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Steely Dan’s Jazz-Pop Classic ‘Katy Lied Returns’ to Vinyl After 40 Years

Steely Dan’s sophisticated jazz pop fourth album, 1975’s Katy Liedwith such standouts as “Black Friday,” “Bad Sneakers” and “Doctor Wu,” will return to vinyl for the first time in more than forty years on January 31, 2025, via Geffen/UMe, continuing the extensive reissue program of the band’s classic ABC and MCA Records catalog. The series, which began in November 2022 with the Dan’s legendary debut LP, Can’t Buy A Thrill, is being personally overseen by founding member Donald Fagen, and returns the group’s first seven records to vinyl, most of which haven’t been available since their original release. The series will close out with 1976’s guitar-driven The Royal Scam (“Kid Charlemagne,” “The Fez”) in mid-2025.

Pre-order Katy Lied now HERE

Katy Lied has been meticulously remastered by Bernie Grundman from the original analog tapes for release as a limited edition premium 45 RPM version on Ultra High-Quality Vinyl (UHQR) from Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds. Analogue Productions is also releasing this series of titles on Super Audio CD (SACD).

UMe’s standard 33 1/3 RPM 180-gram version has been remastered by Joe Nino-Hernes at Sterling Sound from high-resolution digital files and pressed at Precision. They will be housed in reproductions of the original artwork.

The 45 RPM UHQR versions will be pressed at Analogue Productions’ Quality Record Pressings on 200-gram Clarity Vinyl, packaged in a deluxe box, and will include a booklet detailing the entire process of making a UHQR along with a certificate of inspection. Each UHQR is pressed, using hand-selected vinyl, with attention paid to every single detail of every single record. All of the innovations introduced by QRP that have been generating such incredible critical acclaim are applied to each UHQR. The 200-gram records feature the same flat profile that helped to make the original UHQR so desirable.

Led by the songwriting and virtuoso musical duo of Walter Becker and Donald Fagen, Steely Dan released an extraordinary run of seven albums on ABC Records and MCA Records from 1972 through 1980. Filled with topline musicianship, clever and subversive wordplay, ironic humor, genius arrangements, and pop hits that outshone the Top 40 of its day, their records, which were as sophisticated and cerebral as they were inscrutable, were stylistically diverse, melding their love of jazz with rock, blues, and impeccable pop songcraft.

Steely Dan’s fourth studio album, Katy Lied, released on ABC Records in March 1975, stands as a significant milestone in the band’s discography, exemplifying their unique synthesis of rock, jazz, and pop. The album was the first one recorded by Becker and Fagen after guitarist Jeff “Skunk” Baxter and drummer Jim Hodder left the group following the duo’s decision to stop touring and focus solely on studio recordings. Key tracks such as “Black Friday,” “Bad Sneakers,” and “Doctor Wu” showcase Steely Dan’s evolving sound, characterized by complex chord changes, polished studio techniques, and a rotating cast of top-tier studio musicians. This included contributions from guitarist Larry Carlton, 20-year-old drummer Jeff Porcaro, and bassist Chuck Rainey, among others. One of the most notable contributors during this era was Michael McDonald, whose distinctive backing vocals added a rich layer of harmony to several tracks, including “Bad Sneakers” and “Any World (That I’m Welcome To).” McDonald’s soulful voice became a defining element of Steely Dan’s sound during this era and added an emotional depth to the album’s sophisticated arrangements.

Katy Lied was well-received by critics and fans alike, praised for its musical complexity and lyrical wit. The album peaked at No. 13 on the Billboard 200, bolstered by the hit single “Black Friday,” which climbed to No. 37 on the Billboard Hot 100. The record’s lasting influence is evident in its enduring popularity and its continued acclaim as a high point in Steely Dan’s illustrious career. In their retrospective reviews, All Music hailed Katy Lied as “another excellent record in one of the most distinguished rock & roll catalogs of the ’70s,” while Pitchfork awarded it a 9.1 (out of 10) , declaring, “it captures Steely Dan in the thick of it all, still hungry and energized by their early burst of creativity but not taking anything for granted. Before Katy Lied, Steely Dan were a rock band, but this is the record where they became something else.”

Steely Dan helped define the soundtrack of the ’70s with hits such as “Reeling in the Years,” “Rikki Don’t Lose That Number,” “Peg,” “Deacon Blues,” “Babylon Sisters,” and “Hey Nineteen,” culled from their seven platinum albums issued between 1972 and 1980 (including 1977’s groundbreaking Aja). Both their sound and their notoriety survived the ’80s despite Walter Becker and Donald Fagen occasionally surfacing for a solo project. They reunited as Steely Dan in the early ’90s, touring successfully throughout the decade and releasing a live album in 1995 (Alive In America). In 2000, they released their multi-GRAMMY winner, Two Against Nature, and were inducted into the Rock and Roll Hall of Fame in 2001.

Katy Lied Track List (33 RPM Vinyl)
Side A
1. Black Friday
2. Bad Sneakers
3. Rose Darling
4. Daddy Don’t Live In That New York City No More
5. Doctor Wu

Side B
1. Everyone’s Gone To The Movies
2. Your Gold Teeth II
3. Chain Lightning
4. Any World (That I’m Welcome To)
5. Throw Back The Little Ones

‘Wicked: The Soundtrack’ Shatters Records to Become the Film Musical Event of the Decade

Today, Wicked: The Soundtrack makes Billboard 200 history with the highest debut ever for a theatrical adaptation of a stage musical and debuts at #1 on the Top Album Sales, Soundtracks, and Vinyl Albums charts.  In addition, the soundtrack debut marks the biggest sales week for any soundtrack this decade.

Listen to Wicked: The Soundtrack HERE via Universal Pictures / Republic Records / Verve Records.  Universal Pictures’ Wicked is in theaters now.

Since it’s release, Wicked: The Soundtrack has received rave reviews from press and fans alike.  Billboard proclaims: “The film’s official soundtrack captures the movie magic thanks to Ariana Grande and Cynthia Erivo — co-stars, and vocal powerhouses — injecting new life into the musical’s beloved centerpieces.”  Vogue says of the soundtrack, “it delivers,” and Out Magazine declares that the album is, “just as stunning as fans expected.”

With music and lyrics by legendary Grammy and Oscar winning composer and lyricist Stephen Schwartz, Wicked: The Soundtrack includes songs performed by Emmy, Grammy, and Tony winning powerhouse and Oscar nominee Cynthia Erivo (Harriet, Broadway’s The Color Purple) as Elphaba and Grammy-winning, multi-platinum recording artist and global superstar Ariana Grande as Glinda.

In addition, the soundtrack features the musical talents of Oscar winner Michelle Yeoh as Shiz University’s regal headmistress Madame Morrible; Olivier Award winner and Emmy nominee Jonathan Bailey (BridgertonFellow Travelers) as Fiyero, a roguish and carefree prince; and pop culture icon Jeff Goldblum as the legendary Wizard of Oz.

Directed by acclaimed filmmaker Jon M. Chu (Crazy Rich AsiansIn the Heights), Wicked is the first chapter of a two-part immersive, cultural celebration. Wicked Part Two is scheduled to arrive in theaters on November 21, 2025

Wicked: The Soundtrack Tracklisting:
1. No One Mourns the Wicked
2. Dear Old Shiz
3. The Wizard And I
4. What Is This Feeling?
5. Something Bad
6. Dancing Through Life
7. Popular
8. I’m Not That Girl
9. One Short Day
10. A Sentimental Man
11. Defying Gravity
12. Ozdust Duet (Bonus Track) *Digital Only

WAR Announces ‘Live In Japan 1974’, First Live Album In 50 Years To Feature All 7 Original Band Members

In the winter of 1974, WAR was already a half-decade into their career and fresh off the success of the #1 Billboard best-selling album of 1973, The World Is a Ghetto. Following months of touring throughout the US, and then nearly thirty shows across Europe, WAR arrived in Japan for the first time ever, to perform a series of live shows in Shizuoka, Tokyo, Osaka, and Kobe. Now, recordings from these performances have been rediscovered and meticulously restored for Live In Japan 1974, the first live album to feature all seven original members in 50 years.

With the release of a Japan-exclusive CD set for January 29, 2025—featuring a custom obi sleeve and liner notes by local music journalists—Live In Japan 1974 will get a global release on February 7, 2025. The collection will be available in 2LP and 2CD sets worldwide, as well as digitally, and includes a variety of live recordings of classic WAR tracks like “The Cisco Kid,” “The World Is a Ghetto,” and “All Day Music.” The liner notes, written and edited by Cory Frye, feature an in-depth interview with founding band member Lonnie Jordan and WAR’s longtime producer Jerry Goldstein, wherein Lonnie shares “It was a fun, exciting experience because we’d never gotten that amount of people loving what we did, especially during that time.” Jerry adds, “They knew all the songs. It was pretty exciting, getting the vibe that everyone knew and loved what we were doing. They gave us a lot of standing ovations, and we did lots of encores.” The liner notes also reveal the story behind the creation of yet another iconic WAR song, “Why Can’t We Be Friends?,” inspired by the band’s interactions with locals during their debut tour of Japan.

Pre-Order Live In Japan 1974, and listen to the newly-released

“The Cisco Kid” (Live): HERE

Packed with never-before-heard performances and insights into a pivotal moment in the band’s history and evolution, Live in Japan 1974 offers fans a deeper understanding of WAR’s global impact, and serves as a perfect sonic touchstone to further celebrate the band’s 55th Anniversary. Additionally, WAR will mark the 50th Anniversary of Why Can’t We Be Friends throughout 2025, on the heels of performing the titular hit song live on last week’s Macy’s Thanksgiving Day Parade.

Furthermore, the release of Live In Japan 1974 will also see two nights of two-set shows at Japan’s Blue Note Tokyo on February 7- 8, 2025. Coinciding with the international street date, these performances will double as a celebration of the record’s release, with more details to come. Tickets are available here.

Live In Japan 1974 Tracklist
CD
Disc 1
1. THE WORLD IS A GHETTO
2. SOUTHERN PART OF TEXAS
3. THE CISCO KID
4. SO
5. ALL DAY MUSIC
6. DON’T LET NO ONE GET YOU DOWN
Disc 2
1. LOTUS BLOSSOM
2. GYPSY MAN
3. BAND INTRO
4. INTRO TO SLIPPIN’ INTO DARKNESS: LEE OSKAR
5. SLIPPIN’ INTO DARKNESS
6. ME AND BABY BROTHER
7. SHIZUOKA CHANT
8. WHERE WAS YOU AT
LP
Side 1
1. THE WORLD IS A GHETTO
2. SOUTHERN PART OF TEXAS
Side 2
1. THE CISCO KID
2. SO
3. ALL DAY MUSIC
Side 3
1. DON’T LET NO ONE GET YOU DOWN
2. GYPSY MAN
Side 4
1. BAND INTRO
2. INTRO TO SLIPPIN’ INTO DARKNESS: LEE OSKAR
3. SLIPPIN’ INTO DARKNESS
4. ME AND BABY BROTHER
5. SHIZUOKA CHANT

Meet Kevin Parker’s New Instrument, The Orchid, The Synth That Turns a Single Chord Into an Infinite Symphony

Kevin Parker of Tame Impala’s Orchid is not just a synthesizer—it’s a game-changer for songwriters and producers. With a single-octave keyboard, innovative chord voicing, and modes like Strum and Arpeggiator, it transforms basic chords into limitless musical possibilities. Launching 12.18.24 for $518, this portable powerhouse also features a bass synth engine, lush effects, and USB-C connectivity to bring your creations to life anywhere.

21 Reasons Why You NEED To Watch Avie Sheck And His MOM’s Cover Of Radiohead’s “Creep”

  1. Music is about pushing boundaries.
  2. Avie Sheck just redefined what fusion music can be.
  3. He took Radiohead’s iconic “Creep” and made it his own.
  4. But wait, there’s more.
  5. He brought in his mom.
  6. Yes, his mom!
  7. She’s not just any mom—she’s an incredible Hindustani vocalist.
  8. Together, they blended rock with Raag Bilawal.
  9. If you don’t know what Raag Bilawal is, buckle up.
  10. It’s a classical Hindustani music style.
  11. And it’s stunning.
  12. Imagine Thom Yorke’s haunting lyrics.
  13. Now, imagine them reimagined in Raag Bilawal.
  14. The result? Absolutely mesmerizing.
  15. Avie’s mom’s vocals soar.
  16. They breathe new life into a familiar anthem.
  17. Radiohead purists—don’t worry.
  18. This version keeps the soul of the original.
  19. But it adds something brand-new.
  20. It’s not just a cover.
  21. It’s an experience.

10 Tips for Musicians on Developing Your Media List

Image by Pexels from Pixabay

Your music deserves to be heard, but without the right media list, your song might not reach the ears it was meant for. Building a strong media list is a game-changer for every musician. Here are 10 tips to help you connect with the right people who can amplify your sound to the world.

1. Identify Relevant Media Outlets

Find the media outlets that truly get your vibe. Whether it’s blogs, podcasts, magazines, or radio stations, focus on platforms that champion artists in your genre. Mix niche and mainstream outlets for a balanced reach.

2. Find the Right Contacts

A media outlet is only as good as the contact you pitch. Seek out journalists, editors, or podcast hosts who regularly feature music like yours. Dig through bylines, staff directories, or social media to pinpoint the ideal person.

3. Categorize Your List

Keep your media contacts organized. Group them into categories like local, national, genre-specific, or general music press. A well-structured list ensures your outreach aligns with your goals.

4. Utilize Tools and Platforms

Media directories like Cision and Muck Rack are goldmines for contacts, but don’t overlook free tools like Google or LinkedIn. Social media platforms also double as a direct line to journalists who cover your music scene.

5. Leverage Your Network

Tap into your industry connections. Fellow musicians, publicists, and collaborators can recommend media contacts or even introduce you directly. A warm introduction can make all the difference.

6. Follow Journalists on Social Media

Social media isn’t just for sharing music; it’s for relationship building. Follow journalists, engage with their posts, and share their articles. Building rapport makes your eventual pitch more authentic.

7. Update Regularly

An outdated media list is like playing a broken guitar—it doesn’t work. Journalists move around often, so review and refresh your list regularly to ensure your outreach stays effective.

8. Include Non-Traditional Media

Think beyond traditional media outlets. Influencers, TikTok creators, and playlist curators can introduce your music to new audiences. These unconventional channels are just as powerful as any magazine feature.

9. Customize Your Pitches

A generic pitch won’t cut it. Reference a journalist’s past work and explain why your music fits their audience. Personalized outreach shows you’ve done your homework—and it works.

10. Keep Track of Interactions

Your media list is only useful if you track your outreach. Use a spreadsheet or CRM tool to log responses, interest, and follow-ups. This ensures you stay on top of every opportunity.

Your music is a story waiting to be told, and with a strong media list, you can make sure it reaches the storytellers who matter. Follow these tips, and watch as your sound finds its way to audiences who’ll love it just as much as you do. Keep pushing, keep creating, and keep connecting!

5 Surprising Facts About The Band’s Self-Titled Album

The Band’s self-titled second album, often referred to as The Brown Album, is a masterclass in storytelling, musicianship, and American folklore. Released in 1969, this iconic work draws listeners into a rich tapestry of characters, places, and emotions that define an older Americana. Let’s dive into five fascinating facts you probably didn’t know about this classic album, including some insights into its most beloved tracks.

1. A Pool House with Star-Studded History

The Band recorded much of the album in a Hollywood Hills pool house once owned by Sammy Davis Jr. This home, which also had ties to Judy Garland, provided the ideal “clubhouse” vibe Robbie Robertson sought for a Basement Tapes-like atmosphere. The unique acoustics and informal setting contributed to the raw, authentic feel of tracks like “King Harvest (Has Surely Come).”

2. “The Night They Drove Old Dixie Down”: A History Lesson in Song

One of The Band’s most celebrated tracks, “The Night They Drove Old Dixie Down,” is a poignant narrative of the American Civil War. Robbie Robertson delved into historical research with drummer Levon Helm to craft the song, even visiting libraries to ensure accuracy. Levon’s Arkansas roots added a personal touch to this heart-wrenching tale of Southern hardship.

3. A Revolutionary Instrumental Technique

“Up on Cripple Creek” showcased one of the earliest uses of a clavinet paired with a wah-wah pedal, creating the funky riff that punctuates the song. This groundbreaking sound, played by Garth Hudson, predated its popularization in 1970s funk, proving The Band’s innovative streak extended far beyond their lyrical storytelling.

4. “Whispering Pines”: A Ballad Born of Imperfection

The hauntingly beautiful “Whispering Pines” owes part of its charm to a quirky piano with a single out-of-tune key that Richard Manuel used to compose the melody. Rather than retune it, the band replicated the same effect in the recording session, giving the song its ethereal, otherworldly character.

5. The Collaborative Spirit of The Band

One of the most heartwarming aspects of The Band’s music is the deep collaboration among its members. Songs like “The Night They Drove Old Dixie Down” were born from a synergy of talent, with Robbie Robertson’s research and storytelling complemented by Levon Helm’s Southern roots and heartfelt vocals. This spirit of unity and shared creativity is what made their music timeless and beloved across generations

The Band is a time capsule, a cultural bridge, and a celebration of storytelling at its finest. Whether it’s the soulful melancholy of “Whispering Pines” or the inventive funk of “Up on Cripple Creek,” every track is a masterpiece of emotion and craftsmanship.

 

When James Brown Invited Eddie Murphy Onstage—The Legendary Impersonation Moment

In a 1991 Richard Pryor tribute, James Brown welcomed Eddie Murphy to the stage for a hilarious rendition of “(So Tired Of Standing Still We Got To) Move On.” The unforgettable moment, captured on VHS, lives on as a unique blend of comedy and soul.

Stevie Ray Vaughan’s ‘Voodoo Child’ Cover Showcases His Guitar Genius

Jimi Hendrix set the gold standard, but Stevie Ray Vaughan’s cover of “Voodoo Child” is a jaw-dropping tribute that highlights his own extraordinary talent. Watching Vaughan channel Hendrix’s spirit reminds us why they’re both guitar legends.

Fredrik Backman Lights Up Simon & Schuster’s Centennial with Humor and Wit

At the Simon & Schuster centennial, author Fredrik Backman discusses the highs and lows of being an author, from attempting to get along with the voices in your brain, to the hidden joys of jet lag.