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Elliott Smith’s ‘Figure 8 (Deluxe Edition)’ Set for First-Ever Vinyl Release in Celebration of 25th Anniversary

Twenty-five years ago, the late musical mastermind Elliott Smith released Figure 8, his immaculate, ornate, Technicolor second album for DreamWorks Records. In honor of the album’s 25th anniversary, its enduring appeal and continued influence, Interscope/UMe will release Figure 8 (Deluxe Edition), the previously digital-only edition that expands the classic album with all the B-sides, solo acoustic and alternate version tracks that were released on the various singles, promos, and international editions of the beloved 2000 record, on vinyl for the first time. The Deluxe Edition was released as a digital exclusive in 2019 to commemorate what would have been Smith’s 50th birthday.

The first-ever vinyl pressing of Figure 8 (Deluxe Edition) features the album presented on 45 rpm tri-color opaque white, black and red “Figure 8 Mural Vinyl” as a nod to the famous Los Angeles mural that a black and white Smith stands in front of on the iconic album cover. The original 16 tracks are spread across two LPs while a third LP boasts seven bonus tracks, six of which have never been on vinyl. The audio has been mastered for vinyl by Justin Perkins at Mystery Room Mastering with lacquers cut by Ryan Smith at Sterling Sound. This special 25th anniversary Deluxe Edition will be housed in a tri-fold sleeve and this exclusive vinyl colorway is limited to 3,000 globally. Figure 8 (Deluxe Edition) is available to purchase exclusively here. The record will ship on or around June 6.

The bonus tracks of Figure 8 include the titular, faithful cover of the “School House Rock” classic, written by Bob Dorough, that gave the album its name but was only released as a B-side on the UK “Son Of Sam” single along with the rollicking gem “A Living Will.” Three songs from the rare French promo 3 Titres Inedits are included: the Beatlesy “I Can’t Answer You Anymore,” “Pretty Mary K (Alternate Version)” and “Happiness (Acoustic).” An acoustic version of “Son Of Sam” is also featured along with Smith’s gorgeous cover of The Beatles’ “Because,” which was featured in the film “American Beauty” and on its soundtrack, and included on the Japanese edition of Figure 8. That track, along with “Son Of Sam (Acoustic),” are the only ones that were previously available digitally.

Following the breakout success of his major label debut, XO, Smith again teamed up with producers Rob Schnapf and Tom Rothrock for his kaleidoscopic follow up, Figure 8, released April 18, 2000, on DreamWorks. The album was recorded throughout 1998-2000 at several studios, including Sunset Sound and Capitol Studios in Los Angeles and Smith’s musical temple, Abbey Road Studios in London, where he used the piano that The Beatles used to record “Fool On The Hill.” Unlike XO’s major shift from the albums that came before it, Figure 8 continued Smith’s penchant for ambitious arrangements but took them into even bigger, bolder and sometimes weirder territory.

Rolling Stone praised the album, saying, “Like its predecessor, Figure 8 is full of modern chamber pop, mixing in keyboards, strings and studio flourishes on melodically simple, yet structurally complex songs. ‘Somebody That I Used to Know’ and ‘I Better Be Quiet Now’ hearken back to the bare acoustic setting of Smith’s first solo albums, while jangly opener ‘Son of Sam’ and the rainy-day rocker ‘Junk Bond Trader’ sound like long-lost radio singles.” The AV Club enthused, “Figure 8 is even better, a strong collection of lush, densely arranged power-pop (‘Son Of Sam,’ ‘Junk Bond Trader’) and inimitably intimate ballads (‘Somebody That I Used To Know,’ ‘Easy Way Out’),” adding the album “never breaks from delivering Smith’s songs with ornate elegance and a sublime mastery of pop hooks.” Rolling Stone placed Figure 8 on their list of the 100 greatest albums of the decade and it was included in the book “1001 Albums You Must Hear Before You Die.”

Revisiting one of Elliott Smith’s most accomplished albums, Figure 8’s (Deluxe Edition) allows for a deeper dive into his creative process with the addition of seven rare tracks, serving as a reminder of Smith’s remarkable talent and the incredible body of work he created in a life that was cut far too short at the age of 34 in 2003.

FIGURE 8 (DELUXE EDITION) TRACKLISTING:

LP1

Side A
1. Son of Sam
2. Somebody That I Used to Know
3. Junk Bond Trader
4. Everything Reminds Me of Her

Side B
1. Everything Means Nothing to Me
2. L.A.
3. In the Lost and Found (Honky Bach/The Roost)
4. Stupidity Tries

LP2

Side C
1. Easy Way Out
2. Wouldn’t Mama Be Proud
3. Color Bars
4. Happiness

Side D
1. The Gondola Man
2. Pretty Mary K
3. Better Be Quiet Now
4. Can’t Make a Sound
5. Bye

LP3

Side E
1. Figure 8 *
2. A Living Will
3. Son of Sam (Acoustic Version) *
4. I Can’t Answer You Anymore *

Side F
1. Pretty Mary K (Alternate Version) *
2. Happiness (Acoustic Version) *
3. Because *

How to Clean and Care for Your Men’s Wedding Band

By Mitch Rice

A wedding band serves both as jewelry as well as a consistent source of love and dedication reminder. Most men keep their wedding rings on permanently since these accessories endure high-intensity exercise, together with normal dishwashing duties and other everyday situations. Over time, dirt combined with grime can reduce the wedding band’s shiny appearance. The proper care requires little maintenance, which allows your ring to retain its wedding day appearance. The following guide demonstrates straightforward methods to maintain and clean men’s wedding bands, along with practical tips to bring out their shine.

Before cleaning your ring, you need to determine what material it is made of. Men can choose from numerous materials, including gold, platinum, titanium, tungsten, and interesting alternatives such as ceramic and wood. All these materials require individual treatment to maintain their optimal condition. Platinum and gold bands show scratches easily but titanium and tungsten materials remain durable, although they lose their bright appearance if neglected. Contact your jeweler to determine your ring’s material since the information might not be clear. Most mens wedding bands can be cleaned at home successfully with the materials you already have available.

A small bowl combined with warm water alongside a couple of drops of soft dish soap without intense strength is suitable for cleaning men’s wedding bands. Put the ring in the soaking liquid for ten minutes to help the stains soften. Use a toothbrush that you do not use anymore to gently scrub the surface while paying special attention to engraved areas that accumulate dirt. Dip your ring in warm water, allowing time for soaking, then dry it with a soft lint-free clean cloth. A microfiber cloth will give your ring that additional sparkle after cleaning with gentle buffing. Apply this cleaning routine once or twice a month as it efficiently maintains the condition of your band.

If your ring’s got stubborn stains or tarnish, you might need to step it up. Gold bands can handle a dip in a jewelry cleaner made for precious metals, but don’t try that with titanium or tungsten—it’s too harsh. Got gemstones like diamonds? Be careful—strong chemicals can mess with the settings. When things get tricky, take your ring to a jeweler for a professional cleaning once or twice a year. They’ve got fancy tools like ultrasonic cleaners to make it look brand-new.

Daily habits matter just as much as cleaning. If you’re rocking mens bracelets alongside your ring, try not to let them bang together too much—scratches happen fast. Take your ring off for stuff like lifting weights, digging in the yard, or handling chemicals. Even lotion or sunscreen can leave a film, so consider slipping it off before slathering on. At home, keep a safe spot for your ring, like a little dish or holder, so it doesn’t get lost or banged up. It’s a small habit that saves big headaches.

For the long haul, get your ring checked by a jeweler now and then. They can spot things like loose stones or deep scratches before they become problems. If you’ve got a white gold band, it might need replating every so often to keep its shine. And don’t skip insuring your ring—because accidents happen, and you don’t want to stress about replacing something so meaningful. With these easy steps, your wedding band will stay as strong and shiny as your love. A little effort keeps it looking great for years.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

TaTa Drops Hypnotic New Single “No Love” with Producer 24MMY Ahead of 41’s Summer Jam Headline Set

Skyrocketing towards superstardom in 2025, acclaimed rapper TaTa of Platinum-certified hip-hop collective 41 links up with buzzing New York producer 24MMY on a hypnotic new single entitled “No Love” out now via Rite Or Wrong KVH Entertainment/Republic Records. Once again, the duo tap into the creative chemistry they previously harnessed on fan favorite collaborations, including “Green Haired Girl” and “Maintenance Man.”

“No Love” revolves around a thumping bassline, warbly vocal transmissions, woozy synths, and a head-nodding beat. TaTa cruises over the production with slick, smooth, and simmering bars. In the middle of a sneaky tryst, he gets braggadocios on bars such as, “Money long, it’s like everything free,” going on to wonder, “Why she want me be her boyfriend?”

The last time we heard from TaTa was on “Time Out” earlier this year. At the top of the year, 41-TaTa, Jenn Carter, and Kyle Richh-served up “Presidential.” Fans immediately embraced the track, leading to over 6.6 million Spotify streams and counting. Complex christened them “reliable hitmakers,” proceeding to proclaim, “The success of these songs highlights the chemistry among the trio.” HotNewHipHop marveled, “The meteoric rise of 41 has been nothing short of extraordinary.”

In other big news, 41 will headline the main stage of Hot 97’s Summer Jam on June 20 at the Prudential Center in Newark, NJ. They share the powerhouse bill with some of the brightest stars in the culture, including A Boogie Wit Da Hoodie, Gunna, GloRilla, and more.

Right now, the trio are hard at work on their mega-anticipated full-length debut album-coming soon.

Vicki Peterson and John Cowsill Release Debut Album ‘Long After The Fire’ Featuring Cowsill Brothers’ Songs

Vicki Peterson and John Cowsill are thrilled to announce the release of their debut album, Long After The Fire, produced and engineered by Paul Allen. The album comprises songs written by John’s late brothers, Barry and Bill Cowsill. It’s a love letter of sorts and a beautiful one at that.

About the new single “Fool is the Last One to Know,” John Cowsill effuses, “I love how the track swings. It kicks ass. I get to pretend I’m Elvis or Dwight Yoakam on this one. It has the type of twang and is a hoot to play live. While recording, I remember trying to practice a double shuffle on drums in the studio on this one, but I couldn’t get it down, so what you hear is the single shuffle. My brother Bill would’ve wanted the single shuffle the listener hears on the recording. He would not want what Bill would call a ‘Hollywood Shuffle,’ where the drummer swings the shuffle beats on the snare drums instead of just playing the backbeats on the 2 and the 4.

He continues, “Bill’s idea of ‘fun’ was so serious that you didn’t know that you weren’t having fun, and if you had too much fun, he’d lean over with his hand holding a guitar pick and slap you with it! Bill could command a room as soon as he stood on the stage. He’d grab you right away, and you would pay attention. He was Elvis.”

Vicki adds “I love how John sounds on ‘Fool Is The Last One To Know.’ It’s a fun song to play and sing live because I feel like I’m at the Grand Ole Opry. This song showcases Bill Cowsill and Jeffrey Hatcher’s love for country swing of the 1950s. It’s a true duet honoring some of the classic country duos, like Tammy and George.”

Jon Bellion Announces First Album in 7 Years, ‘Father Figure,’ Featuring Pharrell, Luke Combs & Jon Batiste

GRAMMY-nominated singer/songwriter/producer Jon Bellion has announced his highly-anticipated upcoming album Father Figure, arriving on June 6. The album, which is Jon’s first solo album in seven years, was originally announced via an email blast shared to his fans via The Beautiful Mind Club Forum on Monday, April 14 and received over 12,330 presaves. In addition to the album announcement, Jon has also shared a sample of the new music with “Horoscope” featuring legendary artist/producer Pharrell Williams.

Father Figure peels back the layers into modern-day fatherhood, as Jon shares his most vulnerable music to date. From the over pouring of love, pride, and care to the challenges, questions, and mistakes, the project showcases the many facets of what it means to be a loving father and supportive partner.

“Horoscope,” recorded between Miami and Paris, highlights Bellion’s dynamic songwriting and production style in collaboration with 13-time GRAMMY winner Pharrell Williams. The track begins as a tender piano ballad before transforming into a swirling blend of synths and saxophones. A heartfelt tribute to Bellion’s wife, “Horoscope” serves as a thank you for her unwavering support as he pursues his dreams. The song is a promise that no matter how far he goes, he’ll read her like a horoscope and come running if she ever needs him.

Jon on collaborating with Pharrell: “Pharrell is one of the greatest musical inspirations in my life. He’s the reason I got into music. We had long, deep conversations about him being a father and what being a father means in his world, and how to balance it, and what it means for your children, for the life that you choose to live, as far as being a successful musical creative. He’s one of my favorite people in the world.”

Pharrell on collaborating with Jon: “Jon is a prolific spirit and is a skeleton key to any composition he applies himself to.”

Jon on “Horoscope”: “‘Horoscope’ is my thank you to my wife. I’m saying, hey, if you need me now, I will come back for you. Thank you for letting me do this. You’re the reason I’ve even made it this far. If you need anything, you don’t even need to say anything, I’ll read you like a horoscope. I’ll come right back home and set flame to all of it. You mean everything to me, but thank you for letting me chase my dream and get my dreams out, and thank you for holding it down for me. It’s me saying goodbye to my wife at four in the morning: ‘I’m gonna go out into the world, and if you need anything, you come first over everything.'”

Continuing to interact with his fan-focused website and forum of over 110k members, Jon shared an exclusive photo teasing the collaboration with Pharrell on April 15 – 72-hours in advance of the official “Horoscope” release. This move is just one of multiple “fan-first” drops that reinforce his deep appreciation for the community that has supported him over time, highlighting his ongoing efforts to foster a direct relationship with his audience – from exclusive content drops that have amassed over 28k downloads so far to interactive fan experiences.

Jon Bellion on his fans: “I really want to serve those who have been there with me and those who are already there. I walked away from everything at the peak of my career. We had an actual fan base that came out to shows, and now I feel a personalness to them. I want to give back to them. If new people come to the table, that’s great, the music is incredible. But I think it’s more about servicing the people who are ready to support because that’s what this is all about.”

“Horoscope” follows last month’s release of Bellion’s highly-anticipated single “Wash”, which marked his triumphant return to solo music after six years out of the spotlight and has already amassed over 4.1 million streams. The track arrived with a visually stunning music video, shot across Iceland’s breathtaking landscapes, which premiered exclusively to his fan club 48 hours before its official release. Dropped alongside “Wash” was “Kid Again”, a nostalgic reflection on the carefree innocence of youth, which has garnered over 9.1 million streams.

Following the release of 2018’s Glory Sound Prep, Bellion made headlines not only for his artistry but also for his decision to step away from solo music. Frustrated by inequitable recording and performance contracts and eager to focus on building a family, the Long Island native shifted his creative energy behind the scenes. In that time, he crafted chart-topping hits for Burna Boy, Rihanna, Anuel AA, Justin Bieber, Tainy, Khalid, Lil Wayne, Camila Cabello, Jon Batiste, Eminem, Fireboy DML, Skrillex, Dua Lipa, Jung Kook, Miley Cyrus, Quincy Jones, Pharrell, Timbaland, The Kid Laroi, Selena Gomez, Roc Marciano, Halsey, Ayra Starr, and Jimin.

In 2019, he founded Beautiful Mind Records, signing powerhouse artists like Tori Kelly and the soul-pop duo Lawrence. His undeniable success eventually led his label to renegotiate his contract, setting the stage for the return to his solo career.

As he steps into this new chapter of life and creativity, one thing is certain: Jon Bellion’s journey is just beginning, and the best is yet to come.

FATHER FIGURE TRACKLISTING:
Horoscope (feat. Pharrell Williams)
Father Figure
Oblivious
Why (feat. Luke Combs)
Wash
Vinny’s Artichokes
Italia Breeze
Get It Right
Kid Again
Modern Times (feat. Jon Batiste)
Wash2
Rich and Broke
Don’t Shoot
My Boy

Bebe Stockwell Releases “Driving Backwards” ft. Chance Emerson, Announces Debut EP Out May 9

Singer, songwriter and performer Bebe Stockwell releases brand-new track “Driving Backwards” featuring Chance Emerson. “Driving Backwards” is the titular track from Bebe’s forthcoming EP of the same name releasing May 9 via Columbia Records. “Driving Backwards” follows Bebe’s first handful of releases on Columbia Records with December’s “Minor Inconveniences” reaching #12 on the Billboard Adult Alternative Airplay chart.

Says Bebe of “Driving Backwards” and her forthcoming EP in an Instagram post, “I am extremely excited to announce that my first EP, “Driving Backwards,” will be released on May 9th! Honestly I never imagined that I would have so many people eager to hear the music that I wrote and it’s such an amazing experience. I can’t thank each of you enough for being here with me. These songs are all about reflection and acknowledging how far you’ve come in life. Each of us has our own personal journey, and it’s incredible how we can hold and cherish these memories as human beings. I hope the music resonates with you as deeply as it does with me.”

Bebe is gearing up to hit the road this May with prominent slots at hallmark festivals as well as select headline dates. Between sets at Boston Calling and Bonnaroo, Bebe has headline shows at Los Angeles’ Moroccan Lounge and two shows at New York City’s Mercury Lounge with the first show already being sold out.

Born in Boston, Bebe Stockwell crafts folk anthems inspired by everyday moments that blend gentle melodies with acoustic guitar and organic percussion, offering a unique Gen-Z perspective rooted in timeless craft. While attending NYU she caught the attention of GRAMMY-winning producer M-Phazes, leading to the release of her breakout single “Love Me Back,” which garnered over 7 million streams. Along the way, she’s collaborated with artists like Noah Kahan, Sam McPherson, and Charlie Burg, while sharing stages with Claire Rosinkranz, Stephen Sanchez, and more.

SmithField Honors Country Legends with Emotional New Single “Heaven Has A Grand Ole Opry”

Continuing a time-honored tradition in Country music of male/female duet partners, Trey Smith and Jenn Fielder of SmithField released their brand new single “Heaven Has A Grand Ole Opry”. The heartfelt track pays tribute to the legends of country music and imagines a heavenly stage where the greats of the genre still perform, making it a powerful nod to the genre’s rich legacy.

The song blends traditional country themes with SmithField’s modern sensibility-creating a track that’s both nostalgic and fresh. From lyrics that evoke vivid images of June Carter Cash smiling at Johnny, to the unmistakable sound of Bill Monroe’s mandolin and the memory of Merle Haggard, Minnie Pearl, and Loretta Lynn-the song delivers a flood of emotion for any listener with a love and respect for the classics.

“The Grand Ole Opry is the most special stage we have ever played, and we’ve been lucky enough to play it over 40 times,” said SmithField, adding, “It gave us our start in Music City, and magical things have happened ever since we first graced that stage. We wanted to honor the past greats that stepped into the circle before us during their 100th Anniversary celebration. The Opry is the beating heart of country music.”

Tayla Lynn Honors Grandmother Loretta Lynn with New Single “Out Of My Head And Back In My Bed” from Upcoming Tribute Album

Heart of Texas Records, in collaboration with StarVista Music, is proud to announce the release of “Out Of My Head And Back In My Bed,” the latest single from Tayla Lynn’s upcoming album, Singin’ Loretta – a heartfelt tribute to her iconic grandmother, Loretta Lynn. Premiered by Country Evolution, the track captures the timeless storytelling and emotional depth that defined Loretta’s legendary career. With her signature blend of passion and authenticity, Tayla brings new life to the classic hit, delivering a soulful performance that honors her grandmother’s legacy while adding her own personal touch.

Singin’ Loretta marks Tayla’s second full-length solo album and features a collection of beloved songs that celebrate the spirit and strength of Loretta Lynn’s music. Alongside “Out Of My Head And Back In My Bed,” the album includes favorites like “Rated ‘X’,” “Blue Kentucky Girl,” “One’s On the Way,” “Don’t Come Home A Drinkin’ (with Lovin’ On Your Mind),” and “You’re Lookin’ at Country,” as well as lesser-known treasures like “There He Goes” and “The Titanic.” Singin’ Loretta will be available on May 30th.

“I remember watching an interview once when Memaw was asked ‘how many of those songs are about your husband, Doolittle?'” She said “All of ’em”, to which the interviewer asked if Papaw ever got mad. She said ‘Oh no honey, he just laughed all the way to the bank.”

Tony Kamel Embraces Life’s Highs and Lows on New Album ‘We’re All Gonna Live’

“Eventually, life starts to knock you around. You have to be ready to fight with a smile.” Tony Kamel’s grandmother Dolores gave him that advice a few years ago during a rocky period for their family, and its wisdom suffuses his sophomore solo release, We’re All Gonna Live, out now on Blue Corn Music.

Variations of the lyric “we’re all gonna die” appear in many of the album’s ten tracks, but make no mistake: this is not a bummer of a listen-quite the opposite actually. The former frontman of GRAMMY-nominated bluegrass group, Wood & Wire, Kamel knows how to get people up and moving, even with a decidedly smaller band than his last effort, Back Down Home.

We’re All Gonna Live was recorded live in one room in a few sessions at The Bunker, Bruce Robison’s all-analog studio in Lockhart, Texas, and produced jointly by Kamel and Robison. Its arrangements are sparse, but mighty, giving a little bit of extra life to Kamel’s already technicolor storytelling. “Each tune on We’re All Gonna Live is essentially a story about an inevitable struggle of one kind or another, but I tried to focus on the positive parts of those struggles,” says Kamel. The overwhelming theme of the ten-song arc is good times for the bad times. Kamel may be looking mortality in the eye, but that’s not about to stop him, or us, from having a good time and making it count while we’re here.

Ashland Craft Shares Soulful Single “Momma Don’t Pray Like She Used To,” Announces ‘Dive Bar Beauty Queen’ Album

Ashland Craft continues to blaze her own trail in country music with the release of her deeply personal new single, “Momma Don’t Pray Like She Used To,” out today on all streaming platforms. The release arrives alongside the announcement of her upcoming full-length album, Dive Bar Beauty Queen, due out May 30.

Written by Ashland Craft, Jess Grommet, Willie Morrison, and Corey Elizabeth Grogan, “Momma Don’t Pray Like She Used To” reflects a softer, more introspective side of Ashland , as she confronts change, nostalgia, and the evolution of faith with raw honesty and grit. Set to the hum of mandolin, B-3 organ, and a gently driving rhythm section, the track captures Ashland’s signature mix of vulnerability and strength-grounded by her unmistakable voice and storytelling prowess.

Produced by Ashland herself alongside longtime collaborators Lee Starr and Jess Grommet, the song is just one of eleven tracks on Dive Bar Beauty Queen, a self-assured, no-skip album that blends traditional country instrumentation with modern edge. Featuring previously released singles “Lie A Little,” “Morning Person,” “Right Damn Now,” and more, the album is a bold and unapologetic statement from an artist known for her fearless honesty and Southern grit.

“This new album is the perfect blend of so many of my favorite musical influences,” says Ashland. “It’s honest, it’s rough around the edges, it’s meant to make you move and dance, and it captures exactly where I’m at in life & in music right now. The latest release, ‘Momma Don’t Pray Like She Used To’ is such a special one-it’s personal and reflective, which is exciting territory for me, and it speaks to the growth and changes that we all face while growing up.”