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Matt Zaddy Releases Americana-Infused Folk Rock Single “Far Too Long”

The daily grind or rat race can swallow up a person entirely and leave them feeling helpless alongside being physically and mentally exhausted. You’re always in a rush, and there’s never enough time to stop and smell the roses. Mississauga, Ontario-based folk rock artist Matt Zaddy has described that situation vividly in “Far Too Long,” his latest single, which shines with its Americana, alt-country flavoring. It’s also a song which hit close to home for the musician who was burning the candle at three ends between his day job, his family life, and his music pursuits.

Zaddy, who was working an exhaustive 80-hour week between both disciplines, was nearing a breaking point. After having a heartfelt chat with his younger brother, the musician realized that burnout had cost him a week of his life. That figurative wake-up call led Zaddy to work with Juno Award-nominated and Emmy Award-winning producer Ross Citrullo to bring “Far Too Long” from its seed to its final fantastic form.

“I’ve always believed that music has the power to connect us,” Zaddy says regarding the song’s inspiration. “This song speaks to my own struggles with balance — between work, music, family, and friends. I think we’ve all been there at some point, and sometimes it takes hitting a wall to realize we need to make a change.”

“Far Too Long” is rooted deeply in alt-country or Americana as Zaddy sings about the passing of time and needing all the strength he has to get through the grind. Bringing to mind the work of early Jason Mraz, Shakey Graves, the Black Crowes circa The Southern Harmony And Musical Companion or The Rolling Stones at their country-leaning zenith, Zaddy has some fine musicianship on “Far Too Long.” The folksy opening blossoms into a large ensemble with some barroom piano thrown in for good measure. In short, it’s a Southern-tinged staple from one of Mississauga’s finest.

Zaddy, who wrote the single, says “Far Too Long” was recorded at Toronto’s RHC Music with Citrullo who produced it. The room and collaboration resulted in a song whose energy was captured immediately, completing the bed tracks in under an hour. “We recorded the vocals, bass, organs, and drums live off the floor, and it made all the difference in the feel and sound of the song,” Zaddy says. “Live off the floor recording gives the song something spontaneous and honest, something visceral.”

“Far Too Long,” mastered by Connor Salmoral at Salmoral Studios, features Zaddy on lead vocals, percussion, electric guitar and acoustic guitar. Citrullo adds percussion while Adam Cannon provides both percussion and drums. The single also includes bassist Curtis Freeman, Miles Evans-Branagh on organ and piano, and backing vocalist Heather Christine.

The single is another amazing release for Zaddy who released his debut EP Perfect Moments in 2015 which was followed in 2019 with his debut album Be. The musician’s 2023 single “What Comes Around” was a huge success earning over 162,000 YouTube views and airplay in 10 countries. Zaddy has also performed at various festivals including Canadian Music Week, Caldeon Day with Sam Roberts, Folk Music Ontario’s Spotlight Showcase, London, Ontario’s VenueXVenue Festival and Toronto’s VegTO Festival among others. He’s also recently performed as part of the lineup for Becoming The Beatles Unplugged, which played in Kitchener, Ontario, in October.

Now with “Far Too Long” ready to make waves and garner more listeners internationally, Matt Zaddy should be preparing himself for more work and acclaim. It’s a song which strikes a chord with everyone trying to cope with daily pressures. And to steal the closing line from “Far Too Long,” this single proves Matt Zaddy is making headway!

Looking ahead, Matt Zaddy plans to head back into the studio in spring 2025 to begin recording a new album, further expanding his Americana and alt-country sound.

Matt Zaddy 2024 Ontario Concerts:
December 6, 2024 — Stonehooker Brewery (7 p.m. start) — Port Credit, ON
December 20, 2024 — Stonehooker Brewery (7 p.m. start) — Port Credit, ON

Country Artist Mark Ledlin Blends Wit and Heart in the Stellar Single “Jealous Of Jesus”

The topics of religion and romance can sometimes cause division and be a sticking point among people for various reasons. But country singer Mark Ledlin has thrown a curve ball of sorts into the mix with an incredibly witty angle for his latest single, “Jealous Of Jesus.” For the German-born artist now based in Vancouver, the song’s genesis (pardon the pun) came from a discussion he was having with a friend in a bar.

The single is the latest offering from Ledlin, who has had an incredibly interesting life thus far. Born in Garmish-Partenkirchen, Germany (a place notable for its world championship level ski slopes), Ledlin developed a knack for writing in high school and university English classes, which provided an outlet to express himself. But that itch took a backseat somewhat as Ledlin played professional hockey in Germany for a decade, playing for the likes of the Rostock Pirhanas and Bayreuth Tigers.

Ledlin hung up his skates for good for the microphone and guitar in February 2024. But by then, the music career was in full force. In August 2020, the musician appeared in the German version of The Voice, ending up in the third round and mentored by songwriter Michael Schulte. In 2022, his premiere single “Drink About Me,” hit two million streams quickly and made his name known in country music circles. Thus far, he has north of six million streams globally.

“The song walks a bit of a line in regard to being jealous of something so many believe in, but it’s really not religion at all,” Ledlin says of “Jealous Of Jesus.” “It’s about two people trying to become one and overcome what most can’t. I’ve been through the situation of someone being so invested in something that it’s hard for them to see any other view but theirs.”

“Jealous Of Jesus,” written and composed by Ledlin, Dan Botch, and Garrett Ward, makes a strong case for being a late addition to many year-end singles lists. The track brings to mind Tyler Hubbard, Eric Church, and Morgan Wallen as Ledlin paints a picture featuring some great turns of phrases alongside a deliberate but delectable arrangement that builds from the opening verse onwards. It also delicately toes the line between country and pop.

“If you think the song is about being jealous of Jesus, then you didn’t really listen to the words,” Ledlin says. Both Botch and Ward, who co-produced the single, told him if anyone would do a song like “Jealous Of Jesus” it would be Ledlin. “We put together a great song that tells a story of two people trying to overcome different views to attempt to be together.”
“Jealous Of Jesus” was written in Vancouver, where Ledlin crafted the melody and opening verse before entering the studio. After hearing enhanced mixes over a few months, the single was fully fleshed out thanks to a Nashville drummer resulting in “the beast of a song” Ledlin fell in love with.

Ledlin, who released his debut EP Cowboys Wear Sneakers Too in 2023, was a semi-finalist on SiriusXM’s Top of the Country that same year. He has played sold-out shows at Vancouver’s The Roxy as well as appearing at the Sunfest Country Music Festival in British Columbia’s Cowichan Valley. He has also shared the stage with the likes of Lainey Wilson, Dallas Smith, Riley Green, and Kameron Marlowe among others.

“Jealous Of Jesus,” following the success of his Top 40 hit “Slower Than You Planned,” is sure to be another solid stepping stone for Mark Ledlin who is planning an EP release on the horizon. With a single as smart and stellar as “Jealous Of Jesus,” look for Ledlin to be playing arenas again far sooner than you might expect. Just without the skates and hockey equipment.

Liona Boyd to Be Inducted into Canada’s Walk of Fame

Photo Credit: Don Dixon

Canada’s Walk of Fame proudly announced today that Liona Boyd, internationally celebrated classical guitarist, composer, and five-time Juno Award winner, is among the first round of Inductees to be honoured in 2025 under the Arts & Entertainment category. This milestone coincides with the 50th anniversary of Boyd’s debut album, released in 1974.

Joining an illustrious group of past inductees such as Gordon Lightfoot, Anne Murray, Celine Dion, and Leonard Cohen, Boyd’s induction recognizes her unparalleled contributions to music and her influence on Canadian culture.

“I am deeply grateful and proud to be included among such distinguished members of Canada’s Walk of Fame,” said Boyd.

The 2025 Canada’s Walk of Fame Awards Show and Gala Celebration will take place on Saturday, June 14, 2025 at the Metro Toronto Convention Centre.

Liona Boyd remains an active and vibrant presence in the music world. Her latest full-length album, Once Upon a Time, released last year, continues to captivate audiences. Boyd has also unveiled a stunning new music video for her instrumental piece, Shadows of the Wind, which merges reality and animation into a surreal “living painting” that complements the haunting beauty of the composition.

Originally written as a solo classical guitar piece, Shadows of the Wind has been reimagined with spacious production by Peter Bond. The music video can be viewed on YouTube, and the track is available on Spotify and Apple Music.

Liona Boyd, “The First Lady of the Guitar,” has captivated millions with her romantic blend of classical, folk, and world music. She has performed around the globe, recorded 30 albums—many achieving Gold and Platinum status—and accumulated over 60 million streams.

Boyd’s career highlights include:

  • Performing for world leaders, including the British Royal Family and U.S. presidents.
  • Collaborations with renowned artists such as Yo-Yo Ma, Sir Andrew Davis, Chet Atkins, Eric Clapton, and David Gilmour.
  • Guest appearances on major U.S. television shows like The Tonight Show and Boston Pops.

Recognized for her contributions to music and Canadian culture, Boyd is a recipient of five Honorary Doctorates, The Order of Ontario, the Diamond Jubilee Medal, and the distinction of Officer of the Order of Canada. She has also been inducted into Guitar Player Magazine’s “Gallery of Greats” and is a five-time winner of its poll for Best Classical Guitarist.

Beyond music, Boyd has authored two autobiographies and a children’s book, and her latest album, Once Upon a Time, continues to garner acclaim.

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The Petracca Project Releases Powerful New Unity Anthem “I Still Believe”

Introducing The Petracca Project, a bold new collaborative effort uniting songwriter C.P. Petracca, producer Ben Pelchat, and vocalist Jeff Smith. Their debut single, “I Still Believe,” is a rallying anthem of freedom and unity, released just in time to inspire unity among listeners.

Initially created for music publishing, “I Still Believe” was intended to be pitched to other artists. However, the production process went so smoothly, and the track’s impact was so profound that the team decided to release it as a final cut, rather than just a demo. The song taps into powerful emotions stemming from the 2022 COVID-19 lockdowns and the Freedom Convoy movement, where Canadian and American truckers protested vaccine mandates that restricted their movement across the U.S.-Canada border.

The song’s inspiration struck when Petracca witnessed the convoy firsthand while driving to Ottawa. “Seeing the roads lined with people, waving flags, and holding signs in solidarity was heartwarming and inspiring,” recalls Petracca. “It was a peaceful yet powerful moment, reminding us of the resilience and unity of everyday people.”

Petracca shared an early demo with vocalist Jeff Smith, who instantly connected with the song’s message. Smith recorded his initial vocal in his basement cold room—a makeshift studio during pandemic restrictions—and the raw, heartfelt performance resonated deeply with the production team. In the end, despite later opportunities to re-record in a professional studio, the team chose to use Smith’s original vocal. The emotion and authenticity captured in that unique moment, while he was literally “locked down” during the lockdown, felt irreplaceable.

With The Petracca Project, “I Still Believe” brings together the efforts of three artists dedicated to crafting a piece that speaks to unity, resilience, and the enduring spirit of freedom. This single is more than a song—it’s a testament to the power of music to connect, inspire, and remind us of shared values.

The Harmonious Blend of Music and Poker: A Cultural Exploration

By Mitch Rice

In the world of art and entertainment, music and poker stand as two distinct yet surprisingly interconnected realms. Both have a rich history, a dedicated following, and a unique ability to evoke emotion and creativity. While music is often seen as a universal language that transcends boundaries, poker is a game of strategy, skill, and chance that has enthralld players worldwide. But what happens when these two worlds collide? This exploration explores into the fascinating relationship between music and poker, uncovering how the rhythm of the cards can influence musical creativity, how iconic musicians have found inspiration at the poker table, and how the essence of poker is captured in song lyrics. Join us as we embark on a cultural journey that reveals the harmonious blend of music and poker.

**The Rhythm of the Cards: How Poker Influences Musical Creativity**

Poker, with its intricate strategies and psychological depth, has a rhythm all its own. This rhythm, characterized by the ebb and flow of the game, the tension of a high-stakes hand, and the quiet contemplation between moves, can be a source of inspiration for musicians. The game requires a keen sense of timing, an ability to read opponents, and a knack for improvisation—all skills that are equally valuable in the realm of music. Musicians who play poker often find that the game’s rhythm seeps into their creative process, influencing the way they compose, perform, and even perceive music. The strategic thinking and emotional control required in poker can lead to a deeper understanding of musical composition, allowing artists to craft pieces that vibrate with the same intensity and unpredictability as a poker game.

Moreover, the social aspect of poker can also play a significant role in musical creativity. Poker games often bring together individuals from diverse backgrounds, creating a melting pot of ideas, stories, and experiences. This exchange can spark new musical concepts, themes, and collaborations. The camaraderie and competition found at the poker table can mirror the dynamics of a band or musical ensemble, where each member must balance their individual contributions with the collective goal. In this way, poker not only influences the technical aspects of music but also fosters a creative environment where musicians can thrive.

**Iconic Musicians Who Found Inspiration at the Poker Table**

Throughout history, many iconic musicians have turned to poker as a source of inspiration and relaxation. The legendary Frank Sinatra, known for his smooth voice and charismatic stage presence, was an avid poker player. He often hosted poker nights with his Rat Pack friends, where the game served as both a social gathering and a creative outlet. Sinatra’s love for poker was reflected in his music, with songs that captured the essence of risk, reward, and the thrill of the game. His ability to convey emotion through his music was undoubtedly influenced by the highs and lows experienced at the poker table.

In more recent times, the rise of online poker platforms like GGPoker has made the game more accessible to musicians around the world. Artists such as Nelly and Scott Ian have embraced the digital poker scene, finding inspiration in the virtual cards and the global community of players. GGPoker, with its innovative features and engaging gameplay, has become a hub for musicians seeking a break from their creative routines. The platform’s unique blend of strategy and entertainment mirrors the challenges and rewards of the music industry, providing artists with a fresh perspective on their craft.

**The Soundtrack of a Poker Game: Crafting the Perfect Playlist**

Creating the perfect playlist for a poker game is an art in itself. The right music can enhance the atmosphere, set the tone, and even influence the players’ moods and strategies. When selecting tracks for a poker night, it’s essential to consider the tempo and energy of the music. Upbeat and rhythmic tunes can keep the energy high and the players engaged, while slower, more contemplative pieces can encourage focus and introspection. Genres like jazz, blues, and classic rock are often popular choices, as they offer a blend of rhythm and soul that complements the game’s dynamics.

Card games, including poker, have a unique ability to bring people together, and music plays a crucial role in this social experience. A well-curated playlist can serve as a conversation starter, a bonding tool, and a source of entertainment. Songs with themes of luck, chance, and adventure vibrate particularly well with poker players, as they reflect the game’s inherent unpredictability. Tracks like “The Gambler” by Kenny Rogers or “Poker Face” by Lady Gaga have become iconic anthems for poker enthusiasts, capturing the spirit of the game in their lyrics and melodies.

In addition to setting the mood, music can also serve as a strategic tool during a poker game. Certain songs can help players maintain focus, manage stress, and even bluff more effectively. The psychological impact of music on poker players is a fascinating area of study, with research suggesting that the right soundtrack can enhance cognitive performance and decision-making. By carefully selecting tracks that align with their playing style and objectives, players can gain a subtle edge over their opponents, turning the poker table into a stage where music and strategy harmoniously intertwine.

**Poker and Lyrics: Songs That Capture the Essence of the Game**

Music has long been a medium for storytelling, and poker, with its rich mosaic of drama and intrigue, provides fertile ground for lyrical exploration. Many songs have been written about the game, capturing its essence through vivid imagery and compelling narratives. These songs often probe themes of risk, reward, and the human condition, drawing parallels between the game of poker and the game of life. From the classic “Luck Be a Lady” to the modern hit “Poker Face,” these tracks strike a chord with listeners by tapping into the universal appeal of poker’s challenges and triumphs.

The lyrics of poker-themed songs often dig into into the psychological aspects of the game, exploring the mind games, the bluffs, and the emotional rollercoaster that players experience. These songs serve as a reminder of the mental fortitude required to succeed in poker, as well as the thrill of outsmarting opponents and emerging victorious. By capturing the essence of poker in their lyrics, musicians create a powerful connection with their audience, inviting listeners to experience the game’s highs and lows through the universal language of music.

The relationship between music and poker is a proof to the power of creativity and the human spirit. Both art forms require a delicate balance of skill, intuition, and emotion, and when combined, they create a unique cultural experience that echos with people around the world. Whether it’s the rhythm of the cards influencing musical creativity, iconic musicians finding inspiration at the poker table, or the perfect playlist enhancing a poker game, the harmonious blend of music and poker continues to charm and inspire.

As we probe this cultural intersection, we are reminded of the timeless appeal of both music and poker. They are more than just forms of entertainment; they are expressions of our shared humanity, reflecting our desires, our struggles, and our triumphs. In a world where the lines between art and life are constantly shifting, the harmonious blend of music and poker serves as a reminder of the beauty and complexity of the human experience. Whether you’re a musician, a poker player, or simply a lover of both, this cultural exploration invites you to embrace the rhythm, the melody, and the magic of the cards.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

5 Surprising Facts About Jimi Hendrix’s “Electric Ladyland’

If there’s one album that can be described as both a milestone in rock history and proof to the genius of Jimi Hendrix, it’s Electric Ladyland. Released in October 1968, this double LP was the third and final studio album by the Jimi Hendrix Experience—and oh, what a swan song it was. It climbed to #1 on the Billboard Top LPs chart, featured some of Hendrix’s most iconic tracks, and cemented his legacy as a musical innovator.

1. It Was Hendrix’s Baby, Through and Through

While previous albums credited producer Chas Chandler alongside Hendrix, Electric Ladyland was the first (and only) album where Hendrix had full creative control. He produced and directed the sessions, shaping the sound in ways only he could envision. This freedom, however, wasn’t without its challenges—Hendrix’s perfectionism drove his bandmates and studio engineers to their limits. The sessions were legendary for their chaos, with dozens of people crammed into the control room, but the result was nothing short of magical.

2. The Bass on ‘All Along the Watchtower’ Wasn’t Noel Redding’s Work

Although Noel Redding was the Experience’s bassist, he didn’t play on Hendrix’s iconic cover of Bob Dylan’s All Along the Watchtower. Frustrated with the process, Redding walked out of the session. Hendrix, never one to let obstacles get in his way, took over the bass duties himself. The result? A bassline that’s as memorable as the wailing guitar solos that dominate the track.

3. Jimi Hendrix and Brian Jones Collaborated on ‘Watchtower’

Speaking of All Along the Watchtower, did you know Rolling Stones multi-instrumentalist Brian Jones contributed to the song? His role might not have been front and center, but he played the dry rattles in the intro using a vibraslap. It’s a subtle touch, but it adds an otherworldly vibe to one of the most celebrated Dylan covers of all time.

4. It Redefined Studio Recording Techniques

Electric Ladyland wasn’t just an album; it was a laboratory for sound innovation. Hendrix and engineer Eddie Kramer experimented with techniques like backmasking, flanging, and echo to create a lush, psychedelic landscape. Tracks like 1983… (A Merman I Should Turn to Be) are not just songs—they’re immersive experiences that feel like stepping into a surreal dream.

5. The Album Cover Was as Controversial as the Music Was Revolutionary

Hendrix originally envisioned the album cover as a playful photo of the band surrounded by children on the Alice in Wonderland sculpture in Central Park. But the record label had other plans. In the UK, the album featured a controversial cover of 19 nude women, which was banned in some stores and sold in others wrapped in brown paper. Hendrix wasn’t thrilled with this choice, but he later admitted he “dug it anyway.” And no, I can’t publish it here.

From the psychedelic depths of 1983 to the raw power of Voodoo Child (Slight Return) and the emotional gravitas of All Along the Watchtower, pop it on, turn it up, and let Hendrix’s genius take you on a ride you’ll never forget.

Spotify Launches New Playlist Aimed at Celebrating the Afro-Caribbean Genre

Spotify has launched a new playlist, Crxss Current, to celebrate the vibrant sounds of the Black diaspora, with a special focus on the Afro-Caribbean genre. Designed to elevate diverse voices within these communities, the playlist introduces listeners to fresh music while fostering cultural awareness. To mark the launch, Spotify has also announced its first playlist ambassador.

Toronto-based DJ and producer BAMBII is Spotify’s first Crxss Current playlist ambassador. Already making waves with hits like “Hooked,” “TWITCH’ and “Spit”,  BAMBII has quickly become a rising star in the Canadian music scene, earning a Juno Award earlier this year. As part of her ambassadorship, BAMBII contributes her own curated picks of emerging Afro-Caribbean artists for the playlist.

Featured tracks in the playlist include:

Listeners can explore the Crxss Current playlist now to discover these tracks and more, celebrating the rich diversity of Afro-Caribbean sounds.

Spotify Rolls Out New TikTok and Instagram Integrations

Music, podcasts, and audiobooks are now more accessible than ever, with Spotify introducing new integrations with TikTok and Instagram. These updates allow users to seamlessly share and discover the content they love right from their social media feeds.

Sharing with TikTok:
Spotify users can now share music, podcasts, and audiobooks directly to TikTok. This feature includes two sharing options:

  1. Posting tracks, albums, playlists, podcasts, or audiobooks to TikTok’s Feed (FYP or Stories) using TikTok’s Green Screen or Photo Mode.
  2. Sending content to friends via TikTok Messages, making it easy to share favorites.

To access shared content, users can tap the TikTok link, which will take them directly to Spotify for easy discovery.

Saving via Instagram:
Spotify users can now save songs directly to their Spotify account from Instagram. Here’s how:

  1. While scrolling on Instagram, users can tap on a song’s audio page.
  2. They can then hit the “Add” button to link their Spotify account (only required the first time).
  3. The song will automatically save to their Liked Songs playlist in Spotify.

These integrations are available globally on both iOS and Android devices. They complement Spotify’s existing features, like saving songs from TikTok, while also expanding its connections to platforms like Meta, Snapchat, and X.

Spotify remains committed to enhancing the listening experience across devices and platforms, ensuring fans and artists can connect in meaningful ways. New features and integrations are on the horizon, bringing music closer to fans everywhere.

Stevie Wonder’s Hits Shine Through The Bands Of His Majesty’s Royal Marines At Royal Albert Hall

Stevie Wonder’s brilliance lit up the Royal Albert Hall as The Bands of His Majesty’s Royal Marines celebrated his legendary career. From Sir Duke to Superstition, their joyful medley proved why Stevie’s music has been inspiring generations for over six decades.

Kate Bush’s Isolated Vocals For “Wuthering Heights”

At just 18, Kate Bush penned “Wuthering Heights” in one evening, crafting a timeless hit inspired by Emily Brontë’s novel. Released in 1978, the single made history as the first UK #1 by a female artist with a self-written song.

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That Eric Alper
6-time nominee for Publicist of the Year during Canadian Music Week, a 16-time JUNO Award winner overseeing PR campaigns, and have also been truly honoured to work with some of the biggest and most important artists of our time.

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