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Country Music Hall of Fame and Museum to Open New Exhibition, Luke Combs: The Man I Am

The Country Music Hall of Fame and Museum will explore the life and career of Luke Combs in a new exhibition, Luke Combs: The Man I Am. The exhibit will trace Combs’ story from singing with his school choirs in North Carolina to headlining stadiums around the world. The exhibit, which will be open from July 11 until June 2025, is included with museum admission.

“Few artists have experienced the kind of meteoric rise and sustained success Luke Combs has since signing his first recording contract just two years after moving to Nashville,” said Kyle Young, CEO of the Country Music Hall of Fame and Museum. “He has earned a career-defining string of #1 singles, set new benchmarks on the music charts, won more than a dozen major country music industry awards since 2016 and sold out stadiums around the world.”

“Once I decided I wanted to do music as a career, it didn’t matter if it was for 100 people or 1,000 people, I just wanted to be playing Country Music for anyone who would listen,” said Luke Combs. “If I could have enough fans to call it a job, I was set. Other than that, I never dreamed of being featured in the Country Music Hall of Fame and Museum, much less having my own exhibit; that was beyond my wildest dreams. But honestly, it’s all a credit to my fans, family, songwriters and team. I have only made it to where I am today because of them, and this honor is one of my most humbling yet. At my core I love Country Music and this exhibit is as prestigious of an honor as it gets.”

The exhibit will include stage wear, tour memorabilia, manuscripts, set lists, instruments, photographs, posters, childhood memorabilia and more. Examples of items to be displayed include:

  • Martin GPCPA4 Sapele acoustic guitar Combs used extensively at his early performances, 2012–2014. When he moved to Nashville, Combs gave the instrument to his friend and fellow performer Adam Church.
  • Playbill from Combs’ leading role as Nathan Detroit in the musical “Guys and Dolls” during his senior year at A. C. Reynolds High School, Asheville, North Carolina.
  • CD-R of the three songs recorded for Combs’s debut EP, The Way She Rides, signed by Combs and Adam Church and given to Church’s parents. Combs wrote on the paper sleeve, “To the Church’s / Y’all rock SO hard!”
  • Columbia PFG shirt and Swamp Assassin ball cap Combs wore in the 2016 music video for “Hurricane.”
  • Manuscript of “Six Feet Apart,” co-written by Combs, Brent Cobb and Rob Snyder on April 14, 2020.
  • Dale Earnhardt commemorative leather jacket Combs wore in honor of the famed stock car racer and team owner when he performed at Daytona International Speedway prior to the start of the NASCAR Daytona 500, Feb. 14, 2021. Earnhardt was killed on the final lap of the Daytona 500 in 2001.
  • Jersey that Combs wore when he was a member of the Rockets football team at A. C. Reynolds High School.
  • Dollar bill Combs kept as a memento from his first paying gig at Boone’s Parthenon Café, where the cover charge was $1.
  • Crosley Dansette portable record player Combs used to share his recording of “Beautiful Crazy” with Nicole Hocking, now his wife, for the first time.

In support of the exhibition, Combs will participate in a songwriter round in the museum’s CMA Theater on Thursday, July 11, at 2:30 p.m. During the program, Combs will be joined by four of his songwriting collaborators — Ray FulcherJames McNairDrew Parker and Rob Williford — to share the stories behind and perform some of the songs they have written together. Tickets will be available here on Friday, May 17 at 10 a.m. Central.

Growing up in North Carolina, Combs enjoyed singing from a young age. His parents encouraged his innate talent by taking him to concerts — his first was a Vince Gill show with his mom and grandmother — and buying him a guitar, which he stopped playing after only a few lessons, when he was in middle school. Combs joined several school choirs and was cast in four school musicals while growing up. While attending Appalachian State University in Boone, North Carolina, he studied criminal justice, played rugby and sang in an a cappella group.

During the summer after his junior year, when he was feeling frustrated and uncertain of his future, Combs’ mother reminded him of the guitar in his closet and told him Kenny Chesney and Tim McGraw learned to play when they were his age. So, Combs spent his free time teaching himself to play the instrument.

Back in Boone for his senior year, Combs began performing around town and building an online following with clips of himself singing country and R&B covers — including Tracy Chapman’s “Fast Car” — and original songs that he posted on YouTube and Vine, a short-lived platform for six-second videos.

Combs visited Nashville in January 2014 to record his debut EP, The Way She Rides, and permanently moved to the area that September, at age 24. He signed with a booking agent within a year and filled small rooms throughout the Southeast with fans who had discovered him online. After independently releasing three EPs, and with buzz building around him in part due to his song “Hurricane,” Combs signed a record deal with River House Artists and Sony Music Nashville in October 2016, two years after moving to Nashville.

“Hurricane” earned Combs his first country radio #1 in May 2017. His debut album from the same year, This One’s for You, which included “Hurricane,” spent 50 weeks atop the country albums chart, tying Shania Twain’s record for most weeks at #1. In 2019, Combs became the first artist to top the Billboard Country Airplay chart with his first five singles — and then extended the record to 13 consecutive #1 songs. Through April 2024, he has amassed a total of 16 solo Billboard Country Airplay chart-toppers.

After playing small shows in bars, clubs and theaters for several years, Combs began headlining shows in front of thousands in arenas and amphitheaters in 2019. His sold-out 2023 world tour took him to stadiums throughout North America and arenas in EuropeAustralia and New Zealand.

Combs keeps a close circle of songwriting collaborators. Like him, many were unproven talents when they first crossed paths in Nashville. When his first four singles topped the country radio chart in 2017 and 2018, the songs’ nine co-writers all earned their first #1 hits. Among those songwriters was Ray Fulcher, who has written more than two dozen of Combs’s songs, including six #1s. Dan IsbellJames McNairRandy MontanaJonathan Singleton and Rob Williford are also mainstays in the writing group.

Combs has also written with other artists, including a duet with Miranda Lambert, “Outrunnin’ Your Memory,” and a collaboration with Billy Strings, “The Great Divide,” that they wrote with Wyatt Durrette. Songs written by Combs have been recorded by Gabby Barrett (“Dance Like No One’s Watching”), Zac Brown Band (“Out in the Middle”) and Carly Pearce and Lee Brice, whose duet “I Hope You’re Happy Now” is Combs’ first chart-topper as a songwriter only.

The Country Music Hall of Fame and Museum collects, preserves and interprets country music and its history for the education and entertainment of diverse audiences. In exhibitions, publications, digital media and educational programs, the museum explores the cultural importance and enduring beauty of the art form. The museum is operated by the Country Music Foundation, a not-for-profit 501(c)(3) educational organization chartered by the state of Tennessee in 1964. The museum is accredited by the American Alliance of Museums, and is among the most-visited history museums in the U.S. The Country Music Foundation operates Historic RCA Studio B, Hatch Show Print poster shop, CMF Records, the Frist Library and Archive and CMF Press. Museum programs are supported in part by Metropolitan Nashville Arts Commission and Tennessee Arts Commission.

More information about the Country Music Hall of Fame and Museum is available at www.countrymusichalloffame.org or by calling (615) 416-2001.

Rediscovering Mr. T’s Inspirational Legacy: “Be Somebody or Be Somebody’s Fool” Album From 1984

Released in 1984, “Be Somebody or Be Somebody’s Fool” is an iconic album by the legendary Mr. T, blending motivational messages with vibrant hip-hop and R&B beats. This unique collection is designed to inspire and uplift young audiences, encouraging them to pursue their dreams, build self-confidence, and stand up against bullying. Each track is infused with Mr. T’s unmistakable charisma and powerful presence, offering practical life lessons wrapped in catchy rhythms and memorable lyrics. Over three decades later, the album remains a testament to Mr. T’s enduring influence as a cultural icon and role model, continuing to inspire new generations with its timeless wisdom and infectious energy.

My Next Read: “Vibe: The Sound and Feeling of Black Life in the American South” by Corey J. Miles

Where exactly does the South begin and end? Current maps are too rigid to account for the ways Black people have built the South while being simultaneously excluded from it. Drawing from the different ways Black artists in the 2-5-2 area code in North Carolina use “vibe” as a mode of knowing and communication, author Corey J. Miles illustrates how Black feeling and unfeeling offer entry points into the contemporary South that challenge static and monolithic notions of the region. Placing the local artists in conversation with other southern cultural creators such as 2 Chainz, Rod Wave, and Rapsody, these ethnographic narratives demonstrate that there are multiple Souths, with overlapping and distinct commitments to working through pain, sound, and belonging.

In Vibe: The Sound and Feeling of Black Life in the American South, Miles narrates how southern Black sound, feeling, and being is constantly policed, surveilled, and criminalized. In doing so, he re-narrates the region as the “carceral South,” to capture the ways people in the South and beyond can feel the emotional weight of the criminalization of Blackness. Pain music, a subgenre of trap music, is used to take the listener to moments of violence to allow them to hear the desires, anger, and silences that bind Black life in community. Through conceptions of ratchet, hood, and ghetto, Black artists turn away from respectable images and unmap the South. In trap music, they move the South to a space where multiple modes of being find respect and care.

Subaru Makes SiriusXM Standard Across Entire Model Year 2025 Vehicle Lineup

SiriusXM today announced that Subaru has expanded the installation of SiriusXM to make the audio entertainment offering a standard feature beginning with its entire model year 2025 vehicle lineup in the United States.

“We are excited to continue expanding our relationship with Subaru by making SiriusXM a standard feature across their entire lineup of vehicles,” said Gail Berger, Senior Vice President and General Manager of Automotive Partnerships, SiriusXM. “Every Subaru customer will now have the opportunity to experience and enjoy SiriusXM’s extensive lineup of ad-free music channels, plus live sports, news, entertainment and comedy programming in their new vehicle.”

SiriusXM’s standard availability in Subaru follows the introduction of SiriusXM with 360L to Subaru’s vehicle lineup earlier this year. SiriusXM with 360L combines satellite and streaming content delivery into a single, cohesive in-vehicle entertainment experience, which provides drivers and their passengers with more content, better discovery, and a more personalized listening experience. For more information about SiriusXM with 360L in Subaru, click here.

Newly purchased or leased Subaru vehicles in the United States receive a four-month trial subscription to SiriusXM that delivers SiriusXM’s full lineup of varied content, plus access at home and on the go through the SiriusXM app on connected devices and speakers.

SiriusXM is home to hundreds of expertly-curated, ad-free music channels across all genres, decades, and moods as well as the must-hear moments in sports, news, entertainment, comedy, and more. From one-of-a-kind channels by some of the world’s top musicians to first-listens and exclusive performances from emerging artists and bands, SiriusXM presents the perfect soundtrack for any moment. SiriusXM brings fans closer to their favorite sport by offering the most extensive lineup of live pro and college events, plus programming that delivers reactions and analysis from experts and insiders. Subscribers also stay informed and entertained with the latest in news and politics, entertainment, comedy, and beyond with celebrity interviews, iconic hosts, trusted opinions, non-stop laughs, and so much more, available only on SiriusXM.

For more information on all the programming that SiriusXM offers, and all the ways subscribers can listen, visit SiriusXM.com

A Wild and Chaotic Ad for the Captain Lou Albano Wrestling Hotline From 1987

In this wild and chaotic ad from 1987, Captain Lou Albano promotes his wrestling hotline with his signature larger-than-life personality. The commercial is a whirlwind of energy, featuring Albano’s boisterous charm and colorful antics, making it an unforgettable piece of wrestling nostalgia. Fans are invited to call in for exclusive wrestling news and updates, all delivered with Albano’s unique flair.

My Next Read: “Hip-Hop Is History” by Questlove

This is a book only Questlove could have written: a perceptive and personal reflection on the first half-century of hip-hop.

When hip-hop first emerged in the 1970s, it wasn’t expected to become the cultural force it is today. But for a young Black kid growing up in a musical family in Philadelphia, it was everything. He stayed up late to hear the newest songs on the radio. He saved his money to buy vinyl as soon as it landed. He even started to try to make his own songs. That kid was Questlove, and decades later, he is a six-time Grammy Award–winning musician, an Academy Award–winning filmmaker, a New York Times bestselling author, a producer, an entrepreneur, a cofounder of one of hip-hop’s defining acts (the Roots), and the genre’s unofficial in-house historian.

In this landmark book, Hip-Hop Is History, Questlove skillfully traces the creative and cultural forces that made and shaped hip-hop, highlighting both the forgotten but influential gems and the undeniable chart-topping hits―and weaves it all together with the stories no one else knows. It is at once an intimate, sharply observed story of a cultural revolution and a sweeping, grand theory of the evolution of the great artistic movement of our time. And Questlove, of course, approaches it with not only the encyclopedic fluency and passion of an obsessive fan but also the expertise and originality of an innovative participant.

Hip-hop is history, and also his history.

Edifier International Announces Stax Spirit S5 Wireless Planar Magnetic Headphones

Edifier International, the award-winning audio electronics designer, announces the STAX SPIRIT S5 Wireless Planar magnetic headphones.

In the 2012, Edifier acquired STAX Ltd., a company with over 80 years history, and a specialist in electrostatic headphones. The brand name “STAX” is almost considered the benchmark of electrostatic headphones. Inspired by STAX’s pursuance of high-fidelity music and craftsmanship in the field, the STAX SPIRIT brand was created as a high-end sub brand for Edifier headphone products with the aim of developing more high-quality products for audiophile users.

The STAX SPIRIT S5 are Planar magnetic headphones. Planar magnetic drivers are commonly found in Hi-Fi headphones and other high-end audio equipment. With their unique way of operation, planar magnetic drivers can represent a superior audio experience with rich details and impressive transient response. With solid innovation and advanced features, the STAX SPIRIT S5 packs upgraded planar magnetic drivers and the latest Bluetooth V5.4 technology into a compact and portable form-factor. The 2μm thin film and 2nd gen EqualMass wiring technology generate a performance comparable to legendary electrostatic headphones.

Dynamic driver reproduces sound with a cone-size diaphragm driven by a voice coil submerged in a circular magnetic field. The diaphragm has to be stiff enough to avoid partitioning during vibration, especially in high frequency band. The whole motor system is also heavy to move. The planar magnetic driver, on the other hand, features a flat, thin diaphragm with embedded wires, suspended in the magnetic gap. This design allows the diaphragm to move in a piston-like manner across the whole frequency spectrum. The diaphragm is light and has good transient response, which makes the planar driver a much better choice for sound reproduction by nature compared to dynamic drivers.

In other headphones with planar magnetic drivers, it is common practice to address the uneven distribution of the magnetic field by using wires of varying widths on the diaphragm, aiming to achieve uniform driving force across the entire diaphragm, ensuring consistent performance.

Edifier take this approach a step further with EqualMass. By connecting a different number of wires with the same width in parallel, EqualMass achieves a uniform driving force for all parts of diaphragm while keeping its weight evenly distributed. This allows the diaphragm to move back and forth with the same motion and momentum, reducing harmonic distortion to almost zero.  In the 2nd generation of EqualMass wiring, Edifier introduce a symmetric wiring structure, further enhancing the diaphragm’s stability across the entire frequency spectrum.

To ensure uniformity in the magnetic field strength distribution across each planar magnetic driver, Edifier have developed a proprietary automatic toolset for calibrating and compensating the magnet circuitry during production. This meticulous process guarantees that every set of S5 headphones delivers sound fidelity identical to the original unit crafted by the designer.

In addition to LDAC and LHDC, the S5 supports all audio codecs under the Snapdragon Sound Technology Suite, including aptX HD, aptX Adaptive, and aptX Lossless. It achieves a bit rate of up to 1.2 Mbps in Bluetooth mode, delivering high resolution (24-bit/96kHz) and end to end low latency audio. It also supports the AAC codec, enhancing compatibility with a wider range of devices.

Thanks to aptX Adaptive codecs, the STAX SPIRIT S5 achieves end-to-end latency as low as 89ms in Bluetooth mode, synchronizing your audio experience with the action you see on the screen. This can provide a totally immersive gaming experience.

The S5 supports simultaneous connection to two Bluetooth audio devices. Whether it’s a mobile phone or a laptop, switching between devices is more convenient and seamless, allowing you to work and listen to music simultaneously.

Wrapped in genuine lambskin earpads and adorned with top-grain cowhide earcups, the S5 epitomizes elegance and refinement in both form and function. Crafted with the utmost attention to detail, its ergonomic design ensures a snug and secure fit, giving hours of uninterrupted enjoyment with no discomfort.

Download the EDIFIER ConneX App and you can select from three kinds of preset EQs and customize your personal EQ to suit your music style.

Price & Availability:

Currently, the STAX SPIRIT S5 is available for $499.99 on Amazon.com.

Dr. Martens Is Launching A Nine Inch Nails Line And You’re Going To Want Them

Dr. Martens’ tribute to Nine Inch Nails’ visceral and groundbreaking album marks the beginning of an exclusive collaboration celebrating the 30th anniversary of The Downward Spiral. This musical monolith transcends genres by exploring the bleakest themes, yet ultimately rejects nihilism in favor of hope.

The collection features three striking silhouettes, each incorporating industrial design elements. The 8-eye 1460 boot boasts a stark black and white design inspired by the album’s iconic artwork. The 3-eye 1461 shoe is adorned with a ‘Crystal Teeth’ design, while the extra tall 10-eye 1490 boot draws inspiration from the band’s uninhibited live shows, where they covered themselves in cornstarch for a decayed, post-apocalyptic look. You can sign up here to be the first on your block to get them.

Korean Kids Meet Billie Eilish And It’s ADORABLE

This heartwarming and insightful video where children from Korea have the unique opportunity to meet and interact with the globally renowned artist, Billie Eilish is simply adorable. The video captures genuine reactions and conversations, showcasing the kids’ excitement, curiosity, confusion and admiration for Billie.

Photo Gallery: Red Hot Chili Peppers with Wand at Toronto’s Budweiser Stage

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All photos by Mini’s Memories. You can contact her through Instagram or X.

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