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Nova Scotia Artist Goldie Boutilier Named Spotify’s EQUAL Ambassador

Goldie Boutilier has been chosen as Spotify’s EQUAL Canada ambassador for November. This month, Goldie will grace the cover of the EQUAL Canada playlist and curate a selection of tracks featuring inspiring female Canadian artists at full volume. To celebrate being the EQUAL Canada ambassador for this month, Goldie will also be featured on a billboard in Toronto’s Yonge & Dundas Square on November 15-17.

At Spotify, they celebrate female creators all over Canada year-round through our EQUAL program. Goldie is a rising star in the alt-country scene with roots from Cape Breton Island, chosen for her unique “Americana” sound and vulnerable yet sincere lyricism. She’s already garnered over 11 million streams as an independent artist in just two years, earning praise from notable figures like Zane Lowe and Elton John.

Here are some of Goldie’s picks featured on the playlist: 

Buena Vista Orchestra Announces Show Dates in Canada

JESUS “AGUAJE” RAMOS (born 1951) is a Cuban trombonist, composer, arranger and musical director. He is best known as the original orchestra leader, composer and trombonist of The Buena Vista Social Club. He has also served long stints in world class ensembles Estrellas de Areito and Afro-Cuban Allstars. His musical journey and history is brought into focus throughout the critically acclaimed 1999 documentary “Buena Vista Social Club”.

Ramos performed on the World Circuit recordings of The Buena Vista Social Club and Afro-Cuban Allstars and the solo albums of Ibrahim Ferrer, Ruben Gonzales and Omara Portuondo. He was Gonzales’s musical director and has been touring extensively since 1997 with various Buena Vista Social Club projects. He was a prominent member and musical director of the renowned Orquesta Buena Vista Social Club, which brought the music of the original Buena Vista Social Club back into international prominence during the incredibly successful ‘Adios’ Tour from 2014-2016.

The Buena Vista Orchestra, under the direction of Ramos and featuring key players from throughout the history of The Buena Vista Social Club, continues the legacy of the legendary group in 2024 with an exciting new stage production and repertoire pulled from the greatest hits (many of which Ramos composed) and deep-dive cuts. The group has amassed over 50,000 monthly listeners on Spotify with their debut album on SSK Records Greatest Recorded Performances, with another album due out later this year.

Ramos is joined on this inaugural tour by an all star ensemble including original BVSC members “Betun” Luis Mariano Valiente Marin (Congas, Bongo), Emilio Senon Morales Ruiz (Piano) and Fabían Garcia (Bass).

To date, The Buena Vista Social Club and related projects have global sales that stand at over fifty million, making it the biggest-selling Cuban music project in history. As one critic put it, Buena Vista has become “world music’s equivalent of The Dark Side of the Moon.”

THE BUENA VISTA ORCHESTRA TOUR DATES:

March 14, 2025
Danforth Music Hall – Toronto, ON

March 18, 2025
Myer Horowitz Theatre – Edmonton, AB

March 19, 2025
Bella Concert Hall – Calgary, AB

March 21, 2025
Vogue Theatre – Vancouver, BC

Tickets on Sale November 15 at 10 AM

THE BUENA VISTA ORCHESTRA
JESUS “AGUAJE” RAMOS – Trombone, Music Director, Conductor *
LORENA LAZARA RAMOS DIAZ – Trombone, Vocals
ALDO ISIDRO MIRANDA ALVAREZ – Vocals
GEIDI CHAPMAN – Vocals, Guitar
EMILIO SENON MORALES RUIZ – Piano *
FABIAN GARCIA – Bass *
ANTONIO REMIGIO RUBIO BORAYO – Timbal, Percussion
LUIS “BETUN” MARIANO VALIENTE MARIN – Congas, Bongo *
ROGELIO RICARDO OLIVA ORELLY – Emcee, Vocals
* ORIGINAL MEMBER OF THE BUENA VISTA SOCIAL CLUB

My Chemical Romance Announce Summer 2025 North American Stadium Tour

Photo credit: Chapman Baehler

After performing The Black Parade album in its entirety at the most recent When We Were Young Festival, My Chemical Romance (Gerard Way, Ray Toro, Frank Iero, and Mikey Way) will be celebrating The Black Parade this coming summer. The seminal album was named one of Rolling Stone’s “500 Greatest Albums of All Time.” The band will be performing the full album in only 10 cities across North America, produced by Live Nation, with each show featuring a different hand-selected artist as the opening act.

Tickets go on sale this Friday, November 15, 2024 at 10:00am local time – get your tickets HERE.

Following the success of their independently released debut album and major label breakout sophomore album that has been certified 3x Platinum, My Chemical Romance skyrocketed into the mainstream with their 2006 album The Black Parade, which peaked at No. 1 on the Billboard U.S. Top Rock Albums and U.S. Top Tastemaker Albums charts. Its leading single, “Welcome To The Black Parade,” has been certified 5x Platinum, while the album itself has earned 4x Platinum status.

Tour Dates:
July 11, 2025 – Seattle, WA – T-Mobile Park
Special Guest: Violent Femmes
July 19, 2025 – San Francisco, CA – Oracle Park
Special Guest: 100 Gecs
July 26, 2025 – Los Angeles, CA – Dodger Stadium
Special Guest: Wallows
August 2, 2025 – Arlington, TX – Globe Life Field
Special Guest: Garbage
August 9, 2025 – East Rutherford, NJ – MetLife Stadium
Special Guests: Death Cab for Cutie and Thursday
August 15, 2025 – Philadelphia, PA – Citizens Bank Park
Special Guest: Alice Cooper
August 22, 2025 – Toronto, ON – Rogers Centre
Special Guest: Pixies
August 29, 2025 – Chicago, IL – Soldier Field
Special Guest: Devo
September 7, 2025 – Boston, MA – Fenway Park
Special Guest: IDLES
September 13, 2025 – Tampa, FL – Raymond James Stadium
Special Guest: Evanescence

Spotify Reports Third Quarter 2024 Earnings

Today, Spotify announced their third quarter 2024 earnings where they outperformed across key metrics, moving them one step closer to a full year of profitability. Take a look at the highlights below:

  • Monthly Active Users grew 11% Y/Y to 640 million.
  • Subscribers increased 12% Y/Y to 252 million.
  • Total Revenue was up 19% Y/Y to €4 billion.
  • Gross Margin reached 31.1%.
  • Operating Income improved to €454 million.

“We’ve never been in a stronger position, thanks to the outstanding execution by our team. I’m incredibly proud of the way we’ve delivered and the progress we’ve made,” said Daniel Ek, Spotify Founder & CEO, “We’re where we set out to be—if not a little further—and on a steady path toward achieving our long-term goals. This relentless pursuit of innovation and commitment to growth sets us up to deliver the most valuable user experience in the industry, while reinforcing the core strengths that make Spotify unique. I am very excited about what lies ahead for us.”

Machine Head and In Flames Announce 2025 North American Tour with Special Guests Lacuna Coil and Unearth

Bay Area Metal Titans Machine Head announce a MASSIVE North American tour alongside Swedish metal icons In Flames, Italian alt-metallers Lacuna Coil, and American metalcore maestros Unearth. Produced by Live Nation, the crushing 5 week jaunt begins in their hometown of Oakland, CA at the legendary Fox Theater, then heads south for a stop at Sick New World Festival, then east, and back across Canada.

To coincide with this gargantuan event Machine Head have collaborated on a new song called “These Scars Won’t Define Us” with all 4 bands on the tour adding vocals for a Wu Tang Clan-level thrash collaboration. The track comes from their upcoming new album (slated for April release TBD), with the new collab track dropping this Friday Nov. 15th at midnight.

Tickets will be available starting with artist presales beginning today Tuesday, November 12. Additional presales will run throughout the week ahead of the general onsale beginning Friday, November 15 at 10am local time. Tickets and info available HERE.

NORTH AMERICAN TOUR USCA
APRIL 2025
🇺🇸 5th • Oakland, CA – Fox Theater
🇺🇸 7th • Phoenix, AZ – The Van Buren
🇺🇸 9th • San Diego, CA – The Observatory North Park
🇺🇸10th • Los Angeles, CA – The Wiltern
🇺🇸12th • Las Vegas, NV – Sick New World Festival**
🇺🇸13th • Salt Lake City, UT – The Union Event Center
🇺🇸15th • Denver, CO – Fillmore Auditorium
🇺🇸17th • San Antonio, TX – Aztec Theatre
🇺🇸18th • Houston, TX – House of Blues Houston
🇺🇸19th • Dallas, TX – House of Blues Dallas
🇺🇸21st • Raleigh, NC – The Ritz

🇺🇸22nd • Silver Spring, MD – The Fillmore Silver Spring
🇺🇸23rd • Brooklyn, NY – Brooklyn Paramount
🇺🇸25th • Reading, PA – Santander Arena
🇺🇸26th • Boston, MA – Citizens House of Blues Boston
🇨🇦27th • Montreal, QC – MTELUS
🇨🇦28th • Toronto, ON – HISTORY
🇺🇸30th • Cincinnati, OH – The Andrew J Brady Music Center

MAY 2025
🇺🇸 2nd • Detroit, MI – The Fillmore Detroit
🇺🇸 3rd • Chicago, IL – Radius Chicago
🇺🇸 4th • Minneapolis, MN – The Fillmore Minneapolis presented by Affinity Plus
🇨🇦 5th • Winnipeg, MB – Burton Cummings Theatre
🇨🇦 7th • Calgary, AB – Event Centre at Grey Eagle Resort & Casino
🇨🇦 8th • Edmonton, AB – Midway Music Hall
🇨🇦10th • Kelowna, BC – Prospera Place

**Festival date – Machine Head & Lacuna Coil only

Celebrate 30 Years of “Crash! Boom! Bang!” – Roxette’s Iconic Album Returns with a Special Double Vinyl and CD Release

30 years ago, Roxette released their fifth album “Crash! Boom! Bang!”, including a stream of hit singles like “Sleeping In My Car”, the title track, “Fireworks”, “Run To You” and “Vulnerable”.

The album would sell more than five million copies and was followed by their second World Tour, which saw them perform for over a million people, including the second performance ever by an international act in China.

The band is celebrating this classic album’s 30-year anniversary with a unique special edition: a double album in black and white vinyl with 18 tracks and an 8-page booklet, as well as a an 18-track CD version that also includes a bonus CD with 23 demo recordings of songs considered for the album.

“Roxette were among the three most played artists on American radio during 1989, 1990 and 1991, and we were on top of the charts all over the world. So, it’s no wonder we felt pretty confident when it was time to record the new album,” Per Gessle says.

“Having had that kind of success made us feel that we had a perfect opportunity to stretch out into new directions. To show slightly different sides of what Roxette could be. And I still think “Crash! Boom! Bang” is our best album.”

The 30-year anniversary versions of “Crash! Boom! Bang” will be released on December 6. Watch out for the fireworks.

Photo Gallery: W.A.S.P. with Armored Saint at Toronto’s History

W.A.S.P.

All photos by Mini’s Memories. You can contact her through Instagram or Facebook.

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Redhead Mack Band Address Canada’s Past Injustices with Reflective Single “Oppression”

There’s a classic adage that says those who forget the past are condemned to repeat it. And in a world where past injustices and inequalities continue to be uncovered while current injustices remain, that statement unfortunately still rings true. For the Calgary, Alberta rock group Redhead Mack Band, educating youth about rather recent scandals such as Canada’s residential schools and the tragic price paid by Indigenous children is a difficult challenge. But fortunately, they’ve taken a great step towards creating awareness of universal injustices with the single “Oppression” from their latest album You Know That You Want To.

“Teaching children the history of wars, slavery, genocide, etc. is all impactful, but usually refers to events that feel long ago or far away,” lead singer and guitarist Kevin Phillips, who works as a schoolteacher during the day, says of the inspiration for “Oppression.” “Explaining to elementary kids that residential schools happened here in Canada and were still a thing when their parents were kids was interesting. The song doesn’t refer to specific events in history, but states that, along with trying to not be divided and work together, we need to stop treating anybody as ‘other.'”

“Oppression,” brought to Redhead Mack Band by Phillips during a practice, was fleshed out by the rest of the group consisting of lead guitarist Lee Carlson, bassist and backing vocalist Jared Wiebe and drummer Ian Fraser Love. The result is a tender, Southern rock-tinged piece of perfection, which the band says emerges as “a bit more serious and laid back” than the rest of the material on You Know That You Want To. If you were to think of groups like Drive By-Truckers, Jason Isbell and the 400 Unit, or Band of Horses at their tender roots rock best, you’d recognize just how strong a single “Oppression” is.

One subtle but interesting turn of phrase in “Oppression” is a reference to the late soul singer Solomon Burke and his rendition of the song “None Of Us Are Free.” The song, perhaps first recognized when Ray Charles recorded it, appeared on Burke’s 2002 album Don’t Give Up On Me. “None Of Us Are Free” also featured a guest appearance by The Blind Boys of Alabama. While some might consider it a throwaway line, the lyric shows the depth, care and tact Redhead Mack Band has towards the issue and its music overall.

“Oppression” is the latest single for Redhead Mack Band, a group who returned to action following the global pandemic. Phillips, who performed primarily folk music before joining the group, went electric. And while it might not have had the musical history gravitas compared to when Bob Dylan went electric, it certainly has paid off for Redhead Mack Band. A string of folk-rock EPs and singles emerged as did the band’s 2013 album Born On A Time Machine.

Having performed across Western Canada, the Redhead Mack Band have had their music featured in publications such as Canadian Beats, Record World International, and Maximum Volume. “Being in a band isn’t just about playing shows — it’s about passion, heart, and a love for the music that drives us every day,” the band recently said in an Instagram post. “Each practice, each performance, and every note we hit reminds us why we do what we do. It’s the connection, the energy, and the thrill of creating something that moves people. We pour our souls into every song, and it’s that love for music that keeps us going, no matter what challenges come our way.”

“Oppression,” the follow-up single to “Once Again,” released earlier in 2024, is a potent song that is both timely and timeless. It’s a message for unity and togetherness in a world that’s weary from divisiveness.

Canadian Folk Legend Ken Whiteley Releases Joyful Lullaby Single “Hole In The Clouds” from 35th Album ‘Unseen Hands’

Toronto-based folk/singer-songwriter icon Ken Whiteley has crafted beautiful songs that have piqued the interest of children, gospel fans, and lovers of tasteful, highbrow folk music. Now Whiteley has again added to his rich discography with his latest single “Hole In The Clouds” from his timely, tranquil, and tremendously solid studio album Unseen Hands. For Whiteley, the 12-track effort features Whiteley performing on 12-string guitar for majestic results.

“The recordings all speak to place in one way or another — from the little patch of ground in downtown Toronto where I live, a conversation with the moon, April in Paris, looking at the stars, the soil, the planet, and how we all connect,” Whiteley says. The album, produced by Whiteley and released on Pyramid Records, is a wonderful collection led by the opening track “Hole In The Clouds,” a dreamy lullaby-esque tune that has Whiteley at his best.

“It is an invitation to open wide,” Whiteley says of “Hole In The Clouds.” “It is musically anchored in Ken’s 12-string guitar, Ben Whiteley’s upbeat bass lines, Georgia Harmer’s expanding background vocals, and Bucky Berger’s bongos and drumming.” The fact that such a simple yet stellar piece of music was derived from simply recognizing the sun breaking through clouds is a testament to Whiteley’s wonderful way with words and his almost instinctive, incredible approach to the craft of songwriting.

Unseen Hands, recorded and mixed by Whiteley and Nik Tjelios at Toronto’s Casa Wroxton Studio and mastered by Harris Newman at Montreal’s Grey Market Mastering, is a lovely, serene 12-track affair. It speaks to simple truths of love, nature, and life in these somewhat trying times with political turmoil, the climate crisis, and people seemingly wrapped up in technology around every corner. From the folksy “Here I Stand,” which celebrates where he resides in downtown Toronto and its Indigenous history before Toronto existed, to the soulful cover of Bobby Womack’s “That’s The Way I Feel About You,” Whiteley is masterful regardless of the song, the topic, or in some cases the choice of covers.

Although Whiteley wrote nine of the 12 songs from Unseen Hands himself, including a co-write with Berger on “Fast Freight Train,” another cover included is a magical, dreamy rendition of “Stars” originally found on The Weather Station’s 2022 album How Is It That I Should Look at the Stars. Here, Whiteley has a sparse amount of instrumentation for a dreamy effect while addressing the issue of climate change.

Meanwhile, other spectacular nuggets include Whiteley’s intricate finger-picking during the chugging “Fast Freight Train” and the blues-tinged “Mixed Up World.” Not to be outdone, Whiteley oozes French flair during the American Songbook standard “April In Paris,” and “New Growth,” which seems to meld world music influences for a song Whiteley penned as a birthday gift to his wife Ellen Manney (who sings on “So We Sing”). In short, fans of any great folk musician or singer-songwriter from Bruce Cockburn to Ron Sexsmith, Bob Dylan to James Taylor would be wise to seek Unseen Hands.

Additional musicians on Unseen Hands include Sundar Vishwanathan on bansouri flute and soprano sax, harmony vocalists Ciceal Levy and Adrienne Mackenzie, accordion player Tom Szczesniak, harmonica player Roly Platt, and string bassist Gord Mowat. As well, Whiteley has a bevy of backing vocalists for the closing “So We Sing,” including Anna Pappas, Keith Kemps, Lia Pappas Kemps, Nastasia Pappas Kemps, Joel Archimbeault, Catherine Stockhausen, Daisy Archimbeault.

Unseen Hands, the follow-up to 2023’s So Glad I’m Here, is another fine addition to Whiteley’s rich history. Having shared the stage with Pete Seeger, Tom Paxton and John Hammond Jr., among countless others, Whiteley has seven JUNO Award nominations in Blues, Roots and Traditional and Children’s genres. He has also earned two GRAMMY Award nominations and 22 JUNO Award nominations in various collaborations and was part of the dynamic trio Scarlett, Washington, and Whiteley alongside the late Mose Scarlett and Jackie Washington. Having received a Genie Award, 18 Maple Blues nominations and Lifetime Achievement Awards from various organizations including the Mariposa Folk Festival and with over 400 songs written, Ken Whiteley is a Canadian folk institution.

Now with a lovely lead single “Hole In The Clouds” and an equally inviting studio album in Unseen Hands, Ken Whiteley continues to both inspire and question like all great artists should.

Ken Whiteley Tour Dates:
November 24, 2024 — Hugh’s Room Live (2 p.m. start) — Toronto, ON (CD Release show with special guests Garnetta Cromwell, Georgia Harmer, Ciceal Levy and Bucky Berger)
December 7, 2024 — Metropolitan Community Church (two shows, 3 p.m. and 7 p.m.) — Toronto, ON (with the Metropolitan Community Church Choir, Kim Doolittle, Jason Jestadt music director)
December 12, 2024 — Shenkman Hall — Ottawa, ON (with Sultans of String Christmas Caravan)
December 19, 2024 — Victoria Hall — Cobourg, ON (with Sultans of String Christmas Caravan)
December 20, 2024 — Nineteen on the Park — Stouffville, ON (with Sultans of String Christmas Caravan)
December 21, 2024 — Hugh’s Room Live — Toronto, ON (with Sultans of String Christmas Caravan)

Blues Rocker Stefan Palicki Delivers Gritty Power in New Single “Blue-Eyed Devil”

Sometimes, what people say to your face and what they say behind your back are more often than not two totally different things. Only true friends or loved ones will be direct. It’s the sentiment that Oshawa, Ontario blues rock guitarist Stefan Palicki used as inspiration for the meaty blues rock diamond and his latest single “Blue Eyed Devil.” Palicki says the song’s title originated from a phrase his late grandfather used to say regarding people being somewhat two-faced.

“The lyrics were written drawing upon an expression Stefan’s grandfather had about this common thing that people do and the kind of personal experiences we all have had,” the artist says. “He would say, ‘If they’re talking badly about me, they’re leaving some other poor soul alone.’ “This is paraphrasing as grandpa would use much more colorful language.”

Although Palicki’s grandfather passed in 2021 before “Blue Eyed Devil” was written, the musician says the “song isn’t just a response to negative experiences but it’s also kind of a tribute to him as well.” Palicki, who wrote the song, was given a week by producer Rob Laidlaw to create a riff that would work with the lyrics. Although initially frustrated with not finding that perfect riff, Laidlaw and Palicki worked on tweaking the track resulting in a gem that oozes “very southern rock” while being “bluesy and a bit gritty.”

“Blue Eyed Devil,” written by Stefan Palicki, Kelly Palicki, and Laidlaw, wastes little time delivering a big, robust sound and atmosphere. From the opening 15 seconds, you know this single is going to deliver and deliver in spades thanks to Palicki’s confident but beefy approach on guitar, while the drum steadies the course for a musical path groups like Big Sugar and Big Wreck have made careers from. Palicki hits the chorus perfectly as he describes the “Blue Eyed Devil” which is surrounded by saints. If you’re not moving some limb, nodding your head, or doing your best air guitar listening to this, check your pulse.

Palicki worked with Adam Newcomb at The Chalet, who mixed “Blue Eyed Devil.” But recording was a bit of a challenge during the pandemic as often one of Palicki, Laidlaw, or Newcomb was under the weather, preventing any progress on the song. Fortunately, the song was released, and audiences and fans of beefy, blues-tinged rock are better off for it.

Palicki first became interested in music not from picking up an instrument but from the BBC television series Top Gear and seeing host James May drive a Bugatti Veyron at maximum speed. Although not quite music-related, Palicki discovered May had a degree in piano, which sent Palicki off on his musical odyssey. After six years of the Royal Conservatory of Music’s piano instruction, Palicki earned his seventh level with first class honors. Around the same time, Palicki began guitar lessons, leaving the piano for the love of another instrument. His influences range from the late greats like B.B. King, Stevie Ray Vaughan, Jimi Hendrix and Gary Moore to Jimmy Page and more modern blues guitarists including John Mayer.

After playing in school bands and playing a variety of horns in high school (saxophone, trumpet, trombone) as well as bass and percussion, Palicki graduated high school with honors and received a music award. Performing around the Durham Region of Ontario including spots in Ajax and Oshawa and developing his name as a quality guitarist, Palicki released his debut EP of original material produced by Rob Laidlaw.

Now with the “Blue Eyed Devil” musically resembling a bull in a China shop, Stefan Palicki is intent on taking the bull by the horns with this fantastic, finely tuned track. Saying it straight, “Blue Eyed Devil” is a song that will put Stefan Palicki on the Canadian and international blues rock map.

Stefan Palicki’s Tour Dates:
November 23, 2024 — Two Blokes Cider — Seagrave, ON
November 29, 2024 — Old Flame Brewery — Port Perry, ON
December 6, 2024 — Old Flame Brewery (Distillery District) — Toronto, ON
December 20, 2024 — Old Flame Brewery — Port Perry, ON
December 21, 2024 — Old Flame Brewery — Newmarket, ON
January 24, 2025 — Old Flame Brewery — Port Perry, ON