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Spotify Expands Daylist Globally: A Feature That Evolves with Your Mood Throughout the Day

Spotify’s daylist has quickly become a favorite among music lovers since its launch, offering an ever-evolving playlist that changes throughout the day to match your mood. Whether it’s early morning jazz or late-night indie vibes, daylist keeps listeners engaged and coming back for more. In fact, 70% of daylist users return week after week, and millions stream it daily, making it one of Spotify’s most popular features for music discovery.

In the spring, Spotify expanded daylist in English to 65 additional markets, but now it’s time for the next big step. Daylist is officially available globally to all Free and Premium users, with support for multiple new languages. For the first time, listeners will be able to experience daylist in Arabic, Catalan, French (Canada and France), German, Indonesian, Italian, Japanese, Korean, Polish, Portuguese (Brazil), Spanish (Spain and Mexico), and Turkish.

A Personalized Playlist in Your Own Language

With the global expansion, users in these regions will see unique daylist titles tailored to their native languages. Expect playful and specific playlist names like “afrofuturisme funk moderne du mercredi après-midi” (modern funk afrofuturism Wednesday afternoon) or “pazartesi sabah etiyopya caz enstrümantal funk” (Ethiopian jazz instrumental funk Monday morning). Spotify’s product team has worked closely with local music and culture experts to ensure that each daylist captures the spirit of the music and the culture it’s catering to.

How to Find and Use Daylist

To explore your personal daylist, simply search for “daylist” on Spotify or visit spotify.com/daylist. You can also find it in the Made For You hub. The playlist updates multiple times a day, offering fresh tunes to suit your changing moods. Want to know when the next update is coming? Just check the playlist page for the exact time.

How to Share Your Daylist

Since its debut, daylist has become one of the most-shared personalized experiences on Spotify, second only to the annual Wrapped feature. Whether you’re showing off your current mood or sparking a conversation about your unique tastes, daylist makes sharing easy. You can choose from three different sharecard options:

  • A dynamic sharecard that updates with up to four different background graphics depending on the time of day.
  • A ready-made screenshot of your daylist.
  • A social media sticker that captures the essence of your current playlist.

How to Save Your Favorite Daylist

Just because your daylist changes throughout the day doesn’t mean you can’t keep a playlist that perfectly fits your mood. If you want to save a particular daylist:

  1. Tap the three-dot menu on the playlist page.
  2. Select “Add to other playlist.”
  3. Choose “New playlist” to save it to Your Library.

How to Never Miss a Daylist

To make sure you always have easy access to your daylist, you can add it to Your Library in just a couple of taps:

  1. Open the three-dot menu on the playlist page.
  2. Select “Add to Your Library.”

With this simple step, your daylist will always be available whenever you need a soundtrack for your day.

As daylist continues to grow, Spotify is excited to bring this unique, personalized experience to even more users around the world. Whether you’re new to the feature or a long-time fan, it’s never been easier to explore your ever-changing musical tastes with a playlist that evolves right alongside you.

Bands That Thrived After Losing Their Original Lead Singer

Many bands face an uncertain future after losing their original lead singer, a role often seen as the heart and soul of a group. However, some have defied the odds, not only surviving but thriving with new frontmen who brought fresh energy and perspectives. Whether through reinvention or staying true to their roots, these bands managed to keep their momentum going, proving that while the lineup may change, the spirit of the music can live on.

  • AC/DC – With Brian Johnson taking over after Bon Scott’s death, the band released the legendary Back in Black.
  • Genesis – After Peter Gabriel left, Phil Collins stepped in and led them to greater commercial success.
  • Van Halen – David Lee Roth’s departure didn’t slow them down; Sammy Hagar helped the band score four No.1 albums.
  • Pink Floyd – After Syd Barrett left, Roger Waters and David Gilmour took the reins, leading to iconic albums like The Dark Side of the Moon.
  • Journey – When Steve Perry exited, Arnel Pineda revitalized the band, bringing new energy to their classic hits.
  • Iron Maiden – Bruce Dickinson replaced Paul Di’Anno and helped the band reach new heights with albums like The Number of the Beast.
  • Fleetwood Mac – After several lineup changes, the addition of Lindsey Buckingham and Stevie Nicks pushed the band to super-stardom.

Celebrating Seattle’s African American Music Legacy with 3 Days, 26 Bands, and 11 Community Stages

BrightIDEAS is thrilled to announce that the 11th Annual Jackson St. Jazz Walk Series will take place on September 6th, 7th, and 8th, 2024. The series pays tribute to the Seattle Central District’s (CD) 1920s through 1960s vibrant black music scene. It commemorates a time when African American musicians were not permitted into Seattle white-only clubs, but numerous jazz and blues nightclubs thrived in the diverse and inclusive Central District, where icons like Quincy Jones, Ernestine Anderson, and Ray Charles honed their skills before reaching international fame.

The 2024 11th Annual Jackson St. Jazz Walk, with the theme of music, community, and legacy, honors the now vanished CD African American cultural footprint, featuring a three-day celebration of music from 26 local bands on 11 community stages. But it’s not just about the music. The series also shares historical presentations and, from proceeds, donates funds to a designated community service nonprofit organization.

The celebration begins Friday, September 6th, with the Jazz Caliente Con Corazon (Hot Jazz with Heart) Concert and VIP Red Dress Reception at Langston Hughes Performing Arts Center. Music performances feature Eduardo Mendonça, Jovino Santos Neto Quarteto, Eugenie Jones, Alex Dugdale FADE Quarter, and guitarist Frank Kohn.

The premiere jazz walk event takes place on Saturday, September 7th. It will showcase performances along South Jackson St. at businesses and restaurants, including Cheeky Cafe, Shewa-Ber Restaurant & Bar, Wonder Ethiopian Restaurant, Bell Jackson Apartments, Pratt Fine Arts Center, Jackson Apartments, Jackson Street Pizza Lounge, and the Central District Senior Center.

Jazz walk bands include the Joe Brazil Legacy Band, the Darrius Willrich Trio, the Kwetu Band, Todo Es, the Beserat Tafesse Quartet, Alma Villegas Latin Rhythms, The Elnah Jordan Experience, and many others.

The three-day event culminates on September 8th with a satellite performance at Queen Anne’s Fountainhead Gallery, featuring vocalist Gail Pettis and the three-part harmonies of the Sugartime Trio with Kim Maguire, Caitlin Frances, and Meg McLynn.

Award-winning singer/songwriter and Seattle Jazz Hall of Fame inductee Eugenie Jones is serving her seventh year as the event’s executive producer. “My vision upon taking on this role was to transform the Jackson St. Jazz Walk from mere entertainment to an event that incorporates historical reflections and adds a focus on giving back to the community. It was also important to feature a diverse array of artists, including those from different ethnic backgrounds and a mix of established and emerging talents.”

In the spirit of its historic predecessors, the jazz walk will showcase a diverse and inclusive lineup of musicians and musical styles. From jazz to soul, Latin Jazz, world-fusion music, and Afro-Latin jazz-funk, there’s something for everyone. The Jackson St. Jazz Walk is made possible by our sponsors, including Vulcan Real Estate, KNKX Public Radio, Uncle Ike’s Music & Sound, Earshot Jazz, Langston Seattle, Office of Arts & Culture Seattle, The Barbershop Collective, Jackson Street Pizza Lounge, Bell Jackson Apartments, Fountainhead Gallery, Langston Hughes Performing Arts Institute, and Shunpike.

The Jackson St. Jazz Walk, co-presented with the Pratt Fine Arts Center’s Open House event, attracted more than 1,100 attendees in 2023, and comparable attendance numbers are expected for 2024.

To learn more about this year’s performance times and tickets, please visit https://jacksonstreetjazz.org/.

2024 11 Annual Jackson St. Jazz Walk Schedule

Fri, Sep 6, 2024, 5:00 – 10:00 PM
Jazz Caliente Con Corazón | Hot Jazz With Heart
& VIP Red Dress Reception & Concert
https://www.eventbrite.com/e/962328118307?aff=oddtdtcreator
Tickets Suggested Donation $15
VIP Reception & Concert $25

Saturday, Sept. 7, 2024, 5-10:30 PM
11th Annual Jackson St. Jazz Walk
26 Bands on 11 Community Stages
Tickets: Donation $10
https://www.eventbrite.com/e/972660833737?aff=oddtdtcreator

Sunday, September 8, 2024, 5-7:00 PM
Jackson St. Jazz Walk Presents Seattle Sings!
Tickets: $30 A night of incredible music with award-winning vocalist Gail Pettis & the unique vocal harmonies of the Sugartime Trio!
https://www.eventbrite.com/e/954419463307?aff=oddtdtcreator

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Photo Gallery: Omar Apollo with Malcolm Todd at Toronto’s Budweiser Stage

Omar Apollo

All photos by Mini’s Memories. You can contact her through Instagram or X.

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Cowboy Bebop LIVE Performed by Bebop Bounty Big Band

Prepare to blast off into the cosmos with Cowboy Bebop LIVE, an electrifying tour performed by the sensational Bebop Bounty Big Band. This one-of-a-kind multimedia experience celebrates the iconic anime series Cowboy Bebop by bringing its legendary soundtrack to life in a way that fans have never seen before.

Cowboy Bebop LIVE is more than just a concert, it’s an immersive experience that combines high-octane jazz with the gripping narrative of Cowboy Bebop projected on the big screen. Audiences will be transported through the solar system alongside Spike, Jet, Faye, Ed, and Ein as they track down intergalactic fugitives, and make a living in the vastness of space. The band’s 14-piece ensemble brings to life the critically acclaimed soundtrack that has captured the hearts of anime fans and jazz lovers alike.

The Bebop Bounty Big Band, comprised of world-class musicians, is here to take audiences on a journey through the stars. Handpicked by Cowboy Bebop LIVE curator and band leader, Corey Paul, each musician plays a pivotal role in recreating the magic of Cowboy Bebop’s unforgettable soundscape. Paul commented, “I’m truly honored to have put this live show together and perform the genius score of Yoko Kanno and the Seatbelts, along with the genius storytelling of Watanabe’s Cowboy Bebop.”

Don’t miss your chance to witness Cowboy Bebop LIVE as it hits the road for an exclusive series of performances across the United States. General Onsale Begins Friday, August 16 at 10am local on CowboyBebopLive.com

TOUR DATES:
Tue Oct 15 | Chicago, IL | Anthenaeum Center
Thu Oct 17 | Pittsburgh, PA | Roxian Theatre
Fri Oct 18 | Indianapolis, IN | Egyptian Room at Old National Centre
Sat Oct 19 | Grand Rapids, MI | GLC Live at 20 Monroe
Sun Oct 20 | Detroit, MI | The Fillmore Detroit
Tue Oct 22 | Columbus, OH | The Bluestone
Wed Oct 23 | Cincinnati, OH | Bogart’s
Thu Oct 24 | Cleveland, OH | House of Blues
Fri Oct 25 | Louisville, KY | Mercury Ballroom
Sun Oct 27 | Madison, WI | Barrymore Theatre
Tue Oct 29 | Minneapolis, MN | Varsity Theater
Wed Oct 30 | Omaha, NE | Steelhouse Omaha
Thu Oct 31 | St Louis, MO | The Pageant
Fri Nov 01 | Des Moines, IA | Val Air Ballroom
Sun Nov 03 | Wichita, KS | The Cotillion
Wed Nov 06 | Fort Collins, CO | Aggie Theatre
Thu Nov 07 | Boulder, CO | Boulder Theatre
Sat Nov 09 | Albuquerque, NM | Revel Entertainment Center
Tue Nov 12 | Phoenix, AZ | The Van Buren
Wed Nov 13 | Tucson, AZ | Rialto Theatre
Thu Nov 14 | Riverside, CA | Fox Performing Arts Center
Fri Nov 15 | El Cajon, CA | The Magnolia
Sun Nov 17 | Los Angeles, CA | The Belasco
Fri Dec 06 | Durham, NC | Carolina Theatre
Sat Dec 07 | Atlanta, GA | Variety Playhouse

Julian Lennon Releases Reimagined Version of “I Should Have Known”

Julian Lennon, Grammy-nominated singer-songwriter, releases a reimagined version of his fan favorite, “I Should Have Known,” now available to stream on Apple Music, Spotify and YouTube. This track emerges from the perspective of an artist whose dreams of life and love are darkened by those in whom he sincerely trusted.

Mixed by acclaimed engineer and producer Mark “Spike” Stent, the track features an introspective Lennon, expressing the bitter taste of betrayal, as experienced throughout his life, in love and business. The strength in Lennon’s voice on the updated track communicates his resilience despite such heartbreaks. The intricate musical accompaniment further demonstrates his enduring gift for arrangement.

“The reason I decided to re-release and remix ‘I Should Have Known’ is because it was always a favourite of mine,” says Lennon. “I loved the way the new album [‘Jude’] sounded in particular. (…) I thought maybe Mark ‘Spike’ Stent will remix this for me and give it a new life. I want it to breathe life into the world again.”

Alongside the release, Lennon appears in a music video for the first time in over a decade for an original song, under the direction of Anna Makovchik, capturing his soul’s journey in a calm and peaceful environment. The visual representation reveals the profound essence of “I Should Have Known,” showcasing a poignant journey of self-discovery and emotional growth.

Born in Liverpool, England, Julian Lennon began his artistic trajectory at a young age with an inherent gift for playing musical instruments. Those abilities would soon broaden into the cinematic and visual arts. As an observer of life in all its forms, Julian developed his personal expression through such mediums as music, documentary filmmaking, philanthropy and fine art photography.

Julian’s musical melding of uplifting introspection and thoughtful social commentary with refined hooks has made for a compelling seven-album body of work. His debut, Valotte (Atlantic), yielded two top ten hits—the title track and “Too Late for Goodbyes”—he was also nominated for a Grammy for Best New Artist. He went on to have #1 singles on the U.S. album rock charts. Internationally, one of his most popular songs, “Saltwater” charted successfully around the world, topping in Australia for four weeks and reaching #6 in the U.K. In 2022, he returned with the critically acclaimed album, Jude (BMG), his first commercial release in over a decade.

Gap Launches Fall ‘Get Loose’ Campaign Starring Global Pop Star Troye Sivan

Gap debuts its Fall 2024 campaign, featuring dancers and artists showcasing the brand’s fall denim collection as a canvas for creativity. The campaign champions originality through fashion, music, and dance.

The campaign, titled “Get loose,” stars GRAMMY®-nominated global pop star Troye Sivan and the dance group CDK Company, with direction and choreography by Sergio Reis. Set to Thundercat’s viral hit “Funny Thing,” the film, shot by Dan Martensen, reunites Sivan and Reis and features original choreography showcasing dancers in baggy and loose fit denim, inspiring free movement and personal style.

“This fall, we are celebrating Gap’s 55-year heritage in denim with a collection of loose styles that allow for self-expression,” said Mark Breitbard, President and CEO, Gap. “Our new campaign featuring Troye Sivan perfectly captures the spirit of this moment with an attitude that showcases the movement of our denim and delivers fashion as entertainment.”

Gap’s fall denim collection offers endless opportunities for self-expression. The cast of performers showcase the versatility of Gap’s new denim assortment, styled in head–to-toe looks that celebrate both a fit and “get loose” mindset:

  • Troye Sivan wears the Men’s Baggy Jean in rigid dark wash denim with the Supima Relaxed Tee in white. Sivan also wears the ’90s Loose Cargo Jean in brown styled with the Heavyweight Zip Hoodie and Corduroy Jacket in his second look.
  • The cast of dancers wear a range of Gap’s new fall denim in seasonal washes and fits. Key styles include the women’s Baggy, Extra Baggy, and Horseshoe Jeans, plus men’s ’90s Loose Jean, Baggy Jean, and Denim Cargos paired with classic tees, shirting, and utility pieces.

Born in South Africa and raised in Australia, Sivan is known not only for his unique sound, blending electro pop and smooth melodies, but also for his distinct style that perfectly reflects his personality and art. With a combined social following of over 39 million, he has quickly become one of the most celebrated artists in recent pop culture and has built a captivated international fanbase that has followed him along his journey from actor to vlogger to award-winning musician.

“Being part of the Gap campaign and wearing their denim feels like a perfect fit. Dance has become a staple in my life, giving me confidence and a sense of timeless cool,” said Troye Sivan. “I’m honored to be part of something that embodies such effortless style and self-expression.”

Gap’s Fall 2024 campaign launches across digital and print media, out-of-home, video, social and Gap brand channels today, August 21, with the fall denim collection available to shop in stores and online now. Gap will also collaborate with Troye Sivan to create an in-store playlist, which will also be available on Spotify. Stay tuned for more updates as we continue to inspire and empower individuals to express their own originality. Follow @gap to learn more.

Marty Stuart’s Extensive Collection of Country Music Artifacts Joins the Country Music Hall of Fame and Museum’s Permanent Collection

The Country Music Hall of Fame and Museum celebrated the addition of the Marty Stuart Collection to the museum’s permanent holdings. Stuart’s collection of more than 22,000 items is the largest private assemblage of country music artifacts in the world, joining the world’s largest public collection held by the museum.

The acquisition was made possible through the generosity of Stuart, along with a lead preservation gift from the Willard & Pat Walker Charitable Foundation and major additional support from Loretta and Jeff Clarke. The nonprofit museum now owns the collection, holding it in the public trust and providing the highest level of artifact care and collection management.

The Marty Stuart Collection spans over a century of country music history and includes more than 1,000 stage wear and clothing items, 100 instruments, 50 original song manuscripts and more. Items in the collection include significant artifacts from Country Music Hall of Fame members Johnny Cash, Patsy Cline, Merle Haggard, George Jones, Loretta Lynn, Dolly Parton, Elvis Presley, Charley Pride, Jimmie Rodgers, Hank Williams and many others. Additionally, Stuart’s collection includes items from his own Country Music Hall of Fame career, including his expansive collection of photographs taken by Stuart himself, which have been exhibited at museums and published in books.

The momentous occasion was celebrated during a special ceremony in the museum’s Ford Theater illuminating Stuart’s passion for country music and its preservation. The event featured several performances with historic instruments from Stuart’s collection:

  • Country music trio Chapel Hart performed “Will the Circle Be Unbroken,” with recording artist and songwriter Charlie Worsham playing a 1970 Fender Telecaster once owned by Pops Staples, the patriarch and a member of gospel and R&B group the Staple Singers, who recorded the song.
  • Country Music Hall of Fame member Vince Gill performed “Marty & Me,” a newly written song by Gill and Stuart. Gill played George Jones’ 1958 Martin D-28 guitar, customized with unique, mother-of-pearl inlays and Jones’ name on the fingerboard.
  • Grammy-winning artist Chris Stapleton performed “Why Me Lord,” which was recorded by Johnny Cash and written and previously recorded by Kris Kristofferson. Stapleton played Cash’s Martin D-45 acoustic guitar, which also belonged to Hank Williams.
  • Marty Stuart closed the ceremony with a performance of Flatt & Scruggs’ “Don’t Let Your Deal Go Down,” with Shawn Camp playing Lester Flatt’s Martin D-28 guitar from the museum’s permanent collection.

The backing band for the event included members of the Earls of Leicester and consisted of Mike Bub (bass), Shawn Camp (acoustic guitar), Charlie Cushman (banjo), Jimmy Stewart (dobro), Johnny Warren (fiddle) and Jeff White (mandolin).

Kyle Young, CEO of the Country Music Hall of Fame and Museum, provided remarks throughout the event. He opened the ceremony by reading from an essay 11-year-old Stuart wrote for a school assignment about his future goals: “A musician is what I have been wanting to be. That is my true goal for life, and I hope to accomplish this goal and do it well because music will be my love forever,” Stuart wrote.

“Marty Stuart has fulfilled those childhood dreams many times over. Today, he is making our dreams come true, with the crucial help of two key donors,” said Young. “We’re incredibly grateful for Marty’s philanthropy — and a lead gift from the Willard & Pat Walker Charitable Foundation with major support from Loretta and Jeff Clarke — for enabling the museum to safeguard and share this historic collection in perpetuity. We’re here to celebrate this remarkable addition to our collection, revel in Marty’s extraordinary foresight and collecting skill, and rejoice in a new chapter for this museum.”

Many items from the Marty Stuart Collection will be on display as part of the museum’s permanent exhibition, Sing Me Back Home: Folk Roots to the Present, which takes visitors chronologically through the history of country music. Artifacts on display rotate often and Stuart’s collection will play a key role in the exhibit’s narrative and the museum’s educational mission.

As part of the acquisition agreement, the museum has entered a longstanding collaboration with Marty Stuart’s Congress of Country Music in his hometown of Philadelphia, Mississippi, where it will exhibit items from the Marty Stuart Collection at its forthcoming museum. The Country Music Hall of Fame and Museum will loan additional artifacts from its own permanent collection for display, as well as provide preservation, education and administrative consultation and support to the Congress.

“This is a top of the world moment for me,” said Marty Stuart. “To have my collection live alongside the Country Music Hall of Fame and Museum’s is monumental, to be a part of a ceremony and witness the Congress of Country Music and its people formally welcomed into the family of country music is a spiritual high. And, to share such a gathering with family and friends from both Nashville, as well as Mississippi, is just the best. Such a day only comes along once in a lifetime.”

During the ceremony, Stuart formally presented his childhood essay to the museum.

Mandy Macke, executive director of the Willard and Pat Walker Charitable Foundation, also spoke at the event about the importance of the collection and its preservation.

“The Walker Foundation is deeply honored to play a role in making this dream a reality,” said Macke. “The Country Music Hall of Fame and Museum is the ideal steward of this precious collection. Not only will it extend the highest level of care to each individual artifact, but it will also share and showcase the collection’s spirit with the world.”

The donation ceremony will be available to watch today on the museum’s YouTube channel.

Sphere Entertainment Unveils “V-U2”: A Groundbreaking Immersive Concert Film Showcasing U2’s Historic Sphere Run

Sphere Entertainment Co. announced today a one-of-a-kind cinematic experience to be shown exclusively at Sphere.  V-U2 An Immersive Concert Film at Sphere Las Vegas, directed by Morleigh Steinberg and The Edge, showcases the history-making and future-defining U2:UV show directed by Willie Williams that played to over 700,000 fans from 100+ countries across 40 sold-out dates from September 2023 through March 2024. V-U2 is the first film ever to be shot entirely with Big Sky, the groundbreaking ultra-high-resolution camera system developed by Sphere Entertainment. V-U2 does not just capture U2’s epic run at Sphere, it allows audiences to feel like they are at the live shows.

V-U2 is a Sphere Experience, Sphere’s signature original content category.  To create this larger-than-life concert film, a number of Big Sky cameras captured the band at extraordinary scale, sharpness, and clarity. V-U2 employs Sphere’s immersive technologies including the 160,000 sq. ft. display plane, which at 16k x 16k resolution is the world’s highest-resolution LED screen;  Sphere Immersive Sound, powered by HOLOPLOT, which provides crystal-clear sound to every seat in Sphere; and haptic seats, which use vibrations so guests can ‘feel’ the experience. All of these technologies, which were used to great effect in ‘U2:UV Achtung Baby Live at Sphere,’ will be leveraged in this Sphere Experience in new and different ways to reinforce the feeling of ‘being there’.

Launching a venue like Sphere challenged the band to create a once-in-a-lifetime audio/visual concert experience and the same standards were upheld for the film.  Co-directors The Edge and Morleigh Steinberg spoke about the filmmaking process:

“The goal was to give the immersive movie goers as close to the live U2:UV concert experience as possible — and then some. I’ve never seen a U2 show. I’m so relieved I caught a great one,” said The Edge.

“We knew all the tremendous capabilities of the technology, but we didn’t know what to expect from the process of making this film.  The work became a true collaboration between band, artists, producers, and technology teams.  The end result is a cinematic experience that transports viewers into the energy and beauty of the live show,” said Morleigh Steinberg.

“V-U2 is a first-of-its-kind immersive film that will transport audiences back to U2’s groundbreaking live Sphere shows and make them feel like they are there,” said Josephine Vaccarello, Executive Vice President, Live, MSG Entertainment, who oversees live bookings for Sphere. “This concert film was created specifically for Sphere, and will utilize the venue’s technologies to create an experience that is only possible at this next-generation entertainment medium.”

V-U2 immortalizes the acclaimed ‘U2:UV Achtung Baby Live At Sphere’ show directed by Willie Williams. The film of the show was directed by The Edge and Morleigh Steinberg and was produced by The Edge, Bono and Adam Clayton, along with producer Alan Moloney, in a unique collaboration with Sphere Entertainment. Stefaan “Smasher” Desmedt, video director of the original show, also served as Associate Director of the film. Music production was by Jacknife Lee and Joe O’Herlihy, the band’s longtime director of sound.  Sphere Studios’ Andrew Shulkind served as Director of Photography and the film was edited by the Studios’ Robert Rivers Malina. U2’s management is led by Irving and Jeffrey Azoff, both Executive Producers of the film. Jim Dolan is Executive Chairman and Chief Executive Officer of Sphere Entertainment; Jennifer Koester serves as Sphere’s President and Chief Operating Officer; Carolyn Blackwood is Head of Sphere Studios; and Josephine Vaccarello is Executive Vice President, Live for MSG Entertainment’s Live division, and oversees live bookings for Sphere.

A global news event which saw the world’s biggest rock band open the world’s most state-of-the-art venue, ‘U2:UV Achtung Baby Live At Sphere’ quickly became a pop culture moment and a must-see for music lovers everywhere. The show’s stunning visuals and live music performance, combined with the venue’s immersive technology elements, including the world’s most advanced audio system, became an instant social media sensation as hundreds of thousands of fans shared their U2:UV experience across multiple platforms generating billions of impressions, making U2:UV a truly global phenomenon.  One of the band’s most ambitious creative projects to date, it saw them work once again with longtime creative collaborator and show director Willie Williams, artists including Es Devlin, John Gerrard and Marco Brambilla, and longtime partner and producer Brian Eno.

Acknowledged as the most innovative live act in the world, U2 have always – since their earliest days, including the industry-defining ZOO TV Tour which broke the mold in 1992 – consistently pushed the boundaries of live performance, with ground-breaking stage shows that embrace the latest in technology and innovation. ‘U2:UV Achtung Baby Live At Sphere’ saw the band blaze a trail yet again, with fans, press and industry leaders hailing the run, and the venue, as the future of live entertainment.

V-U2 will open at Sphere on Thursday, September 5, 2024. U2.com subscribers have first access to presale tickets from Thursday, August 22 at 10:00AM PT through Friday, August 23 at 9:00AM PT via Ticketmaster.com. Sphere will also offer an exclusive presale to its Inner Circle subscribers from Thursday, August 22 at Noon PT through Friday, August 23 at 9:00AM PT via Ticketmaster.com. Join Sphere’s Inner Circle by clicking here. Tickets will be available for purchase by the general public beginning on Friday, August 23 at 10:00AM PT via Ticketmaster.com. Tickets start at $100 and will reflect all-in pricing. This means the ticket price listed is the full out-of-pocket price inclusive of taxes and fees. 

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That Eric Alper
6-time nominee for Publicist of the Year during Canadian Music Week, a 16-time JUNO Award winner overseeing PR campaigns, and have also been truly honoured to work with some of the biggest and most important artists of our time.

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