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Long-Running Canadian Jazz, Blues & Gospel Label Justin Time Records’ Founder Jim West Announces His Departure

After celebrating the 40th anniversary of the long-running Canadian jazz, blues, and gospel label last year, Justin Time Records, founder Jim West has announced he’s stepping down from his position to focus on his management firm Wild West Artist Management. Jim began the label in 1983, unearthing and releasing the first recording from renowned jazz pianist Oliver Jones. From there he went on to help launch the careers of well-known artists like GRAMMY-winner Diana Krall, beloved jazz singer Ranee Lee, and others.

West is proud to pass the torch to his fellow Canadian colleagues and partners, Nettwerk Music Group, who aim to continue the label’s legacy and champion the Canadian music scene past and present. Nettwerk will carry-out Jim’s mission to release and promote a diverse array of talented Canadian and international artists including Christine Jensen, Halie Loren, Laura Anglade, Matt Herskowitz, Jean-Michel Pilc, Simon Denizart, Lex French, Code Quartet, and more.

West had this to say about the change: “In thinking about the transition for Justin Time it was important for me to find a home that could carry on the deep-rooted traditions practiced by the label – an artist first mentality and great music people at the helm. We are extremely fortunate to have the Nettwerk Music Group as the new owners and custodians of our work.”

Nettwerk COO & President, Simon Mortimer-Lamb, said: “Jim West’s visionary leadership of Justin Time Records has left an indelible mark on Canadian music history. The rich catalogue of music he has nurtured, produced and released over the years represents some of the genre’s finest Canadian and global artists. It has been a pleasure working with Jim over the past several years, and it is an honour for the Nettwerk team to continue the legacy of Justin Time Records.”

West began his career in the 1970s working as road manager for Mahogany Rush. West went on to found Justin Time Records in 1983 after hearing jazz pianist, composer and arranger Oliver Jones, OC, QC performing at Montreal jazz club ‘Biddle’s.’ His was the first release on the label which became home to many incredible musicians and features recordings by Ranee Lee, Diana Krall, Oscar Peterson, the Montreal Jubilation Gospel Choir, Bryan Lee, Lorraine Klaasen, Halie Loren, David Murray, Carol Welsman and hundreds of other Canadian and internationally known artists.

After forty years with nearly six-hundred recordings released by some of the finest musicians in the world, Jim and Justin Time transformed the landscape of the Canadian Music Industry by elevating not just the jazz genre but as a champion of Canadian arts and culture overall and his strong belief and support of the outstanding talent this country has to offer. In 2016, the Montreal International Jazz Festival presented Jim West with the Bruce Lundvall Award, named after the late American Blue Note executive, and presented to a person from the media or music industry who has made a significant contribution to the development of jazz. In 2018, he received the Builder Award from the Canadian Independent Music Association’s CIMA Award, and in 2022 he was appointed a Member of the Order of Canada for his contributions to the Canadian recording industry, and for supporting and championing our country’s talent.

Nettwerk Music Group is a full-service artist development and music intellectual property brand builder with a history spanning nearly 40 years. Founded in Canada in 1984, Nettwerk operates a global organization with offices in major cities around the world and has acquired an outstanding reputation as an innovative and independent force in the music industry. With its unique model built around fan-connected communities of like-minded artists, Nettwerk harnesses the power of shared audiences and partners with artists to help them build meaningful, engaged fan bases and sustainable careers.

JUNO Award Winner Errol Starr and TRIBZ Release Self-Titled Album Blending of R&B, Blues, Reggae, Pop, and Rock

Errol Starr and TRIBZ are thrilled to announce the release of their new self-titled album alongside the highly anticipated single “Paradise.” This release marks a significant milestone in their music careers, as it is the first from the group since their formation in 2021.

Errol Starr and TRIBZ’s latest project is not just an album; it’s an immersive experience that masterfully blends R&B, Blues, Reggae, Pop, and Rock music. This unique fusion of genres promises to captivate both fans and new listeners, offering a diverse sound that has something for every audience.

“Paradise,” was written by the group’s guitarist, Earl Johnson. The reggae feel of the record is the perfect accompaniment to lyrics that paint a picture of paradise in Bermuda, where he spent his honeymoon:

“Girl, it’s just you and I – Walking hand in hand
Sunny Skies above and Footprints in the sand
Where we fell in Love – on this Island Beach
Making Love till night – to the sounds of the Sea.”

Johnson says, “I’m sure many couples can relate to the lyrics about trying to go back and recapture a past love or romance and try it once again.”

The creation of this virtual album is a testament to the incredible collaborative process between Errol Starr and TRIBZ. Their shared vision and dedication to producing unique and innovative music shines through on every track as they effortlessly sail through different genres of music. This project exemplifies their commitment to pushing the limits of what is possible in music, blending artistry with passion to create something extraordinary.

Errol Starr and TRIBZ became a musical ensemble in 2021 when Earl Johnson reached out to Juno Award winner Errol Starr to add his exceptional vocal styling to the group. An adopted member of the ASMIN Metis, Starr delivers on every track with his bluesy reggae-inspired vocals. Johnson, who made the call, is a member of the Six Nations Tuscarora tribe and has shared the stage with legends such as AC/DC, Boston, and Black Sabbath. Dave Davidson keeps the beat in the percussion section. He has roots in rock, funk, and blues and has traveled the world with the Keltic rock band The American Rogues. Rounding out the group is bassist Donny Hill. He’s a member of the Six Nations Mohawk tribe and has shared the stage with Big Sugar, Blue Rodeo, and the cast of “RUMBLE. Indians Who Rocked the World.”

Giorgia Fumanti Releases “Close To Your Heart” From Upcoming Expanded Edition Of The Cinema Collection

Sometimes it’s easy to get lost in your own head. That’s when you need someone like Giorgia Fumanti to remind you there’s a certain other organ you could be listening to instead.

On her new single, “Close To Your Heart,” the Italian-born, Montreal-based pop/classical crossover artist urges us all to never stray too far from our emotional core. Her immaculate soprano soaring over lush orchestration, Fumanti lays out the reasons to always heed that most frequently name-dropped yet perennially underestimated of strengths: the power of love.

Love is brave and gives you the power
To overcome your fears
Be close to your heart
Love is kind and brings you compassion
To understand your life
Be close to your heart
And never leave that place in you

“I enjoy the lyrics very much,” she says, “and the melody is a perfect choice for my voice. The lyrics speak about going through life’s experiences—the joys, the sorrows—while remaining ‘close to your heart’ to navigate the journey of a wonderful life here on Earth.”

The words mean a lot to Fumanti, who wrote them to match music penned for her by Grammy-winning composer/keyboardist Jeff Lorber and producer/SRG/ILS Group label CEO Claude Villani. Her journey means a lot, too, and she just signed a worldwide exclusive deal with The SRG-ILS Group, home of UB40, Lalah Hathaway, Chaka Khan Keke Palmer, Ruben Studdard, Gino Vannelli, Saukrates, David Benoit, Jeff Lorber. The SRG-ILS Group has been distributed by Universal Music Group’s Virgin Music division for the past 15 years.

The accompanying music video narrows that journey as well, following Fumanti through the streets and sights of Old Montreal—not far from her adopted home of Sainte-Anne-des-Lacs [Laurentians], Québec.

It’s no accident that the song has an unmistakably cinematic scope: “Close To Your Heart” is a jewel plucked from Fumanti’s latest album, The Cinema Collection Deluxe Edition, an expanded 23-song version of a record she released last year to showcase her stunning interpretations of notable movie themes and soundtrack singles. Its track list of beloved classics like “Over the Rainbow,” “Take My Breath Away” and “Love Is a Many Splendored Thing” has been augmented with four original numbers: “Close To Your Heart”, “Now We Are Free,” which first appeared on her 2021 album, Mystic and “I Have A Dream,” presented as both a solo number and a duet with South African artist Selim Kagee.

Produced and arranged at Steve’s Production Room in Montreal by Fumanti’s longtime collaborator and fellow Italian Canadian Stefano Galante (who also worked on Andrea Bocelli’s classic Romanza album), the ambitious project isn’t her first time recording music from films. Her second album, 2007’s From My Heart, included four Ennio Morricone movie themes. It certainly worked, given that the record climbed into the Top 20 on Billboard’s classical crossover chart and made it to No. 1 in Japan and South Africa.

That was a rewarding experience for Fumanti all the way around, since revisiting music from movies is like reliving the portion of her formative years she spent sitting in cinemas back home.

“The songs remind me a lot of memories from my childhood in Italy,” she says. “[And] they’re a perfect style for my voice, because it’s not opera; it’s not pop; it’s in between, so I can start like a pop singer, but then go high like a soprano.”

What’s even more rewarding is getting to put her own stamp on the material:

“Of course, we did different arrangements; it’s not a copy,” she clarifies.” In every case, “It’s a new version made by me and my producer.”

Embracing the finest musical traditions while charting her own path has been Fumanti’s M.O. from Day One. Born in the medieval village of Fivizzano in Tuscany and raised in Aulla and Monterosso, she studied voice at the prestigious Conservatorio di Musica Arrigo Boito in Parma. Her obvious talent caught the ear of the record industry, so she relocated to Montreal in 2002, whereupon she was signed to a record deal with ISBA and released her debut album, Like a Dream. She went international in 2007 with From My Heart, issued through Manhattan/EMI.

In the ensuing two decades, she’s made a total of 13 albums, netting 25 million lifetime streams, and racking up worldwide sales of over 1.5 million. She’s performed with the world’s top orchestras in some of the most famous venues, from London’s Royal Albert Hall and Greece’s Athens Arena to New York’s Times Square and China’s Beijing Olympics. Musical heavyweights she’s shared the stage with include Michael Bolton, Jose Carreras, Lang Lang and Justin Hayward of the Moody Blues—not to mention regional sensations like France’s Alain Barriere and Greece’s Mario Frangoulis, as well as Italian superstars Zucchero, Lucio Dalla, Albano and Gino Paoli. Along the way, she recorded a duet of “Nessun Dorma” with Luciano Pavarotti, and even had the honor of meeting with Pope Francis at the Vatican.

Somehow, Fumanti finds time for a thriving non-musical life as well. A mother of four, she’s also active in yoga, meditation, and reiki.

Her future plans, she says, call for at least one more collection of movie music, if not more. In the meantime, she’s going to keep hewing to the same advice she’s sharing with the world on her deeply felt new track: “Always remember to listen to your heart!”

My Next Read: “Holding the Note: Profiles in Popular Music” By David Remnick

Photo Gallery: Amanda Marshall with Colin James and AHI at Toronto’s Budweiser Stage

Amanda Marshall

All photos by Mini’s Memories. You can contact her through Instagram or X.

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Private Parties With a Twist: Elevate Your Event Plans With Mini-Concerts

By Mitch Rice

Are you tired of hosting the same old private parties every year? Looking for a way to spice things up and truly wow your guests? Enter the world of mini-concerts!

This fresh and exciting idea will transform your private parties into unforgettable nights filled with music and joy. Imagine the look on your friends’ faces as they enjoy live performances right in your living room.

Get ready to discover how mini-concerts can elevate your next event to legendary status! Keep reading to find out more.

The Appeal of Mini-Concerts

Imagine your friends and family arriving at your party, not just for the usual chit-chat and snacks, but for a live mini-concert. It’s a unique way to entertain your guests and create an unforgettable experience.

Mini-concerts add a personal touch and make your event feel special.

How to Organize a Mini-Concert

First, decide what kind of music you want at your party. Do you prefer a solo acoustic guitarist, a lively band, or maybe even a jazz trio?

Once you have an idea, you can hire a musician or a small band that fits your theme. Local musicians are often looking for gigs and would love the opportunity to perform at your event.

Setting the Stage

Next, think about where the mini-concert will take place. It doesn’t have to be a big stage; a corner of your living room, backyard, or even your garage can work.

Make sure there’s enough space for the performers and a spot for guests to sit or stand comfortably.

Inviting Your Guests

When you send out invitations, let your guests know there will be a mini-concert. It will build excitement and ensure everyone arrives on time. Mentioning a live performance will pique their interest and add an element of surprise.

Creating the Atmosphere

Enhance your space to align with the music’s atmosphere. For a private party entertainment featuring a jazz trio, try dim lighting and candles to create a cozy, intimate ambiance.

For a rock band, consider using vibrant lights and some funky decorations. The right atmosphere can elevate the overall experience, making intimate gatherings and mini-concerts even more memorable.

Enjoy the Show

On the day of your party, all you need to do is sit back and enjoy the show with your guests. The live music will set a great mood, and your friends and family will love the unique entertainment.

Plus, you’ll have the chance to support local artists and give them a platform to showcase their talent.

Capture the Moments

Don’t forget to capture the moments. Take pictures and videos of your guests enjoying the music.

These will be great memories to look back on and share with those who couldn’t make it to the party. Plus, the performers will appreciate any photos or videos of their performance.

Elevate Your Private Parties to New Heights

Incorporating mini-concerts into your private parties is a game-changer. It combines the intimacy of a small gathering with the excitement of live music, creating an unparalleled atmosphere. Your guests will be amazed by the unique entertainment and the personal touch it adds to your event.

Embrace this innovative idea to transform your private parties from ordinary to extraordinary. Start planning your next gathering with a mini-concert and make it a night to remember for everyone involved.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

 

My Next Read: “Blacksound: Making Race and Popular Music in the United States” by Matthew D. Morrison

Blacksound explores the sonic history of blackface minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of “Blacksound” to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface.

Blacksound as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake–for creators and audiences alike–in revisiting the long history of American popular music.

JAZZ.FM91 Presents The Fourth Season Of Discover Women In Jazz

In partnership with the Pat and Tony Adams Freedom Fund for the Arts, JAZZ.FM91 presents the fourth season of Discover Women in Jazz

JAZZ.FM91 is dedicated to entertain, inspire and unite the community through inclusive high-quality programming, education and storytelling. As Canada’s only 24/7 all jazz radio broadcaster and a charitable arts organization, JAZZ.FM91 has a responsibility to push for greater equality and diversity in the arts. 

This concert series promotes, champions and highlights women’s contributions to jazz as musicians, composers, lyricists and bandleaders and has featured artists such as Joy Lapps, Debi Botos, Nicky Schrire, Virginia MacDonald and more. 

Discover Women in Jazz features five artists from the Greater Toronto Area selected by an informed panel that includes members of JAZZ.FM91’s Alumni Committee — musicians and entrepreneurs Agneya Chikte, Chelsea McBride, Jesse Ryan, and Jacob Chung — and JAZZ.FM91 Creative Strategist and Host of Voice Tracks, Dani Elwell. Recommendations were also received from members of the artist community and festival partners. 

Through this program, JAZZ.FM91 offers these talented women support, space, funding and marketing to foster their careers. 

One concert will be broadcast live to air and live-streamed to YouTube each week throughout August. Concert dates are: August 1, August 8, August 14, August 22, and August 29. Each concert will take place between 7 and 8 p.m. ET. 

Plus, tune in to Jazzology, supported by RBC Foundation on JAZZ.FM91 each Wednesday at 9 p.m. and Sunday at 8 a.m. ET between July 24 and August 25 to get to know more about this year’s artists leading up to their concerts. 

Apocalyptica Announces “Apocalyptica Plays Metallica Vol. 2” U.S. Tour With Special Guest Nita Strauss

In the lore of heavy metal, only a handful of artists can claim to have changed history, and even fewer can say they’ve done so twice. Enter Apocalyptica, and one of metal’s greatest, most unlikely success stories. By any account, it’s the stuff of legend, and it’s about to come full circle as Apocalyptica announces their “Apocalyptica Plays Metallica Vol. 2 Tour” across the United States, featuring support from guitar virtuoso Nita Strauss.

Formed in 1993 at the world-renowned Sibelius Academy in Helsinki, Finland, Apocalyptica began as a loving, lo-fi nod to Metallica from four classically trained musicians. Their debut album, Plays Metallica By Four Cellos, released in 1996, was a game-changer. As founding band leader Eicca Toppinen explains, “We just loved Metallica and we wanted to play it with the instruments we were able to play, which just happened to be cellos. We played a metal club in Helsinki, and then we were asked to do an album. Five months after it was released, we were opening for Metallica. It’s still unbelievable to me.”

Fast forward to today, and Apocalyptica has released eight rapturously received records, sold six million albums, and toured relentlessly. Now, they continue their unique homage to Metallica with Plays Metallica, Vol. 2, featuring powerful collaborations with Metallica members and using original tracks from the legendary Cliff Burton. The album came out June 7, 2024 to rave reviews…

“Apocalyptica have gone beyond mere novelty value to become their own unique entity, breathing fresh life and a new perspective into these songs. “ – LOUDER

“Apocalyptica Plays Metallica Vol.2 is a fitting homage to the band, and the fact that Metallica has so much involvement in it gives it that extra stamp of approval.” – Heavy Music HQ

The band looks forward to playing these fresh interpretations of Metallica songs for their US fans in 2025. The “Apocalyptica Plays Metallica Vol. 2 Tour” will kick off on February 6, 2025, in Washington, DC, and will visit major cities across North America.

Tour Dates:
Thu Feb 06 – Washington, DC @ Warner Theatre
Fri Feb 07 – Philadelphia, PA @ The Fillmore Philadelphia
Sat Feb 08 – Boston, MA @ Orpheum Theatre
Tue Feb 11 – New York, NY @ Brooklyn Paramount
Wed Feb 12 – Montreal, QC @ MTELUS
Thu Feb 13 – Toronto, ON @ Queen Elizabeth Theatre
Fri Feb 14 – Cincinnati, OH @ The Andrew J Brady Music Center
Sat Feb 15 – Chicago, IL @ Athenaeum Center
Sun Feb 16 – Detroit, MI @ The Fillmore Detroit
Tue Feb 18 – Minneapolis, MN @ Uptown Theater
Wed Feb 19 – Winnipeg, MB @ Burton Cummings Theatre
Thu Feb 20 – Saskatoon, SK @ Coors Event Centre
Fri Feb 21 – Edmonton, AB @ Midway Music Hall
Sat Feb 22 – Calgary, AB @ Grey Eagle Event Centre
Mon Feb 24 – Vancouver, BC @ Queen Elizabeth Theatre
Tue Feb 25 – Seattle, WA @ Moore Theatre
Wed Feb 26 – Portland, OR @ Crystal Ballroom
Thu Feb 27 – San Francisco, CA @ Palace of Fine Arts
Fri Feb 28 – Los Angeles, CA @ The Orpheum Theatre
Sat Mar 01 – Phoenix, AZ @ The Van Buren
Mon Mar 03 – Denver, CO @ Paramount Theatre
Wed Mar 05 – Austin, TX @ ACL Live – Moody Theater
Thu Mar 06 – Dallas, TX @ The Majestic Theatre
Sat Mar 08 – Houston, TX @ Bayou Music Center

Raf-Saperra Announces ‘Raw As Folk World Tour’

Raf-Saperra announced his ‘Raw As Folk World Tour’. Produced by Live Nation, the 13-city tour kicks off on Wednesday September 4 at The Howard Theatre in Washington D.C. making stops in Dallas, Vancouver, Manchester and more before wrapping up in London at O2 Shepherd’s Bush Empire on Friday, November 15.

Raf-Saperra, a South London native, has fast become one of the most talked about exports from the UK since his debut release ‘Glassy Riddim’. Combining his traditional Punjabi Folk vocals with his western musical influences, he has taken social media by storm.

RAW AS FOLK WORLD TOUR DATES:
Wed Sep 04 – Washington, DC – The Howard Theatre
Fri Sep 06 – New York, NY – Irving Plaza
Thu Sep 12 – Chicago, IL – House of Blues
Fri Sep 13 – Dallas, TX – The Echo Lounge & Music Hall
Sat Sep 14 – Toronto, ON – Danforth Music Hall
Sat Sep 21 – Los Angeles, CA – The Regent Theater
Thu Sep 26 – Vancouver, BC – Commodore Ballroom
Fri Oct 04 – San Francisco, CA – The UC Theatre
Fri Oct 18 – Manchester, UK – O2 Ritz
Sat Oct 19 – Leeds, UK – Stylus
Fri Oct 25 – Leicester, UK – O2 Academy Leicester
Sat Oct 26 – Birmingham, UK – O2 Institute
Fri Nov 15 – London, UK – O2 Shepherd’s Bush Empire
Sat Nov 23 – Abu Dhabi, UAE – Wireless Festival^
^Festival Date