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Deftones to Embark on 2025 North American Tour

Multi-platinum GRAMMY Award-winning Sacramento band Deftones announce their 2025 North American Tour, marking their first headline run since 2022. Produced by Live Nation, the tour will canvas the country with stops at legendary arenas from coast to coast. The tour kicks off at Moda Center in Portland, OR, on February 25, rolls through Kia Forum in Inglewood, CA, on March 6, Madison Square Garden in New York, NY, on April 3, and concludes at TD Garden in Boston, MA, on April 8. The Mars Volta and Fleshwater join the bill as special guests. Watch the official trailer HERE.

Tickets will be available starting with the official Deftones presale going live on Wednesday, September 18, at 10 am local time, through Thursday, September 19, at 11:59 pm local time, with The Mars Volta and Fleshwater hosting coinciding artist presale windows. Additional presales will run throughout the week ahead of the general onsale beginning Friday, September 20, at 10 am local time on LiveNation.com.

The news follows a busy year for the band, highlighted by standout performances at Coachella, Primavera Sound, and Lollapalooza. They also joined System Of A Down for a massive sold-out event at Golden Gate Park with 50,000 fans.

Next up, Deftones ignite their fifth annual sold-out Dia De Los Deftones festival on Nov. 2 at Petco Park in San Diego, CA. Headlined, hosted, and curated by Deftones, the all-ages festival lineup also features IDLES, Sunny Day Real Estate (performing Diary in its entirety), Health, Paris Texas, Duster, Gel, and Qendresa.

Formed in Sacramento, CA in 1988, the multi-platinum GRAMMY Award-winning Deftones are one of the most influential alternative bands in the world. The band, comprised of Chino Moreno, Frank Delgado, Stephen Carpenter, and Abe Cunningham, has released nine studio albums, sold over 10 million albums globally, and have been streamed 7.1 billion times. Deftones’ culture is revered as one of the most fervent that exists.

2025 TOUR DATES:
2/25 Portland, OR – Moda Center
2/27 Seattle, WA – Climate Pledge Arena
3/1 Sacramento, CA – Golden 1 Center
3/4 San Francisco, CA – Chase Center
3/6 Inglewood, CA – Kia Forum
3/8 Las Vegas, NV MGM – Grand Garden Arena
3/9 Phoenix, AZ – Footprint Center
3/12 Austin, TX – Moody Center
3/13 San Antonio, TX – Frost Bank Center
3/15 Dallas, TX – American Airlines Center
3/16 Houston, TX – Toyota Center
3/18 Atlanta, GA – State Farm Arena
3/20 Orlando, FL – Kia Center
3/22 Sunrise, FL – Amerant Bank Arena
3/24 Charlotte, NC – Spectrum Center
3/26 Nashville, TN – Bridgestone Arena
3/28 Indianapolis, IN – Gainbridge Fieldhouse
3/29 Columbus, OH – Nationwide Arena
3/31 Chicago, IL – United Center
4/1 Detroit, MI – Little Caesars Arena
4/3 New York, NY – Madison Square Garden
4/4 Philadelphia, PA – Wells Fargo Center
4/6 Washington, DC – Capital One Arena
4/8 Boston, MA – TD Garden

 

SiriusXM Media Canada Launches, Serving as Exclusive Ad Sales Representative for the SiriusXM Podcast Network in Canada

SiriusXM Canada is pleased to announce the launch of SiriusXM Media Canada, an expansion of the Company’s advertising division which will provide Canadian marketers and advertisers exclusive access to the platforms, programs, and publishers under the SiriusXM umbrella paired with an end-to-end tech stack from AdsWizz, the technology engine powering the monetization of audio content worldwide and a subsidiary of SiriusXM.

SiriusXM Media Canada launches with its first major exclusive offering – the SiriusXM Podcast Network. As October 1, SiriusXM’s market-leading podcast slate, including Smartless with Will Arnett, Jason Bateman and Sean Hayes, Call Her Daddy with Alex Cooper, Conan O’Brien Needs a Friend, Crime Junkie, The Mel Robbins Podcast, and hundreds of additional titles launched to advertisers across Canada exclusively via SiriusXM Media Canada. In addition, SiriusXM Media Canada represents thousands of additional podcasts via AdsWizz’s Podcast Marketplace, which features a variety of premium networks such as PodcastOne, Barstool Sports, The New York Times, Washington Post and more.

The team will operate out of SiriusXM Canada’s office in Toronto. Helmed by audio advertising sales veteran Jon Hales, the SiriusXM Media Canada team brings decades of experience in digital audio including streaming, podcasts, creative production, data and measurement.

“We’re very excited to join the largest audio company in North America and offer Canadian advertisers access to exclusive, impactful, measurable audio advertising opportunities connecting brands to targeted audiences,” said Jon Hales, Vice President of Sales, SiriusXM Media Canada. “Our dedicated, service-focused team, combined with rich content integrations and the biggest names and brands in audio entertainment is what sets us apart.”

In addition to podcast inventory, SiriusXM Media Canada offers a unique audio advertising experience across live radio on SiriusXM and the SiriusXM Streaming Network, which includes Pandora, SoundCloud, and more to millions of engaged listeners. As the longtime leaders in audio advertising, SiriusXM Media makes it easy for every marketer to produce, plan, buy, and measure across its entire audio universe, and now SiriusXM Media Canada is positioned to offer brands the most effective audio advertising solutions in the region today.

For more information, visit www.siriusxm.ca/siriusxmmedia

SiriusXM NHL Network Radio Returns With Extensive Live Coverage of the 2024-25 NHL Season

SiriusXM Canada, the country’s leading audio entertainment company and the Official Satellite Radio Partner of the NHL, today announced extensive coverage plans for the 2024-25 NHL season, through to the 2025 Stanley Cup Final. SiriusXM NHL Network Radio (ch. 91) will bring listeners across North America the most insightful expert analysis, behind-the-scenes special programming, exclusive interviews, and live-play-play of every game starting Friday, October 4.

Entering its 20th season of the most in-depth and entertaining hockey coverage available, SiriusXM NHL Network Radio is welcoming a dynamic roster of former players to bring their knowledge and perspective daily, including Mike Johnson, Anthony Stewart, Martin Biron, Andrew Raycroft, Mike Rupp, Frankie Corrado, Jason Strudwick, and Carter Hutton.

The regular lineup of listener favourites will return for expert opinion, analysis and season previews for all 32 NHL teams, including Gord Stellick, Scott LaughlinSteve KouleasBoomer Gordon, Mick Kern and Linda Cohn. New insider Don Granato, former Buffalo Sabres Head Coach, joins Brian Burke, Elliotte Friedman, Bruce Boudreau, Craig Button, and Dave Pagnotta who will return each week for full coverage of all the action across the ice.

The 42nd season begins with back-to-back games between the Buffalo Sabres and the New Jersey Devils in Prague, Czech Republic as part of the 2024 NHL Global Series presented by Fastenal on Friday, October 4 and Saturday, October 5. The puck drops in North America on Tuesday, October 8 with a triple header of action featuring the St. Louis Blues vs. the Seattle Kraken at 4:30pm ET, followed by the Florida Panthers raising their Stanley Cup banner against the Boston Bruins at 7pm ET, and finally the Utah Hockey Club begins a new era vs. the Chicago Blackhawks 10pm ET.

SiriusXM NHL Network Radio is the only 24/7 audio channel dedicated to the NHL, available to subscribers across North America on SiriusXM radios (channel 91) and on the SiriusXM app (SiriusXM NHL Network Radio). For more SiriusXM NHL Network Radio™ programming, visit: SiriusXM.ca/SiriusXM-NHL-Network-Radio.

Fans can also search in the SiriusXM app for additional content including podcasts, player interviews, and more. The SiriusXM app offers 32 NHL team channels, each dedicated to carrying the official radio broadcast for each team. All 32 team channels are also available in vehicles equipped with SiriusXM’s 360L radios. French-language broadcasts for all Montreal Canadians games will be available via Attitude Franco (ch.163).

For a schedule of NHL games on SiriusXM go to SiriusXM.ca/NHL. Keep up with SiriusXM NHL Network Radio™ on X, and Facebook.

Watch Billy Joel On The Midnight Special In 1975 Just Before He Got REALLY Popular

In October 1975, Billy Joel found himself in a transitional phase. He had made his mark with his 1973 album Piano Man and its now-classic title track, but the momentum he and Columbia Records hoped to maintain with Streetlife Serenade didn’t quite take off. Released in November 1974, Streetlife Serenade included the notable track “The Entertainer,” yet it peaked at just #35 on the Billboard albums chart, while its single stalled at #34 on the Hot 100.

At 26 years old, Joel was in a period of recalibration. He was still months away from releasing his 1976 album Turnstiles—which, while respected, flew somewhat under the radar—and a full two years from his major breakthrough with The Stranger.

On October 10, 1975, Joel took the stage at The Midnight Special in Burbank, California, to remind audiences of his talent. Rather than previewing new material, he turned to Piano Man and performed “Travelin’ Prayer” and “The Ballad of Billy the Kid,” singles that had helped shape his early identity as a singer-songwriter. It was a moment that highlighted his musical chops, as he continued to navigate the ups and downs of his burgeoning career.

Cher Announces Book Tour for “The Memoir”

Cher has always been more than just a superstar—she’s an icon who has paved her own way in the entertainment industry for over seven decades. Now, in her highly anticipated memoir Cher: The Memoir, she shares her life story like never before. The memoir promises to be an intimate, candid journey into her experiences as a daughter, sister, wife, lover, mother, and, of course, the superstar who has captivated generations.

In this two-part memoir, Cher recounts her remarkable life, from her early days growing up in a chaotic household with dreams of stardom, to her explosive rise to fame alongside Sonny Bono, and the ups and downs of their relationship. With trademark honesty and humor, Cher lays bare her journey, touching on everything from her struggles with dyslexia to the complexities of her personal and professional life.

This memoir isn’t just about the glitz and glamour; it’s about the woman behind the persona, the fighter, the activist, and the trailblazer who has defied the odds. And as if that weren’t enough, Cher: The Memoir is only the beginning—Part One takes readers through her childhood and early fame, with more to come in Part Two.

If you’re as excited as we are about this release, you won’t want to miss a chance to see Cher in person. This fall, Cher is hitting the road for a limited book tour, and tickets are sure to go fast. Here’s where you can catch her:

Cher’s Book Tour Dates:

New York, NY
November 20th at 8PM
The Temple Emanu-El Streicker Cultural Center
Bookseller: Barnes & Noble
Purchase Tickets

Englewood, NJ
November 22nd at 7PM
Bergen Performing Arts Center
Bookseller: Bookends Bookstore
Purchase Tickets

London, England
November 25th at 7:30PM
FANE at The Lyceum Theatre
Bookseller: Waterstones
Purchase Tickets

Beverly Hills, CA
December 2nd at 8PM
Live Talks Los Angeles at the Saban Theatre
Bookseller: Barnes & Noble
Purchase Tickets

San Francisco, CA
December 4th at 7:30PM
Golden Gate Theatre
Bookseller: Book Passage
Purchase Tickets

Whether you’re a lifelong Cher fan or just curious about the woman behind the legend, Cher: The Memoir is bound to be a compelling read, and this tour offers a once-in-a-lifetime opportunity to hear from Cher herself. Get your tickets, grab your copy of the memoir, and prepare to be inspired by one of the most iconic figures in entertainment history.

Goose Announces Inaugural Destination Festival Experience, Viva El Gonzo, in San José del Cabo

Live music fans and travel enthusiasts rejoice: Goose is debuting Viva El Gonzo festival, taking place from May 8-10, 2025 in San José del Cabo, Mexico. Presented by 100x Hospitality, the destination festival promises an immersive discovery journey where attendees can choose their own adventure. A simple, all-in-one ticket purchase includes festival access as well as customizable lodging, wellness offerings, beach access and more in Cabo’s tropical desert oasis.

Anchored by three consecutive nights of performances by Goose, the festival will feature sets from The War on Drugs, Tycho, Dawes, LA LOM, LP GIOBBI, and more. Goose, known for their genre-blending sound and exploratory live performances, will deliver two sets each night, setting the stage for a weekend full of unforgettable musical discovery.

Travel packages for Viva El Gonzo go on sale Wednesday, October 9 at 1PM ET via VivaElGonzo.com, with a presale starting Tuesday, October 8 at 1PM ET for fans who sign up in advance. Over a dozen hotel choices will be available, from intimate boutique stays to luxurious all-inclusive resorts. Each property, located within a five-mile radius of the main event grounds, offers its own unique atmosphere and amenities, allowing guests to tailor their stay to their personal tastes. These curated travel packages offer a seamless booking experience, combining lodging, wellness offerings, and festival access in one transaction. Fans have the opportunity to further customize the adventure with additional activities, all inclusive options, and more. A limited number of “music only” tickets will be available for those who want to attend the festival and take care of their own lodging and transportation.

“We’re stoked to be headlining Viva El Gonzo in such a beautiful spot like San José del Cabo,” says Rick Mitarotonda of Goose. “This festival is going to be something special—a chance for us and our fans to dive into the music, the vibe, and the incredible surroundings. We’ve got some wild stuff planned, and we’re really looking forward to sharing this adventure with everyone who takes the ride with us.”

Viva El Gonzo is the first event of its kind in Cabo, offering a multifaceted experience where music, art, and culture intertwine. The heart of the festival is El Ganzo Oasis, where Goose will perform amidst lush tropical growth, open fields, and elaborate installations. The venue, just steps from the Sea of Cortez, will host multiple stages, pop-up experiences, wellness events, and an eclectic marketplace of local vendors and cuisine, all designed to create a sensory-rich environment that reflects the festival’s “choose your own adventure” ethos.

At nightfall, a short walk from the El Gonzo Oasis leads to Crania, a beachside club that transforms into a post-apocalyptic neon world of art and music. Here, festival-goers can explore immersive installations and dance to rhythmic music that channels the vibrant energy of the West Coast, creating a unique late-night experience.

Beyond the festival grounds, Viva El Gonzo invites adventurers into the heart of San José del Cabo. Whether exploring the vibrant downtown streets, indulging in world-class dining or casual street food, or embarking on excursions like snorkeling, horseback riding, and hiking, attendees can craft their own unique journey, shaped by the diverse cultural and natural wonders of the region.

Goose released their debut album in 2016 and quickly took flight, playing countless shows while steadily amassing a fervent fan following for their unique brand of irresistible songcraft, fluid musicianship, and spirited improvisational performance. 2022 proved a career-defining year for the Connecticut-based quintet with their critically acclaimed third studio album, Dripfield. Fueled by such hypnotic tracks as “Hungersite” (which spent multiple weeks among the top 10 at Triple A radio outlets nationwide), the album proved a phenomenon, debuting at #2 on Billboard’s “Top New Artist Albums” chart amidst critical applause from such national outlets as Rolling Stone, which hailed it as “both sweet headphone ear candy and the foundation for a perfect live peak.”

Known for their exuberant grooves and incendiary bursts of musical exploration, Goose has spent much of the past decade on a seemingly infinite tour schedule that includes sold-out headline shows at such renowned venues as Morrison, CO’s Red Rocks Amphitheatre, Nashville, TN’s Ryman Auditorium, and New York City’s hallowed Radio City Music Hall; a sold-out co-headline run alongside Trey Anastasio Band; a sold-out EU/UK headline tour, and show-stealing appearances at such festivals as Bonnaroo Music & Arts Festival, Austin City Limits Music Festival, Newport Folk Festival, Electric Forest, and Dead & Company’s Playing In The Sand in Riviera Cancun, MX. In 2024, the band’s Spring and Summer headlining tours have been their biggest to date, with Forest Hills, MGM MUsic Hall at Fenway in Boston, The Salt Shed in Chicago, and more, all selling out. They also recently released Live at the Fox Theatre, recorded live in June 2024 at the legendary Atlanta theater. Other recent highlights include a sold-out, four-night run at Port Chester, NY’s historic Capitol Theater (including a once-in-a-lifetime joint performance with members of Vampire Weekend), as well as TV performances on ABC’s Jimmy Kimmel Live!, NBC’s The Tonight Show Starring Jimmy Fallon, and CBS Saturday Morning. Goose is: Rick Mitarotonda (vocals, guitar), Peter Anspach (vocals, keys, guitar), Trevor Weekz (bass), Jeff Arevalo (vocals, percussion, drums), Cotter Ellis (drums).

For more information about Viva El Gonzo, including travel packages, visit VivaElGonzo.com. Buy the ticket… take the ride.

The Last Dinner Party Release ‘Prelude to Ecstasy: Acoustics and Covers’

The Last Dinner Party are pleased to share Prelude To Ecstasy: Acoustics and Covers – a deluxe edition of their Mercury Prize-shortlisted debut which includes reimagined versions of the band’s own songs alongside unique covers of their favourite tracks from other artists.

Prelude To Ecstasy: Acoustics and Covers arrives with an on the road video for ‘Portrait of a Dead Girl’; made with footage from the band’s recent inaugural trip to bassist Georgia’s home country of Australia.

 This new collection was first teased towards the end of summer with The Last Dinner Party’s cover of Sparks’ 1974 single ‘This Town Ain’t Big Enough For Both Of Us’.

To sum up the impact The Last Dinner Party have had, or simply to try and summarise the highlights of their last twelve months would inevitably be doing the band an injustice. With sell out tours across the globe, chart-bothering singles, a fastest-selling number one album by a debuting band for years, a Rising Star BRIT Award, BBC Sound of 2024 winners, reams of acclaim and now an inclusion on the Mercury Prize – Albums of the Year shortlist: you’d be hard pushed to liken it to any new artist introducing themselves within the last decade, perhaps further beyond. The wildest of rides.

But amongst all the deafening noise stand five smart young musicians trying to ignore what they cannot control and instead leave a permanent impression out on the stages they’d always dreamed of performing on. A mesmerising, captivating live act, The Last Dinner Party started this journey honing their craft on the basement stages of London’s grassroots venues and have been telling their story to bigger capacity rooms across the UK, Europe and the US ever since.

Having commenced the summer with a spree of stellar festival appearances including Radio 1 Big Weekend, Primavera Sound, TRNSMT and a scene-stealing return to Glastonbury, The Last Dinner Party have wrapped their debut run of Australia shows and an appearance at Japan’s Fuji Rock Festival, with the band now amid a collection of sold out dates on both sides of the Atlantic: culminating in 3 nights at London’s Eventim Apollo.

Britain’s “most likely to” have emphatically become Britain’s most in-demand, and Britain’s most exciting.

Prelude To Ecstasy: Acoustics and Covers tracklisting:

LP 1:
Side A
Prelude to Ecstasy
Burn Alive
Ceaser On A TV Screen
The Feminine Urge
On Your Side
Beautiful Boy

Side B
Gjuha
Sinner
My Lady of Mercy
Portrait of A Dead Girl
Nothing Matter
Mirror

LP 2:
Side C
Ceaser On A TV Screen (Acoustic)
Sinner (Acoustic)
My Lady of Mercy (Acoustic)
Nothing Matters (Live)
Mirror (Live)

Side D
This Town Ain’t Big Enough For Both Of Us (Cover)
Up North (Cover)
Wicked Game (Cover)
Army Dreamers (Cover

The Last Dinner Party Live:

11th October – O2 Victoria Warehouse, Manchester SOLD OUT
12th October – Mountford Hall, Liverpool SOLD OUT
14th October – Corn Exchange, Cambridge SOLD OUT
16th October – Eventim Apollo, London SOLD OUT
17th October – Eventim Apollo, London SOLD OUT
19th October – Eventim Apollo, London SOLD OUT

28th October – L’Olympia, Paris SOLD OUT
29th October – Cirque Royal, Brussels SOLD OUT
31st October – Paradiso, Amsterdam SOLD OUT
2nd November – E-Werk, Cologne SOLD OUT
3rd November – TivoliVredenburg, Ultrecht SOLD OUT
5th November – L’Épicerie Moderne, Lyon SOLD OUT
6th November – Tonhalle, Munich SOLD OUT
7th November – Uber Eats Music Hall, Berlin
9th November – Inside Seaside Festival, Gdansk
10th November – Sasazu, Prague
12th November – Museums Quartier – Halle E, Vienna SOLD OUT
13th November – X-TRA, Zurich
14th November – Barezzi Festival @ Teatro Regio, Parma
16th November – Rockhal Club, Luxembourg SOLD OUT
17th November – 013 Poppodium, Tilburg SOLD OUT

What is Dynamic Pricing and How It’s Shaping the Concert Industry

Dynamic pricing is a flexible pricing strategy where the cost of a product or service changes based on real-time demand. It’s most commonly associated with industries like airline tickets, ride-sharing apps, and hotel bookings, but it has increasingly found its way into live events such as concerts and sports. This approach allows companies to maximize revenue by adjusting prices in response to fluctuating market demand, enabling fans to pay prices that better reflect real-time value.

At its core, dynamic pricing uses algorithms that assess factors like current demand, ticket availability, and external market conditions. For example, if a popular artist announces a tour, and tickets start selling fast, the dynamic pricing system may automatically increase prices to reflect the growing demand. Conversely, if demand decreases, the system can lower prices to incentivize purchases.

This pricing model is already being used across a variety of industries. You might see Uber fares surge during a busy night, or hotel prices spike when there’s a big event in town, or airline tickets become more expensive closer to the flight, or fruits and vegetable prices rise and fall and rise again within a week. Similarly, with concert tickets, prices can rise or fall based on how fast tickets are selling, or even depending on factors like the day of the week or proximity to the event.

One of the most significant areas dynamic pricing has impacted recently is in the music industry—specifically, concert ticket sales. In early 2022, Bruce Springsteen’s ticket prices surged to as high as $5,000 for prime seats due to dynamic pricing. Oasis in 2024 had their tickets reach $10,000 per ticket. Ticketmaster, which uses dynamic pricing, defended the system by explaining that the pricing reflects demand and provides an opportunity for fans to secure seats at market-driven prices.

Similarly, Taylor Swift’s Eras Tour experienced dynamic pricing during its initial ticket sales. Swift’s team faced scrutiny as fans reported rising ticket prices, but the demand for her shows was astronomical, with many fans willing to pay premium prices for limited seats. Ticketmaster implemented dynamic pricing to capitalize on the soaring demand, although the move was met with mixed reactions.

On the other end of the spectrum, if a concert is not selling well, dynamic pricing can work in favor of fans. For example, tickets to less popular events might drop in price closer to the event date to encourage more sales. This can benefit fans looking for last-minute deals, as they may find lower prices if demand is weaker than anticipated.

Dynamic pricing is often a misunderstood concept, especially when fans see prices rise dramatically. However, for artists and promoters, it offers a way to capture the true market value of tickets, rather than allowing secondary markets (like scalpers) to profit from reselling tickets at inflated prices. With dynamic pricing, that additional revenue goes directly to the artists and their teams, rather than third-party resellers – who, by the way, have done absolutely nothing to invest in an artists’ career except to profit off it.

It’s also a fair approach in that it allows for greater flexibility. Fans who are willing to pay more to secure the best seats early on have that option, while others might choose to wait and see if prices adjust later. It’s a system designed to reflect how much fans are truly willing to pay, making the process more market-driven.

While dynamic pricing can lead to sticker shock, it ultimately levels the playing field. Before dynamic pricing, scalpers would scoop up tickets and resell them at massive markups, with none of that profit going back to the artists. With dynamic pricing, the revenue from these higher prices is redirected to the artists and event organizers, helping them to better support their teams, crews, and future tours.

Additionally, when prices drop, it rewards fans who may have been priced out initially, giving them an opportunity to attend the event at a lower cost. For example, some shows by artists like The Weeknd or Ed Sheeran have seen price reductions closer to the concert dates for remaining seats, allowing more fans to access the event without paying inflated prices.

In 2023, Bruce Springsteen and Taylor Swift continued to make headlines for dynamic pricing, but they aren’t the only ones utilizing this model. The Rolling Stones and Elton John have also employed dynamic pricing for their concerts. Even major sports events like the Super Bowl have seen ticket prices fluctuate using this method, ensuring that demand is met in real-time.

Ed Sheeran, for example, has been vocal about wanting to keep tickets affordable for fans but still uses dynamic pricing to ensure his shows reflect demand. His approach includes a mix of strategies, such as blocking certain tickets from being resold and employing dynamic pricing to capture the true value of his seats.

Ultimately, dynamic pricing is becoming a more widespread tool in the live events industry because it reflects the reality of demand in real-time. While the initial shock of higher prices might sting, the fairness comes in the flexibility it provides for both fans and artists. Fans willing to pay a premium can get their tickets early, and those who wait might benefit from lower prices, all while ensuring the artist receives the value for their performance.

As the industry evolves, dynamic pricing is likely here to stay, shaping the way we buy tickets and experience live entertainment.

The Enduring Popularity of Three Days Grace

When it comes to the modern rock scene, few bands have stood the test of time like Three Days Grace. With their raw, emotive sound and powerful lyrics that explore themes of pain, addiction, and personal struggle, they’ve struck a chord with listeners since the early 2000s. Their unique blend of post-grunge and alternative metal has made them a staple in the world of rock, and despite lineup changes and the ever-evolving music landscape, Three Days Grace remains as popular as ever.

Formed in 1997 in Ontario, Canada, Three Days Grace quickly gained a reputation for their intense live shows and relatable lyrics. Their self-titled debut album, released in 2003, produced massive hits like “I Hate Everything About You” and “Just Like You,” which dominated rock radio and catapulted the band to international fame. These anthems of angst and frustration resonated deeply with a generation dealing with the pressures of adolescence, and the band became a go-to for listeners seeking cathartic release.

The band’s ability to channel raw emotions into songs that are both heavy and accessible played a significant role in their early success. With their follow-up albums One-X (2006) and Life Starts Now (2009), Three Days Grace solidified their place in the pantheon of rock greats, delivering chart-topping singles like “Animal I Have Become,” “Pain,” and “The Good Life.”

One of the key reasons behind Three Days Grace’s enduring popularity is their ability to address universal emotions in a way that feels personal. Whether it’s through the turmoil expressed in “Never Too Late” or the anger and rebellion of “Riot,” the band connects with listeners by speaking directly to their struggles and frustrations. Their lyrics often touch on issues of mental health, addiction, and the human condition—subjects that have only become more relevant as societal awareness around these topics grows.

This emotional depth, combined with their aggressive sound, has allowed the band to maintain a loyal fanbase even as trends in music come and go. Their songs provide a soundtrack for anyone who feels misunderstood, alone, or overwhelmed, giving them a way to process these emotions.

Adapting to Change: Lineup Shifts and New Directions

A significant moment in the band’s history came in 2013 when longtime frontman Adam Gontier left the group due to personal health reasons. For many bands, a change in such a vital position could spell disaster, but Three Days Grace showed resilience. Matt Walst, formerly of My Darkest Days and the brother of bassist Brad Walst, stepped in as lead vocalist.

While the shift in vocals altered the band’s sound slightly, their core elements remained intact. Albums like Human (2015) and Outsider (2018) proved that the band still had plenty of fuel left in the tank, with hits like “I Am Machine” and “The Mountain” demonstrating their ability to evolve without alienating their fanbase. Walst’s grittier voice brought a fresh energy to the band, allowing them to continue exploring the themes of resilience, rebellion, and survival that have always been central to their identity.

In today’s digital music landscape, where streaming dominates and new genres constantly emerge, Three Days Grace has managed to stay relevant. Their presence on platforms like Spotify and YouTube has kept them connected with both longtime fans and new listeners. In fact, their track “I Hate Everything About You” has racked up over 500 million streams on Spotify, a testament to its timeless appeal.

Additionally, their live performances continue to draw massive crowds. Known for their high-energy shows and anthemic choruses that get the audience singing along, Three Days Grace remains a must-see act for rock fans. Their ability to deliver both in the studio and on stage keeps fans coming back for more, regardless of how the music industry changes.

Three Days Grace’s staying power is a testament to their ability to evolve while staying true to the emotional core of their music. With each album, they manage to explore new sonic territories without losing the raw intensity that first won over their fans. Their next chapter is sure to continue this legacy, as they show no signs of slowing down. After more than a decade away from the band he helped make legendary, Gontier has officially rejoined the band, making fans around the world ecstatic.

In a world where musical tastes change rapidly and new artists emerge every day, Three Days Grace’s continued success proves that rock music—and its ability to speak to the human experience—still has a vital place. For those who have followed the band since the beginning, and for those just discovering them, Three Days Grace remains a band that delivers on its promise: to provide a voice for the broken, the angry, and the resilient.

 

Clearing the Path: Regulatory Challenges in Asset Tokenisation

By Mitch Rice

In an exclusive interview with crypto.news, Bing Wang, Head of Legal at BasedVC, discussed the complications of tokenising real-world assets (RWAs) like real estate, art and commodities. Despite the sector’s potential, expected to reach $24 trillion by 2027, the path to widespread adoption is plagued with regulatory difficulties. These issues stem from the market’s global structure, where varying legislation on securities, digital assets, and property rights hamper compliance efforts for issuers and investors. Wang’s findings underscore the vital importance of solid tactics for successfully navigating these legal complexities.

The Current Regulatory Landscape

The worldwide asset tokenisation market is divided into segments by many regulations that differ dramatically between jurisdictions. These regulations broadly address securities, digital assets, and property rights. For example, in certain countries, tokenised assets are recognised as securities, requiring strict financial regulation adherence. Still, others may view them solely as digital assets or personal property. 

Web3 Experts at coininsider.com contend that this fragmentation raises significant barriers to entry for new platforms while complicating the investment process for global investors. Navigating this patchwork of rules needs extensive legal knowledge and a thorough awareness of the international financial landscape for firms and investors seeking to reap the benefits of blockchain technology for asset tokenisation.

Needed Regulatory Reforms

Several regulatory measures are required to let RWA tokenisation become more widely adopted. To begin, a standard definition of tokens must be established to identify whether they are securities, commodities, or a unique class of digital assets. This clarification would assist in developing standard regulations and reducing the compliance cost on platforms and investors. Second, clear standards on the registration and licencing criteria for tokenisation platforms are required to standardise operations and ensure legal compliance across borders.

Furthermore, establishing regulatory sandboxes would allow new technology and business models to be evaluated without immediate full-scale regulatory consequences. This could lead to the quicker and safer integration of innovations into the financial system. These reforms are critical not just for the expansion of the tokenisation market but also for the overall Web3 ecosystem, as they would create a more stable and predictable base for all parties.

Strategies for Global Compliance

Tokenisation services that operate globally must comply with various international standards. The first step is to thoroughly examine the securities laws in the jurisdictions where they operate to grasp the subtleties of registration, licencing, and disclosure obligations. 

Afterwards, platforms can modify their products to satisfy these unique regulatory requirements, selecting appropriate means for public or private placements and implementing relevant marketing strategies. Using blockchain technology, brilliant contracts, can automate compliance duties, lowering the need for manual processes and minimising human error.

Continuously educating investors and team members about new international securities regulations assures continuing compliance and contributes to preserving a competitive advantage. These tactics are crucial for fostering confidence and stability in Web3, where legal and regulatory uncertainty provides considerable problems.

Impact of U.S. Regulations on the Global Market and Web3 Ecosystem

The U.S. Securities and Exchange Commission (SEC)’s regulatory approach, known as “regulation by enforcement,” throws a long shadow over the worldwide competitiveness of the tokenised real-world asset (RWA) market and the broader Web3 ecosystem. This strategy comprises unexpected governmental acts without prior clear standards, which has had a chilling impact on innovation and investment, notably in the blockchain and crypto sectors. Such volatility can prevent startups and existing enterprises from starting or expanding innovative Web3 services in the United States, potentially leading them to relocate to more crypto-friendly jurisdictions such as South Korea or the UAE.

This trend jeopardises the United States’ position as a financial and technology leader and impacts the worldwide Web3 market, fragmenting the landscape and perhaps establishing “regulatory havens” that could weaken overall governance standards. The SEC must adopt a more proactive and open regulatory framework that gives clear rules and encourages the development of innovative technologies rather than suffocating them with post-hoc regulation. A more balanced approach will improve global market stability, foster responsible innovation, and favourably impact the evolving Web3 infrastructure, ensuring it stays a solid and integrated element of the future financial ecosystem.

Bing Wang’s insights from BasedVC highlight the critical need for more precise, more cohesive laws in the asset tokenisation area. As the industry approaches potentially exponential expansion, establishing a robust regulatory framework is essential to ensuring that this new market thrives without unnecessary impediments. The time has come for parties ranging from legal experts to investors and regulatory organisations to tokenisation platforms to take action. Collaboration among these groups will be critical in creating a regulatory environment that protects consumers and investors while encouraging innovation and growth within the Web3 ecosystem. This collaborative endeavour will help unlock the full potential of tokenised real-world assets, paving the way for a more equitable and efficient global financial system.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.