalez-has quietly captivated fans and peers alike with a combination of classic country-style storytelling and striking vocal delivery. He first caught traction on TikTok, turning heads and inciting the applause of everyone, from fellow artists Lainey Wilson, Chase Matthew, and Austin Snell, to marquee songwriter ERNEST. As the numbers went up and excitement increased, he continued to write at a prolific pace, inspired to go even harder in the studio. Now, his sharp songcraft and show stopping voice have positioned him for a breakthrough as a country artist to watch in 2025.

Bob Dylan Center to Launch “Going Electric: Bob Dylan ’65” Exhibition

Apr 29, 2025

The Bob Dylan Center will present “Going Electric: Bob Dylan ’65,” a groundbreaking exhibition opening July 24, 2025, and closing in the spring of 2026.

Presented by Bob Dylan Center founding members Bob and Debbie Russell, the exhibit offers an immersive, multimedia exploration of one of the most transformative years in Dylan’s career and the cultural upheaval that followed.

The exhibit traces the lead-up to Dylan’s infamous “going electric” set at the 1965 Newport Folk Festival — one of the most controversial and influential moments in the history of popular music. Through never-before-seen original manuscripts, film footage and rare artifacts from the Bob Dylan Archive as well as numerous loans from private collectors, “Going Electric” places visitors at the heart of Dylan’s evolution from acoustic folk hero to trailblazing rock ’n’ roll icon.

“Dylan’s Newport moment is widely regarded as one of the most pivotal moments in the history of 20th-century popular music,” said Mark Davidson, curator of the exhibit and senior director of archives and exhibitions at American Song Archives. “But there’s much more to the story. Drawing upon our considerable archival collections, this exhibit cuts through the myths to present a dynamic, kaleidoscopic portrait of an artist in a way that only the Bob Dylan Center can.”

Key highlights include:

Never-before-displayed manuscripts from “Bringing It All Back Home” and “Highway 61 Revisited”
A recently discovered series of typescript drafts with handwritten edits of Dylan’s landmark song “Mr. Tambourine Man”
Photographs, artifacts and ephemera from Dylan’s final all-acoustic concerts, including his spring 1965 outings with Joan Baez and his UK tour, as immortalized in D. A. Pennebaker’s essential documentary “Dont Look Back”
Mike Bloomfield’s 1963 Telecaster, played at the Newport Folk Festival, courtesy of Family Guitars
Sally Grossman’s red jumpsuit from the cover of “Bringing It All Back Home”

The exhibit culminates with Dylan’s controversial July 25, 1965, performance at the Newport Folk Festival. The center’s Darby Family Screening Room will be transformed into an immersive multimedia experience that will transport visitors to the center of the storm, as Dylan shocked the thousands of folk-music devotees in attendance by moving from acoustic to electric performances. Never-before-seen interview footage with key attendees, including Joan Baez, Joe Boyd, John Cohen, Al Kooper, Bruce Langhorne, Maria Muldaur and Pete Seeger, will reveal the truths behind the myths of that cataclysmic day.

The exhibit also explores Dylan’s musical roots in ’50s rock ’n’ roll and R&B, and the ways in which early influences such as Buddy Holly, Elvis Presley and Little Richard shaped the artist’s sonic experimentation long before Newport. In addition, the exhibit examines the ripple effect that Dylan’s plugged-in set had on legions of contemporary artists — including The Beatles and The Byrds and their folk-rock peers — and those who followed in his wake.

“Going Electric: Bob Dylan ’65” challenges decades of mythmaking and celebrates Dylan’s enduring legacy as a visionary who redefined the possibilities of popular music.

The Bob Dylan Center will host a members-only reception on Wednesday, July 23, providing members with a first look at “Going Electric” prior to its public opening.

In addition, a public concert will be presented by the Bob Dylan Center at Cain’s Ballroom on Saturday, July 26 to celebrate the launch of the exhibit. Further details and ticketing information will be announced at a later date. For the most up-to-date information visit bobdlyancenter.com.

The Bob Dylan Center inspires and celebrates fearless creativity by exploring the music and artistry of the Nobel Prize–winning singer-songwriter as a catalyst for personal expression and cultural change.
As the primary public venue for the Bob Dylan Archive collection, the center curates and exhibits a priceless collection of more than 100,000 items spanning Dylan’s career, including handwritten manuscripts, notebooks and correspondence; films, videos, photographs and artwork; memorabilia and ephemera; personal documents and effects; unreleased studio and concert recordings; musical instruments and many other elements. The center presents a full roster of public programs including concerts, film screenings and author talks. Since opening in May 2022, the Bob Dylan Center has welcomed visitors from all 50 states and nearly 40 countries. The center has garnered numerous design awards and accolades from publications including the New York Times, Vanity Fair, Variety, Uncut and Mojo.

Goose Expands 2025 Tour With New Headline Dates and Festival Stops

Apr 29, 2025

Goose has announced a new run of upcoming headline dates, beginning September 19 at Sterling Heights, MI’s Michigan Lottery Amphitheatre at Freedom Hill and then continuing through the month. Highlights include a two-night stand at Louisville, KY’s historic The Louisville Palace (September 23-24) and shows at Chicago, IL’s Huntington Bank Pavilion at Northerly Island (September 20), Alpharetta, GA’s Ameris Bank Amphitheatre (September 26), Charlotte, NC’s PNC Music Pavilion (September 27), and Columbus, OH’s KEMBA Live! (September 30).

Presale sign-ups are available now at www.goosetheband.com/tour; fans who sign up will receive a unique code allowing access to the official Goose presale beginning Wednesday, April 30 at 10:00 am (local). In addition, the TED VIP on-sale will be available beginning Tuesday, April 29 at 10:00 am (local). Venue presales begin Thursday, May 1 at 10:00 am (local). All presales end Thursday, May 1 at 10:00 pm (local). General on-sales begin Friday, May 2 at 10:00 am (local).

The new dates mark last week’s release of Goose’s eagerly anticipated new album, Everything Must Go, available everywhere now via No Coincidence Records. Goose’s fourth studio LP and first new studio collection in nearly three years following 2022’s critically acclaimed Dripfield, the album marks both a statement of intent for Goose as well as an arrival of sorts — a journey for fans and newcomers alike through the group’s past, present, and infinite future. Produced once again by D. James Goodwin, the album includes such extraordinary new tracks as the propulsive fan favorite, “Thatch,” the searching “Lead Up,” the breezy, atmospheric “Your Direction,” and euphoric first single, “Give It Time,” the latter two accompanied by official music videos streaming now at YouTube.

Last week also saw the premiere of a visually arresting official music video for the LP’s deeply moving title track, directed and designed by award-winning animator Chris Hopewell (known for his distinctive work with Radiohead, The Killers, Run The Jewels, Father John Misty, and many more). Made using traditional stop motion over three weeks in Bristol, UK, “Everything Must Go” is marked by a striking sense of realness and authenticity ideally suited for the track, thanks in part to 90% of all the sets and scenery being fashioned from repurposed and recycled materials. All the trash and plastic waste used to build the sets was gathered in a beach clean near Bristol, then recycled after filming.

Goose – who performed live on this weekend’s edition of CBS Saturday Morning alongside a featured interview with legendary journalist Anthony Mason and were featured in the New York Sunday Times yesterday – will celebrate Everything Must Go with perhaps the most momentous live run of the hard-working band’s career thus far, highlighted by their first-ever headline show at New York City’s world-famous Madison Square Garden (June 28). The “Everything Must Go Summer Tour” begins May 27-28 with a two-night stand at San Francisco, CA’s The Masonic. Other highlights include two-night stands at Chesterfield, MO’s The Factory (June 10-11) and Cleveland, OH’s Jacobs Pavilion (June 24-25), as well as a very special homecoming return to New Haven, CT’s Westville Music Bowl (June 29). For complete information, please visit www.goosetheband.com/tour.

The “Everything Must Go Summer Tour” represents some of the biggest headline shows in the band’s 10-year history as well as the latest additions to their constantly evolving live schedule for the coming year. In addition, Goose will host Viva El Gonzo, a three-day destination festival presented by 100x Hospitality and set for May 8-10 in San José del Cabo, Mexico. The upcoming event will feature three consecutive nights of performances by Goose, along with sets from The War on Drugs, Tycho, Dawes, LP GIOBBI, LA LOM, and more. Limited tickets, TED VIP, and travel packages are available now. For complete information, please see www.vivaelgonzo.com.

Having performed last week at the New Orleans Jazz & Heritage Festival, the upcoming months will see Goose making an additional array of top-billed festival appearances, including Napa, CA’s BottleRock Napa Valley (Sunday, May 25), Manchester, TN’s Bonnaroo Music & Arts Festival (Friday, June 13), Columbia, MD’s All Good Now (June 15), Highmount, NY’s Mountain Jam (June 22), Fredericton, NB’s Harvest Music Festival (September 12), and Live Oak, FL’s Suwanee Hulaween (October 30-November 2). In addition, Goose will join Dave Matthews Band as special guest on the closing night of his three-show run at George, WA’s The Gorge Amphitheatre on Sunday, August 31.

GOOSE – TOUR 2025
MAY
8-10 – San José del Cabo, Mexico – Viva El Gonzo
25 – Napa, CA – BottleRock Napa Valley *
27 – San Francisco, CA – The Masonic
28 – San Francisco, CA – The Masonic
30 – Bend, OR – Hayden Homes Amphitheater
31 – Spokane, WA – Gesa Credit Union Pavilion
JUNE
1 – Boise, ID – Outlaw Field at the Idaho Botanical Garden
3 – Las Vegas, NV – Brooklyn Bowl Las Vegas
4 – Phoenix, AZ – Arizona Financial Theatre
6 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
7 – Greenwood Village, CO – Fiddler’s Green Amphitheatre
10 – Chesterfield, MO – The Factory
11 – Chesterfield, MO – The Factory
12 – Indianapolis, IN – Everwise Amphitheater at White River State Park
13 – Manchester, TN – Bonnaroo Music & Arts Festival *
15 – Columbia, MD – All Good Now *
17 – Wilmington, NC – Live Oak Bank Pavilion
19 – Cleveland, OH – Jacob’s Pavilion
20 – Cleveland, OH – Jacob’s Pavilion
21 – Canandaigua, NY – CMAC
22 – Highmount, NY – Mountain Jam *
27 – Gilford, NH – BankNH Pavilion
28 – New York, NY – Madison Square Garden
29 – New Haven, CT – Westville Music Bowl
31 – George, WA – The Gorge Amphitheatre ^
JULY
25 – Newport, RI – Newport Folk Festival *#
AUGUST
14-16 – Park City, UT – Park City Song Summit *#
28 – Iowa City, IA – Hancher Auditorium at UIowa #
SEPTEMBER
12 – Fredericton, NB – Harvest Music Festival *
17 – Madison, WI – Kohl Center †
19 – Sterling Heights, MI – Michigan Lottery Amphitheatre at Freedom Hill #
20 – Chicago, IL – Huntington Bank Pavilion at Northerly Island #
23 – Louisville, KY – The Louisville Palace #
24 – Louisville, KY – The Louisville Palace #
26 – Alpharetta, GA – Ameris Bank Amphitheatre #~
27 – Charlotte, NC – PNC Music Pavilion #~
30 – Columbus, OH – KEMBA Live! #
OCTOBER
30-11/2 – Live Oak, FL – Suwanee Hulaween *
* FESTIVAL APPEARANCE
† W/ MT. JOY
^ SUPPORTING DAVE MATTHEWS BAND
# NEWLY ANNOUNCED DATE
~ W/ PENELOPE ROAD

Conan Gray and John Mellencamp Lead 2025 GRAMMY Hall of Fame Gala Lineup

Apr 29, 2025

Singer-songwriter and voice of his generation Conan Gray and legendary GRAMMY -winning singer-songwriter John Mellencamp will perform at the Recording Academy and GRAMMY Museum’s 2025 GRAMMY Hall Of Fame Gala as part of a special tribute to this year’s label honoree, Republic Records. The music industry’s most successful label of the past decade, Republic has earned Billboard’s Hot 100 Label of the Year 10 of the past 11 years among countless other accolades, a reflection of its chart dominance, groundbreaking artist development, and culturally defining releases. From breaking global superstars to shaping genre-defying movements, Republic continues to set the standard for excellence across the music industry. The Gala will take place on Friday, May 16 at The Beverly Hilton in Los Angeles.

Monte Lipman, Chairman and CEO of Republic Records, said, “We are forever grateful for the incredible artists, songwriters, and storytellers that we’ve had the privilege of supporting over the years. Anytime you’re recognized by your peers, it’s always a humbling moment—and in this case, the significance of this award is truly exceptional.”

“Republic Records has consistently shaped the sound of popular music and launched some of the most influential artists of our time,” said Michael Sticka, President/CEO of the GRAMMY Museum. “Their sustained success and cultural impact make them a fitting honoree at this year’s GRAMMY Hall Of Fame Gala, where we celebrate the recordings—and the industry visionaries—whose legacies continue to inspire.”

Previously announced performers include celebrated percussionist and wife of Carlos Santana, Cindy Blackman; soul legend Eddie Floyd; 13-time GRAMMY® winner and Lifetime Achievement Award honoree Emmylou Harris, joined by multi-GRAMMY Award-winning producer Daniel Lanois and acclaimed multi-GRAMMY Award-winning jazz drummer Brian Blade for a rare collaboration; drummer of iconic power-pop band Big Star, Jody Stephens; multi-GRAMMY Award-winning composer and bandleader Jon Batiste; powerhouse vocalist and GRAMMY-winner Ledisi; GRAMMY-winning actor and singer Leslie Odom Jr.; and guitar virtuoso Orianthi. Notably, Harris, Floyd and Stephens all have recordings that are being newly inducted into the GRAMMY Hall Of Fame. Each performance will celebrate one of this year’s GRAMMY Hall Of Fame inductees, with more performers and details surrounding specific tributes to be announced soon.

The Gala will celebrate the 2025 GRAMMY Hall Of Fame inducted recordings, which include iconic recordings such as JAY-Z’s Reasonable Doubt, Cat Stevens’ Tea For The Tillerman, Santana’s Supernatural, and classics from Big Star, Clara Ward, Eddie Floyd, Emmylou Harris, Fela Kuti & Afrika 70, Geeshie Wiley, Gloria Estefan & Miami Sound Machine, J.D. Crowe & The New South, Linda Martell, and Luther Vandross.

As previously revealed, the evening will also include the presentation of the inaugural Ray Charles “Architect of Sound” Award, created in partnership with The Ray Charles Foundation. This new annual honor recognizes an artist whose creative legacy reflects the visionary innovation of Ray Charles. The first recipient is multi-GRAMMY Award-winner Jon Batiste.

Returning as host is esteemed CBS News journalist Anthony Mason. The show will be produced by former GRAMMY Awards Executive Producer Ken Ehrlich, alongside Ron Basile, Lindsay Saunders Carl and Lynne Sheridan, with musical direction by GRAMMY and Latin GRAMMY® Award-winning composer, producer and conductor Cheche Alara.

Tickets for the GRAMMY Hall Of Fame Gala are on sale now. For more information, visit: grammymuseum.org/programs/hof-gala.